Briar Blossoms - Being a Collection of a Few Verses and Some Prose is an unchanged, high-quality reprint of the original edition of 1899. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Briar Blossoms - Being a Collection of a Few Verses and Some Prose is an unchanged, high-quality reprint of the original edition of 1899. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
'If your ADHD brain has made you believe you’re the problem, let this be your reminder: you’re not. You just need the right support, the right language and a whole lot of self-compassion.' In this compassionate and empowering toolkit, Emma Llewellyn will guide you through rumination and spiralling thoughts, explaining why they happen and how you can learn to manage your mind every day. Instead of trying to 'fix' your neurodivergent brain or 'recover' from your diagnosis, Calm Your ADHD Brain will validate your experience and equip you with simple, practical tools to help your brain feel less overwhelmed. With easy-to-follow tips, bite-sized information and personal experiences of living with ADHD, this book will help you challenge your overthinking mind, transform your uncontrollable thoughts and turn frustration into self-compassion. Your brain is not broken. It doesn't need fixing. And you can work with it, not against it.
The date was Good Friday, April 23rd in the Year of Our Lord 1014. The most ferocious battle ever fought in Ireland was about to begin... In the three decades since Morgan Llyweyln wrote the bestselling novel Lion of Ireland, she has studied the legendary life of Brian Boru, High King of Ireland. Often dismissed as a mythical figure, as all the known facts about him are contained within the several Irish annals. But thirty years of research have led Llyweyln to conclude with certainty that Brian Boru actually lived, a great battle took place in 1014: and Ireland won. Read about the life of Brian Boru and the battle that changed the course of Irish history in this exciting and accessible account.
My Easy-To-Read True Book Of Moon, Sun And Stars is a children's book written by John Bryan Lewellen. The book provides a comprehensive and easy-to-understand guide to the celestial bodies that we see in the sky - the moon, sun, and stars.The book is divided into three sections, each dedicated to one of the celestial bodies. The first section focuses on the moon, explaining its phases, how it affects the tides, and the different myths and legends associated with it. The second section covers the sun, discussing its importance to life on Earth, its role in the solar system, and the different types of solar eclipses. The third section is all about the stars, including their different colors, sizes, and brightness, as well as how astronomers classify and study them.The book is written in simple language, making it easy for children to understand. It is also filled with colorful illustrations that help to bring the concepts to life. The book is perfect for children who are interested in astronomy, or for parents and teachers who want to introduce their children to the wonders of the universe. Overall, My Easy-To-Read True Book Of Moon, Sun And Stars is an engaging and informative book that will inspire young readers to look up at the sky with wonder and curiosity.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
Brian: the Son, is the third book to Morgan: The family. Brian is the voice of forgotten memories. He is the middle child who is ignored, blending into the background of the family. No one could fathom the abuse he suffered as the only male child of Morgan. As he grows older, he finds himself pulled into drugs and alcohol, knowing full well the dangers of these habits, having seen first-hand his own father's destruction. Brian struggles with the reality of his own dark secrets dwelling within. Is he as bad as the lurking demons whispering lies in his ears? Has he become like the man he has hated most of his life? As he looks in the mirror, he questions who he is, why was he born, and how long he can carry the burdens of the unspoken truths?
Perennially on the outside, Brian has led a solitary life; he works at Camden Council, lunches every day at Il Castelletto café and then returns to his small flat on Kentish Town Road. It is an existence carefully crafted to avoid disturbance and yet Brian yearns for more. A visit one day to the BFI brings film into his life, and Brian introduces a new element to his routine: nightly visits to the cinema on London’s South Bank. Through the works of Yasujiro Ozu, Federico Fellini, Agnes Varda, Yilmaz Güney and others, Brian gains access to a rich cultural landscape outside his own experience, but also achieves his first real moments of belonging, accepted by a curious bunch of amateur film buffs, the small informal group of BFI regulars. A tender meditation on friendship and the importance of community, Brian is also a tangential work of film criticism, one that is not removed from its subject matter, but rather explores with great feeling how art gives meaning to and enriches our lives.
This omnibus edition includes "The Burrowers Beneath", "The Transition of Titus Crow" and "The Clock of Dreams". Titus Crow and Henri de Marigny are the crusaders in the cause of universal sanity against the evil, brooding forces of the Cthulhu Mythos and defy the demons of unknown space.
This omnibus edition contains the three concluding titles in the Titus Crow saga: "Spawn of the Winds", "In the Moons of Borea" and "Elysia!". Brain Lumley is the author of "Necroscope".
One of SPIN'S Best Music Memoirs of 2022 Brian Johnson's memoir from growing up in a small town to starting his own band to ultimately replacing Bon Scott, the lead singer of one of the world biggest rock acts, AC/DC. They would record their first album together, the iconic Back in Black, which would become the biggest selling rock album of all time.Brian Johnson was born to a steelworker and WWII veteran father and an Italian mother, growing up in New Castle Upon Tyne, England, a working-class town. He was musically inclined and sang with the church choir. By the early '70s he performed with the glam rock band Geordie, and they had a couple hits, but it was tough going. So tough that by 1976, they disbanded and Brian turned to a blue-collar life.Then 1980 changed everything. Bon Scott, the lead singer and lyricist of the Australian rock band AC/DC died at 33. The band auditioned singers, among them Johnson, whom Scott himself had seen perform and raved about. Within days, Johnson was in a studio with the band, working with founding members Angus and Malcolm Young, Cliff Williams, and Phil Rudd, along with producer Mutt Lange.When the album, Back in Black, was released in July--a mere three months after Johnson had joined the band--it exploded, going on to sell 50 million copies worldwide, and triggering a years-long worldwide tour. It has been declared "the biggest selling hard rock album ever made" and "the best-selling heavy-metal album in history."The band toured the world for a full year to support the album, changing the face of rock music--and Brian Johnson's life--forever.
"Should be unfailingly interesting to any Stones fan."--Larry Rhoter, New York Times The Rolling Stones' rise to fame is one of rock 'n' roll's epic stories. Yet one crucial part of that story has never been fully told: the role of Brian Jones, the visionary who founded the band and meticulously controlled their early sound, only to be dethroned by Mick Jagger and Keith Richards. Tormented by paranoia and drug problems, Jones drowned at the age of twenty-seven. Drawing on new information and interviews with Richards, Andrew Oldham, and Marianne Faithfull, among dozens of others, Brian Jones lays bare the Rolling Stones' full story, in all its glory and squalor.
Brian Eno's seminal album Ambient 1: Music for Airports continues to fascinate and charm audiences, not only as a masterpiece of ambient music, but as a powerful and transformative work of art. Author John T. Lysaker situates this album in the context of twentieth-century art music, where its ambitions and contributions to avant garde music practice become even more apparent. To appreciate the album's multifaceted character, Lysaker advocates for "prismatic listening," an attentiveness that continually shifts registers in the knowledge that no single approach can grasp the work as a whole. Exploring each of the album's four tracks and their unique sonic arrangements, Brian Eno's Ambient 1: Music for Airports argues that the album must be approached from at least three angles: as an ambient contribution to lived environments that draws upon cybernetics and the experiments of Erik Satie, as an exploration of what John Cage has termed the "activity of sounds," and as a work of conceptual art that asks us to think freshly about artistic creativity, listening, and the broad ecology of interactions that not only make art possible, but the full range of human meaning. If one listens in this way, Music for Airports becomes a sonic image that blurs the nature-culture distinction and rescues the most interesting concerns of avant-garde music from the social isolation of concert halls and performance spaces.
