This is a comprehensive introduction to Macromedia Flash, combined with special beginner's-level coverage of ActionScript, Flash's native programming language.
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1000 tulosta hakusanalla Brian Underdahl
Accompanied by more than two hundred photographs and diagrams, as well as a list of essential tools and components, this complete guide to assembling one's own PC home entertainment system explains how to select basic components; a video system, audio system, and storage system; and the right software to make it all work together. Original. (Intermediate)
This volume provides information, tips, secrets and advice to expand boxes, enhance performance and maximize the gaming performance using Playstation 2. Achieve a whole new level of game play with this tell-all hardware guide. You'll learn how to network your PS2 and challenge your friends online, and get a glimpse into the gaming industry through "sneak peek" sidebars. Packed with inside tips and advice, this book helps you unlock secret levels, discover hidden characters, and maximize your gaming experience.
Microsoft's X-box is one of the leading games consoles on the market. This book provides information, tips, secrets and advice to expand boxes, enhance performance and maximize to gaming performance using the X-box. Achieve a whole new level of game play with this tell-all hardware guide. You'll learn how to network your X-box and challenge your friends online, and get a glimpse into the gaming industry through "sneak peek" sidebars. Packed with inside tips and advice, this book helps you unlock secret levels, discover hidden characters, and maximize your gaming experience
Access 2007 Forms and Reports For Dummies
Brian Underdahl; Darlene Underdahl
John Wiley Sons Inc
2007
nidottu
Do you have tons and tons of data on your computer but you’re not quite sure how to make heads or tails of them—or even organize them? Are you using Access as spreadsheet rather than what it was really meant for? If you have trouble finding meaning in your data, then Access 2007 Forms & Reports for Dummies let you discover the wonders of this highly useful program. This no-nonsense guide gets right down to business by showing you the easy way to use this powerful tool. It gets you started with selective, targeted queries; forms that improve efficiency; and reports that communicate—while sparing you of any fancy language. This hands-on guide features clear, concise instructions that show you how to: Orient yourself with forms and reportsCreate and modify queriesBuild and edit formsDesign and update reportsTroubleshoot queries, forms, and reportsMake your forms usefulAdd multiple tables to formsAdd finishing touches to reports Thanks to the included references, Web sites, and informative tips, putting your data to good use has never been easier. You’ll even add some pizzazz to your reports with handy suggestions on ways to wow your viewers. With Access 2007 Forms & Reports for Dummies, you will be creating effective queries, forms, and reports in no time!
The perfect hands-on primer for the latest version of Flash™! Completely revised and updated to include all the latest features of the Beginner’s Guide series pedagogy including: Ask the Expert, Critical Skills, Progress Check, Projects and Mastery Checks, in addition to Tips, Notes, Cautions, and Code Listings.
"brian"
Wentworth Press
2019
pokkari
Brian: the Son, is the third book to Morgan: The family. Brian is the voice of forgotten memories. He is the middle child who is ignored, blending into the background of the family. No one could fathom the abuse he suffered as the only male child of Morgan. As he grows older, he finds himself pulled into drugs and alcohol, knowing full well the dangers of these habits, having seen first-hand his own father's destruction. Brian struggles with the reality of his own dark secrets dwelling within. Is he as bad as the lurking demons whispering lies in his ears? Has he become like the man he has hated most of his life? As he looks in the mirror, he questions who he is, why was he born, and how long he can carry the burdens of the unspoken truths?
Perennially on the outside, Brian has led a solitary life; he works at Camden Council, lunches every day at Il Castelletto café and then returns to his small flat on Kentish Town Road. It is an existence carefully crafted to avoid disturbance and yet Brian yearns for more. A visit one day to the BFI brings film into his life, and Brian introduces a new element to his routine: nightly visits to the cinema on London’s South Bank. Through the works of Yasujiro Ozu, Federico Fellini, Agnes Varda, Yilmaz Güney and others, Brian gains access to a rich cultural landscape outside his own experience, but also achieves his first real moments of belonging, accepted by a curious bunch of amateur film buffs, the small informal group of BFI regulars. A tender meditation on friendship and the importance of community, Brian is also a tangential work of film criticism, one that is not removed from its subject matter, but rather explores with great feeling how art gives meaning to and enriches our lives.
This omnibus edition includes "The Burrowers Beneath", "The Transition of Titus Crow" and "The Clock of Dreams". Titus Crow and Henri de Marigny are the crusaders in the cause of universal sanity against the evil, brooding forces of the Cthulhu Mythos and defy the demons of unknown space.
This omnibus edition contains the three concluding titles in the Titus Crow saga: "Spawn of the Winds", "In the Moons of Borea" and "Elysia!". Brain Lumley is the author of "Necroscope".
One of SPIN'S Best Music Memoirs of 2022 Brian Johnson's memoir from growing up in a small town to starting his own band to ultimately replacing Bon Scott, the lead singer of one of the world biggest rock acts, AC/DC. They would record their first album together, the iconic Back in Black, which would become the biggest selling rock album of all time.Brian Johnson was born to a steelworker and WWII veteran father and an Italian mother, growing up in New Castle Upon Tyne, England, a working-class town. He was musically inclined and sang with the church choir. By the early '70s he performed with the glam rock band Geordie, and they had a couple hits, but it was tough going. So tough that by 1976, they disbanded and Brian turned to a blue-collar life.Then 1980 changed everything. Bon Scott, the lead singer and lyricist of the Australian rock band AC/DC died at 33. The band auditioned singers, among them Johnson, whom Scott himself had seen perform and raved about. Within days, Johnson was in a studio with the band, working with founding members Angus and Malcolm Young, Cliff Williams, and Phil Rudd, along with producer Mutt Lange.When the album, Back in Black, was released in July--a mere three months after Johnson had joined the band--it exploded, going on to sell 50 million copies worldwide, and triggering a years-long worldwide tour. It has been declared "the biggest selling hard rock album ever made" and "the best-selling heavy-metal album in history."The band toured the world for a full year to support the album, changing the face of rock music--and Brian Johnson's life--forever.
"Should be unfailingly interesting to any Stones fan."--Larry Rhoter, New York Times The Rolling Stones' rise to fame is one of rock 'n' roll's epic stories. Yet one crucial part of that story has never been fully told: the role of Brian Jones, the visionary who founded the band and meticulously controlled their early sound, only to be dethroned by Mick Jagger and Keith Richards. Tormented by paranoia and drug problems, Jones drowned at the age of twenty-seven. Drawing on new information and interviews with Richards, Andrew Oldham, and Marianne Faithfull, among dozens of others, Brian Jones lays bare the Rolling Stones' full story, in all its glory and squalor.
Brian Eno's seminal album Ambient 1: Music for Airports continues to fascinate and charm audiences, not only as a masterpiece of ambient music, but as a powerful and transformative work of art. Author John T. Lysaker situates this album in the context of twentieth-century art music, where its ambitions and contributions to avant garde music practice become even more apparent. To appreciate the album's multifaceted character, Lysaker advocates for "prismatic listening," an attentiveness that continually shifts registers in the knowledge that no single approach can grasp the work as a whole. Exploring each of the album's four tracks and their unique sonic arrangements, Brian Eno's Ambient 1: Music for Airports argues that the album must be approached from at least three angles: as an ambient contribution to lived environments that draws upon cybernetics and the experiments of Erik Satie, as an exploration of what John Cage has termed the "activity of sounds," and as a work of conceptual art that asks us to think freshly about artistic creativity, listening, and the broad ecology of interactions that not only make art possible, but the full range of human meaning. If one listens in this way, Music for Airports becomes a sonic image that blurs the nature-culture distinction and rescues the most interesting concerns of avant-garde music from the social isolation of concert halls and performance spaces.
Brian Eno's seminal album Ambient 1: Music for Airports continues to fascinate and charm audiences, not only as a masterpiece of ambient music, but as a powerful and transformative work of art. Author John T. Lysaker situates this album in the context of twentieth-century art music, where its ambitions and contributions to avant garde music practice become even more apparent. To appreciate the album's multifaceted character, Lysaker advocates for "prismatic listening," an attentiveness that continually shifts registers in the knowledge that no single approach can grasp the work as a whole. Exploring each of the album's four tracks and their unique sonic arrangements, Brian Eno's Ambient 1: Music for Airports argues that the album must be approached from at least three angles: as an ambient contribution to lived environments that draws upon cybernetics and the experiments of Erik Satie, as an exploration of what John Cage has termed the "activity of sounds," and as a work of conceptual art that asks us to think freshly about artistic creativity, listening, and the broad ecology of interactions that not only make art possible, but the full range of human meaning. If one listens in this way, Music for Airports becomes a sonic image that blurs the nature-culture distinction and rescues the most interesting concerns of avant-garde music from the social isolation of concert halls and performance spaces.
Find out what happens to the unfortunate Humpty Dumpty, ride with a fine lady to Banbury Cross, watch a cow jump over the moon, listen to Old King Cole's fiddlers, and march with the Duke of York in this wonderful collection of nursery rhymes. Brian Wildsmith has chosen over eighty best-loved rhymes that are full of charm and rhythm, and has illustrated them with great exuberance and imagination. Nursery rhymes are delight to share from one generation to the next and this beautiful book is sure to be enjoyed by young and old alike.
Friel is recognised as Ireland's leading playwright and due to the ability of plays like Translations and Dancing at Lughnasa to translate into other cultures he has made a major impact on world theatre. This study draws on the Friel Archive to deepen our understanding of how his plays were developed.
Brian W. Aldiss wrote classic science fiction novels like Report on Probability A and Hothouse. Billion Year Spree, his groundbreaking study of the field, defined the very meaning of SF and delineated its history. Yet Aldiss's discomfort with being a guiding spirit of the British New Wave and his pursuit of mainstream success characterized a lifelong ambivalence toward the genre. Paul Kincaid explores the many contradictions that underlay the distinctive qualities of Aldiss's writing. Wartime experiences in Asia and the alienation that arose upon his return to the cold austerity of postwar Britain inspired themes and imagery that Aldiss drew upon throughout his career. He wrote of prolific nature overwhelming humanity, believed war was madness even though it provided him with the happiest period of his life, and found parallels in the static lives of Indian peasants and hidebound English society. As Kincaid shows, contradictions created tensions that fueled the metaphorical underpinnings of Aldiss's work and shaped not only his long career but the evolution of postwar British science fiction.