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1000 tulosta hakusanalla Adam McFadden
Global Television and Film is the first non-specialist introduction to the economics of the contemporary film and television business. The industry is highly significant, economically and culturally and the political economy of its trade is an extremely sensitive issue. Are cultural goods merely entertainment goods? Why does the US dominate? This book provides a systematic and structured economic explanation of how the global markets for television and films operate, and the implications for public policy and business strategy. By explaining the economic and cultural characteristics relevant to trade, the reader is provided with the tools necessary to evaluate international communication issues. The book stresses the uniqueness of cultural products and develops the argument that the economic and cultural development approaches to cultural issues can be largely reconciled. The authors point out that the mainstream economics approach has been under-represented in communications and explains to a very great extent the underlying reasons for the prevalence of American based media across the world.
"Hoskins, McFadyen and Finn de-dismalise economics. Their book is clearly written, full of cogent and apposite examples and analyses persuasively what makes media and communications like, and unlike, other economic sectors. From network externality to public good, from experience goods to superstars, from dumping to quotas they lucidly guide the reader through the tangles of the new economy and why it now matters less if maids burn books. Eat your heart out Thomas Carlyle." -Richard E. Collins, The Open University, U.K. How does the Internet affect the supply of information-based entertainment and cultural goods? Why do telephone companies have peak and off-peak prices for long-distance calls? Why is broadcasting, but not newspaper publishing, usually regulated and sometimes subsidized? Media Economics: Applying Economics to New and Traditional Media provides a thorough foundation of the microeconomic principles and concepts needed to understand media industries and issues in the converging media environment. Media Economics differs from ordinary media economic texts by taking a conceptual approach to economic issues. As the book progresses through economic principles, authors Colin Hoskins, Stuart McFadyen, and Adam Finn use cases and examples to demonstrate how these principles can be used to analyze media issues and problems. Media Economics emphasizes economic concepts that have distinct application within media industries, including corporate media strategies and mergers, public policy within media industries, how industry structure and changing technologies affect the conduct and performance of media industries, and why the United States dominates trade in information and entertainment. Key Features Chapter opening vignettes introduce the issues analyzed in each chapter Concise definitions of key terms for a clear understanding of basic microeconomic and managerial economic concepts Examples from a variety of media industries including those in the United States, Canada, the United Kingdom, and Australia A concept-driven approach enabling a longer shelf-life as technologies, structures, and revenues change A recognition of the reality of convergence and consolidation in media industries rather than addressing each media outlet individually Media Economics assumes no prior background in economics and is designed for undergraduate and graduate students studying media economics and media industries. The book is an ideal text for public policy and the media as well as media and society courses with an economic perspective taught in Media Studies, Communication, Business, Journalism, Film Studies, Political Studies, and Economics programs.
"Hoskins, McFadyen and Finn de-dismalise economics. Their book is clearly written, full of cogent and apposite examples and analyses persuasively what makes media and communications like, and unlike, other economic sectors. From network externality to public good, from experience goods to superstars, from dumping to quotas they lucidly guide the reader through the tangles of the new economy and why it now matters less if maids burn books. Eat your heart out Thomas Carlyle." -Richard E. Collins, The Open University, U.K. How does the Internet affect the supply of information-based entertainment and cultural goods? Why do telephone companies have peak and off-peak prices for long-distance calls? Why is broadcasting, but not newspaper publishing, usually regulated and sometimes subsidized? Media Economics: Applying Economics to New and Traditional Media provides a thorough foundation of the microeconomic principles and concepts needed to understand media industries and issues in the converging media environment. Media Economics differs from ordinary media economic texts by taking a conceptual approach to economic issues. As the book progresses through economic principles, authors Colin Hoskins, Stuart McFadyen, and Adam Finn use cases and examples to demonstrate how these principles can be used to analyze media issues and problems. Media Economics emphasizes economic concepts that have distinct application within media industries, including corporate media strategies and mergers, public policy within media industries, how industry structure and changing technologies affect the conduct and performance of media industries, and why the United States dominates trade in information and entertainment. Key Features Chapter opening vignettes introduce the issues analyzed in each chapter Concise definitions of key terms for a clear understanding of basic microeconomic and managerial economic concepts Examples from a variety of media industries including those in the United States, Canada, the United Kingdom, and Australia A concept-driven approach enabling a longer shelf-life as technologies, structures, and revenues change A recognition of the reality of convergence and consolidation in media industries rather than addressing each media outlet individually Media Economics assumes no prior background in economics and is designed for undergraduate and graduate students studying media economics and media industries. The book is an ideal text for public policy and the media as well as media and society courses with an economic perspective taught in Media Studies, Communication, Business, Journalism, Film Studies, Political Studies, and Economics programs.
NOW A MAJOR MOTION PICTURE. A sweet and subversive coming-of-age novel by award-winning memoirist and screenwriter Ariel Schrag.When Adam Freedman—a skinny, awkward, inexperienced teenager from Piedmont, California—goes to stay with his older sister Casey in New York City, he is hopeful that his life is about to change. And it sure does.It is the summer of 2006. Gay marriage and transgender rights are in the air, and Casey has thrust herself into a wild lesbian subculture. Soon Adam is tagging along to underground clubs, where there are hot older women everywhere he turns. It takes some time for him to realize that many in this new crowd assume he is trans—a boy who was born a girl. Why else would this baby-faced guy always be aroundThen Adam meets Gillian, the girl of his dreams—but she couldn’t possibly be interested in him. Unless passing as a trans guy might actually work in his favor . . .Ariel Schrag’s scathingly funny and poignant debut novel puts a fresh spin on questions of love, attraction, self-definition, and what it takes to be at home in your own skin.“An insightful, funny, and unexpected love story.”—Aimee Mann"[An] audacious coming-of-age novel.”—Miami Herald "Compulsively readable."—Bookforum "Hilarious...Schrag's riotous, poignant debut novel will leave you reeling."—SF Weekly
SHORTLISTED FOR THE T. S. ELIOT PRIZESHORTLISTED FOR THE JHALAK POETRY PRIZELONGLISTED FOR THE JOHN POLLARD FOUNDATION INTERNATIONAL POETRY PRIZEThe debut collection of poetry by Gboyega Odubanjo.'On 21 September 2001, the torso of a black boy was discovered in the River Thames, near Tower Bridge in central London, clothed only in an orange pair of girls' shorts. Given the name "Adam" by police officers, the unidentified boy was between four and eight years old. What comes next cannot without a story of water and offering. The sun shines and we gather because the river allows it. Na from clap dem dey enter dance. We enter with, and as, Adam.' - Gboyega OdubanjoHaunted by the discovery of the remains of a young Black boy in the River Thames in London, 2001, Gboyega Odubanjo's Adam builds from the Genesis myth and from Yoruba culture to examine with an unflinching eye the disappearance of a child and its implication for all Black lives, and for the society in which we live.Gboyega Odubanjo (1996-2023) was born and raised in East London. He is the author of three poetry pamphlets: While I Yet Live (Bad Betty Press), Two stops short of Barking (The Alternative School of Economics) and Aunty Uncle Poems (The Poetry Business/New Poets List), winner of the Michael Marks Poetry Award and an Eric Gregory Award. A Barbican Young Poet alumnus, Odubanjo was an editor at bath magg journal and Bad Betty Press, co-chair of Magma and a member of the Roundhouse Poetry Collective, after which he later became a Roundhouse Resident Artist. He was a creative-writing tutor on the Creative Future IMPART programme, supporting writers from underrepresented backgrounds. His UK garage single 'LDN GRLS' with Love Remain is out with the Sony Music UK label Black Butter Records. The Gboyega Odubanjo Foundation for low-income Black writers was established in 2023 to honour his legacy. Adam, published posthumously in 2024, is his debut poetry collection.'What a voice he has - fresh, worn, elegiac, present. If ever a volume offered a story about water, loss, migration and every last one of us, Adam does.' Andrew O'Hagan, Observer'Here is a heavy, mystical, humorous and lyrical Black British voice that will live forever.' Raymond Antrobus'Adam is a watery chorus, spirited and kinetic. These poems crackle with love and risk . . . Odubanjo was a singular voice in British poetry, one which will endure.' Momtaza Mehri'With Adam, it feels like Gboyega Odubanjo excavates traditions to create a new world with a language and texture completely of its own.' Tife Kusoro'Adam is an anticipated debut, from a poet rooted in community. A poet whose name and charm will continue to live in our hearts and minds for generations.' Yomi Sode'An extraordinary and arresting book.' Kate Kellaway, Observer'A monumental polyphonic odyssey . . . Reading this collection is an experience of exquisite heartbreak.' Oluwaseun Olayiwola, Guardian'Odubanjo's art was - and is, in the never-ending presentness of his book - an art of the impossibly perfected everyday . . . Adam grants its readers extraordinary perceptions throughout - it's a light, keeping visible a story too likely to fade from view, and making more visible a poet who must be read.' Shane McCrae, Daily Telegraph'Gboyega Odubanjo's posthumous debut, Adam (Faber), took the story of the torso of a Black boy found in the Thames in 2001 and explored its symbolism for the poet's youth in a London where "the streets are paved with cousins". It's a profound loss that his first book is also his last.' Jeremy Noel-Tod, TLS Books of the Year 2024 'Odubanjo's Adam (Faber, £12.99) - a many-voiced, richly imaginative response to the death of a Nigerian boy whose body was found in the Thames in 2006 - is almost certain to make this much-missed poet the first posthumous winner of a TS Eliot Prize since Ted Hughes.' Telegraph, Best Poetry of 2024 'Flowing between different voices - news reports, myth, London dialect - Gboyega memorialises an anonymous boy's death, and offers a conflicted love-letter to the capital. TFS' Telegraph, 'The 50 Best Books of 2024 - ranked''Blending English, Pidgin and Yoruba, Odubanjo's language is by turns laser sharp, expansive and indelible: "there is nothing left to dig a grave / wait and enjoy life / wait and bury me / your touch is life / your gapped teeth please me / the story is yours". Finishing the book leaves you mesmerised, and keening for what would have come next.' Rishi Dastidar, Guardian Best Poetry Books of 2024
This is the sixth and final book in NEW YORK TIMES bestselling author Jacquelyn Frank's Nightwalker series, which is intensely sensual, suspenseful and smart, and features demons, druids, vampires and much more
In this Adam collection, cartoonist Brian Basset features his endearingly funny characters who epitomize-in their own unique ways-the joys and challenges of contemporary family life. From baby-food-stained evening wear to fear of finances, from long family walks to computer-generated friendships, Adam portrays the humorous realities of raising a family while juggling commitments, careers, and community. Through it all, Adam and Laura keep a sense of perspective and a giant dose of family-oriented fun.
Adam
KESSINGER PUBLISHING, LLC
2010
pokkari
Adam a 22 year old, in a completely loveless relationship with an extremely abusive partner is about to have his whole reality altered when he meets a woman he falls in love with. Adam fully knowing the extent of the insanity of his partner decides to lay low. Only to realize fate has completely other plans for the course of his life. Adam discovers hidden secrets about himself, and the secrets others have hidden from him. Adam is extremely impacted by Alchemy's presence in his life. She is the something from his past, he thought he would never encounter again. Alchemy and Adam's life is about to change completely. In ways no one ever could have foreseen. Adam's love for Alchemy takes him to the darkest shadows of himself, and leads him through a spiritual journey. Adam's perspective is completely changed.
Not much is written geared to the sixty-five and older. Adam disproves the belief "old age" is virtually a death sentence. Adam Montgomerie returns to Granitehead after thirty-eight years to reclaim his childhood sweetheart and first love. He is a tortured man and guilt-ridden about his abandonment of Jane Moss, a retired Hospital Administrator. Dr. Montgomerie comes to grip with many issues in his lifetime, and, ultimately, reaches an elevated place of Spiritual awareness. He takes Jane along with him. At books end, Jane Moss cherishes Adam, and understands his brief presence in her life as a gift. The reader must decide what that gift is
ADAM THE FIRST PERFECT MASTER AND POET Paul Smith. In a series of nine nightly conversations between a Master and some close devotees this is a long-overdue exploration and discovery and appreciation of the real spiritual status of Adam, the first God-realized human being and the first poet. Using poetry and texts of the greatest Sufi and other mystical poets this first Perfect Master's life and role is revealed and praised. The poets and Spiritual Masters include Adam Himself, Hafiz, Ibn 'Arabi, Shahin of Shiraz, 'Iraqi, Jili, Mansur Hallaj, Khushal Khan Khattak, Rumi, Ansari, Nizami, Shabistari, Suhrawardi, Mu'in ud-din Chishti, Sadi, Ibn al-Farid, Iqbal and Paul. The correct rhyme-structure has been kept as well as the beauty and meaning of these poems. 222 pages in the paperback.COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'."It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished. If he comes to Iran I will kiss the fingertips that wrote such a masterpiece." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran."Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of works into Persian and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). "I was very impressed with the beauty of these books." Dr. R.K. Barz. Faculty of Asian Studies, Australian National University.Paul Smith is a poet, author and translator of over 80 books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Omar Khayyam, Rudaki, Yunus Emre, Shah Latif, Bulleh Shah and many others, and his own poetry, fiction, plays, biographies, children's books and 12 screenplays. amazon.com/author/smithpa Published by New Humanity Books