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1000 tulosta hakusanalla Amos N Wilder
Description: Amos Wilder's poetry drew from an inexhaustible well of his Christian belief in the destiny of man and nature, seeking always to find fresh ways and language to invoke the imperatives of faith and spiritual life in a modern era. This collection of thirty-five poems, the third of Amos Wilder's four books of published poetry, appeared in 1942 in the midst of World War II. Shaping it to speak to a world in crisis, Wilder included five poems republished from his first volume of poetry (Battle-Retrospect, 1923) and twelve poems from his second, (Arachne, 1928, with two major poems revised), both conceived under the long shadow of World War I, a war in which he had fought. The last poem written for this collection, ""Homage,"" is dedicated to his bother Thornton (""to T. N. W., 1942""), then serving with US Army Air Force Intelligence in North Africa.
About the Contributor(s): Amos N. Wilder (1895-1993), New Testament scholar, poet, literary critic, and clergyman, received all earned degrees from Yale. His teaching career included posts at Andover Newton Theological School, Chicago Theological Seminary and the University of Chicago, and Harvard Divinity School. Special honors included the Golden Rose of the New England Poetry Club (1943) and the Bross Prize (1952). Wilder also received the Croix de guerre for service in World War I. He was the brother of playwright and novelist Thornton Wilder.
Jesus' Parables and the War of Myths
Amos N Wilder; Peter S Hawkins
Wipf Stock Publishers
2013
pokkari
Modern Poetry and the Christian Tradition
Amos N Wilder; Peter S Hawkins
Wipf Stock Publishers
2014
pokkari
Kerygma, Eschatology, and Social Ethics (Stapled Booklet)
Amos N Wilder; Peter S Hawkins
Wipf Stock Publishers
2014
pokkari
"The eschatological and dualistic symbolism of the early Christians has misled us into thinking that the Gospel in its classic period has no concern with what we call social change," writes Wilder. Saint Paul's apparently conservative social views must be understood in light of his expectation of Christ's imminent return; his is an "emergency ethic." But going beyond Paul's explicit social teachings to his kerygmatic affirmations, we see that the "principalities and powers" over which Christ has triumphed also refer to the corrupted structures of society. The social-ethical significance of the kerygma becomes discernible as soon as we learn to interpret the mythological expressions of the New Testament in historical terms.
Eschatology and Ethics in the Teaching of Jesus
Amos N Wilder; Peter S Hawkins
Wipf Stock Publishers
2014
pokkari
This critical reexamination of Amos 'n' Andy, the pioneering creation of Charles Correll and Freeman Gosden, presents an unapologetic but balanced view lacking in most treatments. It relies upon an untapped resource--thousands of pages of scripts from the show's nearly forgotten earliest version, which most clearly reflected the vision of its creators. Consequently, it provides fresh insights and in part refutes the usual blanket condemnations of this groundbreaking show. The text incorporates numerous script excerpts, provides key background information, and also acknowledges the show's importance to radio broadcasting and modern entertainment.
Forty million Americans indulged in a national obsession in 1930: they eagerly tuned in Amos 'n' Andy, the nightly radio comedy in which a pair of white actors portrayed the adventures of two black men making a new life in the big city. Meanwhile, some angry African Americans demanded that Amos 'n' Andy be banned, even as others gathered in the barbershops and radio stores of Harlem to chuckle over the adventures of Amos, Andy, and the Kingfish. Melvin Patrick Ely unveils a fascinating tale of America's shifting color line, in which two professional directors of blackface minstrel shows manage to produce a serives so rich and complex that it wins admirers ranging from ultra-racists to outspoken racial egalitarians. Eventually, the pair stir further controversy when they bring their show to television. In a preface written especially for this new edition of his acclaimed classic, Ely shows how white and black responses to his Adventures of Amos 'n' Andy since 1991 tell a revealing story of their own about racial hopes and fears at the turn of the twenty-first century.