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The Ecology of Sandy Shores

The Ecology of Sandy Shores

Anton McLachlan; Omar Defeo

Academic Press Inc
2017
nidottu
The Ecology of Sandy Shores, Third Edition, provides both a holistic and conceptual introduction for beginners, while also presenting an in-depth and cutting-edge analysis for researchers interested in sandy shores. This new edition focuses on resource use, and has also been updated to include recent findings, enhanced illustrations, and additional coverage on beach fisheries and global/climate change. In addition, this release presents insights on food webs, greater coverage on global biodiversity patterns in sandy beaches, and new insights on population patterns, behavior and threats. Research on beaches is difficult because of the dynamic nature of the environment. There is no other book covering the ecology of sandy beaches, despite the extent and economic importance of these systems. This book is designed to both provide the conceptual basis to introduce students to the basic principles of sandy shore ecology and to serve as a ready reference for doctoral students and researches working on these systems. It can also serve as a handbook for land and coastal managers.
The Ecology of Sandy Shores

The Ecology of Sandy Shores

Omar Defeo; Anton McLachlan

ELSEVIER SCIENCE PUBLISHING CO INC
2025
nidottu
The Ecology of Sandy Shores, Fourth Edition provides both a holistic and conceptual introduction for the beginner, yet at the same time gives an in-depth and cutting-edge analysis for the researcher interested in sandy shores. There is no other book covering the ecology of sandy beaches, despite the extent and economic importance of these systems. This guide is designed to both introduce students to the basic principles of sandy shore ecology, to serve as a ready reference for doctoral students and researchers working on these systems, and to provide a handbook for land and coastal managers. This new edition will focus on humans as part of the sandy beach environment, including aspects such as global change in coastal systems and its impacts on sandy littoral zones through ‘coastal squeeze’. Further, prominence will be given to resource use, such as artisanal fisheries and to the critical area of coastal zone management and governance. Considering these two main issues, the concept of sandy beaches as social-ecological systems will be developed together with an illustrative framework related to this approach.
Anton

Anton

Jax Knight

Hudson Indie Ink
2025
pokkari
Can love bloom in the shadow of fear and a relentless chase for survival?AntonAfter losing everything, I swore I'd never risk my heart again. My life was about control, precision, and keeping others safe-on my terms. Then Marcie stormed into my world, all fire and strength, despite the terror stalking her. The pull between us was impossible to ignore. I tried to fight it, to keep my distance, but when danger forced us into running for our lives, her resilience and unyielding spirit drew me in, threatening to tear down the walls I'd spent years building. But when everything was on the line, could I open my heart and risk losing her, too?MarcieAs a homeless runaway, I rebuilt my life from nothing-until a stalker shattered my hard-won safety. Hiring Anton had seemed like the answer. He was strong, steady, and maddeningly irresistible. But while I made my interest clear, he kept me at arm's length, teasing me with moments of closeness only to pull away. When I finally decided to move on, we were thrust into a nightmare-a hunt orchestrated by a madwoman. Forced to rely on each other, I saw the man behind the walls Anton had built as he slowly let them fall, capturing my heart in the process. But when survival wasn't guaranteed, could I trust what we had found in the chaos, or would he retreat back into his fortress when the danger was over?Can Anton and Marcie survive the hunt and face the truth of their connection?Dive into ANTON for a heart-pounding love story where trust and survival collide.
Anton

Anton

Vibeke Marx

Modtryk, forlaget
2022
sidottu
En roman om det umulige i at give kærlighed, når man aldrig selv har kendt den. Og om små drømme, der alligevel kan være for store. Anton rejser hjemmefra for at konfrontere den far, der har svigtet ham. Mødet bliver fatalt og definerende for hans fremtid. For har man slået et menneske ihjel, er der ikke meget, man har ret til at forvente af livet. Ikke desto mindre får Anton en tilværelse med ægteskab, arbejde og børn, men hvordan skræver man hen over afgrunden mellem dem, der har følt sig elsket, og dem, der ikke har? Kendetegnende for forfatterskabet er Vibeke Marx’ sociale indignation og skarpe blik for de skæbner, der ofte forsvinder i det store billede. ANTON er en selvstændig fortsættelse af romanen JORD OG HJERTE. “Vibeke Marx har lagt sig i et virkelig velafstemt litterært spor af fortælling og historie, så et rigt, menneskeligt register trækkes ud ... JORD OG HJERTE er smukt præget af menneskelig sans og historisk bevidsthed. Den er ubetinget Vibeke Marx’ bedste bog til dato.” Jyllands-Posten om JORD OG HJERTE “Vibeke Marx er nok både lavmælt, varm og nærværende, men hun har sandelig også næse for at lade handlingen slå nogle uventede kolbøtter.” Weekendavisen “Marx skriver, så det river i hjertet.” Femina
Anton

Anton

Jesper Siegfried Enerstvedt

Fair forlag
2013
sidottu
"Anton" er en forrykende historie om nettopp Anton som vokser opp i rike Bærum på 70-tallet og hvor faren hans lar ham lese bøker om hvor fint folk har det i Sovjet og DDR. Sakte, men sikkert lager derfor Anton en ny verden i sitt eget hode der alt er annerledes. Han utvikler dessuten en teori om at det slett ikke er bra å være verken først, størst eller best: Teorien om fiaskoens mange fordeler. Denne elleville romanen tar deg med til mange steder du neppe har vært og hvor du møter et utrolig persongalleri. I tillegg får du kanskje et helt nytt syn på alt fra Steinerskolen til lakseoppdrett eller til Norge som fredsskapende nasjon. Er dette rett og slett årets morsomste norske bok?
The Plays of Anton Chekhov

The Plays of Anton Chekhov

Anton Chekhov; Paul Schmidt

HARPER PERENNIAL
1998
nidottu
These critically hailed translations of The Seagull, Uncle Vanya, The Three Sisters and the other Chekhov plays are the only ones in English by a Russian-language scholar who is also a veteran Chekhovian actor.Without compromising the spirit of the text, Paul Schmidt accurately translates Chekhov's entire theatrical canon, rescuing the humor "lost" in most academic translations while respecting the historical context and original social climate.Schmidt's translations of Chekhov have been successfully staged all over the U.S. by such theatrical directors as Lee Strasberg, Elizabeth Swados, Peter Sellars and Robert Wilson. Critics have hailed these translations as making Chekhov fully accessible to American audiences. They are also accurate -- Schmidt has been described as "the gold standard in Russian-English translation" by Michael Holquist of the Russian department at Yale University.
Anton Wilhelm Amo's Philosophical Dissertations on Mind and Body
Anton Wilhelm Amo (c.1703-after 1752) was the first African philosopher in the modern period to write in the European philosophical tradition and study and teach in European universities. At the dawn of the eighteenth century, while still a small boy, he was sent from his home in present-day Ghana to Amsterdam. From there he was sent to Germany as a court attendant of Duke Anton Ulrich of Braunschweig-Wolfenbüttel, and was subsequently baptized in 1708. He matriculated at the University of Halle in 1727, where he defended a law thesis. He then studied and taught at the University of Wittenberg, before returning to Halle to teach, and later also teaching in Jena. He returned to West Africa permanently in 1747. Though much attention on and study of Amo has previously focused on his symbolic importance as a historical figure--the first African philosopher in modern Europe--Stephen Menn and Justin E. H. Smith argue for a serious engagement with Amo's work as a philosopher. In an extensive introduction, they contextualize his biography and writing within the surrounding intellectual and historical environment, and discuss and analyze his arguments in conversation with other philosophers of the time. This volume contains his two Wittenberg philosophical dissertations, On the Impassivity of the Human Mind and the Philosophical Disputation containing a Distinct Idea of those Things that Pertain either to the Mind or to our Living and Organic Body, both first published in 1734. The editors present the original Latin texts with side-by-side English translations and detailed explanatory annotations. In centering Amo's philosophical thought and making it accessible to more students and scholars, Menn and Smith establish the originality and significance of Amo's rigorous contributions to the mind-body debate of the seventeenth and eighteenth centuries.
Anton Wilhelm Amo's Philosophical Dissertations on Mind and Body
Anton Wilhelm Amo (c.1703-after 1752) was the first African philosopher in the modern period to write in the European philosophical tradition and study and teach in European universities. At the dawn of the eighteenth century, while still a small boy, he was sent from his home in present-day Ghana to Amsterdam. From there he was sent to Germany as a court attendant of Duke Anton Ulrich of Braunschweig-Wolfenbüttel, and was subsequently baptized in 1708. He matriculated at the University of Halle in 1727, where he defended a law thesis. He then studied and taught at the University of Wittenberg, before returning to Halle to teach, and later also teaching in Jena. He returned to West Africa permanently in 1747. Though much attention on and study of Amo has previously focused on his symbolic importance as a historical figure--the first African philosopher in modern Europe--Stephen Menn and Justin E. H. Smith argue for a serious engagement with Amo's work as a philosopher. In an extensive introduction, they contextualize his biography and writing within the surrounding intellectual and historical environment, and discuss and analyze his arguments in conversation with other philosophers of the time. This volume contains his two Wittenberg philosophical dissertations, On the Impassivity of the Human Mind and the Philosophical Disputation containing a Distinct Idea of those Things that Pertain either to the Mind or to our Living and Organic Body, both first published in 1734. The editors present the original Latin texts with side-by-side English translations and detailed explanatory annotations. In centering Amo's philosophical thought and making it accessible to more students and scholars, Menn and Smith establish the originality and significance of Amo's rigorous contributions to the mind-body debate of the seventeenth and eighteenth centuries.
Anton Chekhov

Anton Chekhov

Chekhov Mikhail

Palgrave Macmillan
2010
sidottu
In a style reminiscent of Anton Chekhov himself - realistic, intimate, and dynamic - Mikhail Chekhov shares unparalleled memories and insights, transporting readers into the world of the Chekhov family. He visits the places where his brother lived and worked and introduces the people he knew and loved, Leo Tolstoy and Piotr Tchaikovsky among them. As a unique eyewitness to the beloved writer's formative years and his artistic maturity, Mikhail Chekhov shows here first-hand the events that inspired the plots for The Seagull, The Black Monk, and The Steppe, among other enduring works. Captivating, surprising, and a joy to read, this memoir reveals the remarkable life of one the most masterful storytellers of our time.
Anton Rubinstein

Anton Rubinstein

Philip S. Taylor

Indiana University Press
2007
sidottu
The first modern biography in English of Russian composer-pianist Anton Rubinstein, this book places Rubinstein within the context of Russian and western European musical culture during the late 19th century, exploring his rise to international fame from humble origins in Bessarabia, as well as his subsequent rapid decline and marginalization in later musical culture. Taylor provides a balanced account of Rubinstein's life and his career as a piano virtuoso, conductor, composer, and as the founder of Russia's first conservatory. Widely considered the virtuosic heir to Liszt, and recognized internationally as an equivalent cultural icon, he performed with most leading musicians of the day, including Liszt himself, Joachim, Clara Schumann, Vieuxtemps, Wieniawski, Saint-Saens, and Ysaÿe.
Anton Rubinstein

Anton Rubinstein

Larry Sitsky

Greenwood Press
1998
sidottu
Anton Rubinstein, a seminal figure in Russian music, was not only a great pianist but also a monumental influence in Russian music education. Rubinstein is responsible for laying the groundwork for Russia's tertiary educational system for the training of musicians and for establishing the use of Western structural forms in Russian music. He later became the foundation director of the St. Petersburg Conservatory. Detailing Rubinstein's pianistic and conducting repertoire, this work provides insight into Russian nineteenth-century performance practice, and the biography presents a sober assessment of Rubinstein's place in history. The author has researched valuable Russian sources to make this assessment of Rubinstein available in English and has provided informative guidelines for further research. In attempting to reinstate Rubinstein as an important figure in the history of Russian and international music, this study makes available to conductors and musicologists updated information on an important nineteenth-century music figure and an aspect of Russian music that has either been forgotten or ignored. Researchers and scholars will appreciate the annotated thematic catalog that includes all of Rubinstein's many works for piano, the extensive repertoire lists, and the extensive bibliography.
Anton Webern

Anton Webern

Darin Hoskisson

Routledge
2019
nidottu
Anton Webern: A Research and Information Guide offers carefully selected and annotated sources regarding Webern from 1975 to present day, including sources on Webern’s life, his music, and the interpretation and reception of his music. Along with this comprehensive annotated listing of print and online sources, the book discusses the history of research on Webern and includes a brief chronology of his life. It is a major reference tool for those interested in Webern and his music and valuable for researchers of 20th century music and the Second Viennese School.
The Selected Letters of Anton Chekhov

The Selected Letters of Anton Chekhov

Anton Pavlovich Chekhov

Farrar, Strauss Giroux-3pl
1984
nidottu
The letters of Anton Chekhov, like those of Flaubert, are astonishing in their immense range and in their literary quality. Beginning in 1885, when he was twenty-five, and ending with his death less than twenty years later, the correspondence testifies to an extraordinary career. Chekhov was not only a writer but a critic, a doctor, a traveler, a devoted lover and brother. He brings his passions and his immense talent to every subject. As witty and observant as his great plays and stories, Chekhov's letters exemplify his artistry and humanity. In 1890, though already suffering from tuberculosis, he traveled to the prison colonies of Siberia and Sakhalin Island. His descriptions of that arduous journey are sharp, humorous, vividly detailed. Sympathy and a quick dramatic eye characterize his portraits of the people of the Russian countryside. Chekhov speaks with eloquence and determination in his defense of Emile Zola during the Dreyfus affair (a stand which cost him one of his closest friendships), in his vigorous criticisms of the various productions of his plays -- especially the famous stagings by Konstantin Stanislavski --and in all his dealings with the other writers and critics of the Russian literary and theatrical world. In these letters this public and private man reveals his compassion and vulnerability as he records the vicissitudes of his family life, his love for the actress Olga Knipper (whom he eventually married), and the tragic breakdown of his health.
Anton Chekhov's Selected Plays

Anton Chekhov's Selected Plays

Anton Chekhov

WW Norton Co
2005
nidottu
This Norton Critical Edition includes five of Chekhov’s major plays—Ivanov, The Seagull, Uncle Vanya, Three Sisters, and The Cherry Orchard—and three early one-act farces that inform his later work—The Bear, The Wedding, and The Celebration. Laurence Senelick’s masterful translations closely preserve Chekhov’s singular style—his abundant jokes and literary allusions and his careful use of phrase repetition to bind the plays together. "Letters" is the largest collection of Chekhov’s commentary on his plays ever to appear in an English-language edition. "Criticism" includes eleven essays by leading European and Russian Chekhov scholars, most appearing in English for the first time, including those by Boris Zingerman, Maria Deppermann, and Lev Shestor. This volume also provides discussion of Chekhov’s plays by some of the twentieth century’s great directors, including Konstantin Stanislavsky, Peter Brook, and Mark Rozovsky. A Chronology and Selected Bibliography are also included.
Anton Chekhov's Selected Stories: A Norton Critical Edition
Anton Chekhov's Selected Stories contains a wide spectrum of classics and new favorites, including "Ward No. 6," "The Lady with the Little Dog," "Anna on the Neck," "The Name-Day Party," "The Kiss," An Incident at Law," and "Elements Most Often Found in Novels, Short Stories, Etc." This edition features twenty-five brand-new translations, commissioned expressly for this volume from Richard Pevear and Larissa Volokhonsky, Peter Constantine, Rosamund Bartlett, Michael Henry Heim, among others. Twenty translations have been selected from the published work of such master translators as Patrick Miles and Harvey Pitcher, Ann Dunnigan, and Ronald Hingley. Seven additional translations are by Constance Garnett, substantially revised by Cathy Popkin. All stories are annotated to clarify unfamiliar material and to point out differences in the translators' strategies. "Life and Letters" includes a rich selection of Chekhov's letters, some in English for the first time, some with previously redacted passages restored, as well as Aileen Kelly's portrait of Chekhov. "Criticism" explores the wide range of approaches and interpretations in two sections. "Approaches" juxtaposes five different perspectives on how to read Chekhov, represented by Peter Bitsilli, Alexander Chudakov, Robert Louis Jackson, Vladimir Kataev, and Radislav Lapushin. "Interpretations" contains ten divergent readings of stories in this edition. Case studies include Michael Finke on "At Sea"; Cathy Popkin on " A Nervous] Breakdown"; Julie de Sherbinin on "Peasant Women"; Liza Knapp on "Ward No. 6"; Robert Louis Jackson on "Rothschild's Fiddle" and "The Student"; Wolf Schmid on "The Student"; John Freedman on "Man in a Case," "Gooseberries," and "About Love"; Caryl Emerson on "A Calamity," "Anna on the Neck," "About Love," and "The Lady with the Little Dog"; and Rufus Mathewson on "The Lady with the Little Dog" and "The Beauties." A Chronology and Selected Bibliography are included, as is a postscript on the translators and their work. A special section, "Comparison Translations," gives passages from selected stories in multiple translations.
Anton Chekhov

Anton Chekhov

Routledge
1997
sidottu
This set comprises forty volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first sixty-eight volume set of Critical Heritage published by Routledge in October 1995.
Anton Chekhov at the Moscow Art Theatre
The Moscow Art Theatre is still recognized as having more impact on modern theatre than any company in the world. This lavishly illustrated and beautifully produced facsimile edition of a Russian journal from 1914 documents, photographically, the premieres of all of Anton Chekhov's plays produced by the Moscow Art Theatre, including:*The Seagull, *Three Sisters*Uncle Vanya*Cherry Orchard*Ivanov.Edited by renowned theatre historian Vera Gottlieb, the volume also reproduces - for the first time in an English translation - introductions by Stanislavsky's collaborators Nemirovich-Danchenko and Efros. With 175 unique photographs, this is a significant contribution to our understanding of the origins of today's theatre.