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1000 tulosta hakusanalla Bill C. Lee
During the turbulent 1960s, Lee C. White contributed in quiet ways to addressing and resolving the nation's most intractable civil rights problems, and played an early role in identifying and promoting environmental protection causes, as a Special Counsel to Presidents John F. Kennedy and Lyndon B. Johnson. Laced with anecdotes and humor, Government for the People is Lee White's story of his pursuits in the legislative and executive branches of government and in private legal practice. Inspired by Senator George W. Norris, Republican of Nebraska, Lee White traversed the political lines of the legislative branch of government working for two of the most highly respected and admired United States Senators, John F. Kennedy, Democrat of Massachusetts, and John Sherman Cooper, Republican of Kentucky. He observed up close the workings of the Hoover Commission, charged with recommending policies to improve operations of the executive branch of government, as a right hand to former Ambassador Joseph P. Kennedy. In the executive branch, White served, first, as a lawyer in the legal division of the Tennessee Valley Authority, and, later, as Chairman of the Federal Power Commission. As a lawyer in private practice and a vigorous consumer advocate, Lee White led the Energy Policy Task Force of the Consumer Federation of America during the 1970s, advocating consumer interests before Congress and public forums. His many varied and challenging post-Government activities included having a ringside seat in the 1972 presidential election as campaign manager for George McGovern's Vice Presidential running mate, R. Sargent Shriver. Based on a career devoted to the public interest aspects of legal and policy issues, and writing with as much political objectivity as he can garner, Lee White concludes his memoirs by contrasting the presidential administrations in which he served with that of President George W. Bush.
During the turbulent 1960s, Lee C. White contributed in quiet ways to addressing and resolving the nation's most intractable civil rights problems, and played an early role in identifying and promoting environmental protection causes, as a Special Counsel to Presidents John F. Kennedy and Lyndon B. Johnson. Laced with anecdotes and humor, Government for the People is Lee White's story of his pursuits in the legislative and executive branches of government and in private legal practice. Inspired by Senator George W. Norris, Republican of Nebraska, Lee White traversed the political lines of the legislative branch of government working for two of the most highly respected and admired United States Senators, John F. Kennedy, Democrat of Massachusetts, and John Sherman Cooper, Republican of Kentucky. He observed up close the workings of the Hoover Commission, charged with recommending policies to improve operations of the executive branch of government, as a right hand to former Ambassador Joseph P. Kennedy. In the executive branch, White served, first, as a lawyer in the legal division of the Tennessee Valley Authority, and, later, as Chairman of the Federal Power Commission. As a lawyer in private practice and a vigorous consumer advocate, Lee White led the Energy Policy Task Force of the Consumer Federation of America during the 1970s, advocating consumer interests before Congress and public forums. His many varied and challenging post-Government activities included having a ringside seat in the 1972 presidential election as campaign manager for George McGovern's Vice Presidential running mate, R. Sargent Shriver. Based on a career devoted to the public interest aspects of legal and policy issues, and writing with as much political objectivity as he can garner, Lee White concludes his memoirs by contrasting the presidential administrations in which he served with that of President George W. Bush.
The subtle yet significant difference between review vs. monitoring is too often overlooked, and necessitates thorough analysis and attention. This paper will speak to the necessity of implementing an effective oversight body, to monitor and to hold accountable various security agencies granted expansive kinetic powers under the current proposed Bill C-51. As will be suggested, a hybrid model, comprised of both a National Security Advisor who would embody a role similar to that of the previous Inspector General, as well as the establishment of a Statutory Committee, as opposed to the current Committee of Parliamentarians as proposed by Prime Minister Justin Trudeau, would effectively provide for collective decision-making, and crucial oversight. A thorough analysis of the current oversight mechanisms in place in other commonwealth countries, namely Australia and Great Britain, will additionally be examined.
![Proceedings ... on Bill (C), An Act to Amend the Companies Act [and on Bill (V3), An Act Respecting Investment Companies]](/covers/9781014039453.jpg)
Proceedings ... on Bill (C), An Act to Amend the Companies Act [and on Bill (V3), An Act Respecting Investment Companies]
Canada Parliament Senate Standing; Frank Bunting 1869-1945 Black
Hassell Street Press
2021
sidottu
![Proceedings ... on Bill (C), An Act to Amend the Companies Act [and on Bill (V3), An Act Respecting Investment Companies]](/covers/9781014726629.jpg)
Proceedings ... on Bill (C), An Act to Amend the Companies Act [and on Bill (V3), An Act Respecting Investment Companies]
Canada Parliament Senate Standing; Frank Bunting 1869-1945 Black
Hassell Street Press
2021
nidottu
The most atypical of bluegrass artists, Bill Clifton has enjoyed a long career as a recording artist, performer, and champion of old-time music. Bill C. Malone pens the story of Clifton's eclectic life and influential career. Born into a prominent Maryland family, Clifton connected with old-time music as a boy. Clifton made records around earning a Master's degree, fifteen years in the British folk scene, and stints in the Peace Corps and Marines. Yet that was just the beginning. Closely allied with the Carter Family, Woody Guthrie, Mike Seeger, and others, Clifton altered our very perceptions of the music--organizing one of the first outdoor bluegrass festivals, publishing a book of folk and gospel standards that became a cornerstone of the folk revival, and introducing both traditional and progressive bluegrass around the world. As Malone shows, Clifton clothed the music of working-class people in the vestments of romance, celebrating the log cabin as a refuge from modernism that rang with the timeless music of Appalachia.An entertaining account by an eminent music historian, Bill Clifton clarifies the myths and illuminates the paradoxes of an amazing musical life.
The most atypical of bluegrass artists, Bill Clifton has enjoyed a long career as a recording artist, performer, and champion of old-time music. Bill C. Malone pens the story of Clifton's eclectic life and influential career. Born into a prominent Maryland family, Clifton connected with old-time music as a boy. Clifton made records around earning a Master's degree, fifteen years in the British folk scene, and stints in the Peace Corps and Marines. Yet that was just the beginning. Closely allied with the Carter Family, Woody Guthrie, Mike Seeger, and others, Clifton altered our very perceptions of the music--organizing one of the first outdoor bluegrass festivals, publishing a book of folk and gospel standards that became a cornerstone of the folk revival, and introducing both traditional and progressive bluegrass around the world. As Malone shows, Clifton clothed the music of working-class people in the vestments of romance, celebrating the log cabin as a refuge from modernism that rang with the timeless music of Appalachia.An entertaining account by an eminent music historian, Bill Clifton clarifies the myths and illuminates the paradoxes of an amazing musical life.
A high-spirited history of country music's roots combined with vivid portraits of its principal performers
This drama by the author of Mass Appeal explores the heart of a young man in crisis, inflamed by the people who claim to care for him: his mother, his football coach and his tutor. James Bernard is a star college quarterback whose innocence renders him devastatingly vulnerable. His mother and coach are pushing him to go "professional"; his tutor is concerned over the inherent corruption of organized athletics, believing that football is just another metaphor for war.
For over fifty years, Bill C. Malone has researched and written about the history of country music. Today he is celebrated as the foremost authority on this distinctly American genre. This new collection brings together his significant article-length work from a variety of sources, including essays, book chapters, and record liner notes. Sing Me Back Home distills a lifetime of thinking about country and southern roots music. Malone offers the heartfelt story of his own working-class upbringing in rural East Texas, recounting how in 1939 his family's first radio, a battery-powered Philco, introduced him to hillbilly music and how, years later, he went on to become a scholar in the field before the field formally existed. Drawing on a hundred years of southern roots music history, Malone assesses the contributions of artists such as William S. Hays, Albert Brumley, Joe Thompson, Jimmie Rodgers, Johnny Gimble, and Elvis Presley. He also explores the intricate relationships between black and white music styles, gospel and secular traditions, and pop, folk, and country music. Author of many books, Malone is best known for his pioneering volume County Music, U.S.A., published in 1968. It ranks as the first comprehensive history of American country music and remains a standard reference. This compilation of Malone's shorter - and more personal - essays is the perfect complement to his earlier writing and a compelling introduction to the life's work of America's most respected country music historian.
In this slim, lively book our foremost historian of country music recalls the lost worlds of pioneering fiddlers and pickers, balladeers and yodelers. As he looks at "hillbilly" music's pre-commercial era and its early popular growth through radio and recordings, Bill C. Malone shows us that it was a product not only of the British Isles but of diverse African, German, Spanish, French, and Mexican influences.
“Fifty years after its first publication, Country Music USA still stands as the most authoritative history of this uniquely American art form. Here are the stories of the people who made country music into such an integral part of our nation’s culture. We feel lucky to have had Bill Malone as an indispensable guide in making our PBS documentary; you should, too.” -Ken Burns and Dayton Duncan, Country Music: An American Family StoryFrom reviews of previous editions:“Considered the definitive history of American country music.” -Los Angeles Times“If anyone knows more about the subject than [Malone] does, God help them.” -Larry McMurtry, from In a Narrow Grave“With Country Music USA, Bill Malone wrote the Bible for country music history and scholarship. This groundbreaking work, now updated, is the definitive chronicle of the sweeping drama of the country music experience.” -Chet Flippo, former editorial director, CMT: Country Music Television and CMT.com“Country Music USA is the definitive history of country music and of the artists who shaped its fascinating worlds.” -William Ferris, University of North Carolina at Chapel Hill, former chairman of the National Endowment for the Humanities and coeditor of the Encyclopedia of Southern CultureSince its first publication in 1968, Bill C. Malone’s Country Music USA has won universal acclaim as the definitive history of American country music. Starting with the music’s folk roots in the rural South, it traces country music from the early days of radio into the twenty-first century. In this fiftieth-anniversary edition, Malone, the featured historian in Ken Burns’s 2019 documentary on country music, has revised every chapter to offer new information and fresh insights. Coauthor Tracey Laird tracks developments in country music in the new millennium, exploring the relationship between the current music scene and the traditions from which it emerged.
Charged Off: A Consumer's Guide to Debt Collection
Bill C. Lector
Createspace Independent Publishing Platform
2013
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