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1000 tulosta hakusanalla Alain Malo

Sur le sein de Mary: Est-il possible de vivre deux amours heureux?

Sur le sein de Mary: Est-il possible de vivre deux amours heureux?

Alain Malo

Createspace Independent Publishing Platform
2015
nidottu
Louis, prend sa retraite de bonne heure, son divorce est r cent. Sans soucis mat riels, il vit la Rochelle et partage son temps entre le Cargo, bistrot de marin du port de plaisance, son voilier et Ja sa ma tresse serveuse dans un restaurant. Il aime aussi depuis longtemps la Pr sidente femme politique de premier plan qu'il juge inaccessible et croit avoir oubli e. Il la revoit, son amour revient avec des forces neuves. Il veut devenir son amant sans se s parer de Ja. R ussira-t-il ? Entre ces temp raments f minins d'une grande force que lui r serve l'avenir, lui, fort dans la vie mais si faible avec les femmes ? L' l mentaire volont de jeter un regard int rieur lui fait d faut, survivra-t-il ce manque de volont ? Malgr sa faiblesse, son go sme, son manque de clairvoyance, lui trouvera-t-on quelques circonstances att nuantes, suscitera-t-il un d but d'indulgence ?
Eroticodélicious: Les souvenirs érotiques d'un vieux monsieur

Eroticodélicious: Les souvenirs érotiques d'un vieux monsieur

Alain Malo

Createspace Independent Publishing Platform
2016
nidottu
L' rotisme, la douceur, la tendresse voqu s travers les souvenirs d'un vieux monsieur. Ce sont aussi les motions d'un homme racont es par des voix f minines, probablement celles qu'il rencontrait. Cela se passait avant les portables, les mails et les sms, avant le sida, avant le ch mage mais apr s la pilule tout de m me. Une belle poque en somme.
Distribution System Planning

Distribution System Planning

Marie-Cecile Alvarez-Herault; Victor Gouin; Trinidad Chardin-Segui; Alain Malot; Jonathan Coignard; Bertrand Raison; Jerome Coulet

ISTE LTD AND JOHN WILEY SONS INC
2023
sidottu
Distribution systems drive energy and societal transition. System planning enables investments to be made in the right place, at the right time and with the right technology. Distribution System Planning is centered on the evolution of planning methods that will best support this transition, and describes the historical context and concepts that enable planning, its challenges and key influencing factors to be grasped. It also analyzes the impact of the development of renewable and decentralized energy resources, government recommendations and distributor initiatives to promote their integration. Through the use of case studies, this book provides examples of how planning methodologies have evolved, as well as an overview of new and emerging solutions.
Bugsy Malone

Bugsy Malone

Alan Parker

Harpercollins Publishers
1984
pokkari
This script, with 15 major parts, has been especially adapted for schools. It contains the song lyrics and stills from the film, as well as suggestions on lighting, staging and costumes.
Mad Amos Malone

Mad Amos Malone

Alan Dean Foster

Wordfire Press
2019
pokkari
Strange characters cast long shadows over the Old West. There was Paul Bunyan. There was Pecos Bill. Strangest of all was the giant mountain man they called Mad Amos Malone. Atop his massive, swift, and permanently irascible steed Worthless, Mad Amos crops up everywhere from the construction of the transcontinental railroad to a poor woman's kitchen, confronting everything from Yellowstone spirits to yellow-bellied snake-oil salesmen. Maybe a little crazed, maybe a little other-dimensional, and always impossible to tell if he's just a left a room at the asylum or the Sorbonne. With his saddlebags overflowing with mysteries you'd better not try to peruse, to his mount that you'd best not try to rustle, Mad Amos roams the Old West settling scores, righting wrongs, and just occasionally coming up against trolls, sprites, dragons, spirits of the Earth, evil magicians--and most dangerous of all, dogs and cats. Thar's gold, guns, liquor, wimmen, good spells and evil spells. Mad Amos deals with 'em all. Just keep clear of his Sharp's rifle and the fact that he hasn't had a bath in weeks.
Mad Amos Malone

Mad Amos Malone

Alan Dean Foster

Wordfire Press
2019
sidottu
Strange characters cast long shadows over the Old West. There was Paul Bunyan. There was Pecos Bill. Strangest of all was the giant mountain man they called Mad Amos Malone. Atop his massive, swift, and permanently irascible steed Worthless, Mad Amos crops up everywhere from the construction of the transcontinental railroad to a poor woman's kitchen, confronting everything from Yellowstone spirits to yellow-bellied snake-oil salesmen. Maybe a little crazed, maybe a little other-dimensional, and always impossible to tell if he's just a left a room at the asylum or the Sorbonne. With his saddlebags overflowing with mysteries you'd better not try to peruse, to his mount that you'd best not try to rustle, Mad Amos roams the Old West settling scores, righting wrongs, and just occasionally coming up against trolls, sprites, dragons, spirits of the Earth, evil magicians--and most dangerous of all, dogs and cats. Thar's gold, guns, liquor, wimmen, good spells and evil spells. Mad Amos deals with 'em all. Just keep clear of his Sharp's rifle and the fact that he hasn't had a bath in weeks.
Come Home Again

Come Home Again

Nana Malone

Createspace Independent Publishing Platform
2014
nidottu
Anything can be fixed with a little Duct Tape and sass... At least that's what celebrity fixer, Delilah Donovan, used to think. She prides herself on being able to handle anything. But when she's asked to fix the new CEO of Synth Games, she never dreams she'll come face to face with the only man to ever break her heart. The past can't always be fixed... When a friend calls in a long ago favor, reformed hacker, Nate Williams, worries that his shady past will come back to haunt him. As acting CEO of Synth Games, he needs to make the world believe he's CEO material. Too bad the one person who can help him is the one woman he had to leave behind. Will Nate bury his demons for good or will his past dictate his future? Can Delilah rise to this challenge or will Nate shatter her heart...again.
Alain L. Locke

Alain L. Locke

Leonard Harris; Charles Molesworth

University of Chicago Press
2008
sidottu
Alain L. Locke, in his famous 1925 anthology "The New Negro", declared that 'the pulse of the Negro world has begun to beat in Harlem'. The first biography of this extraordinarily gifted philosopher and writer, Alain L. Locke narrates the untold story of his profound impact on twentieth-century America's cultural and intellectual life. The heart of this narrative illuminates Locke's heady years in 1920s New York City and his forty-year career at Howard University, where he helped spearhead the adult education movement of the 1930s and wrote on topics ranging from the philosophy of value to the theory of democracy.
Alain L. Locke

Alain L. Locke

Leonard Harris; Charles Molesworth

University of Chicago Press
2010
nidottu
Alain L. Locke, in his famous 1925 anthology "The New Negro", declared that 'the pulse of the Negro world has begun to beat in Harlem'. The first biography of this extraordinarily gifted philosopher and writer, Alain L. Locke narrates the untold story of his profound impact on twentieth-century America's cultural and intellectual life. The heart of this narrative illuminates Locke's heady years in 1920s New York City and his forty-year career at Howard University, where he helped spearhead the adult education movement of the 1930s and wrote on topics ranging from the philosophy of value to the theory of democracy.
Alain Locke and the Visual Arts

Alain Locke and the Visual Arts

Kobena Mercer

YALE UNIVERSITY PRESS
2022
sidottu
A fresh perspective on the influential critic, offering new ways of understanding the art of the Harlem Renaissance “Mercer’s sumptuously illustrated study . . . succeeds in positioning Locke as an important philosophical voice in the ‘not yet finalized story of Afro-modern art and culture.’”—Douglas Field, Times Literary Supplement Alain Locke (1885–1954), leading theorist of the Harlem Renaissance, maintained a lifelong commitment to the visual arts. Offering an in-depth study of Locke’s writings and art world interventions, Kobena Mercer focuses on the importance of cross-cultural entanglement. This distinctive approach reveals Locke’s vision of modern art as a dynamic space where images and ideas generate new forms under the fluid conditions of diaspora. Positioning the philosopher as an advocate for an Afromodern aesthetic that drew from both formal experiments in Europe and the iconic legacy of the African past, Mercer shows how Aaron Douglas, Loïs Mailou Jones, and other New Negro artists acknowledged the diaspora’s rupture with the ancestral past as a prelude to the rebirth of identity. In his 1940 picture book, The Negro in Art, Locke also explored the different ways black and white artists approached the black image. Mercer’s reading highlights the global mobility of black images as they travel across national and ethnic frontiers. Finally, Mercer examines how Locke’s investment in art was shaped by gay male aestheticism. Black male nudes, including works by Richmond Barthé and Carl Van Vechten, thus reveal the significance of queer practices in modernism’s cross-cultural genesis. Published in association with the Hutchins Center for African & African American Research, Harvard University
Alain Locke and Philosophy

Alain Locke and Philosophy

Johnny Washington

Praeger Publishers Inc
1986
sidottu
Washington provides the first systematic critical look at the life and work of Alain Locke, an important American philosopher, in the context of a thoroughgoing analysis of the values, ideals, aspirations, and problems of the Black community. Alain Locke contributed significantly to the twentieth-century dialogue on ethics and society. Drawing particularly on the work of William James and Josiah Royce, Locke was perhaps the first to bring philosophy to bear on the problems of race relations and social justice in a multiracial society. He argued that racial problems in the United States stem from the fact that white Americans hold up their values as the only controlling and only acceptable model, to which other groups are forced to conform. First discussing what is meant by Black philosophy and what its concerns include, the author examines Locke's philosophic interpretation of Black America's historical experience, contributions to culture, and struggles for social justice. He provides a critique of Locke's model of the political community, with special reference to the work of Hannah Arendt. Looking at the impact of Locke, DuBois, and others on the Black community, he discusses their relation to the Black Elite, their encouragement of Black artists and their positions on educational issues such as teaching Black history, parity for Blacks, and school desegregation. Other subjects considered are the New Negro, the Harlem Renaissance, African art and culture, and Locke's views in light of changes that have occurred since his death in 1954.An important work on a philosopher whose insights are of continuing significance today, this book will be of interest for Afro-American studies, as well as for courses on American philosophy and American social and intellectual history.
Alain Robbe-Grillet

Alain Robbe-Grillet

John Fletcher

Routledge
2019
sidottu
Alain Robbe-Grillet had traditionally been seen as an austere experimentalist in fiction, addicted to arid and interminable descriptions of objects like coffee pots, erasers and pieces of string. His own rather bellicose theoretical pronouncements were partly to blame for this unattractive picture, belied by the immense popular success of the film Last Year at Marienbad (1961) (made by Alain Resnais from Robbe-Grillet’s script) and the high critical esteem in which novels like Jealousy and The Voyeur are held. In his original study, first published in 1983, John Fletcher attempts to resolve this paradox by offering a new interpretation of Robbe-Grillet’s work which stresses the subversive qualities of his imagination and the disturbing power of his vision of a world of labyrinths and bizarre sexual stereotypes, haunted by images of love and loss.
Alain Robbe-Grillet

Alain Robbe-Grillet

John Fletcher

Routledge
2021
nidottu
Alain Robbe-Grillet had traditionally been seen as an austere experimentalist in fiction, addicted to arid and interminable descriptions of objects like coffee pots, erasers and pieces of string. His own rather bellicose theoretical pronouncements were partly to blame for this unattractive picture, belied by the immense popular success of the film Last Year at Marienbad (1961) (made by Alain Resnais from Robbe-Grillet’s script) and the high critical esteem in which novels like Jealousy and The Voyeur are held. In his original study, first published in 1983, John Fletcher attempts to resolve this paradox by offering a new interpretation of Robbe-Grillet’s work which stresses the subversive qualities of his imagination and the disturbing power of his vision of a world of labyrinths and bizarre sexual stereotypes, haunted by images of love and loss.
Alain Chartier
Belle dame sans merci (Beautiful lady with no mercy) (1424) is not readily available in moden English translation elsewhere, making this an essential addition to any library with a medieval literature or French literature collection.