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1000 tulosta hakusanalla Brenda Shaughnessy

Interior with Sudden Joy: Poems

Interior with Sudden Joy: Poems

Brenda Shaughnessy

Farrar, Straus and Giroux
2000
nidottu
The Next Illogical Step In Love Poetry "The next illogical step in love poetryThe most inscrutable beautiful names in this worldalways do sound like diseases.It is because they are engorged. G., I am a fool.What we feel in the solar plexus wrecks us.Halfway squatting on a crate where feeling happened. Caresses."--from "Dear Gonglya," At once hyper-contemporary and archaic, erotic, indecorous, and extravagant like nobody else, Brenda Shaughnessy seeks outrageous avenues of access to the heart, "This strumpet muscle under your breast describing / you minutely, Volupt, volupt."
Tanya

Tanya

Brenda Shaughnessy

RANDOM HOUSE USA INC
2023
sidottu
The award-winning poet weaves a tapestry of literary heritage and intimate reflection as she pays tribute to women artists and mentors, and circles the ongoing mysteries of friendship, love, art, and loss. In this powerful gathering of poems about her own "influencers," as well as poems on Dadaist artist M ret Oppenheim and the young choreographer Lauren Lovette, Brenda Shaughnessy dwells in memories of the women who set her on her artistic path. In the title poem, she explores the eternal quality of an intense touchstone relationship with Tanya, about whom she writes, "Everyone's not you to me . . . Worth loving once, why not now?" We all have our own Tanya, and in this book we meet friends, mentors, sisters, lovers, who inhabit a verse classroom where Shaughnessy's passion for literature--forged in her own formative studies, as in the poem "Coursework"--is our teacher. In flowing stair-step tercets, Shaughnessy leads us down into her generative core, exposing moments of spiritual and intellectual awakening, her love of art and the written word, and her sense of the life force itself, which is ignited by the conversation--across time and space--with other women.
Human Dark with Sugar

Human Dark with Sugar

Brenda Shaughnessy

Copper Canyon Press
2008
pokkari
"Brenda Shaughnessy's poems bristle with imperatives: 'confuse me, spoon-feed me, stop the madness, decide.' There are more direct orders in her first few pages than in six weeks of boot camp...Only Shaughnessy's kidding. Or she is and she isn't. If you just want to boss people around, you're a control freak, but if you can joke about it, then your bossiness is leavened by a yeast that's all too infrequent in contemporary poetry, that of humor."--New York Times"Shaughnessy's voice is smart, sexy, self-aware, hip . . . consistently wry, and ever savvy."--Harvard Review"Brenda Shaughnessy . . . writes like the love-child of Mina Loy and Frank O'Hara."--Exquisite CorpseIn its worried acceptance of contradiction, its absolute refusal of sentimentality and its acute awareness of time's 'scarce infinity, ' this is a brilliant, beautiful and essential continuation of the metaphysical verse tradition. --Publishers Weekly, starred review"Human Dark with Sugar is both wonderfully inventive (studded with the strangenesses of 'snownovas' and 'flukeprints') and emotionally precise. Her 'I' is madly multidexterous--urgent, comic, mischievous--and the result is a new topography of the debates between heart and head."--Matthea Harvey, a judge for the Laughlin AwardSeriously playful, sexy, sharp-edged, and absolutely commanding throughout....Here you'll meet an 'I' boldly ready to take on the world and just itching to give 'You' some smart directives. So listen up.--Library JournalIn her second book, winner of the prestigious James Laughlin Award, Brenda Shaughnessy taps into themes that have inspired era after era of poets. Love. Sex. Pain. The heavens. The loss of time. The weird miracle of perception. Part confessional, part New York School, and part just plain lover of the English language, Shaughnessy distills the big questions into sharp rhythms and alluring lyrics. "You're a tool, moon. / Now, noon. There's a hero."Master of diverse dictions, she dwells here on quirky words, mouthfuls of consonance and assonance--anodyne, astrolabe, alizarin--then catches her readers up short with a string of powerful monosyllables. "I'll take / a year of that. Just give it back to me." In addition to its verbal play, Human Dark With Sugar demonstrates the poet's ease in a variety of genres, from "Three Sorries" (in which the speaker concludes, "I'm not sorry. Not sorry at all"), to a sequence of prose poems on a lover's body, to the discussion of a disturbing dream. In this caffeine jolt of a book, Shaughnessy confirms her status as a poet of intoxicating lines, pointed, poignant comments on love, and compelling abstract images --not the least of which is human dark with sugar.Brenda Shaughnessy was raised in California and is an MFA graduate of Columbia University. She is the poetry editor for Tin House and has taught at several colleges, including Eugene Lang College and Princeton University. She lives in Brooklyn.
Our Andromeda

Our Andromeda

Brenda Shaughnessy

Copper Canyon Press
2012
pokkari
Honored as a New York Times Book Review 100 Notable Books of 2013Honored by Cosmopolitan as the one poetry title on their list of "Best Books of the Year For Women, by Women"A heady, infectious celebration.--The New YorkerShaughnessy's voice is smart, sexy, self-aware, hip . . . consistently wry, and ever savvy.--Harvard ReviewBrenda Shaughnessy's heartrending third collection explores dark subjects--trauma, childbirth, loss of faith--and stark questions: What is the use of pain and grief? Is there another dimension in which our suffering might be transformed? Can we change ourselves? Yearning for new gods, new worlds, and new rules, she imagines a parallel existence in the galaxy of Andromeda.Rave reviews for Our Andromeda"Love is the fierce engine of this beautiful and necessary book of poems. Love is the high stakes, the whip of its power and grief and possibility for repair. Brenda Shaughnessy has brought her full self to bear in Our Andromeda, and the result is a book that should be read now because it is a collection whose song will endure." --The New York Times Book ReviewIt is a monumental work, and makes a hash of those tired superlatives that will no doubt crop up in subsequent reviews. But the truth is that I have no single opinion about this collection--how could I? The book is a series of narratives that resist interpretation but not feeling--except that I am certain it further establishes Shaughnessy's particular genius, which is utterly poetic, but essayistic in scope, encompassing ideas about astronomy, illness, bodies, the family, 'normalcy, ' home. --The New YorkerAnother Brooklyn poet, Marianne Moore, defined poetry as 'imaginary gardens, with real toads in them.' In Our Andromeda, Shaughnessy has imagined a universe, and in it, real love moves, quick with life. --Publishers Weekly, starred review "Brenda Shaughnessy...laments and sometimes makes narratives about the struggle to keep her small family together in the aftermath of a difficult birth. In the title poem, she posits a galaxy far, far away where familial love might overtake all woe and turmoil of the heart and body and mind. Once there, she says to her son, 'you'll have the babyhood you deserved.' She also delivers a number of lovely lyrics in a supple, plainly stated line; some merely expressive, some with a philosophically questioning air; on fate, dreams, the present time's long gaze back at the past -- you know, all the good things poets write about."-- Alan Cheuse, on NPR's list "5 Books of Poems to Get You Through the Summer" "This book explores love and motherhood and the turbulent terrain of grief."--CosmopolitanShaughnessy articulates, with force and clarity, the transformation that motherhood has required of her. Her poems are full of regret and ferocity.--Boston ReviewBrenda Shaughnessy explores the possibilities of a second chance in life and what could come of it. Enticing and thoughtful, Our Andromeda is a fine addition to contemporary poetry shelves. --The Midwest Book ReviewBrenda Shaughnessy was born in Okinawa, Japan and grew up in Southern California. She is the author of Human Dark with Sugar (Copper Canyon Press, 2008), winner of the James Laughlin Award and finalist for the National Book Critics Circle Award, and Interior with Sudden Joy (FSG, 1999). Shaughnessy's poems have appeared in Best American Poetry, Harper's, The Nation, The Rumpus, The New Yorker, and The Paris Review. She is an Assistant Professor of English at Rutgers University, Newark, and lives in Brooklyn with her husband, son and daughter.
So Much Synth

So Much Synth

Brenda Shaughnessy

Copper Canyon Press
2016
sidottu
Shaughnessy's particular genius . . . is utterly poetic, but essayistic in scope.--The New YorkerBrenda Shaughnessy's work is a good place to start for any passionate woman feeling daunted by poetry. --CosmopolitanShaughnessy's voice is smart, sexy, self-aware, hip . . . consistently wry, and ever savvy.--Harvard ReviewSubversions of idiom and clich punctuate Shaughnessy's fourth collection as she approaches middle age and revisits the memories, romances, and music of adolescence. So Much Synth is a brave and ferocious collection composed of equal parts femininity, pain, pleasure, and synthesizer. While Shaughnessy tenderly winces at her youthful excesses, we humbly catch glimpses of our own.From Never Ever: Late is a synonym for dead which is a euphemismfor ever. Ever is a double-edged word, at once itself and its own opposite: alwaysand always some other time. In the category of cleave, then. To cut and to cling to, somewhat mournfully...Brenda Shaughnessy was born in Okinawa, Japan and grew up in Southern California. She is the author of three books of poetry, including Human Dark with Sugar, winner of the James Laughlin Award and finalist for the National Book Critics Circle Award, and Our Andromeda, which was a New York Times Book Review 100 Notable Books of 2013. She is an assistant professor of English at Rutgers University, Newark, and lives in Brooklyn, New York.
So Much Synth

So Much Synth

Brenda Shaughnessy

Copper Canyon Press
2017
pokkari
Over the last two decades Shaughnessy has stripped herself down to a voice that can sing plainly about disappointment and love in hard circumstances and the lost art of the mix tape.--The Paris ReviewShaughnessy finds ever new ways to rend the heart in this biting and poignant anthropological study of girlhood and adolescence.--Publishers WeeklySubversions of idiom and clich punctuate Brenda Shaughnessy's fourth collection as she approaches middle age and revisits the memories, romances, and music of adolescence. So Much Synth is a brave and ferocious collection composed of equal parts femininity, pain, pleasure, and synthesizer. While Shaughnessy tenderly winces at her youthful excesses, we can humbly catch glimpses of our own.From I Have A Time Machine: But unfortunately it can only travel into the futureat a rate of one second per second, which seems slow to the physicists and to the grantcommittees and even to me.But I manage to get there, time after time, to the nextmoment and to the next . . .Brenda Shaughnessy is the author of three books of poetry, including Human Dark with Sugar (Copper Canyon), winner of the James Laughlin Award and finalist for the National Book Critics Circle Award, and Our Andromeda (Copper Canyon), which was one of New York Times Book Review's 100 Notable Books of 2013. She is an Assistant Professor of English at Rutgers University, Newark, and lives in Brooklyn with her husband, son, and daughter.
Liquid Flesh

Liquid Flesh

Brenda Shaughnessy

Bloodaxe Books Ltd
2022
pokkari
Spanning twenty years and five collections, Brenda Shaughnessy’s Liquid Flesh: New & Selected Poems introduces new readers to one of America’s most audacious and thrilling poets. Since debuting with the sexy swagger of 1999’s Interior with Sudden Joy, Shaughnessy has honed a poetic voice rich with contradictions: her poems are simultaneously tricky and blindingly honest, sensual and grief-stricken, coy and utterly self-possessed. She is a moralist with a profound sense of play, taking the patriarchy and the malevolent powers-that-be to task, as in her seminal poem ‘I’m Over the Moon’: ‘I don't like what the moon is supposed to do./ Confuse me, ovulate me,// spoon-feed me longing. A kind of ancient / date-rape drug. So I'll howl at you, moon,// I'm angry. I'll take back the night.’ Shaughnessy is omnivorous and fearless, even as she stares down her terrors, whether the blaze, fizzle, or explosion of wild love between women, or the unquenchable pain of a son’s birth injury. She celebrates, too, revelling in the pleasures and powers of the body and the transcendence of art. Her poems dance wildly to the sizzling music of the English language, awake to every syllable: ‘Artless// is my heart. A stranger/ berry there never was,/ tartless.// Gone sour in the sun,/ in the sunroom or moonroof,/ roofless.’ These poems are also, at times, laugh-out-loud funny – ‘like having a bad boyfriend in a good band’ – though there is always wisdom beyond the punchline. Beginning with the youthful love lyrics of Interior with Sudden Joy, and opening onto the wily reckonings of Human Dark with Sugar, the unsparingly fierce mother-love and parallel worlds of Our Andromeda, the reverb-soaked coming of age and coming to consciousness of So Much Synth, the dark sci-fi prophecy of The Octopus Museum, before new poems that pay homage to women artists and their pathbreaking art, Liquid Flesh collects an unprecedented body of work unlike anything else in contemporary poetry.
Tanya

Tanya

Brenda Shaughnessy

Bloodaxe Books Ltd
2024
pokkari
Brenda Shaughnessy is one of America’s most audacious and thrilling poets. In Tanya she weaves a tapestry of literary heritage and intimate reflection as she pays tribute to women artists and mentors, and circles the mysteries of friendship, love, art, and loss. In this powerful gathering of poems about her own “influencers” – as well as poems on Surrealist artist Meret Oppenheim and the young choreographer Lauren Lovette – Shaughnessy dwells in memories of the women who set her on her artistic path. In the title poem, she explores the eternal quality of an intense touchstone relationship with Tanya, about whom she writes, 'Everyone’s not you to me… Worth loving once, why not now?' We all have our own Tanya, and in this book we meet friends, mentors, sisters, lovers, who inhabit a verse classroom where Shaughnessy’s passion for literature – forged in her own formative studies, as in the poem 'Coursework' – is our teacher. In flowing stair-step tercets, Shaughnessy leads us down into her generative core, exposing moments of spiritual and intellectual awakening, her love of art and the written word, and her sense of the life force itself, which is ignited by the conversation – across time and space – with other women. Tanya is her sixth collection, her first since Liquid Flesh: New & Selected Poems (Bloodaxe Books, 2022), which introduced her work to readers in the UK.
Cenzontle

Cenzontle

Marcelo Hernandez Castillo; Brenda Shaughnessy

BOA Editions, Limited
2018
pokkari
Winner of the 2019 GLCA New Writers AwardAn NPR Best Book of 2018In this highly lyrical, imagistic debut, Marcelo Hernandez Castillo creates a nuanced narrative of life before, during, and after crossing the US/Mexico border. These poems explore the emotional fallout of immigration, the illusion of the American dream via the fallacy of the nuclear family, the latent anxieties of living in a queer brown undocumented body within a heteronormative marriage, and the ongoing search for belonging. Finding solace in the resignation to sheer possibility, these poems challenge us to question the potential ways in which two people can interact, love, give birth, and mourn—sometimes all at once.
Brenda

Brenda

Belle Fiffer; Indiana Wake

Independently Published
2019
nidottu
Based on a true story - What happens when the man you agreed to marry is not what he seems? Brenda and her sisters, Veronica and Patricia, are desperate to make a new life for themselves after their father fell into poverty. They do the only thing they can write to men to become their mail-order brides.Excited and a little afraid they set off for the small desert town of Chinle. Carrying their worldly possessions with them. The trip is hot and arduous but things get worse. The stagecoach is robbed by highwaymen, and smarting from losing their money and jewelry, the girls head into town to meet their future husbands.Brenda is to marry immediately but when Brenda spots a familiar scar on her betrothed she knows she is in trouble.Can the sisters escape their fate? Old rivalries and prejudices are stirred in town but the sisters must find a new way. Will they be trapped by the men who lied to them or will they find a real love?Find out in Brenda - The Mail Order Bride and the Bandits a sweet western historical romanceAlso available:40 Sweet Inspirational RomancesSuki's HeartAmanda's HopeJenny's WishKatie's CourageHoney's GraceCharlotte's WeddingCowboys and Brides 11 RomancesThe amazing Jamestown Brides series: Breaking the Chains of the PastLoves Hardest ChoiceLove for the Warrior's HeartThe Simple Matter of LoveHer Real WeddingOpen Your Heart to LoveAnd many more bestsellers why not follow Indiana on Amazo
Brenda

Brenda

Kitty Garner

Liferich
2018
pokkari
After the birth of Brenda my downs syndrome daughter and not knowing which way to turn. This book takes you along the road walked by us, the people we meet along the way with a positive and negative attitude. Many things learned through trial and error, some never lost others never learned. The goal to keep Brenda happy and healthy.
Brenda

Brenda

Eduardo Acevedo Diaz

Createspace Independent Publishing Platform
2014
nidottu
"Brenda", de Eduardo Acevedo D az. Eduardo Acevedo D az fue un escritor, periodista y pol tico uruguayo perteneciente al Partido Nacional (1851-1921)
Brenda

Brenda

Eduardo Acevedo Diaz

Createspace Independent Publishing Platform
2016
nidottu
"En una casa situada en las afueras de Montevideo, a altas horas de una noche de verano que luc a algunas estrellas, y cuyo aire tibio formaba nebulosas con los vapores flotantes de la niebla alrededor de los reverberos, cruzaban por el patio varias sombras calladas e inquietas, personas que andaban sobre la punta de los pies comprimiendo sus alientos y evitando el m s leve rumor.