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1000 tulosta hakusanalla Adeline Trafton
This is a 19th century travelogue written by popular author and novelist Adeline Trafton. Here's an excerpt from the beginning: "WE were going to Europe, Mrs. K. and I-alone, with the exception of the ship's company-unprotected, save by Him who watches over the least of his creatures. We packed our one trunk, upon which both name and nationality were conspicuously blazoned, with the necessaries, not luxuries, of a woman's toilet, and made our simple preparations for departure without a shadow of anxiety. "They who know nothing, fear nothing," said the paterfamilias, but added his consent and blessing. The rain poured in torrents as we drove down to the wharf. But floods could not have dampened our enthusiasm. A wild Irishman, with a suggestion of spirituous things in his air and general appearance, received us at the foot of the plank, one end of which touched earth, the other that unexplored region, the steamer. We followed the direction of his dirty finger, and there fell from our eyes, as it were, scales. In our ignorance, we had expected to find vast space, elegant surroundings, glass, glare, and glitter. We peered into the contracted quarters of the ladies' cabin. One side was filled with boxes and bundles; the other, with the prostrate form of an old lady, her head enveloped in a mammoth ruffle. We explored the saloon. The purser, with a wen and a gilt-banded cap on his head, was flying about like one distracted. An old gentleman similarly attired, with the exception of the wen, -the surgeon as we afterwards learned, -read a large book complacently in one corner, murmuring gently to himself. His upper teeth lacked fixity, so to speak; and as they fell with every word, he had the appearance of gnashing them continually at the invisible author. There was a hurrying to and fro of round, fresh-faced stewards in short jackets, a pushing and pulling of trunks and boxes, the sudden appearance and disappearance of nondescript individuals in slouched hats and water-proofs, the stirring about of heavy feet upon the deck above, the rattling of chains, the 'yo-ing' of hoarse voices, as the sailors pulled at the ropes, and, with it all, that sickening odor of oil, of dead dinners-of everything, so indescribable, so never-to-be-forgotten. Somewhat saddened, and considerably enlightened upon the subject of ocean steamers, we sought our state-room. It boasted two berths (the upper conveniently gained by mounting the stationary wash-stand), and a velvet-covered sofa beneath the large, square window, which last we learned, months later, when reduced to a port-hole for light and air, to appreciate. A rack and half a dozen hooks against the wall completed its furniture.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Reproduction of the original: An Americal Girl Abroad by Adeline Trafton
Reproduction of the original: An Americal Girl Abroad by Adeline Trafton
"An American Girl Abroad," authored by Adeline Trafton, is a captivating narrative that chronicles the adventures of a young American girl as she embarks on a adventure overseas. In this charming story, the protagonist, probably a reflection of the writer's very own reports, unearths herself in a foreign land, establishing doorways to new cultures, people, and reviews. Trafton's storytelling is a satisfying blend of travelogue and private reflection, imparting readers a bright portrayal of the points of interest, sounds, and sensations of the places visited. The narrative captures the essence of move-cultural encounters, providing a window into the marvel and intrigue skilled by the American girl as she navigates the intricacies of lifestyles abroad. As she explores the surprising landscapes and interacts with the human beings she encounters, the protagonist's perspective on the world broadens, leading to personal growth and enlightenment. Through this journey, Trafton's work underscores the customary issues of self-discovery, variation, and the transformative electricity of travel. "An American Girl Abroad" serves as each a fascinating tour narrative and a coming-of-age story. Adeline Trafton's work is a testomony to the iconic attraction of memories about exploration, curiosity, and the discovery of latest horizons, making it a literary gem that keeps to resonate with readers searching for to undertaking beyond their comfort zones.
An American Girl Abroad This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING
A captivating novel of Virginia Woolf and the Bloomsbury group.
