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1000 tulosta hakusanalla Brett C. Hoover

The Shared Parish

The Shared Parish

Brett C. Hoover

New York University Press
2014
sidottu
As faith communities in the United States grow increasingly more diverse, many churches are turning to the shared parish, a single church facility shared by distinct cultural groups who retain their own worship and ministries. The fastest growing and most common of these are Catholic parishes shared by Latinos and white Catholics. Shared parishes remain one of the few institutions in American society that allows cultural groups to maintain their own language and customs while still engaging in regular intercultural negotiations over the shared space. This book explores the shared parish through an in-depth ethnographic study of a Roman Catholic parish in a small Midwestern city demographically transformed by Mexican immigration in recent decades. Through its depiction of shared parish life, the book argues for new ways of imagining the U.S. Catholic parish as an organization. The parish, argues Brett C. Hoover, must be conceived as both a congregation and part of a centralized system, and as one piece in a complex social ecology. The Shared Parish also posits that the search for identity and adequate intercultural practice in such parishes might call for new approaches to cultural diversity in U.S. society, beyond assimilation or multiculturalism. We must imagine a religious organization that accommodates both the need for safe space within distinct groups and for social networks that connect these groups as they struggle to respectfully co-exist.
Comfort

Comfort

Brett C. Hoover

Riverhead Books,U.S.
2011
pokkari
For readers of Kathleen Norris and Gretchen Rubin, a thought-provoking examination of the meaning of comfort. Comfort is a universal human need. It's that craving to feel at one with the world we live in, warm (but not hot), protected (but not smothered), and secure (but not marooned) in what the future holds. Yet in our increasingly complex and overstressed world, we tend to overlook this important aspect in our lives.In Comfort: An Atlas for the Body and Soul, Brett C. Hoover, a scholar and Catholic priest, explores what comfort means-and it means different things to different people. He delves into the psychological, emotional, and spiritual facets of comfort and offers ways to rediscover it. With insight and humor, Hoover writes about the advantages and the pitfalls of seeking-and finding-comfort as he guides us towards the goal we should strive for: to find comfort in our own lives as we offer comfort to others.By turns lyrical and thought-provoking, funny and poignant, Comfort is full of engaging and unexpected insights in our very human search for personal fulfillment.
Textual Warfare and the Making of Methodism

Textual Warfare and the Making of Methodism

Brett C. McInelly

Oxford University Press
2014
sidottu
Textual Warfare and the Making of Methodism argues that the eighteenth-century Methodist revival participated in and was produced by a rich textual culture that includes both pro- and anti-Methodist texts; and that Methodism be understood and approached as a rhetorical problem-as a point of contestation and debate resolved through discourse. Methodist belief and practice attracted its share of negative press, and Methodists eagerly (and publically) responded to their critics; and the controversy generated by the revival ensured that Methodism would be conditioned by textual and rhetorical processes, whether in published polemic and apologia, or in private diaries and letters as Methodists navigated the complexities of their spiritual lives and anti-Methodist efforts to undermine their faith. While it may seem obvious to conclude that a controversial movement would be shaped by controversy, Textual Warfare examines the specific ways Methodist belief, practice, and self-understanding were filtered through the anti-Methodist critique; the particular historic and cultural conditions that informed this process; and the overwhelming extent to which Methodism in the eighteenth century was mediated by texts and rhetorical exchange. The proliferation of print media and the relative freedom of the press in the eighteenth century; the extent to which society generally and Methodism specifically promoted literacy; and a cultural sensibility predisposed to open debate on matters of public interest, ensured the development of a public sphere in which individuals came together to deliberate, in conversation and in print, on a range of issues relevant to the larger community. It was within this sphere that Methodist religiosity, including the intensely private nature of spiritual conversion, became matters of civic concern on an unprecedented scale and that Methodism ultimately took its form.
Flawed Light

Flawed Light

Brett C. Millier

University of Illinois Press
2009
sidottu
The relationship between alcoholism and the poetic process has been well established, but the history of heavy-drinking poets in the twentieth century tilts disproportionately toward male writers such as John Berryman, Robert Lowell, or Theodore Roethke. Women poets, however, were just as susceptible to alcohol, and they very often wrote about its effects on their bodies, minds, and lives. In this study, Brett C. Millier looks at the role of drinking in the lives and poetry of American women poets in the first half of the twentieth century. Millier reads the poems of Dorothy Parker, Louise Bogan, Edna St. Vincent Millay, Elinor Wylie, Léonie Adams, Isabella Gardner, and Elizabeth Bishop--and in counterpoint, the poems of Jean Garrigue--to see how they negotiated their alcoholism with their art.Despite the shame and isolation these writers suffered as a result of their heavy drinking and despite the oppressive restrictions on subject matter placed on women poets by the critical establishment in this era, these female poets nevertheless wrote about alcohol. Millier looks at figures for alcohol and inebriation that these writers used in their work in defiance of the masculine Modernist code of impersonality in art. As women in a remarkable tradition of female lyric poets, their subjects and voices were circumscribed by their sex, but their lasting poems artfully record these painful struggles.
From the Cubicle to the World: The Definitive Travel Book for Busy Professionals Who Want to Explore the World
The definitive travel book for those who need inspiration why to explore the world and how to do it with limited time and funds by Brett C.S. Roberts, aka RealJetSetBrett, Founder of www.thepassportblog.com. Learn how travel changes you, how to travel more while working full-time and how to do it without breaking the bank.
Elizabeth Bishop

Elizabeth Bishop

Brett C. Millier

University of California Press
1995
pokkari
Elizabeth Bishop dedicated her poetry to telling "what really happened". Yet what really happened in life to her is something of a mystery. This biography pieces together the story of Bishop's life and traces the writing of her poems.
Guinea Pig Solo

Guinea Pig Solo

Brett C. Leonard

Broadway Play Publishing
2010
nidottu
A visceral, violent, and stunning riff on B chner's classic WOYZECK. Jose Solo is an Iraq War veteran trapped in post 9/11 New York in this modern American tragedy.
The Long Red Road

The Long Red Road

Brett C. Leonard

Broadway Play Publishing
2010
nidottu
A devastating play about the impact of addiction, THE LONG RED ROAD introduces us to Sammy, who has fled his past and landed in South Dakota, where he is slowly drinking himself to death. When his young daughter arrives desperate to reunite with her father, he must decide between the self-hatred that consumes him and the responsibilities he's tried to leave behind. "THE LONG RED ROAD is a great work ... intensely moody, slowly paced, intimate and compellingly painful ... The play gets under your skin and convincingly takes you to the most unpleasant of psychic terrains. It ruins your day and, strangely, leaves you wanting more in that unrelentingly human but foolish belief in better tomorrows." -Steven Oxman, Variety " A] raw and arresting new drama from Brett C Leonard ... a deeply melancholy portrait of the horrific familial cost of addiction ... Leonard is a fascinating and authentic writer." -Chris Jones, Chicago Tribune "... a powerfully redemptive celebration of forgiveness and unconventional beauty ... startling, moving and at times, difficult to bear in its stark authenticity." -Catey Sullivan, Chicago Theater "THE LONG RED ROAD is a brilliant masterpiece ... a story you won't soon forget." -Philip Potempa, N W Indiana Times
Haikus of an Addict

Haikus of an Addict

Brett C Persson

Independently Published
2019
pokkari
Over 125 Haikus written by a drug addict and alcoholic currently in recovery. The Haikus are from new ideas and ideas from "More Poetry of an Addict" also written by Brett C. Persson