In this exciting novel, an unsuspecting cardiologist becomes embroiled in a plot involving pharmaceuticals, international espionage, and the Neo-Nazi movement. A scientifically accurate twist on the average mystery story, the plot will hook all audiences.
In this exciting novel, an unsuspecting cardiologist becomes embroiled in a plot involving pharmaceuticals, international espionage, and the Neo-Nazi movement. A scientifically accurate twist on the average mystery story, the plot will hook all audiences.
The Calamy family was a prominent family in English Nonconformity from the period of Stuart Puritanism down to the Victorian era. The most famous of the family is Edmund Calamy III (1671-1732), who was an English Presbyterian churchman and historian. Ordained at the London meeting-house of Samuel Annesley, the Presbyterian grandfather of John Wesley, Calamy served Christ faithfully in London during the first third of the eighteenth century. This booklet by the historian-pastor Alan Clifford is a celebration of Calamy's life and ministry on the 350th anniversary of his birth.
This very welcome account of Philip Doddridge has Alan Clifford's characteristic clarity and forcefulness-that is, commitment-coupled with, again characteristically, an unrivalled familiarity with the primary sources. Its summary of the context and course of Doddridge's life draws out clearly his character and significance. And all this is done with a liveliness and wit too rare in scholarly writing.
This book examines and compares the theological views of Dr John Owen (1616-83), the Puritan pastor and theologian, and John Wesley (1703-91), the evangelist and founder of Methodism. Protracted doctrinal debate occurred during the period under review over the doctrines of atonement and justification, Owen and Wesley respectively representing the Calvinist and Arminian interpretations of the controversy. Dr Clifford demonstrates that the Arminian reaction to scholastic high Calvinism might have been avoided had theologians like Theodore Beza and John Owen pursued the relatively moderate theological formulations of John Calvin and the Anglican Reformers. Instead Owen buttressed his orthodoxy by resorting to Aristotelian logic and metaphysics, especially in his doctrine of limited atonement. Clifford indicates here that the suspected via media of Richard Baxter (1615-1619) and Archbishop Tillotson (1630-1694) is much closer to original Calvinism than has been allowed hitherto, confirming his verdict that, in several respects, Calvin's theology received a more authentic expression in Wesley's Arminianism than in Owen's high Calvinism. In this study Clifford seeks both to assess the various areas of the debate within the context of historical theology and to evaluate them according to the criteria of biblical exegesis. He offers for the first time a critical, in-depth discussion of the philosophical foundations of the ultra-orthodoxy of John Owen, and also expounds a positive solution to a controversy which was shelved rather than solved, and which continues to vex those who seek a coherent biblical grasp of the Reformed Faith.
The Little Book of Cambridgeshire is a compendium full of information which will make you say, ‘I never knew that!’ Contained within is a plethora of entertaining stories about the county and its famous - and occasionally infamous - men and women, its literary, artistic and sporting achievements, its customs and traditions, its transport and leisure, and a few ghostly appearances. Compiled by two knowledgeable local historians, this is a reliable reference book and a quirky guide, this can be dipped in to time and time again to reveal something new about the people, the heritage, the secrets and the enduring fascination of the county.
First published in 1965, Africa provides a geographical, political, economic and social description of the continent. Contemporary Africa is a continent of change and revolutions. The diversity and limitations of the African environment gives us a fuller understanding of the explosive dynamism of the African economic and social scene. This book will be of interest to students of geography, economy, anthropology and political science.
First published in 1965, Africa provides a geographical, political, economic and social description of the continent. Contemporary Africa is a continent of change and revolutions. The diversity and limitations of the African environment gives us a fuller understanding of the explosive dynamism of the African economic and social scene. This book will be of interest to students of geography, economy, anthropology and political science.
Excavations in advance of the construction of the Gloucester Business Park Link Road, Hucclecote, in 1998 revealed alluvium deposited by the Horsbere Brook, in places up to 2m deep. Radiocarbon dating demonstrates that the alluvium had been deposited by the 12th century BC. Three or four Middle Bronze Age cremation burials were probably part of a flat cemetery, the site subsequently occupied by a Late Bronze Age or Early Iron Age settlement which contained in excess of four post-built roundhouses. In the 1st century AD a settlement that contained a number of probable mass-walled roundhouses was constructed. It was extensively reorganised in the early 2nd century when a series of ditched enclosures were linked to Ermin Street by a 320m-long trackway. A small cemetery of 12 inhumations is noteworthy as it demonstrates that the Late Iron Age tradition of burial by crouched inhumation persisted into the 2nd century AD. Several of the burials were accompanied by grave goods, and one of the males suffered from a very rare form of dwarfism to his forearms, a condition that would have been obvious to his contemporaries. The settlement continued in use until the late 3rd or early 4th century, although the trackway ditches continued to accumulate material into the later 4th century. The trackway and enclosures appear to have survived as visible earthworks into the medieval period as their orientation influenced the alignment of medieval field systems.
Irina Antonova; Alan Bowness; Timothy Clifford; Mark Jones; Michel Laclotte; Henri Loyrette; Philippe de Montebello; Peter-Klaus Schuster; Wilfried Seipel
Between a Temple of Art and a Big EventAs places to enjoy art, as well as institutions that have become historic, museums can also be examined through the question of who exactly heads up these temples of art. What kinds of personalities have guided the fates of these large, traditional institutions? How have they done so, and what has motivated them? What galvanizes international curators or museum employees, and how have they risen to the challenge of opening their organizations to increasingly large numbers of visitors? Donatien Grau has conducted impressive conversations with influential museum operators. We have him to thank for these personal, art historical, cultural-political, and timely insights into museum operations, the histories of various institutions, and their leaders’ very personal attitudes toward art. This volume reads like a detective story about the mediation efforts of museums and the personal motives behind them. Interviews with MICHEL LACLOTTE, Director of the Louvre, Paris, 1987–1995; SIR ALAN BOWNESS, Director of the Tate, London, 1980–1988; SIR TIMOTHY CLIFFORD, Director of the National Galleries of Scotland, Edinburgh, 1984–2006; PHILIPPE DE MONTEBELLO, Director of the Metropolitan Museum of Art, New York, 1977–2009; IRINA ANTONOVA, Director of the Pushkin Museum, Moscow, 1961–2013; PETER-KLAUS SCHUSTER, General Director of the Staatliche Museen zu Berlin, 1998–2008; SIR MARK JONES, Director of the Victoria & Albert Museum, London 2001–2011; TOM KRENS, Director of the Guggenheim Museum, New York, Venice, and Bilbao, 1988–2008; WILFRIED SEIPEL, General Director of the Kunsthistorisches Museum, Vienna, 1998–2008; HENRI LOYRETTE, Director of the Musée d’Orsay, Paris (1994–2001), and the Louvre, Paris (2001–2013). DONATIEN GRAU is a newspaper art critic, a museum curator, and a university teacher. His lively and clever voice has a firm place in the field of art.
