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1000 tulosta hakusanalla Catherine Grenier

Annette Messager

Annette Messager

Catherine Grenier

Flammarion
2013
sidottu
The definitive monograph of Annette Messager, covering her multifaceted oeuvre from immersive installations to intricate taxidermy, now updated and expanded in collaboration with the artist. Annette Messager's original use of form and poetic power of communication place her among Europe's leading contemporary artists. Her work experiments with a wide variety of media, from painting and sculpture to assemblage, photography, film, and embroidery. From her early works exploring fictional autobiography to her commanding, "penetrable" installations, her work is at once intimate and universal, using familiar objects to challenge conventional outlooks.A strong, visual work that provides a clear picture of the artist's creative development, this edition encompasses her recent work, including the installation Casino at the 2005 Venice Biennale. Including a thirty-four page introductory portfolio, the book is organized thematically and incorporates first hand interviews with the artist and analyses of individual works. Completed by a full exhibition history and extensive bibliography, this is a must-read for anyone interested in current artistic developments in Europe.
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Alberto Giacometti: A Biography

Alberto Giacometti: A Biography

Catherine Grenier

Flammarion
2018
sidottu
An insightful and comprehensive biography of the great twentieth century sculptor Alberto Giacometti. Alberto Giacometti was one of the most enigmatic and memorable personalities of the twentieth century. Born in Switzerland in 1901, he settled in Paris in 1922 where he lived and worked for the rest of his life. Giacometti's early influences included his father--painter Giovanni Giacometti--sculptor Antoine Bourdelle, and mentors Zadkine, Lipchitz, and Laurens. When he turned from cubism to surrealism, his work earned near-instantaneous recognition, but Giacometti quickly moved on, pioneering a solitary path on the margin of contemporary trends. Today, his signature elongated sculptures are icons of art history. The fruit of new research, this riveting biography offers a chronological look at the whole of the artist's life and work. It is published in coordination with the Giacometti exhibition at the Guggenheim in New York (June 8‒September 16, 2018).
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Othoniel

Othoniel

Catherine Grenier

Skira
2012
sidottu
The first monograph in English devoted to Jean-Michel Othoniel, this book follows the footsteps of a singular and secretive artist. An artist who has a passion for all sorts of metamorphoses, sublimations and transmutations, "Jean-Michel Othoniel" (Saint-Etienne, 1964) has a predilection for materials with reversible properties. His first gained recognition with a series of sculptures made of sulfur, exhibited at Documenta IX in Kassel in 1992. He is one of the few artists to combine a rigorous artistic approach with a poetic sensitivity. Possessing a rare ability to make use of the beauty of his materials, this volume follows the evolution of Othoniels atypical approach. Beyond the seductiveness of form, he creates a world inhabited by dreams and enchantment, but also haunted by suffering and melancholy. The artist, who entered into popular favour with his Kiosk for Night Birds for the Palais-Royal Musee du Louvre metro station in Paris, has exhibited widely and received commissions both in France and abroad.
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Jean-Michel Othoniel

Jean-Michel Othoniel

Gay Gassmann; Catherine Grenier; Robert Storr

Phaidon Press Ltd
2019
nidottu
The groundbreaking sculptor's most comprehensive monograph to date Jean-Michel Othoniel is an artist who creates sculptures that explore themes of fragility, transformation, and ephemerality. Using the repetition of such modular elements as bricks or beads, his work deploys various strategies that hint at loss and despair – cracks in his objects' perfect surfaces, negative spaces and, early in his career, transient materials such as sulfur. The most authoritative study of the artist's work to date, it includes intimate gallery pieces as well as monumental public commissions around the world.
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Hugo

Hugo

Catherine Braun-Grenier

Fonfon
2025
sidottu
Hugo est un petit carlin qui a t abandonn . Triste et apeur , il se demande qui pourra bien vouloir de lui. Heureusement, il sera adopt par une famille bienveillante, mais la route sera longue pour que Hugo apprenne faire confiance nouveau. Une histoire sur l'abandon animal qui montre aussi les responsabilit s qui viennent avec l'adoption d'un compagnon. Les illustrations sont magnifiques et le passage des saisons sert montrer le temps qui passe.
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Vide grenier

Vide grenier

Catherine Adida - Rosenberg

Books on Demand
2014
pokkari
Vide grenier, des motions d poussi r es, en vrac, comme si l'on recycle toute chose existante, tout projet, trouvant leur nouveau destinataire, par del le hasard, pour leur mise en lumi re. Aucun projet n'est impossible....tous les textes m ritent de vivre... Apr s son premier recueil de po sie, MAESTRAL, destin la PROVENCE, VIDE GRENIER, apparait. Il est, au d part, un recueil de textes, destin s devenir des chansons, et puis, class dans des tiroirs, en attente d'une production... L'amour ternel, les g n rations, la g opolitique, l'enracinement en cultures diverses, la mixit , le droit de choisir, la libert , les fronti res, la d couverte de l'identit , tout ce qu'on se dit, la vie, les exils, l'orient, autant de th mes que va decouvrir, en vrac, une petite fille, EDENH, g e de 8 ans, dans son grenier aux merveilles qui n'est autre que l'illustration all gorique des greniers de l'humanit que chaque humain porte en lui-m me. Tout commence le jour o sa maman d cide de faire un vide-grenier... Apr s son premier recueil de po sie, MAESTRAL, destin la PROVENCE, VIDE GRENIER, apparait. Il est, au d part, un recueil de textes, destin s devenir des chansons, et puis, class dans des tiroirs, en attente d'une production... L'amour ternel, les g n rations, la g opolitique, l'enracinement en cultures diverses, la mixit , le droit de choisir, la libert , les fronti res, la d couverte de l'identit , tout ce qu'on se dit, la vie, les exils, l'orient, autant de th mes que va decouvrir, en vrac, une petite fille, EDENH, g e de 8 ans, dans son grenier aux merveilles qui n'est autre que l'illustration all gorique des greniers de l'humanit que chaque humain porte en lui-m me. Tout commence le jour o sa maman d cide de faire un vide-grenier... Il s'agit d'une sorte de fantaisie moderne, insolite pour l'adulte, d voilant peu peu la compr hension de enfant face l'autre, la difference, au droit de choisir, d s l'enfance. Le vieux coffret, illustrant
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Earth Others: Weltandere

Earth Others: Weltandere

Catherine Greiner

ACTAR
2026
nidottu
Earth Others calls on spatial practices to facilitate reciprocal exchanges between different lifeforms without imposing a designed order upon them. At the heart of Earth Others lies a choreographic understanding of architectural place-making. Consequently, spatial design is no longer a means of stewardship to represent the voice of "natural" entities, nor entitles human designers to speak for nonhuman beings through designed artefacts. Instead, the book brings forth ways of holding space for the living to perform their basic rights to flourish. The book combines transdisciplinary perspectives, re-contextualises anticipative theories from the ecofeminisms of the 80/90s and borrows from recent findings in Ecology, Anthropology, Philosophy, Biology and Sociology. The particularity lies in its diverse readings -- as a graphic novel, scientific compendium, site-specific study, future speculation and script for performative spatial development. Written text is accompanied by drawings with methods derived from Critical Cartography.
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Tourism and Identity in Scotland, 1770–1914

Tourism and Identity in Scotland, 1770–1914

Katherine Haldane Grenier

Ashgate Publishing Limited
2005
sidottu
In the late eighteenth and nineteenth centuries, legions of English citizens headed north. Why and how did Scotland, once avoided by travelers, become a popular site for English tourists? In Tourism and Identity in Scotland, 1770-1914, Katherine Haldane Grenier uses published and unpublished travel accounts, guidebooks, and the popular press to examine the evolution of the idea of Scotland. Though her primary subject is the cultural significance of Scotland for English tourists, in demonstrating how this region came to occupy a central role in the Victorian imagination, Grenier also sheds light on middle-class popular culture, including anxieties over industrialization, urbanization, and political change; attitudes towards nature; nostalgia for the past; and racial and gender constructions of the "other." Late eighteenth-century visitors to Scotland may have lauded the momentum of modernization in Scotland, but as the pace of economic, social, and political transformations intensified in England during the nineteenth century, English tourists came to imagine their northern neighbor as a place immune to change. Grenier analyzes the rhetoric of tourism that allowed visitors to adopt a false view of Scotland as untouched by the several transformations of the nineteenth century, making journeys there antidotes to the uneasiness of modern life. While this view was pervasive in Victorian society and culture, and deeply marked the modern Scottish national identity, Grenier demonstrates that it was not hegemonic. Rather, the variety of ways that Scotland and the Scots spoke for themselves often challenged tourists' expectations.
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Tourism and Identity in Scotland, 1770–1914

Tourism and Identity in Scotland, 1770–1914

Katherine Haldane Grenier

Routledge
2017
nidottu
In the late eighteenth and nineteenth centuries, legions of English citizens headed north. Why and how did Scotland, once avoided by travelers, become a popular site for English tourists? In Tourism and Identity in Scotland, 1770-1914, Katherine Haldane Grenier uses published and unpublished travel accounts, guidebooks, and the popular press to examine the evolution of the idea of Scotland. Though her primary subject is the cultural significance of Scotland for English tourists, in demonstrating how this region came to occupy a central role in the Victorian imagination, Grenier also sheds light on middle-class popular culture, including anxieties over industrialization, urbanization, and political change; attitudes towards nature; nostalgia for the past; and racial and gender constructions of the "other." Late eighteenth-century visitors to Scotland may have lauded the momentum of modernization in Scotland, but as the pace of economic, social, and political transformations intensified in England during the nineteenth century, English tourists came to imagine their northern neighbor as a place immune to change. Grenier analyzes the rhetoric of tourism that allowed visitors to adopt a false view of Scotland as untouched by the several transformations of the nineteenth century, making journeys there antidotes to the uneasiness of modern life. While this view was pervasive in Victorian society and culture, and deeply marked the modern Scottish national identity, Grenier demonstrates that it was not hegemonic. Rather, the variety of ways that Scotland and the Scots spoke for themselves often challenged tourists' expectations.
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Catherine

Catherine

William Thackeray

The University of Michigan Press
1999
sidottu
The Thackeray Edition proudly announces two additions to its collection: Catherine and The Luck of Barry Lyndon. The Thackeray Edition is the first full-scale scholarly edition of William Makepeace Thackeray's works to appear in over seventy years, and the only one ever to be based on an examination of manuscripts and relevant printed texts. It is also a concrete attempt to put into practice a theory of scholarly editing that gives new insight into Thackeray's own compositional process.Written in 1839-40 for Fraser's Magazine, Catherine was Thackeray's first novel. Although originally intended as a spoof of the 1830s Newgate school of criminal romance, it has intrinsic merit of its own for its cynical narrator and roguish heroine, both of whom harbinger similar creations in Vanity Fair eight years later.
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Catherine

Catherine

Ailsa McLeary; Tony Dingle

Melbourne University Press
1994
pokkari
Catherine Currie began writing her diary at Ballan in 1873. Soon afterwards, she left with her husband and young children to take up a selection deep in the forests of west Gippsland. Catherine's life was one of unrelenting daily work, which she recorded faithfully in the diary. As the years wore on and her early pioneering optimism turned to disillusionment and sometimes despair, it also became a private confessional.This beautifully written and engrossing work uses parallel narratives to tell Catherine's story. Five skilfully written chapters catch the cadences of Catherine's diary, interweaving direct quotes with discreet comment and explanation. Between these chapters runs a twentieth century voice, offering thoughtful and lucid reflections on themes such as 'madness' and 'landscape', and illuminating Catherine's life for modern readers through the ideas of historians and theorists such as Michel Foucault and Paul Carter. Catherine is first and foremost a simple and moving story, bringing the reader into direct, vivid and personal contact with Catherine Currie. More subtly, it allows readers to glimpse those fine lines which separate life and text, chance and necessity, sanity and madness. A superb and moving study in both autobiography and biography, Catherine will give great pleasure to those many readers who delight in the subtlety of plain English.
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Catherine

Catherine

Heidi Benslay

Lulu.com
2023
pokkari
Follows the life of a girl named Catherine. She is lucky to be in love with her best friend. She has a great family and overall a great life but Catherine discovers a dark secret from her family's past. Go on the journey as she uncovers the truth, a journey of life, love, tragedy and hope.
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Catherine

Catherine

Sue Barr

Sue Barr
2018
pokkari
Some secrets are not meant to be sharedCatherine Bennet knows this better than anyone and the one she carries will remain hidden forever. This means she'll never marry and it never bothered her before she met Lord George. He's determined to breach the walls of defense so carefully constructed around her heart and she's just as determined to stay the course. Some secrets cannot be sharedAn agent for the Crown, Lord George Kerr, concealed his espionage activities beneath a blanket of gossip, drink and loose women. Though forced to resume a more mundane lifestyle among London's finest, he covertly seeks a traitor to England. All trails seem to converge around Miss Catherine Bennet, a reticent country miss, who unwittingly has captured his heart. Some secrets are beyond your controlWith the very lives of England's vast network of spies working undercover in Bonaparte's France hanging in the balance, Catherine is forced to face her worst nightmare. Her secret laid bare, can George love her enough to overcome what he learns?
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