Kirjahaku
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1000 tulosta hakusanalla Airas Penni
Neljäs Sienipieni -kirja on huima scifi-seikkailu runomuodossa. Sienipieni ja Haltia syöksyvät halki avaruuden kohti kaukaisia planeettoja bittijunalla virtuaalimaailmassa.
Kurre Lierulainen Saa uusia ystäviä on jatkoa luontokuvaaja Jan Airaksen esikoiskirjalle Kurre Lierulainen - Takapihan elämää, joka ilmestyi 2020.Kirjassa on mukana noin sata valokuvaa ja puhekuplat, jotka ytimöittävät ideaa.Tarina etenee irtonaisilla sketseillä.Kirja on humoristisen kevyt kuvaus oravan ilmeikkäästä ja veijarimaisesta luonteesta.Kuvaaja lisäsi oravan päivittäisiin ruokailuihin mukaan kaikenlaista pientä kommervenkkia ja pulman ratkontaa yms. ja erilaisialeluja sekä pelejä, saadakseen kuviin kurren ilmeitä, eleitä ja yleensäkin reagointia eri tilanteissa hieman koristeellisessa maailmassa sekä asettamalla pähkinöitä jakauraa mitä ihmeellisimpiin paikkoihin.Kurre Lierulaisen lisäksi kuviin pääsivät oravan uudet ystävät, fasaani, talitintti ja muita eläimiä.
Educación rural y saberes campesinos: una discusión pendiente
Jairo Arias Gaviria
Editorial Académica Española
2016
nidottu
Zivilisation und Barbarei - Stereotype und Identitäten in César Airas "La Liebre"
Claudia Müller
Grin Verlag
2007
pokkari
Eläinhuumoria kuvakirjana seinäjokelaiselta luontokuvaajaltaHassunhauskaa eläinhuumoria valokuvaketseinä varustettuna puhekuplilla.Pääosassa orava lempinimeltään Kurre Lierulainen, joka sattui rakentamaan talvipesänsä luontokuvaajan takapihalle.Mitä siitä seurasi? Kaikki mahdolliset kommervenkit, mitä luontokuvaaja keksii.- Kirjan idea sai alkunsa kahdesta pihallani juoksentelevasta kesystä kurresta, joista ainakin toinen oli tehnyt talvipesän rivitaloasuntoni takapihan kuuseen, kertoo luontokuvaajaJan Airas, joka käyttää nimimerkkiä Linssilures. Tällä nimellä löytyy hänen luontokuviaan sisältävänettisivustonsa (www.linssilures.fi)
Vanessa March never thought to look for her missing husband in Vienna -- until she saw him in a newsreelshot there at the scene of a deadly fire. But her hunt for answers only leads to more sinister questionsin a mysterious world of beautiful horses.And what waits for Vanessa in the shadowsis more terrifying thananything she has ever encountered.
With the Trojan War won, the Greeks' last great hero, Arias, has suddenly become obsolete. The world is changing - as he witnesses when the armor of his fallen cousin Achilles is awarded not to him but to his crafty comrade Odysseus. When Aias swears vengeance, the goddess Athena clouds his mind with madness - and when his senses clear, he discovers that men he believed he fought and murdered were only the helpless animals and defenseless herdsmen seized by his own army as spoils of war. Shamed beyond redemption, Aias takes his own life, an act that leaves his friends and fellows to cope with the realities of his burial, the shock of his downfall, and the questions of whether a warrior can ever return from the wars that define his life. In "Aias", Sophocles challenges his society's ideals of heroism, exposing the unseen costs of war upon those who fight and those who are left behind. In this masterful translation, James Scully brings readers and actors inside the drama, enabling an exploration of these same issues within our modern cultural context - and offering a text that allows the emotions and arguments of Sophocles' era to strike a chord with a contemporary audience.
In this new translation, Sophocles early masterpiece comes boldly to life. In Greek tradition, Aias is the outmoded warrior whom time passes by. In Sophocles play, he becomes the man who moves resolutely beyond time. Most previous versions and interpretations have equivocated over Sophocles bold vision. This version attempts to translate precisely that transformation of the hero from the bygone figure to the man who stops time. In Homer, Aias is the immovable bulwark of the Achaians, second only to Achilles in battle prowess and size. But when Achilles dies, his armor is given to the wily Odysseus, not Aias. Shamed, and driven to madness, Aias dies a dishonorable death by suicide. He becomes, in death, the symbol of greatness lost; his death signals the end of a heroic age; in the visual arts, draped hideously over his huge sword, he becomes a momento mori. Sophocles plays upon his audiences expectation of all this. In the first scene Aias appears as the Homeric warrior turned mad butcher. It is harder to imagine a more degraded image of the hero. But with each scene, Aias moves from darkness into greater and greater light, and speaks, contrary to the audiences expectations, more like a Heraclitean philosopher of the worlds flux than the laconic figure known from Homer. In fact, Sophocles Aias clearly sees his madness and the betrayal by the Greeks as merely symptomatic of a world in which nothing remains constant, not loyalties, not oaths, not friendship, not love. Not content to live in a world where nothing lasts, he resolves to live and therefore to die in accord with the more absolute law of his own inner nature. He thereby transforms his death into destiny, dying with his grip on the absolute rather than living on in a world of uncertainties. In death, he thus becomes the paradigm of permanence, of the human possibility of snatching the eternal from the desperately fleeting. This version embodies, and the introduction and notes hope to elucidate, how Sophocles brings this tragic vision of human greatness powerfully to life.
Now ill, and for a time presumed dead, the limitations of Sol's life at Bothan Faobhar throw him back to the bright lights of London. What is he prepared to compromise in his new found world on the northern limits of the UK's mainland to regain the relationships he had in the past? Is that much compromise even possible? And then there are the differing protocols for living in the city and for life in a rural community, not to mention Sol's foolhardy approach at times. This is the continued story of Sol. It is a tale of reconciliation between what we want and what we need. But it is mostly about a man who needs to learn what these are and the wild things that surround him as he discovers this. It is also about Lyme's disease.
