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1000 tulosta hakusanalla Bennett Joshua

The Sobbing School

The Sobbing School

Bennett Joshua

Penguin USA
2016
pokkari
A “sharp” and “scintillating” (Publishers Weekly) debut collection of poetry, selected by Eugene Gloria as a winner of the National Poetry Series The Sobbing School, Joshua Bennett’s mesmerizing debut collection of poetry, presents songs for the living and the dead that destabilize and de-familiarize representations of black history and contemporary black experience. What animates these poems is a desire to assert life, and interiority, where there is said to be none. Figures as widely divergent as Bobby Brown, Martin Heidegger, and the 19th-century performance artist Henry Box Brown, as well as Bennett’s own family and childhood best friends, appear and are placed in conversation in order to show that there is always a world beyond what we are socialized to see value in, always alternative ways of thinking about relation that explode easy binaries.
Dreamspace

Dreamspace

Bennett Joshua Davlin

3210 Films LLC
2020
sidottu
China entombed the world. Now humanity found an escape. BY 2059 Chinese manufacturing pollution triggered the worldwide flood predicted to last 7,000 years. Plagued with COVID-19 and restricted within flood-walled-zones, humanity prepares to perpetually online on Dreamspace, a digital diversion platform that's as real as life. To play the perpetual game, users must first find a compatible game-mate in the dating module. Once merged, the couple's minds are immersed online permanently gaming with each other, while their offline bodies are maintained in medical body-vaults.Before the worldwide drop, FCC Web Agent Ray Kemper must solve the murder of a beta-tester who may have met his killer on Dreamspace's dating module. The web agent must date the anonymous users his victim dated in their exclusive worlds, luring each into a digital-kiss to unmask their identity and catch his real-world killer.The mystery unravels as the detective falls for a suspect who could be the love of his life or the end of it, forcing him to question whether our species is worth saving if doing so means giving up the very thing that makes us human.
Owed

Owed

Joshua Bennett

Penguin USA
2020
nidottu
From "one of the most impressive voices in poetry today" (Dissent magazine), a new collection that shines a light on forgotten or obscured parts of the past in order to reconstruct a deeper, truer vision of the presentGregory Pardlo described Joshua Bennett's first collection of poetry, The Sobbing School, as an "arresting debut" that was "abounding in tenderness and rich with character," with a "virtuosic kind of code switching." Bennett's new collection, Owed, is a book with celebration at its center. Its primary concern is how we might mend the relationship between ourselves and the people, spaces, and objects we have been taught to think of as insignificant, as fundamentally unworthy of study, reflection, attention, or care. Spanning the spectrum of genre and form--from elegy and ode to origin myth--these poems elaborate an aesthetics of repair. What's more, they ask that we turn to the songs and sites of the historically denigrated so that we might uncover a new way of being in the world together, one wherein we can truthfully reckon with the brutality of the past and thus imagine the possibilities of our shared, unpredictable present, anew.
The Study Of Human Life

The Study Of Human Life

Joshua Bennett

Penguin Putnam Inc
2022
nidottu
A third collection that reveals an acclaimed poet further extending his range into the realm of speculative fiction, while addressing issues as varied as abolition, Black ecological consciousness, and the boundless promise of parenthood Across three sequences, Joshua Bennett's new book recalls and reimagines social worlds almost but not entirely lost, all while gesturing toward the ones we are building even now, in the midst of a state of emergency, together. Bennett opens with a set of autobiographical poems that deal with themes of family, life, death, vulnerability, and the joys and dreams of youth. The central section, "The Book of Mycah," features an alternate history where Malcolm X is resurrected from the dead, as is a young black man shot by the police some fifty years later in Brooklyn. The final section of The Study of Human Life are poems that Bennett has written about fatherhood, on the heels of his own first child being born last fall.
God and Progress

God and Progress

Joshua Bennett

Oxford University Press
2019
sidottu
Exploring the rich relationship between historical thought and religious debate in Victorian culture, God and Progress offers a unique and authoritative account of intellectual change in nineteenth-century Britain. The volume recovers a twofold process in which the growth of progressive ideas of history transformed British Protestant traditions, as religious debate, in turn, profoundly shaped Victorian ideas of history. It adopts a remarkably wide contextual perspective, embracing believers and unbelievers, Anglicans and nonconformists, and writers from different parts of the British Isles, fully situating British debates in relation to their European and especially German Idealist surroundings. The Victorian intellectual mainstream came to terms with religious diversity, changing ethical sensibilities, and new kinds of knowledge by encouraging providential, spiritualized, and developmental understandings of human time. A secular counter-culture simultaneously disturbed this complex consensus, grounding progress in appeals to scientific advances and the retreat of metaphysics. God and Progress thus explores the ways in which divisions within British liberalism were fundamentally related to differences over the past, present, and future of religion. It also demonstrates that religious debate powered the process by which historicism acquired cultural authority in Victorian national life, and later began to lose it. The study reconstructs the ways in which theological dynamics, often relegated to the margins of nineteenth-century British intellectual history, effectively forged its leading patterns.
The People Can Fly: The Promise and Peril of Giftedness

The People Can Fly: The Promise and Peril of Giftedness

Joshua Bennett

Little Brown and Company
2026
sidottu
Whiting award-winning poet and Distinguished Chair of Humanities at MIT, Dr. Joshua Bennett creates a masterful synthesis of personal narrative and history that illuminates the promises and perils of being labelled a Black prodigy. The outside world's perception of Black promise comes and goes. It does so in ways that are undeniably advantageous for Black children. Yet here, Dr. Bennett explores the rarely examined pitfalls of being a Black prodigy in a society that has, too often, defined Blackness as the very absence of intellect. Bennett probes what it means to be othered, even if this othering is the same key to an individual's success in an unfair world, demanding that we build alternative futures that make space for the promise and hope of every child. In The People Can Fly Bennet shares his own academic journey--including spoken word performances at The White House and Sundance Film Festival, an NAACP Image Award, and a Guggenheim Foundation fellowship--mirrors the ebb and flow between being deemed promising and "a problem." He bolsters this personal narrative by observing how disability within his own family complicates societies perception of genius, and by diving into the under-examined history of young intellectuals like Oscar Moore, Thomas Wiggins, Stephen Wiltshire, and others. Together, Bennett lays out an arresting portrait of a world that obscures genius behind a disorienting facade of otherness and exceptionality. With arresting prose and grace, The People Can Fly is an eye-opening reflection on what it means to be labelled gifted in today's world; and a personal history and love letter to all the Black prodigies who have disturbed the veil of racism, and the children who will continue to do so.
Spoken Word: A Cultural History

Spoken Word: A Cultural History

Joshua Bennett

Knopf Publishing Group
2023
sidottu
A NEW YORK TIMES NOTABLE BOOK OF THE YEAR - A "rich hybrid of memoir and history" (The New Yorker) of the literary art form that has transformed the cultural landscape, by one of its influential practitioners, an award-winning poet, professor, and slam champion "Bennett...transport s] us back to the city blocks, bars, cafes and stages these artists traversed and inhabited...an instructive text for young poets, artists or creative entrepreneurs trying to find a way to carve out a space for themselves...Shines with a refreshing dynamism." --The New York Times In 2009, when he was twenty years old, Joshua Bennett was invited to perform a spoken word poem for Barack and Michelle Obama, at the same White House "Poetry Jam" where Lin-Manuel Miranda declaimed the opening bars of a work-in-progress that would soon revolutionize American theater. That meeting is but one among many in the trajectory of Bennett's young life, as he rode the cresting wave of spoken word through the 2010s. In this book, he goes back to its roots, considering the Black Arts movement and the prominence of poetry and song in Black education; the origins of the famed Nuyorican Poets Cafe in the Lower East Side living room of the visionary Miguel Algar n, who hosted verse gatherings with legendary figures like Ntozake Shange and Miguel Pi ero; the rapid growth of the "slam" format that was pioneered at the Get Me High Lounge in Chicago; the perfect storm of spoken word's rise during the explosion of social media; and Bennett's own journey alongside his older sister, whose work to promote the form helped shape spaces online and elsewhere dedicated to literature and the pursuit of human freedom. A celebration of voices outside the dominant cultural narrative, who boldly embraced an array of styles and forms and redefined what--and whom--the mainstream would include, Bennett's book illuminates the profound influence spoken word has had everywhere melodious words are heard, from Broadway to academia, from the podiums of political protest to caf s, schools, and rooms full of strangers all across the world.
Demons of the blood moon

Demons of the blood moon

Joshua Bennett

Joshua Bennett
2019
pokkari
What is your freedom worth?Would you join the rebellion?Would you fight for the devil?Would you kill a god?In a world of gods and demons. Mortals have been segregated into those that can use magic and those that cannot.The elite, those that can use magic live a life of luxury and gluttony.The cursed, those that cannot use magic force themselves into slavery to cleanse their blood lines of an ancient curse in the eyes of their gods, the Valkyrie.When whispers of the devil forming a rebellion begin to surface. Four young cursed gang members must choose between slaving for their gods or fighting back with the rebellion to claim a better life.When the truth of the world is slowly forced into the light it becomes clear there is far more evil in the world than could ever be imagined.
Being Property Once Myself

Being Property Once Myself

Joshua Bennett

HARVARD UNIVERSITY PRESS
2022
nidottu
Winner of the William Sanders Scarborough Prize“This trenchant work of literary criticism examines the complex ways…African American authors have written about animals. In Bennett’s analysis, Richard Wright, Toni Morrison, Jesmyn Ward, and others subvert the racist comparisons that have ‘been used against them as a tool of derision and denigration.’...An intense and illuminating reevaluation of black literature and Western thought.” —Ron Charles, Washington PostFor much of American history, Black people have been conceived and legally defined as nonpersons, a subgenre of the human. In Being Property Once Myself, prize-winning poet Joshua Bennett shows that Blackness has long acted as the caesura between human and nonhuman and delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal—the rat, the cock, the mule, the dog, the shark—in the works of Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the valuation and sale of animals and enslaved people—all place Black and animal life in fraught proximity. Bennett suggests that animals are deployed to assert a theory of Black sociality and to combat dominant claims about the limits of personhood. And he turns to the Black radical tradition to challenge the pervasiveness of anti-Blackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a groundbreaking articulation of undertheorized notions of dehumanization and the Anthropocene.“A gripping work…Bennett’s lyrical lilt in his sharp analyses makes for a thorough yet accessible read.” —LSE Review of Books“These absorbing, deeply moving pages bring to life a newly reclaimed ethics.”—Colin Dayan, author of The Law Is a White Dog“Tremendously illuminating…Refreshing and field-defining.”—Salamishah Tillet, author of Sites of Slavery
Being Property Once Myself

Being Property Once Myself

Joshua Bennett

The Belknap Press
2020
sidottu
Winner of the William Sanders Scarborough PrizeA prizewinning poet argues that Blackness acts as the caesura between human and nonhuman, man and animal.Throughout US history, Black people have been configured as sociolegal nonpersons, a subgenre of the human. Being Property Once Myself delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal figure—the rat, the cock, the mule, the dog, and the shark—in the works of Black authors such as Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the simultaneous valuation and sale of animals and enslaved people—all are sites made unforgettable by literature in which we find Black and animal life in fraught proximity.Joshua Bennett argues that animal figures are deployed in these texts to assert a theory of Black sociality and to combat dominant claims about the limits of personhood. Bennett also turns to the Black radical tradition to challenge the pervasiveness of anti-Blackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a close reading of undertheorized notions of dehumanization and the Anthropocene.
The Study of Human Life

The Study of Human Life

Joshua Bennett

BLOOMSBURY PUBLISHING PLC
2025
nidottu
**Winner of the Paterson Poetry Prize****Longlisted for the Griffin Prize and the Massachusetts Book Award****Soon to be adapted for screen by Lena Waithe and Warner Bros.**An award-winning collection and novella exploring the realm of speculative fiction, while addressing issues as varied as abolition, Black ecological consciousness, and the boundless promise of parenthoodAcross three sequences, Joshua Bennett’s new book recalls and reimagines social worlds almost but not entirely lost, all while gesturing toward the ones we are building even now, in the midst of a state of emergency, together. Bennett opens with a set of autobiographical poems that deal with themes of family, life, death, vulnerability, and the joys and dreams of youth. The central section, “The Book of Mycah,” features an alternate history where Malcolm X is resurrected from the dead, as is a young black man shot by the police some fifty years later in Brooklyn. The final section of The Study of Human Life are poems that Bennett has written about fatherhood, on the heels of his own first child being born.Praise for Joshua Bennett‘One of the brightest intellectual and political thinkers of a new generation’ Jesse McCarthy‘Bennett conjures a spirit of kinship that, illuminated by redolent imagery, borders on mythic’ New Yorker‘Joshua Bennett’s astounding, dolorous, rejoicing voice is indispensable’ Tracy K Smith
Owed

Owed

Joshua Bennett

BLOOMSBURY PUBLISHING PLC
2023
nidottu
From a 2021 Whiting Award and Guggenheim Fellow recipient, a 'rhapsodic, rigorous poetry collection, which pays homage to everyday Black experience in the US' (New Yorker)Selected as a book of the year by the Telegraph_______________________________Owed is a book with celebration at its centre. Its primary concern is how we might mend the relationship between ourselves and the people, spaces, and objects we have been taught to think of as insignificant, as fundamentally unworthy of study, reflection, attention, or care. Spanning the spectrum of genre and form - from elegy and ode to origin myth--these poems elaborate an aesthetics of repair. What's more, they ask that we turn to the songs and sites of the historically denigrated so that we might uncover a new way of being in the world together, one wherein we can truthfully reckon with the brutality of the past and thus imagine the possibilities of our shared, unpredictable present, anew.
Spoken Word

Spoken Word

Joshua Bennett

Vintage Publishing
2023
sidottu
The powerful story of an art form that has transformed the cultural landscape, by an award-winning poet, professor, and slam champion.'AN ENGAGING HISTORY' New York Times | 'A RICH HYBRID OF MEMOIR AND HISTORY' The New Yorker | 'A MUST-READ' Roger Robinson | 'GALVANISING' Luke Kennard | 'CAPTURES LIGHTNING IN A BOTTLE' Therí A. Pickens | 'MAGNIFICENT' Cornel WestIn 2009, at only twenty years old, Joshua Bennett was invited to recite a poem for President Barack Obama and First Lady Michelle Obama at the White House's Evening of Poetry, Music, and the Spoken Word. Spike Lee and Saul Williams were in the audience, and it turned out to be the very same event where Lin-Manuel Miranda first performed a work-in-progress that revolutionised musical theatre - Hamilton.Blending memoir and literary analysis, Bennett shows how a handful of visionaries altered modern culture. With passion, wit and erudition, he charts the history of spoken-word poetry, as well as his coming-of-age journey as a writer. From the early influence of Miguel Algarín and the Nuyorican Poets Café to Amanda Gorman's inauguration poem for President Joe Biden, he celebrates the contributions of legendary figures such as Ntozake Shange, Nikki Giovanni and Miguel Piñero, as well as how artists like MF DOOM, Jill Scott and Mos Def were inspired to develop their craft within their shared tradition.Spoken Word illuminates the profound influence that poetry has had everywhere melodious words are heard, from the West End to academia, from the podiums of political protest to cafés, from schools to rooms full of strangers all across the world.
Spoken Word: A Cultural History

Spoken Word: A Cultural History

Joshua Bennett

VINTAGE
2024
nidottu
A "rich hybrid of memoir and history" (The New Yorker) of the literary art form that has transformed the cultural landscape, by one of its influential practitioners, an award-winning poet, professor, and slam champion "Bennett...transport s] us back to the city blocks, bars, cafes and stages these artists traversed and inhabited...an instructive text for young poets, artists or creative entrepreneurs trying to find a way to carve out a space for themselves...Shines with a refreshing dynamism." --The New York Times In 2009, when he was twenty years old, Joshua Bennett was invited to perform a spoken word poem for the Obamas, at the same White House "Poetry Jam" where Lin-Manuel Miranda declaimed the opening bars of a work-in-progress that would soon revolutionize American theater. That meeting is but one among many in the trajectory of Bennett's young life, as he rode the cresting wave of spoken word through the 2010s. But in this book, he is not a memoirist so much as a participant historian, who goes back to the roots of the spoken word form, considering the Black Arts movement and the prominence of poetry and song in Black education; the origins of the famed Nuyorican Poets Cafe in the Lower East Side living room of the visionary Miguel Algar n, who hosted verse gatherings with legendary figures like Ntozake Shange and Miguel Pi ero; the rapid growth of the "slam" format that was pioneered at the Get Me High Lounge in Chicago; the perfect storm of spoken word's rise during the explosion of social media; the stories and perspectives of many others on this journey, as they helped shape spaces dedicated to literature as practiced with urgency by people of color and to the pursuit of human freedom. A celebration of voices outside the dominant cultural narrative, who boldly embraced an array of styles and forms and redefined what--and whom--the mainstream would include, Bennett's book illuminates the profound influence spoken word has had everywhere melodious words are heard, from Broadway to academia, from the podiums of political protest to caf s, schools, and rooms full of strangers all across the world.
Liberties Journal of Culture and Politics

Liberties Journal of Culture and Politics

Michael Ignatieff; Laura Kipnis; David Grossman; Ramachandra Guha; Thomas Chatterton Williams; Hannah Sullivan; Mark Lilla; Helen Vendler; Sean Wilentz; Adam Zagajewski; Louise Glück; James Wolcott; Andrea Marcolongo; Eli Lake; Sally Satel; Moshe Halbertal; Joshua Bennett; David Thomson; Julius Margolin; Clara Collier; Shawn McCreesh

Liberties Journal Foundation
2021
pokkari
Liberties - A Journal of Culture and Politics features new essays and poetry from some of today’s best writers and artists, along with introducing new talent, to inspire and impact the intellectual and creative lifeblood of culture and politics. This inaugural issue of Liberties includes: Michael Ignatieff on liberalism and the environment; Laura Kipnis cheers transgression; David Grossman on literature and peace; Ramachandra Guha on the Indian tragedy; Thomas Chatterton Williams on the real James Baldwin; Mark Lilla on the power of indifference; Helen Vendler on Yeats' The Second Coming; Sean Wilentz on abolition and American origins; Adam Zagajeweski on Gustav Mahler; James Wolcott on America’s modern Jacobins; Andrea Marcolongo on how language defines us; Eli Lake on the birth of American unexceptionalism; Sally Satel on the riddle of addiction; Moshe Halbertal on creating a democratic Jewish state; David Thomson on the wonder of Terrence Malick; Julius Margolin’s memoir confronting hatred; Clara Collier on plague literature; Shawn McCreesh’s personal look at a youthful community of addiction; new poetry from the most recent winner of the Nobel Prize in Literature, Louise Glück, Joshua Bennett, and Hannah Sullivan; and, Leon Wieseltier (editor) and Celeste Marcus (managing editor).
Motherhood, Respectability and Baby-Farming in Victorian and Edwardian London
Motherhood, Respectability and Baby-Farming in Victorian and Edwardian London explores a largely obscured marketplace of motherhood that provided ways for women to manage the stigma of illegitimacy and their respectable identities within Victorian and Edwardian society. It focuses on the extent of women’s ‘dirty work’, when maternal problem management was fundamental to the general maintenance of respectability and, by extension, to Empire and Civilisation.Despite its intrigue, history has struggled to understand and represent an uncomfortable but significant artefact of Western modernising society: ‘baby-farming’. During a period when ideologies of respectability and civilisation arguably mattered most, the ‘right’ kind of parenthood – especially motherhood – became paramount. As the ‘wrong’ offspring could jeopardise a woman’s chances of being respectable, a wholesale, informal, and somewhat clandestine marketplace emerged that catered to various maternal difficulties. Within this marketplace, a pregnancy or newborn child who may have compromised a woman’s respectability could be ‘disposed’ of through different means, for a fee. From the Victorian period to the present, the commercialised maternal practices associated with baby-farming have become firmly established within collective consciousness as being synonymous with child murder, female pathology, and ‘infanticide for hire’. This book provides a revised, far more complex, and nuanced narrative history which reveals all that was associated with baby-farming – including all possible outcomes – to be entirely natural, rational, and even necessary products of their time; an understandable outcome of the period’s ‘civilising offensive’.Motherhood, Respectability and Baby-Farming in Victorian and Edwardian London will be of great interest to students and scholars of criminology, sociology, history, and gender studies.
Motherhood, Respectability and Baby-Farming in Victorian and Edwardian London
Motherhood, Respectability and Baby-Farming in Victorian and Edwardian London explores a largely obscured marketplace of motherhood that provided ways for women to manage the stigma of illegitimacy and their respectable identities within Victorian and Edwardian society. It focuses on the extent of women’s ‘dirty work’, when maternal problem management was fundamental to the general maintenance of respectability and, by extension, to Empire and Civilisation.Despite its intrigue, history has struggled to understand and represent an uncomfortable but significant artefact of Western modernising society: ‘baby-farming’. During a period when ideologies of respectability and civilisation arguably mattered most, the ‘right’ kind of parenthood – especially motherhood – became paramount. As the ‘wrong’ offspring could jeopardise a woman’s chances of being respectable, a wholesale, informal, and somewhat clandestine marketplace emerged that catered to various maternal difficulties. Within this marketplace, a pregnancy or newborn child who may have compromised a woman’s respectability could be ‘disposed’ of through different means, for a fee. From the Victorian period to the present, the commercialised maternal practices associated with baby-farming have become firmly established within collective consciousness as being synonymous with child murder, female pathology, and ‘infanticide for hire’. This book provides a revised, far more complex, and nuanced narrative history which reveals all that was associated with baby-farming – including all possible outcomes – to be entirely natural, rational, and even necessary products of their time; an understandable outcome of the period’s ‘civilising offensive’.Motherhood, Respectability and Baby-Farming in Victorian and Edwardian London will be of great interest to students and scholars of criminology, sociology, history, and gender studies.
Air Education and Training Command Cost and Capacity System

Air Education and Training Command Cost and Capacity System

Thomas Manacapilli; Bart Bennett; Lionel A. Galway; Joshua Weed

RAND
2004
pokkari
Improving the Air Force's training management and decision processes; An examination of Air Force training management and decision processes and the data needed for informed decisionmaking. A model of management is developed to evaluate the data flow in the AETC training pipeline. The study concludes that consolidation of the strategic management functions would resolve many current data flow problems, and methodological tools, including simulations, should be developed to improve data combination and interpretation, particularly in the area of cost.
Broken Frontier

Broken Frontier

Greg Pak; Cullen Bunn; Phil Hester; Marguerite Bennett; Fred Van Lente; Joshua Hale Fialkov; Adam Egypt Mortimer; Steve Orlando; David Hine; Tyler Chin-Tanner; Justin Zimmerman; A. David Lewis

A Wave Blue World
2020
sidottu
This oversized hardcover is jam-packed with gorgeous artwork and captivating stories from today’s heavy hitters in both mainstream and indie comics. Greg Pak and Tom Raney deliver a poignant tale of police officer returning to duty thanks to a supernatural replacement to his amputated arm in “Phantom Limb Ghostpuncher.” Cullen Bunn and Nathan Fox introduce us to the skateboarding, sword-wielding goth girl who fights against creatures of the night in “Dark, Dark World.” Phil Hester and Daniel Warren Johnson take us back to the world of Vikings in “Plunder.” Tyler Chin-Tanner and Toby Cypress combine desert dystopia with technotronic futurism in “The Wall.” Marguerite Bennett and Varga Tomi share one woman’s quest to tame a living, breathing mountain. In “The Beard,” Fred Van Lente and Alison Sampson present a woman with an unusual dilemma; her newfound facial hear has given her the ability to fly, give up one and so goes the other. Justin Zimmerman and Mike Lawrence show us the events of Word War I through the eyes of a young girls with a jet pack and wings in “Flyer.” Plus many, many more.