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1000 tulosta hakusanalla A. R. Ammons

The Complete Poems of A. R. Ammons

The Complete Poems of A. R. Ammons

A. R. Ammons

WW Norton Co
2017
sidottu
A.R. Ammons produced some of the twentieth century’s most innovative and enduring poetry, collected here for the first time in its entirety. Volume I follows Ammons’s development through his National Book Award-winning Collected Poems 1951–1971 and his daring work of the 1970s. The second volume rounds out Ammons’s rich middle phase and startling later work, including the posthumously published Bosh and Flapdoodle. The Complete Poems of A.R. Ammons offers authoritative texts of every published poem and includes over one hundred previously uncollected poems by “unquestionably among the best-loved poets of our time” (David Lehman).
The Complete Poems of A. R. Ammons

The Complete Poems of A. R. Ammons

A. R. Ammons

WW Norton Co
2017
sidottu
A.R. Ammons produced some of the twentieth century’s most innovative and enduring poetry, collected here for the first time in its entirety. Volume I follows Ammons’s development through his National Book Award-winning Collected Poems 1951–1971 and his daring work of the 1970s. The second volume rounds out Ammons’s rich middle phase and startling later work, including the posthumously published Bosh and Flapdoodle. The Complete Poems of A.R. Ammons offers authoritative texts of every published poem and includes over one hundred previously uncollected poems by “unquestionably among the best-loved poets of our time” (David Lehman).
The Really Short Poems of A. R. Ammons
“Filled with sharp irony and passionate insight, the more than 100 poems in the collection span the career of one of the deans of contemporary poetry. . . . Ammons makes you laugh and forces you to think hard about the way humans relate to natural phenomena and to themselves. From such simple, short expression emerge complex, often confounding ideas. New readers of poetry as well as those with an active interest in lyric verse will love this volume.”—Booklist
A. R. Ammons: Selected Poems: (American Poets Project #20)
Meditative, comic, emotionally wrenching, steeped in both the natural world and the life of the mind, the poetry of A. R. Ammons is at once cosmic in scope and intimate in its moment-to-moment transformations. With his mastery of description and cadence, his roiling wit and fearless gaze, Ammons was a philosopher of the everyday who found surprise everywhere he looked. "He is often witty, sometimes bawdy," writes editor David Lehman, "on a perpetual quest to find forms capacious enough for an imagination intent on finding a place for everything." A compound, in editor David Lehman's words, of "wisdom, pathos, humor, mortal longing, and intimations of immortality," the work of A. R. Ammons is like nothing else in modern American poetry. Ammons's tireless formal invention and restless curiosity about every aspect of nature and of the mind are embodied in poetry that is effortlessly accessible and generous in its impulses. Whether spreading out in the long forms of Tape for the Turn of the Year or Garbage, or honing his perceptions down to the extreme brevity of his shorter lyrics, he holds tight to his vision of the way "all day / life itself is bending, / weaving, changing, / adapting, failing, / succeeding." This new selection covering the whole range of Ammons's career offers a superb introduction to the pleasures and surprises of his work. His uncanny ability to balance wide-ranging abstract speculation with meticulous observation of natural phenomena, in poetry that encompasses moods of tragic pathos, low comedy, and seemingly casual profundity marks him as one of the preeminent figures in our recent literature. About the American Poets ProjectElegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today's most discerning poets and critics.
The Rhetoric of the City: Robinson Jeffers and A. R. Ammons
There are many similarities in the development of urbanism and literature in the last two hundred years, resulting from a correspondence between modes of city-planning and modes of literary expression. The symbolic city, connected to the transcendental sphere of myth, evolved into the allegorical city that was transcendentally disconnected. In literature, initially there was no distinction between the symbol and allegory, but for nineteenth-century writers both were antithetical. Later, the symbol and allegory were merely ornaments, embodying a nostalgic drive for the unity of a subject and the products of its perception. Robinson Jeffers’s poetry, like the early twentieth-century city, relies on the symbol while A. R. Ammons’s poetry, like the late twentieth-century city, is allegorical in its essence. These similarities are not coincidental, but prove that the city and literature belong to the same socio-cultural sphere.
A Coast of Trees

A Coast of Trees

A. R. Ammons

WW Norton Co
2003
nidottu
Of this volume, the noted critic Harold Bloom has written, "A Coast of Trees represents A. R. Ammons at his strongest and most eloquent in the lyric mode. The book is an achievement fully comparable to his Uplands and Briefings. Among the poems likely to assume a permanent place in the Ammonsian (and American) canon are the majestic title lyric and 'Swells,' 'Easter Morning,' 'Keepsake,' 'Givings,' and 'Persistences.' Again Ammons has confirmed his vital continuities with the central Whitmanian tradition of our poetry, and his crucial place in that panoply."
Selected Longer Poems

Selected Longer Poems

A. R. Ammons

WW Norton Co
1980
nidottu
The distinguished poet A. R. Ammons once described himself as, “not so much looking for the shape as being available to any shape that may be summoning itself through me from the self not mine but ours.” This “availability” has enabled his poetic genius to be at home in forms raging from brief lyrics—the best of which he brought together in The Selected Poems: 1951-1977—all the way to poems of full book length.
Uplands

Uplands

A. R. Ammons

WW NORTON CO
1970
nidottu
The critic Harold Bloom writes, "With the publication of his Selected Poems (1968), soon after turning forty, A. R. Ammons quietly demonstrated a unique and central position in recent American poetry. . . . Recognition, as is always the case with a poetry difficult and central, has come slowly, but critics now begin to see in Ammons what he is: the maker of a body of poetry that fulfills Emerson's prophecy by addressing itself to life 'with sufficient plainness and with sufficient profoundness.'"
Diversifications

Diversifications

A. R. Ammons

WW Norton Co
1975
nidottu
The poems are on a diversity of subjects, but through them all runs the strong unity of vision that has led critic Geoffrey Hartman to acclaim Ammons as "a major American poet" (New York Times Book Review). "If his importance was suspected before," wrote the poet John Ashbery in The New York Review of Books, "it is now confirmed." Ammons came late to poetry, and has come even more lately into national recognition. That recognition is solid, however, and can only be increased by this, his latest volume.
Northfield Poems

Northfield Poems

A. R. Ammons

WW Norton Co
2012
nidottu
Ommateum, his first book, was published in 1955, and was followed in 1964 by Expressions of Sea Level. Corsons Inlet and Tape for the Turn of the Year were published in 1965 by Cornell University Press. In 1966, Mr. Ammons received a John Simon Guggenheim Memorial Fellowship for creative writing in poetry.
Lake Effect Country

Lake Effect Country

A. R. Ammons

WW Norton Co
1983
pokkari
Presenting the National Book Critics Circle Award in Poetry for 1981 to Ammons's A Coast of Trees Richard Locke, editor-in-chief of Vanity Fair, said, in part: "In the thirty years since A. R. Ammons published his first poems, he has fashioned a body of work that achieves a rare amplitude, specific gravity, and high seriousness. He is a poet of the American Sublime-a nature poet, as we say-standing in the tradition of Wordsworth, Emerson, and Whitman. Amidst the hue and cry of contemporary poetical factions, his work pursues its own integrity: clear, unblinking in its self-knowledge, remarkable for its radiant density of argument and feeling."
The Selected Poems

The Selected Poems

A. R. Ammons

WW Norton Co
1987
nidottu
To the "visions of clarity and terror" in that volume the poet now adds the most important poems from his three books published since. The resulting collection is the essential starting place for new readers, the quarry for those familiar with his work. Among the new poems is "Easter Morning," which the critic Helen Vendler called "a classic poem . . . a revelation."
Sumerian Vistas

Sumerian Vistas

A. R. Ammons

WW Norton Co
1987
nidottu
In the present volume—the first since his highly acclaimed Lake Effect Country—readers will find superb examples of work in both forms. "The Ridge Farm," which begins the book, and "Tombstones," at its center, are fine longer meditations, while "Motion's Holdings," the concluding section, contains a number of his best new shorter poems. The book is proof, once again, that Ammons is one of our major American poets.
Tape for the Turn of the Year

Tape for the Turn of the Year

A. R. Ammons

WW Norton Co
1995
nidottu
In the form of a journal covering the period December 6, 1963, through January 10, 1964, A. R. Ammons’s long, thin poem was written on a roll of adding-machine tape, then transferred foot by foot to manuscript. He chose this method as a serious experiment in making a poem adapt to something outside itself. The tape determined both the length of the poem’s lines and when it ends. Tape for the Turn of the Year is a poem of infinite variety, blessed by the rich resources of one of this century’s greatest poets. By turns witty, serious, lyrical, and meditative, it is at once a superbly entertaining book and a significant literary achievement.
Sphere

Sphere

A. R. Ammons

WW Norton Co
2012
nidottu
Sphere is the second of A. R. Ammons's long poems—following Tape for the Turn of the Year and preceding Garbage—that mark him as a master of this particular form. The sphere in question is the earth itself, and Ammons's wonderfully stocked mind roams globally, ruminating on subjects that range from galaxies to gas stations. It is a remarkable achievement, comparable in importance to Wallace Stevens's Notes Toward a Supreme Fiction.
Brink Road

Brink Road

A. R. Ammons

WW Norton Co
1997
nidottu
With characteristic economy, A. R. Ammons writes that "Brink Road lies off NY 96 between Candor and Catatonk." The very name suggests that we are ever in transition from one state of mind to another always on the edge of revelation. The more than 150 poems in Brink Road date from 1973 to the present, dealing with Ammons's concerns with language, mortality, and the forces underlying the natural world. With elegance, wit, and ruminative gravity, Brink Road is an important addition to one of the most enduring bodies of poetry of our time.
Glare

Glare

A. R. Ammons

WW Norton Co
1998
nidottu
A superb long poem by the contemporary master of the form, Glare comprises two sections, "Strip" and "Scat Scan." The poem demonstrates, yet again, why A. R. Ammons's poetic voice is a national treasure: by turns cosmic, self-inflating, self-deflating, eloquent, intimate, bawdy, comic, precise—and always unmistakably his own.
Worldly Hopes

Worldly Hopes

A. R. Ammons

WW Norton Co
2001
nidottu
In the poetry of A. R. Ammons, Helen Vendler has written, "the scientific world is beautifully in balance with the perceptual one." Originally published in 1982, this collection reminds us why Ammons must be read by all those who would understand our age and one of its most brilliant voices.
Collected Poems, 1951-1971

Collected Poems, 1951-1971

A. R. Ammons

WW Norton Co
2001
nidottu
"It will seem increasingly to many attentive readers that this volume—the most distinguished book of American verse, in my judgment, since the publication of Wallace Stevens's Collected Poems in 1955—marks the permanent establishment of a major visionary poet."—Harold Bloom "No mere gathering of poems, this collection is like one an explorer brings back."—David Kalstone