Includes Behan's complete dramatic works in English, three-full length plays and three one-act plays, with biographical details on Behan and the Irish Republican Movement
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1000 tulosta hakusanalla Brendan Behan; Alan Simpson
Brendan Behan
Palgrave Macmillan
1980
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A critical study of author Brendan Behan and his work, through collected letters, correspondence, material from previous publications and personal reminiscences. E.H.Mikhail has published work on other literary figures including "James Joyce: Interviews and Recollections".
Hailed as the new O'Casey by Irish critics in 1958, Behan is now often portrayed as the archetypal Irishman and spectacular drunk. Behind the myth lies the more compelling story of a writer who was never able to fully harness his larger-than-life personality and talent.
Die Unsicherheit der Kritik vor dem dramatischen Werk Brendan Behans kann durch eine Strukturanalyse seiner drei Stucke abgebaut werden. Die Ergebnisse der Analysen, Rezeptionsgeschichte und Textkritik des Werkes erlauben Interpretationen und Wertung des umstrittenen Autors anhand gesicherter Fakten. Die wissenschaftliche Arbeit schliesst die Perspektive des Theaterpraktikers nicht aus und sie bemuht sich daruber hinaus um eine Einordnung des Dramatikers in den Zusammenhang der irischen Literatur- und Theatergeschichte."
BRENDAN BEHAN INTER
RowmanLittlefield
2035
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BRENDAN BEHAN INTER
RowmanLittlefield
2035
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Reading Brendan Behan
Cork University Press
2019
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Samuel Beckett referred to Brendan Behan as "the new O'Casey" and yet, despite all his international success, despite his enduring popularity, and perhaps because of his fame (and indeed, notoriety), Behan remains a neglected figure in literary criticism today. This is why this new volume edited by leading Irish Studies expert, John McCourt, is so timely. Penned by an impressive group of international scholars, Reading Brendan Behan looks beyond the author's all-too-well-known personality and focuses on what ultimately matters - the writing. Reading Brendan Behan is the first volume in 20 years to focus on Behan's rich and eclectic body of creative works - his poetry and plays in Irish and English, his short stories and his extraordinary autobiographical novel, Borstal Boy. It explores how Behan sought to identify the proper role for the post-independence Irish writer in a country where clerical and political policing and rigid censorship laws allowed little room for artistic manoeuvre. These essays position Behan between the founding father of Irish modernism, James Joyce, and Behan's own generation, bringing him into dialogue with figures such as Flann O'Brien and Martin O'Cadhain. It pays prominent attention to his connections with Irish Republicanism, his formative time in England, his links with theatre directors, such as Joan Littlewood, as well as his engagement with politics and popular culture on both sides of the Irish Sea. These variegated connections make Behan a unique, if initially unlikely, bridge between Britain and Ireland. This volume will set the context in which Behan's works will be read into the future and firmly locate him as a major player in late modernism. While engaging in much close reading, the essays employ a variety of recent critical approaches, among them cultural studies, theatre studies, translation and comparative studies, Post-Colonial theory, Queer theory, and reception studies. Reading Brendan Behan will reinvigorate scholarly interest and renew critical appraisal of one of Ireland's funniest, trickiest, and, at the same time, most serious experimental writers. John McCourt is at the Dipartimento di Studi Umanistici, Universita di Macerata
Behan's friends and relatives, and people in his literary circle, have claimed he was not a prolific letter-writer. Even Behan himself has been quoted as saying, "Whoever writes my biography will get no help from my letters. I never write any." But in fact there is a substantial body of letters to and from Behan, who not only corresponded with seventeen periodicals but wrote to relatives, friends, IRA colleagues, civil servants, theatrical directors, publicans, and complete strangers. As in the case of Oscar Wilde, the search for Behan's letters has been hampered by their dispersal to widely scattered and unexpected places. The surviving letters that Mikhail was able to locate, however, proved well worth the trouble it took to uncover them. In addition to providing a vital record of one of the giants of Irish literature, Behan's letters -- especially those written without thought of publication -- give a far better sense of his exuberant verbal style than his plays or poetry. Mikhail introduces each letter and explains the circumstances in which it was written. He also annotates the letters, elucidating difficulties, noting the location and ownership of the letters whenever possible, and giving biographical information about the correspondents. The Letters of Brendan Behan also includes four poems that appear here for the first time, as well as extracts from early writings never before published. Numerous letters to editors, refused publication because of their outspokenness, are published here for the first time, and others, previously cut or censored, now appear in their original form. For anyone interested in Irish literature or contemporary drama -- and especially for readers and scholars of Behan's work -- The Letters of Brendan Behan is an invaluable collection.
A Study Guide for Brendan Behan's "The Hostage"
Cengage Learning Gale
Gale, Study Guides
2017
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No Blacks, No Dogs, No Poles Brendan Behan's Women: Two Irish plays
Tom O'Brien
Createspace Independent Publishing Platform
2014
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This volume contains everything Brendan Behan wrote in dramatic form in English Contains the three famous full-length plays: The Quare Fellow, set in an Irish prison ("In Brendan Behan's tremendous new play language is out on a spree, ribald, dauntless and spoiling for a fight ...with superb dramatic tact, the tragedy is concealed beneath layer after layer of rough comedy" Observer); The Hostage, set in a Dublin lodging-house of doubtful repute where a young English soldier is being kept prisoner, "shouts, sings, thunders and stamps with life...a masterpiece" (The Times); and Richard's Cork Leg, set in a graveyard, "a joyous celebration of life" (Guardian). The volume also contains three one-act plays, originally written for radio and all intensely autobiographical, Moving Out, A Garden Party and The Big House.
The immigration man read my deportation order, looked at it and handed it back to me. Not only is it the last instalment of a unique and unorthodox autobiography, but of a unique and unorthodox life that was as touched with genius as it was with doom.
'I have him bitched, balloxed and bewildered, for there's a system and a science in taking the piss out of a screw and I'm a well-trained man at it.' So writes Brendan Behan, poet, writer and literary legend, of the episode that coloured his life.
An essential text in the development of modern British drama First staged by Joan Littlewood's Theatre Workshop company at the Theatre Royal, Stratford East, London, in 1958, The Hostage is a play about a Cockney soldier held as a hostage in a Dublin lodging house in exchange for an IRA man who is to be hanged in Belfast. Civic Guards accidentally shoot him in a raid on the house. It is a witty and often profound comment on Anglo-Irish relationships and on the Irish themselves. This is Behan's best-known and most popular play and a classic of the modern stage.A magnificent entertainment which "crowds in tragedy and comedy, bitterness and love, caricature and portrayal, ribaldry and eloquence, patriotism and cynicism..." (Harold Hobson, The Times)
Brendan Behan’s genius was to strike a chord between critic and common man. When he died, at the age of 41, he was arguably the most celebrated Irish writer of the twentieth century. After the Wake is a collection of seven prose works and a series of articles. It includes all that exists of an unfinished novel, ‘The Catacombs’, and pieces together items whose comic and fanciful accounts evoke Flann O’Brien. Also featured are works of acknowledged excellence, ‘The Confirmation Suit’ and ‘A Woman of No Standing’. This writing bears all the hallmarks of the author’s talent – an ability to bring characters to life quickly and unforgettably, a sharp ear for dialogue and dialect, and a natural vocation for story-telling. This diverse collection is a delightful and entertaining windfall from one of Ireland's most colourful writers. An essential complement to Behan's master works.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Brendan Behan wrote over one hundred articles for Irish newspapers between 1951 and 1956 as he rose to international fame, with most of them written in a weekly column in the Irish Press. The articles reveal a serious writer capable of great comic set pieces and amusing yarns as well as thoughtful reflections on cultural and historical issues. They reflect his passion for working-class Dublin life and the history and folklore of the city, as well as his travels in Ireland and Europe. This edition gathers all the articles and essays that Behan published in newspapers from 1951 to his death in 1964. Selections of Behan’s articles have been published since his death (Hold Your Hour and Have Another, 1965; After the Wake, 1981; The Dubbalin Man, 1997). However, there has been no complete edition of Behan’s prose, and no edition has provided a detailed biographical and literary introduction, explanatory notes and suggestions for further reading. This volume is publishing during the centenary celebrations of Behan’s birth in 2023, with his birthday being 9 February.