Portræt af Bjørn Nørgaard (f. 1947) som udfolder hovedlinjerne i kunstnerens bevægelse som billedhugger fra 1960'erne til idag samt bidrag der belyser og diskuterer udvalgte aspekter af Bjørn Nørgaards æstetiske praksis
Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Birgitte Anderberg
The exhibition and book Bjørn Nørgaard. Re-Modelling the World presents one of the most ground-breaking and agenda-setting figures within Nordic contemporary art since the mid-1960s. When Bjørn Nørgaard began his career as a very young man, he operated on the outskirts of the established art scene. Right from the outset, he adopted a critical view of the main institutions of art – particularly the art academy, art museum, and art criticism – and it is quite telling that he got his education within the working collective Eks-Skolen (The Experimental Art School) rather than at the Royal Danish Academy of Fine Art, which at the time was regarded as the main route leading to widespread recognition as an artist. The experimental art school formed a setting for individual and collective explorations of the links between art, politics, economics, and everyday lived life. This involved the use of new materials, new forms of working, and new forms of presentation, some of which drew on the lessons learnt by historical avant-garde art founded in the early twentieth century, but at the same time, the work was strongly influenced by the young artists’ encounters with the most recent art from Germany and the USA where happenings, installation art, and action art had begun to gain prominence. The book and exhibition Bjørn Nørgaard. Re-Modelling the World showcases a prominent artist’s road from the 1960s with their radical, at times Utopian striving for open-ended works up towards the popular, narrative, and visually seductive artistic production that has characterised Bjørn Nørgaard in recent decades. This road has led to monumental works in the public space, but these large-scale works have emerged side by side with material actions and performances, which the artist has maintained as part of his practice throughout his career. In the mid-1960s, no-one would ever have guessed that an experimental artistic practise that initially took on the most humble and fragile forms – using plaster, wire, cardboard, and textiles as favourite materials – would ever progress the way it did, even reaching far into the institutions to which the artist offered such resistance as a young man. Nevertheless, a red thread runs through his entire production, and this is documented in this book.
The exhibition and book Bjørn Nørgaard. Re-Modelling the World presents one of the most ground-breaking and agenda-setting figures within Nordic contemporary art since the mid-1960s. When Bjørn Nørgaard began his career as a very young man, he operated on the outskirts of the established art scene. Right from the outset, he adopted a critical view of the main institutions of art – particularly the art academy, art museum, and art criticism – and it is quite telling that he got his education within the working collective Eks-Skolen (The Experimental Art School) rather than at the Royal Danish Academy of Fine Art, which at the time was regarded as the main route leading to widespread recognition as an artist. The experimental art school formed a setting for individual and collective explorations of the links between art, politics, economics, and everyday lived life. This involved the use of new materials, new forms of working, and new forms of presentation, some of which drew on the lessons learnt by historical avant-garde art founded in the early twentieth century, but at the same time, the work was strongly influenced by the young artists’ encounters with the most recent art from Germany and the USA where happenings, installation art, and action art had begun to gain prominence. The book and exhibition Bjørn Nørgaard. Re-Modelling the World showcases a prominent artist’s road from the 1960s with their radical, at times Utopian striving for open-ended works up towards the popular, narrative, and visually seductive artistic production that has characterised Bjørn Nørgaard in recent decades. This road has led to monumental works in the public space, but these large-scale works have emerged side by side with material actions and performances, which the artist has maintained as part of his practice throughout his career. In the mid-1960s, no-one would ever have guessed that an experimental artistic practise that initially took on the most humble and fragile forms – using plaster, wire, cardboard, and textiles as favourite materials – would ever progress the way it did, even reaching far into the institutions to which the artist offered such resistance as a young man. Nevertheless, a red thread runs through his entire production, and this is documented in this book.
Katalogets hovedartikel af Birgitte Anderberg beskriver den danske eksperimentelle kunstscene i perioden 1965-75 med særlig vægt på 1970’ernes kvindelige kunstnere og periodens tidlige avantgarde kunst. Anderbergs artikel suppleres af en lang række tekster fra perioden af kunstnerne selv – om kunsten og det der skete i tiden.
The main article of this catalogue by Birgitte Anderberg explores the Danish experimental art scene from 1965 to 1975 and focuses especially on the female artists from the 1970s and the early Avant-Garde art. The article is accompanied by a large number of texts from the period by the artists themselves – about the art and what happened at that time.
Efter stilheden -Kunstens kvinder tager ordet.
Birgitte Anderberg; Rebekka Laugesen; Cecilie Høgsbro Østergaard; medlemmer af Mødrehjælpen; Dansk Kvindesamfund; Dansk Flygtningehjælp; Indvandre Kvindecentret; Fridays for Future Danmark; Omsorgspolitisk netværk; LGBT+ Danmark; Afro Danish Collective (v. Nana Bernhardt; Henrik Holm; Louise Springborg)
SMK Forlag
2021
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Håndbog til smeltende bogstaver og en svævende flyvemaskine Med udstillingen 'Efter stilheden – kunstens kvinder tager ordet' kaster SMK nyt lys over en række kvindelige kunstnere, der går i kødet på både fortidens og nutidens store politiske temaer. Glæd dig til alt fra smeltende bogstaver og monumentale vægtæpper til videoværker, installationer, malerier, grafik, lertavler og ikke mindst en svævende flyvemaskine, af kunstnerne Käthe Kollwitz, Hannah Höch, Hannah Ryggen, Nancy Spero, Paula Rego, Dea Trier Mørch, Kirsten Christensen, Ursula Reuter Christiansen, Kirsten Justesen, Lene Adler Petersen, Jenny Holzer, Mona Hatoum, Shirin Neshat, Pia Arke, Simone Aaberg Kærn, Jeannette Ehlers, La Vaughn Belle, og Tabita Rezaire. 50-året for RødstrømpebevægelsenUdgangspunktet for udstillingen er 50-året for Rødstrømpebevægelsen og 1970’ernes kampe for en mere fredelig, mere lige og mere fri verden. Herfra ser vi 50 år tilbage i tiden og 50 år frem for at vise, hvordan udvalgte kvindelige kunstnere både tidligere og i dag bruger kunsten til at udtrykke modstand og kritik.Denne håndbog guider dig gennem udstillingen. Undervejs ser vi på udvalgte værker, sådan som kunsthistorien forstår dem og som nutidige aktivister læser dem. Du kan selv tage del i samtalen bagerst i bogen.?????? “Fuldstændig forrygende udstilling på SMK” Politiken????? “En stærk og vedkommende udstilling”Jyllands-Posten
Jessie Kleemann -Tiden løber løber tiden
Birgitte Anderberg; Karen Ormstrup Søndergaard; Sarah Pihl Petersen
SMK Forlag
2023
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Masker, myter, spæk og stilletter. I en ny soloudstilling undersøger Jessie Kleemann med lige dele humor og tragik, hvordan grønlandsk identitet, kultur og natur forandrer sig over tid.Gennem tre årtier har Kleemann været en markant figur på samtidskunstens scene med sin originale tilgang til videokunst, eksperimentalteater og performancekunst. Hendes kunst tager afsæt i de komplekse relationer mellem Grønland, hvor hun er født og opvokset – og Danmark, hvor hun bor i dag.Dette hæfte er udgivet i forbindelse med udstillingen 'Tiden løber løber tiden' på Statens Museum for Kunst, 24. august - 26. november 2023
Jessie Kleemann -Runnig time
Birgitte Anderberg; Karen Ormstrup Søndergaard; Sarah Pihl Petersen
SMK Forlag
2023
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Masks, myths, blubber, and stilettos. In a new solo exhibition, using humour and tragedy in equal measure, Jessie Kleemann examines how Greenlandic identity, culture, and nature change over time.For three decades now, Kleemann has been a significant figure on the contemporary art scene with her original approach to video art, experimental theatre, and performance art. Her art is rooted in the complex relations between Greenland, where she was born and raised, and Denmark, where she resides today.This booklet has been published in connection with the exhibition 'Time Runs, Runs Time' at the National Gallery of Denmark, August 24th - November 26th, 2023
As the National Gallery of Denmark, the SMK is home to much of the nation’s art heritage. Its halls contain many different visual modes of expression testifying to the thoughts, observations, ideas, and experiences that human beings within Western culture have had right back from the 1300s to our present day. The collection is very extensive, and only a fraction of it can be presented in the rooms at any given time. With the highlights presented in this book, we wish to create some points to navigate by when exploring the vast collection. The highlights selected feature important works from Western art history. The artists include a stellar cast from Andrea Mantegna, Lucas Cranach the Elder, and Parmigianino to Nicolai Abildgaard, C.W. Eckersberg, and Vilhelm Hammershøi, and further on to Henri Matisse, Emil Nolde, Georges Braque, Asger Jorn, and Robert Smithson. The book is divided into the following chapters: European Art 1300-1800, Danish and Nordic Art 1750-1900, Danish and International Art after 1900 and The Royal Collection of Graphic Art.
In most of the art historical writing in the 20th century, it has been considered good practice to keep art separate from popular culture. This changed in the 1960s when the boundaries between art and popular or mass culture shifted radically. Andy Warhol's celebration of celebrity culture and his art factory is perhaps the most obvious example. Genealogically, Paris in La Belle Époque is an important link in this history, and Henri de Toulouse-Lautrec occupies a very special status due to his completely unveiled exchange with the entertainment industry from the late 1880s. The human comedy – as Balzac dubbed the social game – in Lautrec's interpretations of the city's theater was infiltrated by popular cultural dynamics. They themselves contributed to creating the culture that was portrayed. Therefore, Lautrec is just as relevant today as he was in the early modern world when his art was created. This is especially true in his pioneering and visually radical graphic works and posters, which were produced in a period of just ten years from 1891 until his death in 1901, during which he managed to produce over 360 different lithographic prints.Today, the Royal Print Collection holds one of the most complete collections of Lautrec's graphic work.In contrast to earlier chronologically structured exhibitions, Toulouse-Lautrec. The Human Comedy views Lautrec's work from a comprehensive, thematic perspective, showing a broad selection of Lautrec's graphic work with a focus on the city's body and its staging of gender and identity.
Susanne Ussing
Birgitte Anderberg; Tania Ørum; Carsten Thau; Ulrikke Neergaard; Birgitte Thorsen Vilslev; Dola Bonfils; Ning de Coninck-Smith; Elisabeth Delin Hansen; Peter Laugesen
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2017
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Susanne Ussing bevægede sig på tværs af kunstarterne som keramiker, arkitekt og billedkunstner. Hun stod bl.a. bag en række opsigtsvækkende og provokerende udstillingsvinduer for Nørgaard paa Strøget samt en række innovative sanse- og børneudstillinger. Hun var en af 1970’ernes feministiske stemmer, og kunstkritiker Mikael Wivel har betegnet hende som ”en af tidens mest originale begavelser”.Hun forholdt sig kritisk til sin samtid og udfordrede bl.a. det konventionelle boligbyggeri med byggeeksperimenter i Thylejren i 1970. Bogen rummer syv artikler af eksperter indenfor kunst, arkitektur og litteratur og kommer hele vejen rundt om Ussings værker fra 1960’erne og frem til hendes død i 1998. Desuden bidrager forfatteren Peter Laugesen, der kendte Susanne Ussing personligt, med et nyskrevet digt. Bogen kaster nyt lys på en markant skikkelse i dansk kunsthistorie og henvender sig til alle, der interesserer sig for billedkunst og arkitektur – og alt det midt imellem.
Stig Brøgger – Now Here (eng.udg.)
Birgitte Anderberg; Mikkel Bogh; Anne Ring Petersen; Tania Ørum; Charlotte Præstegaard
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2019
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Stig Brøgger’s artistic endeavours from the 1960s to the present day encompass virtually all artistic media – from photography to painting, installation art, film, artists’ books, sculptures and public art projects. For more than six decades, Stig Brøgger (b. 1941) has been an important figure on the Danish art scene. At a very early stage of his career, he took part in experimental exhibitions showcasing young Danish art, contributing to the develop-ment of new trends such as Land art and Conceptual art on the international scene. Brøgger’s works can be seen as artistic reflections on new departures within culture, art history, media technology, philosophy and science. In his artistic practice, as well as in his capacity as a writer, editor, exhibition organiser and professor at the Royal Danish Academy of Fine Arts, Brøgger has always sought to expand the scope of what an artist can do, thereby paving the way for and inspiring subsequent generations of Danish artists.Featuring lavishly illustrated articles by Mikkel Bogh, Anne Ring Petersen, Tania Ørum, Charlotte Præstegaard, Jean-François Lyotard and the artist himself, Stig Brøgger – Now Here offers the first full survey of Brøgger’s extensive body of work.
Toulouse-Lautrec -Die menschliche komödie
Birgitte Anderberg & Vibeke Vibolt Knudsen
SMK Forlag
2011
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Vilje, viden og værdier
Birgitte Possing; Peter Thule Kristensen; Christoffer Thorborg; Birgitte Anderberg; Kristian Hvidtfelt Nielsen; Kristine Jensen
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2022
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I år afsluttes Carlsbergfondets hidtil mest gennemgribende restaurering af J.C. Jacobsens private villa, væksthuse og have. Det fejres med en rigt illustreret publikation, hvor villaen, dens omgivelser og dens rige historie præsenteres af en række eksperter: husets arkitektur og haveanlæg, restaurering og videnskabshistorie. Hovedkapitlet af Birgitte Possing er en ny fortælling om J.C. og Laura Jacobsen og de værdier, de sammen byggede Carlsberg på. Helt ny læsning af eksisterende litteratur og kilder viser, at Carlsberg ikke blev bygget af én mand, men af det tæt samarbejdende ægtepar J.C. og Laura Jacobsen. Carlsbergs succes som et forbillede i erhverv, videnskab, arkitektur, kunst, kultur og mæcenvirksomhed skyldes dette indbyrdes samarbejde. Possing stiller derfor spørgsmålet, som alle viser sig at have overset: Hvorfor slettede J.C. Jacobsen alle spor efter hustruen Laura? Og hvorfor lod generationer af historikere Laura Jacobsen forsvinde i historiens tåger?
Will, Works and Values
Birgitte Possing; Peter Thule Kristensen; Christoffer Thorborg; Birgitte Anderberg; Kristian Hvidtfelt Nielsen; Kristine Jensen
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2022
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I år afsluttes Carlsbergfondets hidtil mest gennemgribende restaurering af J.C. Jacobsens private villa, væksthuse og have. Det fejres med en rigt illustreret publikation, hvor villaen, dens omgivelser og dens rige historie præsenteres af en række eksperter: husets arkitektur og haveanlæg, restaurering og videnskabshistorie. Hovedkapitlet af Birgitte Possing er en ny fortælling om J.C. og Laura Jacobsen og de værdier, de sammen byggede Carlsberg på. Helt ny læsning af eksisterende litteratur og kilder viser, at Carlsberg ikke blev bygget af én mand, men af det tæt samarbejdende ægtepar J.C. og Laura Jacobsen. Carlsbergs succes som et forbillede i erhverv, videnskab, arkitektur, kunst, kultur og mæcenvirksomhed skyldes dette indbyrdes samarbejde. Possing stiller derfor spørgsmålet, som alle viser sig at have overset: Hvorfor slettede J.C. Jacobsen alle spor efter hustruen Laura? Og hvorfor lod generationer af historikere Laura Jacobsen forsvinde i historiens tåger?
50 værker du skal se på SMK
Anna Weile Kjær; Birgitte Anderberg; Camilla Jalving; Dorthe Aagesen; Emilie Boe Bierlich; Henrik Holm; Hanne Kolind Poulsen; Michèle Seehafer; Matthias Wivel; Peter Nørgaard Larse; Thomas Lederballe
SMK Forlag
2024
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SMK – Statens Museum for Kunst er Danmarks nationalgalleri for kunst og har ansvar for landets største kunstsamling. Over 200.000 værker, der spænder over 700 år fra renæssancegrafik til nutidens kunstneriske formater. Denne bog præsenterer 50 værker fra SMK’s samling, der markerer sig som relevante lige nu, både i lyset af aktuel forskning og nylige udstillinger – og den samtid, museet er en del af. Udvalget består af kendte såvel som mindre kendte værker, som alle rummer høj kunstnerisk kvalitet og interessante historier. Bogen udpeger ikke udelukkende samlingens hovedværker, men tegner til gengæld en levende kunsthistorie gennem en evigt aktuel samling.
50 Favourites in the SMK Collection
Anna Weile Kjær; Birgitte Anderberg; Camilla Jalving; Dorthe Aagesen; Emilie Boe Bierlich; Henrik Holm; Hanne Kolind Poulsen; Michèle Seehafer; Matthias Wivel; Peter Nørgaard Larse; Thomas Lederballe
SMK Forlag
2024
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SMK – The National Gallery of Denmark is the country’s national museum for art and home to Denmark’s largest art collection. With over 200,000 works spanning 700 years, from Renaissance prints to contemporary artistic formats, SMK holds a wealth of treasures. This book presents 50 works from the museum's collection that stand out as particularly relevant today, informed by current research, recent exhibitions, and the contemporary context in which the museum operates. The selection includes both well-known and lesser-known pieces, all marked by high artistic quality and compelling stories. Rather than exclusively highlighting the collection's masterpieces, the book offers a vibrant art history shaped by a perpetually relevant collection.
Stig Brøgger NOW HERE
Mikkel Bogh; Birgitte Anderberg; Anne Ring Petersen; Tania Ørum; Charlotte Præstegaard
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2019
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Stig Brøgger NOW HERE giver for første gang en enestående kortlægning og dokumentation af billedkunstneren Stig Brøggers (f. 1941) omfattende værk. Stig Brøgger har været en vigtig figur i dansk kunst siden 1960’erne og 1970’erne, hvor han tog aktiv del i de nye internationale strømninger, især popkunst, minimalisme, konceptkunst og land art, og bogen viser hans enorme spændvidde som kunstner fra fotograf og maler over skribent til film- og tegneseriemager.Gennem fem årtier har Stig Brøgger arbejdet multimedialt med fotografi, film, skulptur, maleri og installation i en omfattende kunstnerisk undersøgelse af den rolle, billedet og det billedlige spiller for vores erfaring af omverdenen. Billedkunstens forankring i verden har fra begyndelsen været et omdrejningspunkt i Stig Brøggers arbejde, og bogen giver et unikt indblik i hans kunstneriske univers.Stig Brøgger NOW HERE er redigeret af Birgitte Anderberg, museumsinspektør og seniorforsker ved Statens Museum for kunst, og rummer bidrag af kunsthistorikerne Mikkel Bogh, Anne Ring Petersen, Charlotte Præstegaard, Tania Ørum og den franske filosof Jean Fran?o-is Lyotard.Bogen er gennemillustreret med farvegengivelser af kunstnerens omfangsrige produktion og indeholder desuden udstillingsliste, bibliografi og biografi
Prevention med barn och unga : teori och praktik för socialt och pedagogiskt arbete
Torbjörn Forkby; Sofia Enell; Johanna Thulin; Kristina Alstam; Mats Anderberg; Cecilia Andrée Löfholm; Christel Avendal; Åsa Backlund; Alireza Behtoui; Disa Bergnéhr; Martin Bergström; Josefin Bernhardsson; Verner Denvall; Jimmy Fungmark; Sanna Hallgren; Fredrik Hertzberg; Linda Hiltunen; Sara Högdin; Carolina Jernbro; Torbjörn Kalin; Åsa Landberg; Steven Lucas; Anders Neergaard; Tina Olsson; Birgitta Persdotter; Ylva Spånberger Weitz; Angelika Thelin; Paula Wahlgren
Studentlitteratur AB
2023
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Det finns i dag ett stort intresse för att ställa om arbetet med barn och unga utifrån ett förebyggande perspektiv. Tanken är att identifiera dem som behöver stöd i ett tidigt skede, innan problemen vuxit sig stora och svårbemästrade. Genom att tillvarata barns och ungas vardagsmiljöer, i familj, förskola, skola och under fritiden, och erbjuda insatser utan att särskilja och peka ut vissa barn som problem, finns förhoppningar om att stärka såväl de inkluderande krafterna i vardagliga sammanhang som barnets förmåga att fungera i dessa.Intresset för förebyggande arbete är inget nytt, vare sig i Sverige eller internationellt. Det nya är kraften i dess uttryck, dess omfattning och att det sker en grundläggande omställning inom och mellan flera områden samtidigt. Det innebär formandet av ett slags professionellt fält inom vilket specialiserade funktioner skapas och kompetens håller på att byggas upp. I detta arbete har uppbyggnaden av den teoretiska grunden för arbetet halkat efter. Med denna antologi vill författarna möta intresset för och presentera en systematiskt sammanställd kunskapsbas om preventivt arbete med barn och unga i Sverige i dag.Prevention med barn och unga vänder sig till studenter och praktiskt verksamma i socialt och pedagogiskt arbete samt andra närliggande ämnen. Boken är också av intresse för politiker och myndigheter där samtal förs och beslut fattas om förebyggande arbete.