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1000 tulosta hakusanalla Carmen Ramos
Explores the influences between Mexican modernist Rufino Tamayo and the American art world at a time of unparalleled cross-cultural exchange. Mexican American artist Rufino Tamayo (1899-1991) is best known for his boldly-coloured, semi-abstracted paintings portraying modern Mexican subjects and combining universal themes with a local sensibility. Tamayo: The New York Years looks in detail at Tamayo and his work in New York, where he lived from the late 1920s to 1949, as well as the response of other artists, like Barnett Newman, and critics such as Clement Greenberg. Tamayo was drawn to New York at a time when the art world was shifting from Europe to New York, and immediately engaged with the new ideas expressed in the modern art that he saw in museums and galleries. Deeply impressed by the art of Pablo Picasso, especially following the MOMA retrospective which opened in 1939, Tamayo became an important figure in the mid-century modern art movement as it shifted to New York and the Americas and away from Europe. Tamayo: The New York Years offers a unique opportunity to trace his artistic development through 60 works dating from 1925 to 1949 - from early woodcuts and bold canvasses, paintings depicting the modern sights of the city, to his dream-like works exploring celestial views of the constellations and heavens. AUTHOR: E. Carmen Ramos is the curator of Latino art at the Smithsonian American Art Museum. SELLING POINTS: . Explores the influences between Mexican modernist Rufino Tamayo and the American art world at a time of unparalleled cross-cultural exchange. . The first volume to focus on Tamyo's work and life during his time in New York City. . Will appeal to art students, historians, biographers, artists, those interested in politics and social history. 110 colour illustrations
Our America: The Latino Presence in American Art
E. Carmen Ramos; Tomas Ybarra-Frausto
D Giles Ltd
2014
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Is Latino art an integral part of modern American art? Presenting over one hundred major artworks from the Smithsonian American Art Museum, Our America seeks to "recalibrate" enduring concepts about American national culture by exploring how one group of artists - those of Latin American descent and heritage - express their relationship to American art, history, and culture. Ramos addresses the whole issue of the definition of "Latino art" and how this emerged within the context of the Civil Rights movement of the 1960s, as American artists of Latino descent began to give a tangible face to their culture and history. Highlights include an installation altar by Amalia Mesa-Bains, the "recycled" films of Raphael Montanez Ortiz, and a 1960 geometric painting by Carmen Herrera. Other notable artists include Olga Albizu, Melesio "Mel" Casas, Maria Magdalena Campos-Pons, Margarita Cabrera, Enrique Chagoya, Teresita Fernandez, Ken Gonzales-Day, Luis Jimenez, Ana Mendieta, Pepon Osorio, Sophie Rivera, Freddy Rodriguez, and John M. Valadez, among many others. Contents: Foreword by Elizabeth Broun, Director, Smithsonian American Art Museum; Introduction - Primeros Pasos: First Steps Toward an Operative Construct of Latino Art by Tomas Ybarra-Frausto; What is Latino About American Art? by E. Carmen Ramos; Commentaries on the artworks by E. Carmen Ramos, with Jennifer L. Bauman, Florencia Bazzano-Nelson, and Virginia M. Mecklenburg.
¡Printing the Revolution!
Claudia E. Zapata; Terezita Romo; E. Carmen Ramos; Tatiana Reinoza
PRINCETON UNIVERSITY PRESS
2020
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A groundbreaking look at how Chicano graphic artists and their collaborators have used their work to imagine and sustain identities and political viewpoints during the past half centuryThe 1960s witnessed the rise of the Chicano civil rights movement, or El Movimiento, and marked a new way of being a person of Mexican descent in the United States. To call oneself Chicano—a formerly derogatory term—became a political and cultural statement, and Chicano graphic artists asserted this identity through their printmaking and activism. ¡Printing the Revolution! explores the remarkable legacy of Chicano graphic arts relative to major social movements, the way these artists and their cross-cultural collaborators advanced printmaking methods, and the medium’s unique role in shaping critical debates about U.S. identity and history.From satire and portraiture to politicized pop, this volume examines how artists created visually captivating graphics that catalyzed audiences. Posters and prints announced labor strikes and cultural events, highlighted the plight of political prisoners, schooled viewers in Third World liberation movements, and, most significantly, challenged the invisibility of Mexican Americans in U.S. society. While screen printing was the dominant mode of printmaking during the civil rights era, this book considers how artists have embraced a wide range of techniques and strategies, from installation art to shareable digital graphics. This book shows how artists have used and continue to use graphic arts as a means to engage the public, address social justice concerns, and wrestle with shifting notions of the term Chicano.Lavishly illustrated and featuring three double gatefolds, ¡Printing the Revolution! presents a vibrant look at the past, present, and future of an essential aspect of Chicano art.Exhibition ScheduleSmithsonian American Art Museum, Washington, DCMay 14–August 8, 2021Published in association with the Smithsonian American Art Museum, Washington, DC
Figuraciones del Cuerpo Femenino En El Siglo XXI
Claudia Del Carmen Herrera Ramos
Eae Editorial Academia Espanola
2012
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Una Vision Neuropsicologica del Desarrollo del Lenguaje y Su Retraso
Maria Del Carmen Ya Ez Ramos; Maria Del Carmen Yanez Ramos
Eae Editorial Academia Espanola
2012
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Películas activas con aditivos de origen natural derivados del orégano
Marina Ramos Santonja; Mª Carmen Garrigós; Mercedes Peltzer
Editorial Académica Española
2012
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¿Cómo Proteger a Los Adolescentes de la Violencia? / How to Protect Adolescents from Violence?: Estrategias de Prevención E Intervención En La Familia
Lucía Ramos Lira; Patricia María del Carmen Fuentes
Pax
2025
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La violencia es uno de los principales factores de riesgo para la salud f sica y mental de los adolescentes. Las autoras de esta obra, investigadoras del Instituto Nacional de Psiquiatr a, se centran en la comprensi n del problema para dar soluciones pr cticas, esto es, plantear estrategias para plantear estrategias para prevenir y reducir la violencia. Las doctoras Patricia Fuentes y Luciana Ramos hacen hincapi en fortalecer en los j venes habilidades para la vida, como la negociaci n, la soluci n de problemas, la toma de decisiones y la comunicaci n asertiva, as como afianzar las redes de apoyo social. Violence is one of the main risk factors for the physical and mental health of adolescents. The authors of this work, researchers at the National Institute of Psychiatry, focus on understanding the problem in order to provide practical solutions, that is, to propose strategies to propose strategies to prevent and reduce violence. Dr. Patricia Fuentes and Dr. Luciana Ramos emphasize strengthening life skills in young people, such as negotiation, problem solving, decision-making, and assertive communication, as well as strengthening social support networks.
Perfeccionamiento del desempeño del bibliotecario escolar
María del Carmen Rodríguez Domínguez; José Ramos Bañobre; Kenia González Glez
PUBLICIA
2016
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Estudio de la estabilidad oxidativa de las almendras
Ana Beltrán; Marina Ramos; Mª Carmen Garrigós
Editorial Académica Española
2012
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Innovando en la motivación de los alumnos en las asignaturas de Economía
Esther Mena Rodríguez; María del Carme Ramos Herrera; Anelí Bongers Chicano
Egregius Ediciones
2018
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"Bizet describes himself as 'pagan', and Carmen has a savage Mediterranean beauty quite unique in music. The essays included in this guide suggest some reasons for its legendary theatrical appeal. Martin Cooper describes the traditional mixture of spoken words and song that stimulated Bizet to exclaim, 'I want to revolutionize opera-comique!': the translators show the ingenious and inspired ways in which he set about it. Lesley Wright analyses the score and Michael Rabaud shows the uncanny appropriateness of Nietzche's support for Bizet in his famous attacks on the decadence of Wagner. This is the first time that the complete text of the verses that Bizet set to music and the full dialogue (much of it especially translated for this Opera Guide), have ever been published. Contents: Introduction, Nicholas John; Opera-Comique, Martin Cooper; A Musical Commentary, Lesley A. Wright; 'Carmen': A tragedy oflove, sun and death, Michel Rabaud; Carmen: French text by Henri Meilhac and Ludovic Halevy after the novel by Prosper Merimee; Carmen: English version by Nell and John Moody"
Prosper Merimee's "Carmen" is a classic tale of fatal attraction set against the vibrant backdrop of Spain. This meticulously prepared print edition invites readers to experience the enduring power of this timeless story, which explores themes of love, obsession, and destiny. The narrative centers around the captivating Carmen, a figure of fierce independence and allure. Her magnetic personality draws others into a complex web of relationships, most notably igniting a passionate and ultimately destructive love triangle. A masterpiece of literary fiction and a cornerstone of romantic literature, "Carmen" remains a compelling exploration of human nature and the destructive power of unchecked desire. Discover the source material for one of the world's most beloved operas and delve into the heart of this unforgettable classic.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
