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1000 tulosta hakusanalla C E Sayle

Catalogue of the early printed books bequeathed to the museum by Frank McClean, M.A., F.R.S

Catalogue of the early printed books bequeathed to the museum by Frank McClean, M.A., F.R.S

C E Sayle

Alpha Edition
2020
pokkari
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
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Early English Printed Books in the University Library, Cambridge: Volume 1, Caxton to F. Kingston

Early English Printed Books in the University Library, Cambridge: Volume 1, Caxton to F. Kingston

C. E. Sayle

Cambridge University Press
2010
pokkari
An erudite and popular librarian, Charles Edward Sayle (1864–1924) devoted his career to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'. This catalogue of incunabula and early printed books in the University Library was his most important project, taking over a decade to complete. Commissioned by the Library Syndicate in 1894, the catalogue was published in four volumes between 1900 and 1907. Even upon completion, Sayle's list was not final, as the rare book collections at the Library were undergoing a period of great expansion, having grown by a third during his cataloguing work, both through purchases and by donations or bequests. The first volume covers all books from 1475–1500, and books produced from 1501 to 1640 by the most important printers in London.
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Early English Printed Books in the University Library, Cambridge

Early English Printed Books in the University Library, Cambridge

C. E. Sayle

Cambridge University Press
2010
pokkari
An erudite and popular librarian, Charles Edward Sayle (1864–1924) devoted his career to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'. This catalogue of incunabula and early printed books in the University Library was his most important project, taking over a decade to complete. Commissioned by the Library Syndicate in 1894, the catalogue was published in four volumes between 1900 and 1907. Even upon completion, Sayle's list was not final, as the rare book collections at the Library were undergoing a period of great expansion, having grown by a third during his cataloguing work, both through purchases and by donations or bequests. The second volume completes the coverage of London printers and lists books printed in other English cities, most notably Oxford, Cambridge and Norwich.
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Early English Printed Books in the University Library, Cambridge

Early English Printed Books in the University Library, Cambridge

C. E. Sayle

Cambridge University Press
2010
pokkari
An erudite and popular librarian, Charles Edward Sayle (1864–1924) devoted his career to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'. This catalogue of incunabula and early printed books in the University Library was his most important project, taking over a decade to complete. Commissioned by the Library Syndicate in 1894, the catalogue was published in four volumes between 1900 and 1907. Even upon completion, Sayle's list was not final, as the rare book collections at the Library were undergoing a period of great expansion, having grown by a third during his cataloguing work, both through purchases and by donations or bequests. The third volume lists the early modern books held in the University Library printed in Scotland, Ireland, France, the Low Countries, and Germany.
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Early English Printed Books in the University Library, Cambridge

Early English Printed Books in the University Library, Cambridge

C. E. Sayle

Cambridge University Press
2010
pokkari
An erudite and popular librarian, Charles Edward Sayle (1864–1924) devoted his career to cataloguing and editing rare books in the University of Cambridge. His obituary praised him as 'a fine example of the type of man who likes to catalogue things in the right order'. This catalogue of incunabula and early printed books in the University Library was his most important project. Commissioned by the Library Syndicate in 1894, the catalogue was published in four volumes between 1900 and 1907. Even upon completion, Sayle's list was not final, as the rare book collections at the Library were undergoing a period of great expansion, having grown by a third during his cataloguing work, both through purchases and by donations or bequests. This final volume indexes the books by author, printer, engraver, and place of printing, and includes a list of notable titles of particular artistic, musical or bibliographical interest.
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PASCAL for Programmers

PASCAL for Programmers

Irmgard Eisenbach-Stangl; C.E. Sadler

Springer-Verlag Berlin and Heidelberg GmbH Co. K
1981
nidottu
The material for this book first appeared in the magazine Personal Computer World, as a series of articles which ran from September 1979 to June 1980. It was designed to appeal to a new (in 1979) sort of reader the microcomputer enthusiast, both amateur and professional about whom two assumptions were made. The first was that the reader was someone who had already learned to program (probably in BASIC) and who wanted to create programs in as systematic and proficient a fashion as possible. The second was that the reader would not be adverse to an occasional glimpse of how the underlying machine played its part in executing these programs. As a result of these, no attempt was made to teach the "problem-solving" aspects of programming (although the Top-Down philosophy for program design formed a key feature) and no apology was made for the repeated references to the way in which a Pascal compiler "viewed" some particular code fragment. In preparing this material for publication as a single volume, there has been little deviation from this policy. Nevertheless, it should be remarked that the first five chapters contain all the material one would need to cover in an initial course in programming (up to the level of most BASIC's) while the second half of the book tackles some of the more sophisticated techniques available to the Pascal programmer.
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Uno studio comparativo sulle piattaforme OTT e sulle sale cinematografiche

Uno studio comparativo sulle piattaforme OTT e sulle sale cinematografiche

C Sanjeev; I Parvin Banu Sirajudeen

Edizioni Sapienza
2023
pokkari
Le piattaforme OTT e i teatri sono una piattaforma in cui gli artisti offrono i loro contenuti e si esibiscono per intrattenere il pubblico. vero che negli ultimi tempi l'OTT ha dominato l'industria dell'intrattenimento, ma successo a tutti i settori durante il periodo di Covid, quando le piattaforme digitali hanno preso il sopravvento su quelle tradizionali. S , anche vero che il cinema non riuscito a fornire contenuti di qualit e gli OTT hanno continuato a farlo. Ma ora, quando alcuni film offrono quei contenuti, abbiamo visto che ricevono l'amore del pubblico. Inoltre, l'industria teatrale piuttosto grande e la piattaforma OTT deve lavorare molto per raggiungerla. Le piattaforme di streaming online devono offrire contenuti straordinari se vogliono vincere la competizione tra OTT e teatro.Nella discussione tra OTT e teatro o viceversa, la migliore piattaforma di contenuti vincer la gara. In questo momento l'OTT sta fornendo contenuti di qualit , ma alcuni creatori di contenuti promuovono violenza e nudit che non sono accettabili per un vasto pubblico. Se i film sono in grado di soddisfare le preferenze del pubblico, la gente sceglier anche loro. Quindi la scelta tra i due soggettiva, perch ognuno ha gusti diversi.
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Misure preventive per l'epatite virale B e C

Misure preventive per l'epatite virale B e C

Hanan Elzeblawy Hassan; Asmaa Salah Eldin Saleh; Mona Moawad Mohamed

Edizioni Sapienza
2024
pokkari
Con una stima di 8-10 milioni di persone che vivono con l'epatite virale in Egitto e altri milioni a rischio di infezione, l'epatite virale uno dei problemi di salute pubblica pi significativi che il Paese deve affrontare. La maggior parte della morbilit e della mortalit deriva dalla forma cronica dell'epatite virale, causata dalle infezioni da virus dell'epatite B (HBV) e da virus dell'epatite C (HCV).Le infezioni da virus dell'epatite B (HBV) e da virus dell'epatite C (HCV) causano morbilit e mortalit nei pazienti in dialisi. L'esposizione vascolare prolungata e le trasfusioni multiple di sangue aumentano il rischio di contrarre queste infezioni a trasmissione ematica in questi pazienti. Il rischio che i pazienti diventino positivi all'HBV aumenta di 1,47 volte ogni mese di dialisi. Anche i dispositivi, le apparecchiature e le forniture contaminate, le superfici ambientali e il personale addetto possono svolgere un ruolo cruciale nella trasmissione nosocomiale di queste infezioni.
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Medidas preventivas para as hepatites virais B e C

Medidas preventivas para as hepatites virais B e C

Hanan Elzeblawy Hassan; Asmaa Salah Eldin Saleh; Mona Moawad Mohamed

Edicoes Nosso Conhecimento
2024
pokkari
Com uma estimativa de 8 a 10 milh es de pessoas que vivem com hepatite viral no Egipto e outros milh es em risco de infe o, a hepatite viral um dos problemas de sa de p blica mais significativos que este pa s enfrenta. A maior parte da morbilidade e da mortalidade resulta da forma cr nica da hepatite viral, que causada por infec es pelo v rus da hepatite B (VHB) e pelo v rus da hepatite C (VHC).As infec es pelo v rus da hepatite B (VHB) e pelo v rus da hepatite C (VHC) causam morbilidade e mortalidade nos doentes em di lise. A exposi o vascular prolongada e as m ltiplas transfus es de sangue aumentam o risco de contrair estas infec es transmitidas pelo sangue nestes doentes. O risco de os doentes se tornarem positivos para o VHB aumenta 1,47 vezes por cada m s de di lise - dispositivos, equipamento e materiais contaminados; superf cies ambientais; e o pessoal assistente pode tamb m desempenhar um papel crucial na transmiss o nosocomial destas infec es.
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C.R.U.I.S.E: Can't Rest Until I've Sailed Everywhere

C.R.U.I.S.E: Can't Rest Until I've Sailed Everywhere

J. D. Moorea

J.D Moorea
2018
nidottu
What is it really like living and working on a cruise ship? Author and former cruise ship vocalist, J.D Mo'orea, is one of the fortunate few, who have been paid to travel the world, doing what they love, while also enjoying a lot of privileges, not afforded to most crew. With plenty of time on his hands and more than 1 million miles at sea racked up, it's no wonder that J.D found himself in love and in over his head, when it came to the politics that dominate ships. C.R.U.I.S.E is a mix of hilarious and captivating tales, of which you will never see as a passenger, but which crew know all too well, happen each and every day.
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This House Is Not for Sale

This House Is Not for Sale

E. C. Osondu

Harper
2015
sidottu
The award-winning author of Voice of America paints a vivid, fully imagined portrait of an extraordinary African family and the house that holds them together.A powerful tale of family and community, This House Is Not for Sale brings to life an African neighborhood and one remarkable house, seen through the eyes of a young member of the household. The house lies in a town seemingly lost in time, full of colorful, larger-than-life characters; at the narrative's heart are Grandpa, the family patriarch whose occasional cruelty is balanced by his willingness to open his doors to those in need, and the house itself, which becomes a character in its own right and takes on the scale of legend.From the decades-long rivalry between owners of two competing convenience stores to the man who convinces his neighbors to give up their earthly possessions to prepare for the end of the world, Osondu's story captures a place beyond the reach of the outside world, full of superstitions and myths that sustain its people.Osondu's prose has the lightness and magic of fable, but his themes--poverty, disease, the arrival of civilization in an isolated community--are timeless and profound. At once full of joyful energy and quiet heartbreak, This House Is Not for Sale is an utterly original novel from a master storyteller.
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This House Is Not for Sale

This House Is Not for Sale

E. C. Osondu

HARPER PERENNIAL
2016
nidottu
The award-winning author of Voice of America paints a vivid, fully imagined portrait of an extraordinary African family and the house that holds them together.A powerful tale of family and community, This House Is Not for Sale brings to life an African neighborhood and one remarkable house, seen through the eyes of a young member of the household. The house lies in a town seemingly lost in time, full of colorful, larger-than-life characters; at the narrative's heart are Grandpa, the family patriarch whose occasional cruelty is balanced by his willingness to open his doors to those in need, and the house itself, which becomes a character in its own right and takes on the scale of legend.From the decades-long rivalry between owners of two competing convenience stores to the man who convinces his neighbors to give up their earthly possessions to prepare for the end of the world, Osondu's story captures a place beyond the reach of the outside world, full of superstitions and myths that sustain its people.Osondu's prose has the lightness and magic of fable, but his themes--poverty, disease, the arrival of civilization in an isolated community--are timeless and profound. At once full of joyful energy and quiet heartbreak, This House Is Not for Sale is an utterly original novel from a master storyteller.
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From Seed to Harvest and Harvest to Sale: The business of Retailing Cannabis

From Seed to Harvest and Harvest to Sale: The business of Retailing Cannabis

Kathryn E. Wall Pa C.; Gil Wall

Createspace Independent Publishing Platform
2013
nidottu
The business of Retailing CannabisProcedural Guide includes 425 pages of State guidelines, instruction and software formats.We hope our book will be helpful in providing you with a knowledge base for your next investment. We focused on addressing some of your curiosity about the legal aspects of how dispensaries operate in the different states and how some of their business avenues came into play. It's been three years, first writing the software, then finding customers, and after many, many modifications finally writing this book. Thanks to our customers and my family.To folks who think I have created a document that is illegal? Well, no, I have not. In the states where Marijuana Use has been decriminalized, each state has laws voted into place by their citizens. Laws for Marijuana use have been approved and enforced. I believe the count is now nineteen, that's"19" states. I did not change the laws, our software keeps our customers in compliance with their State laws. Please review your State's Marijuana Use laws, as we refer to each state later in the book.
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Qu'est-Ce Qu'une Couleur?

Qu'est-Ce Qu'une Couleur?

Christophe Al-Saleh

Librarie Philosophique J. Vrin
2013
nidottu
English summary: What is color? Are colors real properties of the world around us, or are they the secondary effects on our senses by the objects around us. Christophe Al-Saleh explores this contemporary philosophical debate over colors, objectivism, and subjectivism. French description: Il existe un ecart entre la conception familiere et commune des couleurs et la conception scientifique, la premiere y voyant spontanement des proprietes reelles du monde qui nous entoure, la seconde mettant en doute cette realite: les couleurs ne seraient jamais que des effets secondaires consecutifs a l'affection de notre sensibilite par les objets qui nous entourent. C'est dans ce contexte que s'inscrit le debat philosophique contemporain sur les couleurs, entre l'objectivisme (les couleurs sont des proprietes presentes dans le monde) et le subjectivisme (les couleurs sont des productions subjectives).
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