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1000 tulosta hakusanalla Camille Dungy

Smith Blue

Smith Blue

Camille Dungy

Southern Illinois University Press
2011
nidottu
In Smith Blue, Camille T. Dungy offers a survival guide for the modern heart as she takes on twenty-first-century questions of love, loss, and nature. From a myriad of lenses, these poems examine the human capability for perseverance in the wake of heartbreak; the loss of beloved heroes and landscapes; and our determination in the face of everyday struggles. Dungy explores the dual nature of our presence on the planet, juxtaposing the devastation caused by human habitation with our own vulnerability to the capricious whims of our environment. In doing so, she reveals with fury and tenderness the countless ways in which we both create and are victims of catastrophe. This searing collection delves into the most intimate transformations wrought by our ever-shifting personal, cultural, and physical terrains, each fraught with both disillusionment and hope. In the end, Dungy demonstrates how we are all intertwined, regardless of race or species, living and loving as best we are able in the shadows of both man-made and natural follies. Flight It is the day after the leaves, when buckeyes, like a thousand thousand pendulums, clock trees, and squirrels, fat in their winter fur, chuckle hours, chortle days. It is the time for the parting of our ways. You slid into the summer of my sleeping, crept into my lonely hours, ate the music of my dreams. You filled yourself with the treated sweet I offered, then shut your rolling eyes and stole my sleep. Came morning and me awake. Came morning. Awake, I walked twelve miles to the six-gun shop. On the way there I saw a bird-of-prayer all furled up by the river. I called to it. It would not unfold. On the way home I killed it. It is the time of the waking cold, when buckeyes, like a thousand thousand metronomes, tock time, and you, fat on my summer sleep, titter toward me, walk away. It is the time for the parting of our days.
Attached to the Living World

Attached to the Living World

Camille Dungy

TRINITY UNIVERSITY PRESS,U.S.
2025
pokkari
The Ecopoetry Anthology is the authoritative book of contemporary American poetry about nature and the environment. Ann Fisher-Wirth and Laura-Gray Street, the editors of the daring first volume, have reunited to create Attached to the Living World. The second anthology explores the issues and conversations in ecopoetry over the past decade and features more than 150 established and emerging poets, including Mildred Barya, Nickole Brown, Simmons Buntin, Lauren Camp, Iris Jamahl Dunkle, Vievee Francis, CMarie Fuhrman, Ross Gay, Erin Hollowell, Marie Howe, Petra Kuppers, J. Drew Lanham, Ada Lim?n, Aimee Nezhukumatathil, January Gill O’Neil, Catherine Pierce, Tracy K. Smith, Brian Teare, and Natasha Tretheway. With a foreword by Camille Dungy and an introduction by Margaret Ronda, the poems gathered here provide vital visions to nurture our imaginations and spur us to act.The anthology delves into the multifaceted ecological crises of our time, highlighting the toxic aftermath of industrial progress and the inequities of environmental racism. It underscores the stark realities faced by communities at the frontline of climate change, emphasizing the overlaps of land degradation and social injustice. Despite themes of loss and devastation, the work is imbued with a current of hope, showcasing poetry’s ability to inspire a reconnection with the natural world. It also amplifies the voices of indigenous poets, offering invaluable perspectives on land stewardship and cultural resilience in the face of ongoing colonial impacts. These contributions speak to the essential role of native knowledge and practices in habitat preservation and cultural survival.Taken as a whole, the anthology emerges as a powerful call to action, urging collective reflection on our carbon footprint and a shared commitment to sustainable futures. It stands as a profound exploration of the intersections of ecological awareness, social justice, and poetic expression, inviting readers to contemplate their place in the broader web of life.
Nature's Writers

Nature's Writers

Donald S. Clark; Camille Dungy

RIZZOLI INTERNATIONAL PUBLICATIONS
2024
sidottu
Since 2019, photographer Don Clark has documented the places that have been instrumental in influencing the lives and words of both historic and contemporary nature and environmental writers throughout the United States. No book has so clearly and beautifully made this visual connection between writers and their land before. Featuring more than 40 of America s most important writers including John Muir, Rachel Carson, Barbara Kingsolver, and Ada Limon the book includes a notable passage of their work to connect with beautiful photos of each writer s actual land. This unique and compelling story of the land and how it has inspired some of our greatest poets and authors is an important contribution to environmental literature, nature writing, and conservation. At this critical juncture, with the increasingly noticeable effects of climate change, the significance of these writers and their personal connections to the environment is so very timely.
What to Eat, What to Drink, What to Leave for Poison
"Camille Dungy has a garden of verses that spring up with the sunshine or hide with you in the dusk. "Cleaning" best sums up What to Eat, What to Drink, What to Leave for Poison, an amazing poetry collection, when Dungy pens "understanding clearly/what is fatal to the body./I only understand too late/what can be fatal to the heart." Take an ice tea and sit on the veranda or take a glass of wine and prop up in bed but whatever way you like your poetry, this book is a must." —Nikki Giovanni, author of The Collected Poems of Nikki Giovanni and Black Feeling, Black Talk "The sorrow here is ironic and unsentimental and yet Camille Dungy's vision is all joy. Even as anti-psalms, these poems are pure transcendence." —Chris Abani, author of GraceLand and Dog Woman "Camille Dungy shares with us in this manuscript her sharp, clear and honest ear and her unswerving commitment to the voice of life. She is a brave poet writing true poems and I salute the music and courage of her work." —Lucille Clifton, author of Blessing the Boats and Mercy
Suck on the Marrow

Suck on the Marrow

Camille T Dungy

Red Hen Press
2012
sidottu
Every day we are forced to integrate the world's news into our personal lives; we all have to decide what parts of the flood of news resonate with us and what we need to turn away from, out of necessity or sensitivity. Obliterations—a collection of erasure poems that use The New York Times as their source texts—springs from that seemingly immediate process of personalizing news information. By cutting, synthesizing and arranging existing news items into new poems, the erasure process creates a link between the authors' poetic sensibilities and the supposedly more "objective" view of the newsmakers. Each author used the same articles but wrote separate erasures without seeing the other's versions, highlighting the wonderful similarities and differences that arise when two works—or any two people with individual tastes and lenses—share the same stories.
Suck on the Marrow

Suck on the Marrow

Camille T Dungy

Red Hen Press
2010
nidottu
**Winner of the American Book Award **Silver Medalist for the California Book Award Suck on the Marrow is a historical narrative, revolving around six main characters and set in mid-19th century Virginia and Philadelphia. The book traces the experiences of fugitive slaves, kidnapped Northern-born blacks, and free people of color, exploring the interdependence between plantation life and life in Northern and Southern American towns and illuminating the connections between the successes and difficulties of a wide range of Americans, free and slave, black and white, Northern and Southern. This neo-slave narrative treats the truths of lives touched by slavery with reverence but is not afraid to question the ways the old stories have too often been told. In addition to creating new stories, Suck on the Marrow develops new ways of telling those tales.
Guidebook to Relative Strangers

Guidebook to Relative Strangers

Camille T. Dungy

WW Norton Co
2018
nidottu
As a working mother and poet-lecturer, Camille Dungy’s livelihood depended on travel. She crisscrossed America and beyond with her daughter in tow, history shadowing their steps, always intensely aware of how they were perceived, not just as mother and child but as black women. From the San Francisco of settlers’ dreams to the slave-trading ports of Ghana, from snow-white Maine to a festive yet threatening bonfire in the Virginia pinewoods, Dungy finds fear and trauma but also mercy, kindness, and community. Penetrating and generous, this is an essential guide for a troubled land.
America, A Love Story

America, A Love Story

Camille T. Dungy

WESLEYAN UNIVERSITY PRESS
2026
sidottu
New poems on love, family, and art from the author of Soil: The Story of a Black Mother's Garden America, A Love Story is Camille T. Dungy's powerful testament to living and loving as a Black woman and mother in today's America, and her first book of poetry in almost a decade. Piercingly honest and deeply compassionate, this poetry moves through the mounting griefs of contemporary American life with unwavering clarity. The book is part indictment, part celebration—full of gratitude, fear, resistance, and hope. Dungy explores intimacy, parenting, racism, history, and the natural world with clarity and depth. Some poems reflect on the past; others respond to the work of contemporary Black artists. Many are formally playful, including a series of 700-character poems inspired by the 700 hours of sleep a mother loses in her child's first year. Gorgeous, bright, and bold, these poems speak from the edges—between mother and child, body and earth, self and country. They hold tension and tenderness in equal measure, creating a space for love amidst uncertainty. [sample poem] To enter our own empty house She was seven when we stopped using keys. One less thing to lose. Now we punch a combination. Easy, but hopefully not so easy a stranger could guess. This is where I should stop. They are bound to be angry, my beloveds. I am giving away all our secrets again. Vulnerability is the root of much fury. = I was small. A stone in the yard hid a metal case with a lid that slid like a matchbox top to reveal our key. Lifting that rock I thought of bashing someone's head. I thought of harm lurking, dressed in the body of some stranger. = Sometimes, I wrestle my daughter. I make her tiny body work itself out from under the weight I make of my own. In this way I try to teach her how it feels to break free.
America, A Love Story

America, A Love Story

Camille T. Dungy

WESLEYAN UNIVERSITY PRESS
2026
nidottu
New poems on love, family, and art from the author of Soil: The Story of a Black Mother's Garden America, A Love Story is Camille T. Dungy's powerful testament to living and loving as a Black woman and mother in today's America, and her first book of poetry in almost a decade. Piercingly honest and deeply compassionate, this poetry moves through the mounting griefs of contemporary American life with unwavering clarity. The book is part indictment, part celebration—full of gratitude, fear, resistance, and hope. Dungy explores intimacy, parenting, racism, history, and the natural world with clarity and depth. Some poems reflect on the past; others respond to the work of contemporary Black artists. Many are formally playful, including a series of 700-character poems inspired by the 700 hours of sleep a mother loses in her child's first year. Gorgeous, bright, and bold, these poems speak from the edges—between mother and child, body and earth, self and country. They hold tension and tenderness in equal measure, creating a space for love amidst uncertainty. [sample poem] To enter our own empty house She was seven when we stopped using keys. One less thing to lose. Now we punch a combination. Easy, but hopefully not so easy a stranger could guess. This is where I should stop. They are bound to be angry, my beloveds. I am giving away all our secrets again. Vulnerability is the root of much fury. = I was small. A stone in the yard hid a metal case with a lid that slid like a matchbox top to reveal our key. Lifting that rock I thought of bashing someone's head. I thought of harm lurking, dressed in the body of some stranger. = Sometimes, I wrestle my daughter. I make her tiny body work itself out from under the weight I make of my own. In this way I try to teach her how it feels to break free.
Trophic Cascade

Trophic Cascade

Camille T. Dungy

Wesleyan University Press
2018
nidottu
In this fourth book in a series of award-winning survival narratives, Dungy writes positioned at a fulcrum, bringing a new life into the world even as her elders are passing on. In a time of massive environmental degradation, violence and abuse of power, a world in which we all must survive, these poems resonate within and beyond the scope of the human realms, delicately balancing between conflicting loci of attention. Dwelling between vibrancy and its opposite, Dungy writes in a single poem about a mother, a daughter, Smokin’ Joe Frazier, brittle stars, giant boulders, and a dead blue whale. These poems are written in the face of despair to hold an impossible love and a commitment to hope. A readers companion will be availabe at wesleyan.edu/wespress/readerscompanions.
Ghost Fishing

Ghost Fishing

Camille T. Dungy

University of Georgia Press
2018
pokkari
Ghost Fishing is the first anthology to focus solely on poetry with an eco-justice bent. A culturally diverse collection entering a field where nature poetry anthologies have historically lacked diversity, this book presents a rich terrain of contemporary environmental poetry with roots in many cultural traditions.Eco-justice poetry is poetry born of deep cultural attachment to the land and poetry born of crisis. Aligned with environmental justice activism and thought, eco-justice poetry defines environment as “the place we work, live, play, and worship.” This is a shift from romantic notions of nature as a pristine wilderness outside ourselves toward recognition of the environment as home: a source of life, health, and livelihood.Ghost Fishing is arranged by topic at key intersections between social justice and the environment such as exile, migration, and dispossession; war; food production; human relations to the animal world; natural resources and extraction; environmental disaster; and cultural resilience and resistance. This anthology seeks to expand our consciousness about the interrelated nature of our experiences and act as a starting point for conversation about the current state of our environment.Contributors include Homero Aridjis, Brenda Cárdenas, Natalie Diaz, Camille T. Dungy, Martín Espada, Ross Gay, Joy Harjo, Brenda Hillman, Linda Hogan, Philip Metres, Naomi Shihab Nye, Tolu Ogunlesi, Wang Ping, Patrick Rosal, Tim Seibles, Danez Smith, Arthur Sze, Eleanor Wilner, and Javier Zamora.
The Long Devotion

The Long Devotion

Camille T. Dungy; Carmen Giménez Smith

UNIVERSITY OF GEORGIA PRESS
2022
pokkari
The Long Devotion is a collection of poems, essays, and writing prompts that celebrates motherhood and creates a space, as poet Molly Spencer has written, to “tell an unlovely truth about family life and not have to take it back.”The poets in this book represent and describe a wide range of experiences. They write about encountering the world anew through their children; intersections of parenting and race; single parenting; adoptive, foster, and step-parenting; life with chronic illness, mental illness, and disability; and the choice to remain childless. The book is divided into four parts. “Difficulty, Ambivalence, and Joy” considers the wonder and challenges of parenting—including infertility, pregnancy, miscarriage, and life with children—and trying to write in the midst of those demands. “The Body and the Brain” explores the cerebral and bodily labor of caregiving and writing. “In the World” brings parents and their children into contact with the natural and political landscape. Finally, “Transitions” looks at how parenting and writing change as children grow up. Poems range from linear narratives and imagistic lyric to poetry comics, speculative futures, and experimental forms. Essays and poems suggest ways to write through the disruptions and chaos of family life. Prompts invite readers to use the work in this book as a starting point for their own poetry.As candid accounts of motherhood become more prevalent across literary, pop culture, and digital spaces, the way we talk about writing and mothering is changing. Poets have long challenged traditional motherhood narratives. This book brings together a new generation of exciting and provocative voices for the first time.
Soil: The Story of a Black Mother's Garden

Soil: The Story of a Black Mother's Garden

Camille T. Dungy

SIMON SCHUSTER
2023
sidottu
A seminal work that expands how we talk about the natural world and the environment as National Book Critics Circle Criticism finalist Camille T. Dungy diversifies her garden to reflect her heritage. In Soil: The Story of a Black Mother's Garden, poet and scholar Camille T. Dungy recounts the seven-year odyssey to diversify her garden in the predominately white community of Fort Collins, Colorado. When she moved there in 2013, with her husband and daughter, the community held strict restrictions about what residents could and could not plant in their gardens. In resistance to the homogenous policies that limited the possibility and wonder that grows from the earth, Dungy employs the various plants, herbs, vegetables, and flowers she grows in her garden as metaphor and treatise for how homogeneity threatens the future of our planet, and why cultivating diverse and intersectional language in our national discourse about the environment is the best means of protecting it. Definitive and singular, Soil functions at the nexus of nature writing, environmental justice, and prose to encourage you to recognize the relationship between the peoples of the African diaspora and the land on which they live, and to understand that wherever soil rests beneath their feet is home.
Soil: The Story of a Black Mother's Garden

Soil: The Story of a Black Mother's Garden

Camille T. Dungy

SIMON SCHUSTER
2024
nidottu
A "heartfelt and thoroughly enriching" (Aimee Nezhukumatathil, New York Times bestselling author of World of Wonders) work that expands on how we talk about the natural world and the environment as National Book Critics Circle finalist Camille T. Dungy diversifies her garden to reflect her heritage. In Soil: The Story of a Black Mother's Garden poet and scholar Camille T. Dungy recounts the seven-year odyssey to diversify her garden in the predominantly white community of Fort Collins, Colorado. When she moved there in 2013, with her husband and daughter, the community held strict restrictions about what residents could and could not plant in their gardens. In resistance to the homogenous policies that limited the possibility and wonder that grows from the earth, Dungy employs the various plants, herbs, vegetables, and flowers she grows in her garden as metaphor and treatise for how homogeneity threatens the future of our planet, and why cultivating diverse and intersectional language in our national discourse about the environment is the best means of protecting it. "Brilliant and beautiful" (Ross Gay, New York Times bestselling author of The Book of Delights), Soil functions as the nexus of nature writing, environmental justice, and prose to encourage you to recognize the relationship between the people of the African diaspora and the land on which they live, and to understand that wherever soil rests beneath their feet is home.
Dungeons & Dragons Rpg: Dungeon Masters Guide Hard Cover (2024)

Dungeons & Dragons Rpg: Dungeon Masters Guide Hard Cover (2024)

Camille Gabor; Various

Wizards of the Coast
2024
sidottu
Intended for Dungeon Masters of all experience levels, this essential resource provides incredibly useful tools and advice for running your D&D game Create thrilling adventures with this revised and expanded Dungeon Master's Guide for fifth edition Dungeons & Dragons. Inside this essential guide is everything new and experienced Dungeon Masters need to weave epic tales, build fantastical worlds, and inspire memorable moments for your party. - Includes real-world examples of common pitfalls for Dungeon Masters, along with suggestions for how to handle them - 15 new, ready-to-use, reusable maps for homebrew adventures; ncludes a double-sided poster map depicting Eastern Oerik from the Greyhawk setting and the city of Greyhawk - Presents Greyhawk as a customizable, ready-to-use campaign setting for Dungeon Masters; set your adventures within Greyhawk or use it as a foundation for worlds you create. - More than 300 new and improved treasures and magical items, including 18 brand new magical items - Contains rules for bastions, strongholds built and controlled by players. With crafting, base-building, and resource gathering, bastions are a fun between-session option for players - Easily find information on key D&D characters and locations with the Lore Glossary and multiple handouts and resources for keeping track of campaigns
Camille

Camille

Pam Gems; Alexandre Dumas

Samuel French Ltd
1987
pokkari
Beautiful Marguerite Gautier, seduced at the age of fifteen by her Marquis employer, decides on a courtesan life. She meets Armand Duval, son of the Marquis, and the two fall desperately in love. Aware that she is in the initial stage of tuberculosis, Armand persuades her to settle in the country with him, but Marguerite is threatened by the Marquis and forced to return to Paris, dying and reviled by Armand.Large flexible cast
Camille

Camille

Pam Gems

Samuel French, Inc
1999
nidottu
Alexandre DumasTranslated by Pam GemsDrama Characters: 21 male, 7 female, 1 pianist (doubling possible)Interor and exterior scenes, or 1 unit setThis unforgettable classic drama about the doomed love of a Parisian courtesan and a Marquis' son in the 1840s is brilliantly rendered for the modern stage. "An intelligent, deeply moving re-examination of one of our most potent dramatic myths." -Time Out"Superlative!" -Observer"A stunner." -Spectator"Compelling theatre." -BBC
Camille

Camille

Charles Ludlam

Samuel French, Inc
2011
pokkari
Characters: 7 male, 5 female, cross-gender casting possible Multiple Sets Newly Revised! The landmark Ridiculous Theatre Company production of the classic 19th century melodrama! Tubercular courtesan Marguerite Gautier abjures her rich lover, Baron De Varville, and sells all her jewels and furnishings to live in the counry with her true love, poor young Armand Duval. Her heart is broken when he agrees to his father's request to abandon him, and returning to her unhealthful life in Paris, she declines rapidly, but is reunited with Armand in a deathbed scene that provokes both laughter and tears. Originally performed with Charles Ludlam in the title role. "Oddly touching...one of the most hilarious evenings in New York...worth savoring!" -The New York Times "Enchanting." - Vogue "Outrageous." - Newhouse Syndicated "Very ridiculous, very theatrical, and very funny!" - Cue
Camille

Camille

Pierre Lemaitre

MacLehose Press
2016
pokkari
MEET COMMANDANT CAMILLE VERHOEVEN OF THE PARIS POLICE WITH NOTHING ELSE TO LOSEAnne Forestier finds herself in the wrong place at the wrong time when she blunders into a raid on a jeweller's on the Champs-Élysées. Bludgeoned beyond recognition, she is lucky to survive. But her ordeal has only just begun.HE CAN BREAK ALL THE RULESLying helpless in her hospital bed, with her assailant still at large, Anne is in mortal danger. Only one thing gives her hope: Commandant Camille Verhœven.TO PROTECT THE WOMAN HE LOVES For Verhœven it's a case of history repeating itself. He cannot lose Anne as he lost his wife. This time he faces an adversary whose greatest strength appears to be Verhœven's matchless powers of intuition.Winner of the 2015 C.W.A. International Dagger