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1000 tulosta hakusanalla Annik Coatalen Heal

Anna Coatalen

Anna Coatalen

Annik Coatalen Heal

Unicorn Publishing Group
2019
sidottu
Anna Coatalen (née Hook) was born in Clifton, Bristol, studied at the Byam Shaw School of Art London, and then worked as a book illustrator before WW2. It was as a WRNS in Plymouth, that she met her Anglo/French husband Hervé, an RNVR engineer officer, which resulted in her spending her life in France. Anna painted prolifically throughout her life, continuing right up to her death aged 95, but never sought to publicise her work. Amongst friends who appreciated and admired her, were the artists Mary Fedden and Alexander Goudie, whose son, Lachlan, has written a very perceptive introduction to this book. Her eldest daughter Annik, with help from her family, has gathered together a selection of her most compelling works, ranging from early woodcuts and paintings to the three stained-glass windows in the Île Tudy church, Brittany. Anna’s gift enabled her to encapsulate the spirit of her life and surroundings, and they are presented here as a tribute to permit a wider audience to appreciate her skill. ‘The world seen through Anna’s eyes, is a happy place to be and her paintings are a fitting testament to the kind and talented person that she was in life.’ – Lachlan Goudie
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Pasting Up Protest

Pasting Up Protest

Annik Bilodeau

MCGILL-QUEEN'S UNIVERSITY PRESS
2025
nidottu
Across Mexico, human rights abuses take many forms, as do the strategies designed to denounce and resist them. Political street art thrives; murals, stencils, and posters challenge authorities and commemorate the missing and the disappeared.Pasting Up Protest explores the sociopolitical engagement of contemporary Mexican artists, introducing the concept of memory activism, the guiding philosophy behind their efforts to expose human rights violations such as forced disappearances and feminicides. Through her analysis of street art interventions from the collectives ASARO, URT-Arte, ARMARTE, and MuGRe over the past decade, Annik Bilodeau argues that these artists are shaping a new collective memory. By depicting real-life victims and referencing past acts of state-sponsored violence, their works create a familiar visual vocabulary that elicits empathy and compassion in the viewer. A reliance on a tradition of printmaking, a highly reproducible medium, further amplifies the emotional impact of the images.A critical examination of the role of art in creating public memory, Pasting Up Protest sheds light on how Mexican artists document crimes of the state, transforming citizens into political agents of change.
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The Microsoft Crabby Office Lady Tells It Like It Is: Secrets to Surviving

The Microsoft Crabby Office Lady Tells It Like It Is: Secrets to Surviving

Annik Stahl

Pagina förlags AB
2006
sidottu
The Crabby Office Lady’s humorous online column reaches more than 250,000 people a month, and more than 10,000 people view her videos each month. The real Crabby Office Lady, Annik Stahl, has helped Microsoft put a human face on the sometimes frustrating world of work. In this humorous but practical take on how to survive today’s office environment, Microsoft’s very own Crabby Office Lady shows you how to make the most of Microsoft® Office programs so that you can be more efficient, collaborate more effectively, and spend more time doing the things that really matter to you. Topics include:Key Book Benefits:Written by the popular Crabby Office Lady, who gives straightforward, no-nonsense advice for surviving office lifeCovers a we range of practical topics from minding your email manners to surviving a performance review to proper ergonomicsIdeal for anyone working in an office environment
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The Birth of Intimacy

The Birth of Intimacy

Annik Pardailhe-Galabrun

Polity Press
1991
sidottu
This lively new book examines the origins of modern intimacy and domestic life. Focusing on Paris in the seventeenth and eighteenth centuries, the author explores the emergence and development of ideas such as 'sociability', 'comfort' and 'the home. On the basis of extensive and original research, Pardailhé-Galabrun describes early modern Paris as a city of contrasts: between buildings constructed as rental properties with ordinary, cramped facades, and the townhouses of the nobility, with carriage entrances, standing on lots alongside spacious courtyards and gardens. She has produced a vivid picture of the texture and warmth of life in the domestic world of pre-Revolutionary Parisians.
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Chasing Chopin

Chasing Chopin

Annik LaFarge

Simon Schuster
2021
pokkari
A modern take on a classical icon: this “luminous book” (Susan Orlean, New York Times bestselling author of The Library Book) tells the story of when, where, and how Chopin composed his most famous work, uncovering many surprises along the way and showing how his innovative music still animates and thrives in our culture centuries later.In this widely-praised book, Annik LaFarge presents a very different Frédéric Chopin from the melancholy, sickly, Romantic figure that has predominated for so long. The artist she discovered is, instead, a purely independent—and endlessly relevant—spirit: an innovator who created a new musical language; an autodidact who became a spiritually generous, trailblazing teacher; a stalwart patriot during a time of revolution, pandemic, and exile. One of America’s foremost pianists, Jeremy Denk, wrote in The New York Times: “It is almost impossible for me to imagine a world in which [Chopin’s “Funeral March”] is both fresh and tragic, where its death is real. LaFarge’s charming and loving new book attempts to recover this world…This book took me into many unexpected corners…For a book about death, it’s bursting with life and lively research.” In this “entertaining dual music history and memoir” (Publishers Weekly), a “seamless blend of the musical and literary verve” (Kirkus Reviews, starred review) LaFarge “brilliantly traces the footsteps of Chopin’s life” (Scott Yoo, host of PBS Now Hear This) during the three years, 1837–1840, when he composed the now-iconic Funeral March, using its composition story to illuminate the key themes of Chopin’s life. As part of her research into Chopin’s world, then and now, LaFarge visited piano makers, monuments, churches, and archives; she talked to scholars, jazz musicians, video game makers, music teachers, theater directors, and of course dozens of pianists. She has given us, says pianist, author, and New York Times columnist Michael Kimmelman, “a tour-de-force and journey of the soul.” It is an engrossing, “impeccably researched” (Library Journal) work of musical discovery and an artful portrayal of a man whose work and life continue to inspire artists and cultural innovators in astonishing ways. An acclaimed companion website, WhyChopin, presents links to each piece of music mentioned in the book, organized by chapter, along with photos, resources, and more.
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On the High Line

On the High Line

Annik LaFarge; Rick Darke

FORDHAM UNIVERSITY PRESS
2024
pokkari
The most comprehensive, up-to-date, and acclaimed guide to the High Line by the leading expert on the history of the park—now in a fully revised edition Built atop a former freight railroad, the "park in the sky" is regularly cited as one of the premiere examples of adaptive reuse and quickly became one of New York's most popular destinations, attracting more than 8 million visitors a year. This updated Third Edition of On the High Line— published to coincide with the fifteenth anniversary of the park's opening—remains the definitive guide to the park that transformed an entire neighborhood and became an inspiration to cities around the globe. In short entries organized by roughly two city block sections, the guide provides rich details about everything in view on both sides of the park. Illustrated with more than 110 black & white photographs, it covers historic and modern architecture; plants and horticulture; and important industries and technological innovations that developed in the neighborhoods the park traverses, from book publishing and food distribution to the introduction of cold storage and the development of radar, the elevator, and talking movies. Updated to include newly opened sections of the park, this edition also features a new conversation pertaining to the more controversial side of the High Line's story and how it became a poster child for the most grievous manifestations of gentrification and inequity in public spaces. Author Annik LaFarge provides a frank discussion on how the park's leadership created a platform for discussing these issues and for advising other projects on how to work more inclusively and from a social justice and equity perspective. On the High Line serves as an educated travel companion, someone invisibly perched on a visitor's shoulder who can answer every question, including what was here before, moving back in time through the early 20th century, the Industrial Revolution, and the colonial and pre-European times when this stretch of what we call Manhattan was home to the Lenape people and much of it was covered by the waters of the Hudson River. A companion website with more than 650 photos—historic, contemporary, rooftop and aerial—can be viewed at HighLineBook.com.
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L'Attendue

L'Attendue

Annik Couppez Veronese D'Olrac

Editions Dedicaces
2016
nidottu
En d voilant l'un des secrets li s l'ordre du Temple, Rudy Cambier a fait bien des mules ces derni res ann es. Annik Couppez V ron se d'Olrac nous pr sente un roman la fois historique et sot rique dont le sc nario s'articule autour de cette incroyable d couverte. Ses personnages se meuvent au 21e si cle avec un h ritage qui a parcouru sept si cles sans tre d couvert.Voil des h ros promis une destin e prometteuse devant cacher le secret des Templiers de Flandres afin que les ennemis toujours pr sents n'en prennent possession des fins destructrices.On est men d'un bout l'autre du roman une vitesse vertigineuse dans diff rentes parties du monde, en passant par Paris ou la Belgique, d but de toute cette aventure. Le destin du monde reposerait-il sur les fr les paules de l'Attendue ? Le moment cosmique serait-il venu de d voiler au monde ces secrets ?
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Belonging Beyond Borders

Belonging Beyond Borders

Annik Bilodeau

University of Calgary Press
2021
pokkari
Belonging Beyond Borders maps the evolution of cosmopolitanism in Spanish American narrative literature through a generational lens. Drawing on a new theoretical framework that blends intellectual studies and literary history with integrated approaches to Spanish American narrative, this book traces the evolution from aesthetic cosmopolitanism through anti-colonial nationalism to modern political cosmopolitanism. Cosmopolitanism in Latin America has historically been associated with colonialism. In the mid-twentieth-century, authors who presented cosmopolitan narratives were harshly criticized by their nationalist peers. However, with the intensification of cultural globalization Spanish American authors have redefined cosmopolitanism, rejecting a worldview that relies on the creation of an other for the definition of the self. Instead, this new generation has both embraced and challenged global citizenship, redefining concepts to address human rights, identity, migration, belonging, and more. Taking the work of Elena Poniatowka, Mario Vargas Llosa, and Jorge Volpi as examples, this book presents innovative scholarship across literary traditions. It shows how Spanish-American authors offer nuanced understandings of national and global affiliations, and identities and untangles the strings of cosmopolitan thought and activism from those of nationalist criticism.
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Chasing Chopin: A Musical Journey Across Three Centuries, Four Countries, and a Half-Dozen Revolutions

Chasing Chopin: A Musical Journey Across Three Centuries, Four Countries, and a Half-Dozen Revolutions

Annik LaFarge

Simon Schuster Audio
2020
cd
A modern take on a classical icon: this original, entertaining, well-researched book uses the story of when, where, and how Chopin composed his most famous work, uncovering many surprises along the way and showing how his innovative music still animates popular culture centuries later.The Fr d ric Chopin Annik LaFarge presents here is not the melancholy, sickly, romantic figure so often portrayed. The artist she discovered is, instead, a purely independent spirit: an innovator who created a new musical language, an autodidact who became a spiritually generous, trailblazing teacher, a stalwart patriot during a time of revolution and exile. In Chasing Chopin she follows in his footsteps during the three years, 1837-1840, when he composed his iconic "Funeral March"--dum dum da dum--using its composition story to illuminate the key themes of his life: a deep attachment to his Polish homeland; his complex relationship with writer George Sand; their harrowing but consequential sojourn on Majorca; the rapidly developing technology of the piano, which enabled his unique tone and voice; social and political revolution in 1830s Paris; friendship with other artists, from the famous Eug ne Delacroix to the lesser known, yet notorious in his time, Marquis de Custine. Each of these threads--musical, political, social, personal--is woven through the "Funeral March" in Chopin's Opus 35 sonata, a melody so famous it's known around the world even to people who know nothing about classical music. But it is not, as LaFarge discovered, the piece of music we think we know. As part of her research into Chopin's world, then and now, LaFarge visited piano makers, monuments, churches, and archives; she talked to scholars, jazz musicians, video game makers, software developers, music teachers, theater directors, and of course dozens of pianists. The result is extraordinary: an engrossing, page-turning work of musical discovery and an artful portrayal of a man whose work and life continue to inspire artists and cultural innovators in astonishing ways. A companion website, WhyChopin, presents links to each piece of music mentioned in the book, organized by chapter in the order in which it appears, along with photos, resources, videos, and more.
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Okay Cool No Smoking Love Pony

Okay Cool No Smoking Love Pony

Annik Adey-Babinski

Word Works
2017
nidottu
Poetry. Women's Studies. A debut collection that explores what it means to live in America today, OKAY COOL NO SMOKING LOVE PONY weaves its spell with selfies, videos, road trips, farm memories, and broken-glass alleys, all unmistakably part of our national identity. Says Campbell McGrath, Expect an onrush of energetic language in a dazzle of forms. Adey-Babinski examines modern American life in a voice by turns whimsical, sensual, and dreamily hypnotic...These poems are roomy, fulsome, action-packed and delightful. Chloe Garcia Roberts describes the book as a travelogue of open roads and wilderness, the loneliness of rural backwaters and the squalid company of the metropolis, the heartbreak of the actual and the terror of the imagined; it is poetry as wide as America the place and America the emotion. The collection is personal as well as political. Roberts explains: Revolting against her injustices, her loves, and her traumas, which bind her as implacably as Persephone's pomegranate seeds to the hollowness of the remembered, Adey-Babinski forges onward, writing her escape, her after-story, and ultimately her transcendence along currents of the fantastic and surreal. This book is an odyssey of hope and becoming, an argument for inhabiting and succumbing to the cambium of magic that can be found just beneath our collective mundane.
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Material, Technik, Ästhetik Und Wissenschaft Der Farbe 1750-1850

Material, Technik, Ästhetik Und Wissenschaft Der Farbe 1750-1850

Annik Pietsch

Deutscher Kunstverlag
2014
sidottu
Die Studie beschäftigt sich mit den tiefgreifenden Veränderungen von Materialien und Techniken der Malerei sowie den Verschiebungen ästhetischer und wissenschaftlicher Vorstellungen zur Farbe zwischen 75 und 85 . In dieser Zeitspanne ist ein Bruch mit der Tradition festzustellen, der dazu geführt hat, dass die Gemälde nicht nur eine Vielfalt an Maltechniken und -materialien aufweisen, sondern auch ungewöhnliche Alterungsschäden offenbaren. Annik Pietsch untersucht, ob Interdependenzen zwischen den Schadensphänomenen und den Topoi, zwischen Praxis und Diskurs bestehen. Sie verfolgt den Übergang von einer handwerklich orientierten über eine wissenschaftlich reflektierte zu einer autonomiebetonten Malpraxis und zeichnet die Umwertung von Kolorit und Maltechnik von reinen Mitteln der Darstellung zu herausragenden Ausdrucksmöglichkeiten der Malerei nach. Die Autorin bündelt ihre Kompetenzen als Restauratorin, Biochemikerin und Kunsthistorikerin in der Studie, die Theorie und Praxis auf fruchtbare Weise verbindet.
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Das Modell des vereinfachten Ablehnungsverfahrens

Das Modell des vereinfachten Ablehnungsverfahrens

Annik Lamshöft

Peter Lang AG
2013
sidottu
Gegenstand der Arbeit sind Entwicklung und Dogmatik der sogenannten strafprozessualen Fristenloesung des Bundesgerichtshofs. Sie analysiert die Entwicklung dieses Modells in der Rechtsprechung und untersucht ihre dogmatische Vereinbarkeit mit dem geltenden Recht. Die Untersuchungen werden untermauert durch statistische Auswertungen und internationale Rechtsvergleiche. Ursachen und Erscheinungsformen missbrauchlicher Beweisantragstellung im Strafverfahren werden eruiert. Alternative Loesungsmoeglichkeiten fur die Bekampfung rechtsmissbrauchlichen Gebrauchs des Beweisantragsrechts werden beleuchtet. Die Arbeit mundet in einen neuen Loesungsvorschlag, dem Modell des vereinfachten Ablehnungsverfahrens, das in der Lage ist, dem Missbrauch des Beweisantragsrechts wirksam zu begegnen.
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Composing Olana

Composing Olana

Annik LaFarge

FORDHAM UNIVERSITY PRESS
2026
pokkari
The first and only book devoted to the landscape Frederic Church designed at Olana – what he considered his greatest work of art – timed to coincide with the bicentennial of his birth Modelled on her acclaimed On the High Line (now in its third edition from Fordham University Press), Composing Olana unfolds as a series of walks along the seven carriage roads Frederic Edwin Church built here in 1860s-1880s. Along the way, LaFarge unpacks the history of everything we see, and much that we don’t, in the greater landscape, from the Ice Age geology that created it to the artists and conservationists who preserved it. We learn about lesser-known women painters of the Hudson River School; the Native Peoples who lived here before the Europeans arrived; and the mentorship of Church’s only teacher, Thomas Cole. Archival letters, diaries, and historic accounts reveal Church’s vital role in preserving Niagara Falls; his contributions to Central Park and the Metropolitan Museum of Art; and his engagement with music, photography, and global exploration throughout the second half of the 19th century. Published to coincide with the 200th anniversary of his birth, Composing Olana enables readers to finally comprehend Church’s vital, and still not properly recognized, place in the American story. Illustrated with dozens of historic and contemporary photographs, it is both a guidebook and a meditation on American art, landscape, and preservation. An innovative companion website, OlanaBook.com, provides hundreds of photos, audio clips from the soundscape, and an interactive version of the specially created "Rambler’s Map." Designed as an accessible and lively companion for armchair readers and park visitors, Composing Olana shows why this landscape, still intact today, matters so profoundly in the history of American art and public parks.
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