Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Aaron Leyshon
Negotiate Without Negotiating: An Introvert's Guide to Getting More and Stressing Less
Aaron Leyshon
Independently Published
2018
nidottu
How do you turn a simple negotiation into a great conversation? Because, let's face it, negotiating is awkward. But it doesn't have to leave you feeling drained. You can get more of what you want if you know: How to be human. Why you're probably negotiating all wrong. When to walk away. Forget the old concept of negotiating. It's not a fight to be won. A battle to be forged. We get more of what we want (time, money and freedom) when we work together. There's no need to fight. And every reason not to... especially when you're an introvert. Negotiate without Negotiating is a simple step by step guide. Apply these steps now to get clear on your direction. And you'll see the results as you go from afraid of talking about big issues to comfortably raising everything... from your salary to a rent reduction. Whether you're choosing who takes the kids to school... or which lawyer to use for your divorce. This easy and enjoyable read will let you put your time to good use. Get real results from your negotiations and feel good about yourself. You can stay safe in the knowledge that your great conversation is helping someone else. When you negotiate without negotiating, everyone gets more of what they want. And there's less stress too. Want more sales? Want more readers? Want more friends?Then this is the book you need. This simple step-by-step guide is made for introverts. Those who want to get more and stress less... Put the strategies to use and quickly make good decisions: Find out who you are and what you want. And get what you deserve Never miss a chance to turn any negotiation into a great chat... where everyone wins Avoid the deadly sin of not knowing what you want (even if you're not sure where to start) Find out the superpower you already have as an introvert Stress less and gain more from life. Without feeling sleazy, or dirty as a result of negotiating Every day we make 35,679+ decisions. Negotiating these doesn't have to suck. Do you: Feel uncomfortable asking for what you want (even if it means everything to you)? Worry that raising a big issue will cause someone not to like you? Wrong It can, but I'll teach you how to do it so other people will be glad you raised the point. Qualify everything with a weak disclaimer such as, "I'm sorry to bother you..."? Stop fighting. And start negotiating like a pro. With this simple guide, you'll get what you want faster and have fun as you do it. Get the best outcome for everyone. Don't sell yourself short ever again. Feel good. Help others. And most of all be human. It's easy to get more of what you want. And stress less with your newfound freedom. You just have to get started and negotiate without negotiating. Scroll up the page now and click the big orange button to get started.
College rule (also known as medium ruled paper) is the most common lined paper in use in the United States. It is generally used in middle school through to college and is also popular with adults. This is a good choice for teen or adult notebooks and composition books (known as exercise books outside the US).
Aaron 'speaks' of a Jewish boy who loses himself, and even in a sense his own parentage in Israel just before the WWII and then, many years later, 'finds' himself in America, with the help of a wonderful woman. It 'speaks' of love and family and the values we have lost along the way in this world of progress...
Aaron is behaving like a brat, and he knows it. He can't help how he feels, though-at only nineteen, his life is overwhelming. He's the only harpy-Krsnik hybrid of his age, and it makes him feel like a freak. The fact that he has no idea what to do with his life doesn't help. His dads won't let him become a vampire hunter, but Aaron is old enough to make these decisions for himself.Right?James is working as an apprentice baker, and he loves it. His life is entrenched in Gillham, and he's not planning on ever moving. He's jealous of his brother, who at twenty, is already living with his mate, but he's not in a rush.Then James meets his mate, and Aaron flies away-talk about being rejected. James has no intention of begging Aaron to accept him, even though he doesn't want to give up this opportunity. Will Aaron finally grow up, at least enough to see his life is not the disaster he feels it is? And will James have the patience to wait for him?
W. Donald Wilson and Paul G. Socken's translation of Aaron, by Québécois author Yves Thériault, makes this fine novel available in English for the first time. An exploration of ""otherness,"" the story centres on Moishe, an Orthodox Jew and refugee from Russia, who is raising his grandson, Aaron, alone in Montreal, following the deaths of Aaron's parents. Poverty-stricken, Moshe works as a tailor, maintains his strict adherence to Orthodoxy, and educates Aaron to follow in his path. Aaron becomes increasingly estranged from his grandfather's ways, however, and his meeting with the militantly secular Jewish girl Viedna confirms his decision to embrace modernity, secularism, and materialism and to reject his faith entirely. The story portrays a tragically polarized situation in which neither side is able to communicate or to build an alternative world view that incorporates both tradition and modernity. Possibly Thériault's finest novel, Aaron is a parable of our modern world and a poignant cautionary tale.
Hathaway House: Aaron (Book 1)Welcome to Hathaway House, a heartwarming military romance series from USA TODAY best-selling author Dale Mayer. Here you'll meet a whole new group of friends, along with a few favorite characters from Heroes for Hire. Instead of action, you'll find emotion. Instead of suspense, you'll find healing. Instead of romance, ... oh, wait. ... There is romance-of course Welcome to Hathaway House. Rehab Center. Safe Haven. Second chance at life and love.Former Navy SEAL Aaron Hammond has no idea how he wound up at Hathaway House, Texas. Nor does he particularly care. All he can see is his anger. Anger at the betrayal that destroyed his physical body and at the loss of the future he wanted but that he'll never have now. He's a cripple, less than half a man, and all he can look forward to is a half life, alone with himself and his pain.Dani Hathaway runs Hathaway House with her father, an ex-military man nicknamed the Major, and she knew Aaron and his brother SEAL Levi in another life. Levi was a good friend to her through her difficult teen years, but it was Aaron who caught her eye more than a decade ago. When she heard what happened to him, she moved heaven and earth to get him to Hathaway House, where she could help him regain his health and return him to the man he used to be.Old feelings resurface as Dani continues to push Aaron to acknowledge that his life is not over, and that, if he chooses, he can find both love and a future at Hathaway House.
He will live forever, hunting the undead....Aaron McReynolds is born in an Ireland where vampires reign and humans rely on secret pacts to keep themselves safe from the ones they dare not speak of. When those promises fail, he takes it upon himself to do whatever it takes to protect his family from the monsters that haunt Killarney.Transforming into a Guardian gives Aaron enormous power, but it also comes with a price. Live forever, but never rest; seek out those who would destroy mankind and terminate them. Discovering the one he loves most of all has turned, Aaron is faced with the ultimate question. Can he destroy her in order to save humanity?Follow Aaron's journey through the ages as he and his team of Guardians and Hunters take on legendary creatures of the night such as Jack the Ripper and Dracula himself. He's there when the Titanic flounders and for the bombing of Pearl Harbor--and so are the vampires.A Vampire Hunter's Tale is a new series based on The Clandestine Saga. Fans of the series will love learning the origins of their favorite characters. If you haven't read The Clandestine Saga but love alternative history interlaced with bloodsuckers, then Aaron is the book for you
Based on the only authoritative surviving manuscript of the 1921 novel, this Cambridge edition restores many passages censored from previous editions in its depiction of Everyman's quest for a meaningful existence.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Appalachian Spring, with music by Aaron Copland and choreography by Martha Graham, counts among the best known American contributions to the global concert hall and stage. In the years since its premiere-as a dance work at the Library of Congress in 1944-it has become one of Copland's most widely performed scores, and the Martha Graham Dance Company still treats it as a signature work. Over the decades, the dance and the music have taken on a range of meanings that have transformed a wartime production into a seemingly timeless expression of American identity, both musically and visually. In this Oxford Keynotes volume, distinguished musicologist Annegret Fauser follows the work from its inception in the midst of World War II to its intersections with contemporary American culture, whether in the form of choreographic reinterpretations or musical ones, as by John Williams, in 2009, for the inauguration of President Barack Obama. A concise and lively introduction to the history of the work, its realization on stage, and its transformations over time, this volume combines deep archival research and cultural interpretations to recount the creation of Appalachian Spring as a collaboration between three creative giants of twentieth-century American art: Graham, Copland, and Isamu Noguchi. Building on past and current scholarship, Fauser critiques the myths that remain associated with the work and its history, including Copland's famous disclaimer that Appalachian Spring had nothing to do with the eponymous Southern mountain region. This simultaneous endeavor in both dance and music studies presents an incisive exploration this work, situating it in various contexts of collaborative and individual creation.
Appalachian Spring, with music by Aaron Copland and choreography by Martha Graham, counts among the best known American contributions to the global concert hall and stage. In the years since its premiere-as a dance work at the Library of Congress in 1944-it has become one of Copland's most widely performed scores, and the Martha Graham Dance Company still treats it as a signature work. Over the decades, the dance and the music have taken on a range of meanings that have transformed a wartime production into a seemingly timeless expression of American identity, both musically and visually. In this Oxford Keynotes volume, distinguished musicologist Annegret Fauser follows the work from its inception in the midst of World War II to its intersections with contemporary American culture, whether in the form of choreographic reinterpretations or musical ones, as by John Williams, in 2009, for the inauguration of President Barack Obama. A concise and lively introduction to the history of the work, its realization on stage, and its transformations over time, this volume combines deep archival research and cultural interpretations to recount the creation of Appalachian Spring as a collaboration between three creative giants of twentieth-century American art: Graham, Copland, and Isamu Noguchi. Building on past and current scholarship, Fauser critiques the myths that remain associated with the work and its history, including Copland's famous disclaimer that Appalachian Spring had nothing to do with the eponymous Southern mountain region. This simultaneous endeavor in both dance and music studies presents an incisive exploration this work, situating it in various contexts of collaborative and individual creation.
During his lifetime Aaron Hill was one of the most lively cultural patrons and brokers on the London literary scene - an image hard to square with the company of undistinguished scribblers to which Pope relegated him in the Dunciad. Aaron Hill: The Muses' Projector, 1685-1750, the first biography of this fascinating figure for nearly a century, aims to correct the distorted picture of the Augustan cultural scene which Pope passed down to posterity. Hill deliberately confronted Pope in his attempt to free poetry's sublime and visionary potential from the stale platitudes of neo-classical convention. An early champion of women poets, he also enjoyed close relationships with Eliza Haywood and Martha Fowke, and brought his three writing daughters Urania, Astrea, and Minerva into close contact with his lifelong friend the novelist Samuel Richardson. In 1711 Hill, as stage manager and librettist, introduced Handel to the English stage, as well as lobbying tirelessly for innovation in the eighteenth-century theatre. His entrepreneurial energies, directed at both commercial and cultural projects, mirror the zeitgeist of early Hanoverian Britain.