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1000 tulosta hakusanalla Celia Britton

The Nouveau Roman

The Nouveau Roman

Celia Britton

Palgrave Macmillan
1992
sidottu
The Nouveau Roman writers have been actively involved in the theory as well as the practice of fiction, participating in a series of vigorous debates on issues such as the political significance of literature, formalism and structuralism, the status of the author, etc. This study discusses Robbe-Grillet, Sarraute, Simon, Butor and Ricardou, analysing both the interaction of their own theory and fiction and their reactions to the work of figures such as Sartre, Barthes, Lvi-Strauss, Sollers and Kristeva.
Claude Simon

Claude Simon

Celia Britton

Cambridge University Press
2009
pokkari
This is a major study of the Nobel prize-winning French novelist Claude Simon. Simon is a complex figure: for all that he writes in a distinctively modern fictional tradition (exemplified by Proust, Joyce, Beckett and Robbe-Grillet), his novels contain strong elements of visual representation alongside a very different king of free-floating, anti-realist writing. This combination and tension between vivd representation of experience and the free play of language is a focus of Dr Britton's book. She exposes the limitations of literary theory in dealing with Simon's novels and reveals how concepts from psychoanalysis can illuminate this problematic juxtaposition of vision and text.
Claude Simon

Claude Simon

Celia Britton

Routledge
2017
sidottu
This is a major study of the Nobel prize-winning French novelist Claude Simon. Simon is a complex figure: for all that he writes in a distinctively modern fictional tradition (exemplified by Proust, Joyce, Beckett and Robbe-Grillet), his novels contain strong elements of visual representation alongside a very different king of free-floating, anti-realist writing.
The Nouveau Roman

The Nouveau Roman

Celia Britton

Palgrave Macmillan
1992
nidottu
The Nouveau Roman writers have been actively involved in the theory as well as the practice of fiction, participating in a series of vigorous debates on issues such as the political significance of literature, formalism and structuralism, the status of the author, etc. This study discusses Robbe-Grillet, Sarraute, Simon, Butor and Ricardou, analysing both the interaction of their own theory and fiction and their reactions to the work of figures such as Sartre, Barthes, Lvi-Strauss, Sollers and Kristeva.
Language and Literary Form in French Caribbean Writing

Language and Literary Form in French Caribbean Writing

Celia Britton

Liverpool University Press
2014
sidottu
This book analyses French Caribbean writing from the point of view of its language and literary form - questions which until recently were somewhat neglected in postcolonial studies but are now becoming an important area of research. Britton supplements postcolonial theory with structuralism and poststructuralism to show how analysis of the textual illuminates the political and ideological positions of the writers. Topics including genre, intertextuality, narrative voice, discursive agency, orality, the ‘creolization’ of languages and the renewal of realism are discussed in relation to Glissant, Césaire, Ménil, Chamoiseau, Confiant, Depestre, Condé, Schwarz-Bart, Pineau and Maximin.
Perspectives on Culture and Politics in the French Antilles
In these essays, three of which have not previously been published, Celia Britton discusses a variety of texts from the point of view of their engagement with the cultural and political issues that have been prominent in Martinique and Guadeloupe from the mid-twentieth century to the present day. These texts range from the ethnographic writings of Michel Leiris to the novels of Maryse Cond , Joseph Zobel, Ernest P pin and Edouard Glissant; Glissant's essays are also considered, as are those of Ren M nil. Thus the question of cultural identity, for example, is central to Glissant's work but also, from a rather different point of view, to that of Leiris and M nil. Other topics covered include racial difference and the politics of race, in the novels of Cond and P pin; gender (Cond and P pin); the impact of globalization and, conversely, the specificity of place (Glissant and P pin); the legacy of slavery (Cond ); and political action (M nil, Glissant, Cond ).Celia Britton is Emeritus Professor of French and Francophone Literature at University College and a Fellow of the British Academy. Earlier in her career she worked on the Nouveau Roman and French cinema. For the past thirty years she has published widely on French Caribbean literature, thought and culture.
Perspectives on Culture and Politics in the French Antilles
In these essays, three of which have not previously been published, Celia Britton discusses a variety of texts from the point of view of their engagement with the cultural and political issues that have been prominent in Martinique and Guadeloupe from the mid-twentieth century to the present day. These texts range from the ethnographic writings of Michel Leiris to the novels of Maryse Cond , Joseph Zobel, Ernest P pin and Edouard Glissant; Glissant's essays are also considered, as are those of Ren M nil. Thus the question of cultural identity, for example, is central to Glissant's work but also, from a rather different point of view, to that of Leiris and M nil. Other topics covered include racial difference and the politics of race, in the novels of Cond and P pin; gender (Cond and P pin); the impact of globalization and, conversely, the specificity of place (Glissant and P pin); the legacy of slavery (Cond ); and political action (M nil, Glissant, Cond ).Celia Britton is Emeritus Professor of French and Francophone Literature at University College and a Fellow of the British Academy. Earlier in her career she worked on the Nouveau Roman and French cinema. For the past thirty years she has published widely on French Caribbean literature, thought and culture.
Introduction to a Poetics of Diversity

Introduction to a Poetics of Diversity

Celia Britton

Liverpool University Press
2020
sidottu
This book reproduces the texts of four lectures, followed by discussions, and two interviews with Lise Gauvin published in Introduction à une poétique du divers (1996); and also four further interviews from L’Imaginaire des langues (Lise Gauvin, 2010). It covers a wide range of topics but key recurring themes are creolization, language and langage, culture and identity, ‘monolingualism’, the ‘Chaos-world’ and the role of the writer. Migration and the various different kinds of migrants are also discussed, as is the difference between ‘atavistic’ and ‘composite’ communities, the art of translation, identity as a ‘rhizome’ rather than a single root, the Chaos-World and chaos theory, ‘trace thought’ as opposed to ‘systematic thought’, the relation between ‘place’ and the Whole-World, exoticism, utopias, a new definition of beauty as the realized quantity of differences, the status of literary genres and the possibility that literature as a whole will disappear. Four of the interviews (Chapters 6, 7, 8 and 9) relate to particular works that Glissant has published: Tout-monde, Le monde incrée, La Cohée du Lamentin, Une nouvelle région du monde. Many of these themes have been explored in his previous works, but here, because in all the chapters we see Glissant interacting with the questions and views of other people, they are presented in a particularly accessible form.
Treatise on the Whole-World

Treatise on the Whole-World

Celia Britton

Liverpool University Press
2020
sidottu
This exciting, challenging book covers a wide range of subject matter, but all linked together through the key ideas of diversity and ‘Relation’. It sees our modern world, shaped by immigration and the aftermath of colonization, as a multiplicity of different communities interacting and evolving together, and argues passionately against all political and philosophical attempts to impose uniformity, universal or absolute values. This is the ‘Whole-World’, which includes not only these objective phenomena but also our consciousness of them. Our personal identities are not fixed and self-sufficient but formed in ‘Relation’ through our contacts with others. Glissant constantly stresses the unpredictable, ‘chaotic’ nature of the world, which, he claims, we must adapt to and not attempt to limit or control. ‘Creolization’ is not restricted to the Creole societies of the Caribbean but describes all societies in which different cultures with equal status interact to produce new configurations. This perspective produces brilliant new insights into the politicization of culture, but also language, poetry, our relationship to place and to landscapes, globalization, history, and other topics. The book is not written in the style conventionally associated with essays, but is a mixture of argument, proclamation, and poetic evocations of landscapes, lifestyles and people.
Introduction to a Poetics of Diversity

Introduction to a Poetics of Diversity

Celia Britton

Liverpool University Press
2020
nidottu
This book reproduces the texts of four lectures, followed by discussions, and two interviews with Lise Gauvin published in Introduction à une poétique du divers (1996); and also four further interviews from L’Imaginaire des langues (Lise Gauvin, 2010). It covers a wide range of topics but key recurring themes are creolization, language and langage, culture and identity, ‘monolingualism’, the ‘Chaos-world’ and the role of the writer. Migration and the various different kinds of migrants are also discussed, as is the difference between ‘atavistic’ and ‘composite’ communities, the art of translation, identity as a ‘rhizome’ rather than a single root, the Chaos-World and chaos theory, ‘trace thought’ as opposed to ‘systematic thought’, the relation between ‘place’ and the Whole-World, exoticism, utopias, a new definition of beauty as the realized quantity of differences, the status of literary genres and the possibility that literature as a whole will disappear. Four of the interviews (Chapters 6, 7, 8 and 9) relate to particular works that Glissant has published: Tout-monde, Le monde incrée, La Cohée du Lamentin, Une nouvelle région du monde. Many of these themes have been explored in his previous works, but here, because in all the chapters we see Glissant interacting with the questions and views of other people, they are presented in a particularly accessible form.
Treatise on the Whole-World

Treatise on the Whole-World

Celia Britton

Liverpool University Press
2020
nidottu
This exciting, challenging book covers a wide range of subject matter, but all linked together through the key ideas of diversity and ‘Relation’. It sees our modern world, shaped by immigration and the aftermath of colonization, as a multiplicity of different communities interacting and evolving together, and argues passionately against all political and philosophical attempts to impose uniformity, universal or absolute values. This is the ‘Whole-World’, which includes not only these objective phenomena but also our consciousness of them. Our personal identities are not fixed and self-sufficient but formed in ‘Relation’ through our contacts with others. Glissant constantly stresses the unpredictable, ‘chaotic’ nature of the world, which, he claims, we must adapt to and not attempt to limit or control. ‘Creolization’ is not restricted to the Creole societies of the Caribbean but describes all societies in which different cultures with equal status interact to produce new configurations. This perspective produces brilliant new insights into the politicization of culture, but also language, poetry, our relationship to place and to landscapes, globalization, history, and other topics. The book is not written in the style conventionally associated with essays, but is a mixture of argument, proclamation, and poetic evocations of landscapes, lifestyles and people.
Language and Literary Form in French Caribbean Writing

Language and Literary Form in French Caribbean Writing

Celia Britton

Liverpool University Press
2021
nidottu
This book analyses French Caribbean writing from the point of view of its language and literary form - questions which until recently were somewhat neglected in postcolonial studies but are now becoming an important area of research. Britton supplements postcolonial theory with structuralism and poststructuralism to show how analysis of the textual illuminates the political and ideological positions of the writers. Topics including genre, intertextuality, narrative voice, discursive agency, orality, the ‘creolization’ of languages and the renewal of realism are discussed in relation to Glissant, Césaire, Ménil, Chamoiseau, Confiant, Depestre, Condé, Schwarz-Bart, Pineau and Maximin.
The Sense of Community in French Caribbean Fiction

The Sense of Community in French Caribbean Fiction

Celia Britton

Liverpool University Press
2010
nidottu
This book analyses the theme of community in seven French Caribbean novels in relation to the work of the French philosopher Jean-Luc Nancy. The islands’ complex history means that community is a central and problematic issue in their literature, and underlies a range of other questions such as political agency, individual and collective subjectivity, attitudes towards the past and the future, and even literary form itself. Britton examines Jacques Roumain’s Gouverneurs de la rosée, Edouard Glissant’s Le Quatrième Siècle, Simone Schwarz-Bart’s Pluie et vent sur Télumée Miracle, Vincent Placoly’s L’eau-de-mort guildive, Patrick Chamoiseau’s Texaco, Daniel Maximin’s L’Ile et une nuit and Maryse Condé’s Desirada.
Race and the Unconscious

Race and the Unconscious

Celia Britton

Legenda
2002
nidottu
Freud is often accused of eurocentrism - of making unjustifiable generalizations on the basis of European family structures. Although French Caribbean intellectuals such as Fanon, Cesaire and Glissant have joined in these criticisms, they have also made strikingly positive use of psychoanalysis. Much intellectual energy has been invested in notions of repression, the Oedipus complex and the psychoanalytic cure, while at the same time Freudianism has been no less vigorously criticized for its political quietism and its potential as a means of social control. Thus Freudian theory, and the controversies it arouses, remains a surprisingly persistent cultural element. The crucial issue is the link between the unconscious and race. In this groundbreaking study, Britton looks at the different ways in which Freudian psychoanalysis has been incorporated into arguments about racial identity and difference in the French Caribbean.
Claude Simon

Claude Simon

Britton Celia

Longman
1993
nidottu
This is a major study of the Nobel prize-winning French novelist Claude Simon. Simon is a complex figure: for all that he writes in a distinctively modern fictional tradition (exemplified by Proust, Joyce, Beckett and Robbe-Grillet), his novels contain strong elements of visual representation alongside a very different king of free-floating, anti-realist writing.
Celia

Celia

Sophia Holloway

ALLISON BUSBY
2023
nidottu
First published as Bless Thine Inheritance by Sophia Holloway. Celia Mardham's first London Season should have been a great success, but a near fatal riding accident has left her with a pronounced limp which means she cannot even curtsy, let alone dance. Her mother, Lady Mardham, makes one last effort to save her daughter from a life of spinsterhood. She draws up a list of guests for a country house party, selecting an array of potential suitors as well as young ladies who will not be rivals, or so she thinks. Among the gentlemen is Lord Levedale and when he meets Celia he sees her, not the limp. However, accidents, misunderstandings and spiteful interventions litter the path ahead, and may succeed in driving them apart for good.
Celia

Celia

E H Young

Read Co. Books
2020
pokkari
Emily Hilda Daniell (1880-1949) was an English children's writer, novelist, mountaineer, and advocate for female suffrage who wrote under the pen name E. H. Young. Despite being almost completely unheard of now, Daniell was a celebrated author who produced numerous best sellers during her time. First published in 1937, ''Celia'' revolves around the titular protagonist, a disillusioned housewife in her 40s who lives in a flat with her architect husband and two children. Instead of complaining about her dull life, she creates her own private world of thoughts that no one is allowed to enter. A poignant exploration of the oppressiveness of domesticity in Interwar Britain that will not disappoint those who have read and enjoyed other works by this author. Other works by this author include: "Corn of Wheat" (1910), "A Bridge Dividing" (1922), and "Moor Fires" (1916). Read & Co. Books is republishing this classic novel now in a new edition complete with a new specially-commissioned biography of the author.
Celia

Celia

Tempest Livingston Raines

Xulon Press
2018
pokkari
Tempest Livingston Raines is a fifth-generation descendant of Celia Allen. She resides in Warner Robins, Georgia with her husband Conrad. They have two adult children. When she's not putting pen to paper, she works as a Clinical Dental Hygiene Instructor at Central Georgia Technical College. She's an avid collegiate volleyball and professional track and field fan. She enjoys serving in her local church (Mikado Baptist in Macon, GA); reading historical fiction; crafting; and playing the oboe.