Britain's First Archaeologist and His 'Stones Standing Circularly'. reviews in Antiquity, British Archaeology, Current Archaeology
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1000 tulosta hakusanalla Aubrey Burl
This little book has become a classic. Re-issued yet again with revisions and colour pictures, it provides an excellent introduction to stone circles, including Stonehenge, and shows how we are gradually coming to an understanding of their significance.
Stonehenge was not an observatory used by druidical astronomer-priests. It was, instead, a monument in which the moon and the sun and the dead were joined together. In this book the author explains how people in the British Isles, four thousand or more years ago, identified life and death with the cycle of midwinter and midsummer and with the risings and settings of the sun and moon. This is why so many megalithic monuments have astronomical sightlines built into them. This book describes how astronomical customs developed in the British Isles. Unlike other works about 'megalithic astronomy' technical explanations about azimuths and declinations are kept to their simplest. The emphasis here is upon people rather than pertrubations and eclipses.
Believing in a radical separation of good and evil, the heretical medieval Cathar sect separated themselves from the rest of the world. The full power of the Church was unleashed against these heretics, called the Albigensian Crusade. This work recreates medieval Languedoc and the array of characters who died for their beliefs under the hot Provencal sun. It discusses the way the Crusade and its legacy turned and twisted for over 100 years. It focuses on the personalities on both sides, their motivations and objectives, creating for the modern reader an impression of the powerful beliefs that drove persecutor and victim. The Albigensian Crusade and the heresy it sought to suppress were of great significance in medieval Europe.
This title provides a vivid account of the way the Crusade and its legacy turned and twisted for over a hundred years. It focuses on the personalities on sides, their motivations and objectives, creating for the modern reader an overwhelming impression of the powerful beliefs that drove persecutor and victim.
Aubrey Burl provides a fascinating insight into the life and times of Bartholomew Roberts, also known as Black Bart, who was easily one of the most successful and deadly pirates in all of history.
The figure of the Troubadour combines the ideals of knighthood with the inspiration of the poet and musician and created a cultural explosion which influenced the whole course of Western art and civilisation. Burl traces the story from the birth of the first Troubadour in 1071 to the execution of the last Cathar Good Man in 1231 and the close of the distinctive southern French culture that had given rise to it. The tale incorporates the Crusades to the Holy Lands and the Albigensian Crusades through the Languedoc and the regular incursions from the English. In telling his story of the Troubadours and their song he brings to life the world of medieval Languedoc. The author is acknowledged as an authority on the Troubadours, one of the most evocative subjects in history.
Life at Stonehenge
A concise history of the world's greatest stone circle, Stonehenge, by Britain's leading expert. Every aspect of Stonehenge is re-considered in Aubrey Burl's new analysis. He explains for the first time how the outlying Heel Stone long predates Stonehenge itself, serving as a trackway marker in the prehistoric Harroway. He uncovers new evidence that the Welsh bluestones were brought to Stonehenge by glaciation rather than by man. And he reveals just how far the design of Stonehenge was influenced by Breton styles and by Breton cults of the dead.Meticulously research sets the record straight on the matter of Stonehenge's astronomical alignments. Although the existence of a sightline to the midsummer sunrise is well known, the alignment and the viewing-position are different from popular belief. And the existence of an earlier alignment to the moon and a later one to the midwinter sunset has been largely unrealised.One puzzle remains. The site of Stonehenge lies at the heart of a vast six-mile wide graveyard, but before it was built there appears to have been a mysterious gap two miles across on that site. Burl argues that earlier totem-pole style constructions served a ceremonial purpose for the living -- to celebrate success in the hunt.
Aubrey Messages: Evidence of Life, Memory, Affection After the Change Called Death
Aubrey
Literary Licensing, LLC
2013
nidottu
This book analyses Beardsley's most characteristic works, clarifying why his art is indispensable to understanding fin-de-siècle Victorian culture. Beardsley's various grotesque figures serve as emblems of `monstrous' metaphysical contortion, even as his elegant designs simultaneously recuperate such dislocations formalistically. Alternating between an urge to outrage and a craving for authority, Beardsley's elegant designs and `dandy' sensibility effect what might be called a `caricature' of traditional canonical meaning.
Aubrey Beardsley and British Wagnerism in the 1890s
Emma Sutton
Oxford University Press
2002
sidottu
Aubrey Beardsley and British Wagnerism in the 1890s is an interdisciplinary study of the influence of the operas, writing, and personality of Richard Wagner (1813-1883) on the work of Aubrey Beardsley (1872-1898). Examining Beardsley's drawings and prose of the 1890s the study considers the ways in which Wagner's works were appropriated by this seminal figure of the British decadent movement. Despite recent critical interest in Beardsley and the 'fin-de-siècle', and considerable research on Wagnerism, Aubrey Beardsley and British Wagernism in the 1890s is the first study in English to consider at length Wagner's presence in Beardsley's work. Beardsley combined allusions to the German composer with many of the touchstones of decadent art - the exotic, the morbid, the erotic, and the mannered. In exploring Beardsley's often iconoclastic versions - or perversions - of Wagner's work Aubrey Beardsley and British Wagernism in the 1890s aims to investigate the role of Wagnerism with 'fin-de-siècle' British culture, in particular the relations between Wagnerism and contemporary decadence.
Aubrey on Education
Routledge
2011
sidottu
In 1699 John Aubrey began to compile notes for a scheme for the education of young gentlemen. The manuscript he left has never been published. The editor of the volume organized and re-arranged the text and has provided an historical Introduction and detailed notes. Aubrey gives a graphic account of education at the time. He displays a remarkable breadth of knowledge of the broad issues of history, law, mechanics, science and pedagogy and he was intensely curious about the practicalities of teaching language and number, the effects of puberty, diet, travel, games and music.
In the brief span of his life and career, Aubrey Beardsley (1872-98) galvanized public attention in 1890s London with his exotic renderings of subjects, which often projected the sensual and the grotesque. This splendid volume brings together the best of Beardsley's work -- a rich selection ranging from illustrations for Laclos's Les Liaisons Dangereuses and Balzac's La Comedie Humaine to magazine cover designs, book plate silhouettes, title-page ornaments, and delightful mini-portraits of major composers. Also included are two photographs of the artist, consisting of private portrait studies by Frederick H. Evans.Over 180 beautifully reproduced black-and-white plates capture the uniqueness of Beardsley's vision and reveal the seductive power of his art. Among the illustrations are brilliantly conceived vignettes from Le Morte D'arthur, Venus and Tannhauser, Salome, and Lucian's True History as well as enchanting creations for The Yellow Book (an influential British arts quarterly), and much more.Characterized by bold black masses, elongated shapes, and sensually provocative figures, these works are the product of a remarkable individual style that transformed the art of illustration. Reproduced here in an inexpensive high-quality format, they are certain to thrill not only Beardsley enthusiasts but anyone interested in the early years of modern graphic art.