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Philippe VI Et Robert d'Artois. Les Commencements de la Guerre de Cent Ans. 1328-1345

Philippe VI Et Robert d'Artois. Les Commencements de la Guerre de Cent Ans. 1328-1345

Berthold Zeller

Hachette Livre - BNF
2014
pokkari
Philippe VI et Robert d'Artois. Les commencements de la guerre de cent ans. 1328-1345. Extraits des Grandes Chroniques de France, de Froissart, du proces de Robert d'Artois / publies par B. Zeller, ...Date de l'edition originale: 1885Sujet de l'ouvrage: France (1328-1350, Philippe VI)Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
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Berthold Lubetkin’s Highpoint II and the Jewish Contribution to Modern English Architecture

Berthold Lubetkin’s Highpoint II and the Jewish Contribution to Modern English Architecture

Deborah Lewittes

Routledge
2020
nidottu
In 1935, the Russian-born Jewish architect Berthold Lubetkin and his firm Tecton designed Highpoint, a block of flats in London, which Le Corbusier called ‘revolutionary’. Three years later, Lubetkin completed a companion design. Yet Highpoint II felt very different, and the sense that the ideals of modernism had been abandoned seemed hard to dispute. Had modern architecture failed to take root in England? This book challenges the belief that English architecture was on hiatus during the 1930s. Using Highpoint II as a springboard, Deborah Lewittes takes us on a journey through the defining moments of modern English architecture – the ‘high points’ of the period surrounding Highpoint II. Drawing on Lubetkin’s work and his writings, the book argues that he advanced influential, lasting theories which were rooted in his design for Highpoint II. Lubetkin’s work is explored within the context of wider Jewish emigration to London during the interwar years as well as the anti-Semitism that pervaded Britain during the 1930s. As Lewittes demonstrates, this decade was anything but quiet. Providing a new perspective on twentieth-century English architecture, this book is of interest to students and scholars in architectural history, urban studies, Jewish studies, and related fields.
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Berthold Lubetkin’s Highpoint II and the Jewish Contribution to Modern English Architecture

Berthold Lubetkin’s Highpoint II and the Jewish Contribution to Modern English Architecture

Deborah Lewittes

CRC Press Inc
2018
sidottu
In 1935, the Russian-born Jewish architect Berthold Lubetkin and his firm Tecton designed Highpoint, a block of flats in London, which Le Corbusier called ‘revolutionary’. Three years later, Lubetkin completed a companion design. Yet Highpoint II felt very different, and the sense that the ideals of modernism had been abandoned seemed hard to dispute. Had modern architecture failed to take root in England? This book challenges the belief that English architecture was on hiatus during the 1930s. Using Highpoint II as a springboard, Deborah Lewittes takes us on a journey through the defining moments of modern English architecture – the ‘high points’ of the period surrounding Highpoint II. Drawing on Lubetkin’s work and his writings, the book argues that he advanced influential, lasting theories which were rooted in his design for Highpoint II. Lubetkin’s work is explored within the context of wider Jewish emigration to London during the interwar years as well as the anti-Semitism that pervaded Britain during the 1930s. As Lewittes demonstrates, this decade was anything but quiet. Providing a new perspective on twentieth-century English architecture, this book is of interest to students and scholars in architectural history, urban studies, Jewish studies, and related fields.
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