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1000 tulosta hakusanalla Charles Robert Cross

Crosshairs on the Kill Zone

Crosshairs on the Kill Zone

Charles W. Sasser; Craig Roberts

Gallery Books
2014
nidottu
From the jungles of Vietnam to the unforgiving deserts of Afghanistan and Iraq, one breed of soldier has achieved legendary status in the arena of combat--the sniper. From the authors of the classic sniper chronicle One Shot-One Kill comes a new generation of true tales from some of the most expert and deadly marksmen in the world. Meet Adelbert Waldron II, whose 109 confirmed kills in Vietnam made him the most successful sniper in American military history, and Tom "Moose" Ferran, who coined the term "Fetch ", whereupon the infantry would retrieve the sniper's dead quarry. Also included are stories from snipers in Beirut, the Bosnian conflict, and both wars with Iraq--including the feat of Sergeants Joshua Hamblin and Owen Mulder, who took down thirty-two enemy soldiers in a single day outside Baghdad in 2003. The military sniper has evolved into one of the most dangerous and highly-skilled warrior professions. They suffer through weather, terrain, and enemy action, lay unmoving for days on end, and take out their targets with unerring accuracy--proving that the deadliest weapon in any battle, anywhere in the world, is a single well-aimed shot.
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Charles Robert Cockerell, Architect in Time

Charles Robert Cockerell, Architect in Time

Anne Bordeleau

Routledge
2020
nidottu
Speed, acceleration and rapid change characterize our world, and as we design and construct buildings that are to last at least a few decades and sometimes even centuries, how can architecture continue to act as an important cultural signifier? Focusing on how an important nineteenth-century architect addressed the already shifting relation between architecture, time and history, this book offers insights on issues still relevant today-the struggle between imitation and innovation, the definition (or rejection) of aesthetic experience, the grounds of architectural judgment (who decides and how), or fundamentally, how to act (i.e. build) when there is no longer a single grand narrative but a plurality of possible histories. Six drawings provide the foundation of an itinerary through Charles Robert Cockerell’s conception of architecture, and into the depths of drawings and buildings. Born in England in 1788, Cockerell sketched as a Grand Tourist, he charted architectural history as Royal Academy Professor, he drew to build, to exhibit, to understand the past and to learn from it, publishing his last work in 1860, three years before his death. Under our scrutiny, his drawings become thresholds into the nineteenth century, windows into the architect’s conception of architecture and time, complex documents of past and projected constructions, great examples that reveal a kinetic approach to ornamentation, and the depth of architectural representation.
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Charles Robert Maturin and the Haunting of Irish Romantic Fiction

Charles Robert Maturin and the Haunting of Irish Romantic Fiction

Christina Morin

Manchester University Press
2011
sidottu
A self-described “disappointed Author”, Charles Robert Maturin (1780-1824) has been largely relegated to the margins of literary history since his death in 1824. Yet, as this study demonstrates, he exerted a fundamental influence on the development of Irish fiction in the early nineteenth century. In particular, his novels dramatically underscore the continuing presence and deployment of the Gothic mode in Romantic Ireland – an influence now frequently overlooked in critical attention to the national and regional forms popularized in Ireland in the wake of Anglo-Irish Union (1801). Working from Jacques Derrida’s influential theory on ghosts, this study positions Maturin as the cornerstone on which to build a new paradigm of Irish Romantic fiction, one which accounts for the spectral traces of the past – cultural, social, and political – evident in early-nineteenth century Irish fiction. As it does so, it calls for renewed critical and popular attention to an author who himself continues spectrally to emerge in the works of his literary successors.
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The Correspondence of Walter Scott and Charles Robert Maturin

The Correspondence of Walter Scott and Charles Robert Maturin

Charles Robert Maturin; Walter Scott; Fannie Elizabeth Ratchford

Literary Licensing, LLC
2011
sidottu
The Correspondence Of Walter Scott And Charles Robert Maturin is a book that compiles the letters exchanged between two prominent literary figures of the 19th century, Walter Scott and Charles Robert Maturin. The book offers a unique insight into the personal and professional lives of these two writers and their literary circle. The letters cover a wide range of topics, including their works, thoughts on literature, personal experiences, and social issues of the time. The book provides a valuable resource for scholars and enthusiasts interested in the Romantic period and the works of Scott and Maturin. Overall, The Correspondence Of Walter Scott And Charles Robert Maturin is a fascinating read that sheds light on the lives and works of two influential writers of the 19th century.Preface By William H. McCarthy Jr.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
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Fatal Revenge, Works of Charles Robert Maturin, Vol. 1

Fatal Revenge, Works of Charles Robert Maturin, Vol. 1

Charles Robert Maturin

Lulu.com
2013
sidottu
Charles Robert Maturin's first novel, Fatal Revenge; or, The Family of Montorio, was published in 1807. Maturin's dark tale of the brothers Ippolito and Annibal Montorio is a complexly plotted adventure, full of "strong and vigorous fancy, with great command of language," according to Sir Walter Scott. Maturin's relish for the gothic and horrid, so brilliantly exploited in his masterpiece of 1820, Melmoth the Wanderer, here makes its first appearance, and the themes that haunted the later novel find their initial expression in Fatal Revenge. Maturin's unique talents of "darkening the gloomy, and of deepening the sad; of painting life in extremes, and representing those struggles of passion when the soul trembles on the verge of the unlawful and the unhallowed," make Fatal Revenge a compelling essay into the twilight world of the late gothic novel, one in which both innocence and evil are ultimately unable to triumph over the forces that overwhelm them.
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The Wild Irish Boy, Works of Charles Robert Maturin, Vol. 2

The Wild Irish Boy, Works of Charles Robert Maturin, Vol. 2

Charles Robert Maturin

Lulu.com
2014
sidottu
The Wild Irish Boy (1808) was Charles Robert Maturin's second novel. Set in Ireland and England, the story follows the adventures of Ormsby Bethel, a young Irishman of uncertain ancestry, as he navigates through the temptations of high life, the intrigues of swindlers, gamblers, and fast women, and his own uncertainties about his place in the societies of both countries. Combining features of the silver fork novel, coming-of-age story, and to some degree (in scenes of Irish life) the national novel, The Wild Irish Boy is an entertaining tale full of unexpected twists and turns, extravagant scenes of fashionable excess, misguided and dangerous passions, and long-held secrets with dire consequences: riches and ruin, both moral and financial. Among the colorful characters is the too-fascinating Lady Montrevor, cultured, ingenious, and enigmatic, who adds a dimension of excitement and intrigue that contributes to making The Wild Irish Boy a novel rich with conflicting social and moral viewpoints.
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The Milesian Chief, Works of Charles Robert Maturin, Vol. 3

The Milesian Chief, Works of Charles Robert Maturin, Vol. 3

Charles Robert Maturin

Lulu.com
2014
sidottu
The Milesian Chief, Maturin's third novel (1812), is the first of his novels to be set almost entirely in Ireland. After the 1800 Act of Union, the political and social turmoil caused by rebellion in the name of Irish independence disrupts the splendid fortunes of the talented and beautiful Armida, Italian-bred and English-born, who falls in love with Connal, last of an ancient Irish dynasty and leader of a desperate army of rebels. As she follows Connal's dire path, her exquisite if emotionally sterile life of art and music is transformed into an adventure in the wilds of western Ireland, the huts of the poor, bloody battlefields, rocky shores, and cavern hideouts, as English forces gradually draw closer to defeating the rebels. The sense of dread that overwhelms the characters and the entire countryside in their struggles against enemies, military as well as personal, is echoed in the passion of Armida and Connal, and enhanced by Maturin's vivid gothic touches.
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Works of Charles Robert Maturin, Vol. 5: Melmoth the Wanderer

Works of Charles Robert Maturin, Vol. 5: Melmoth the Wanderer

Charles Robert Maturin

Lulu.com
2015
sidottu
Charles Robert Maturin's well-known novel, Melmoth the Wanderer (1820), occupies a high-point in Gothic literature. Lurid, vivid, sacrilegious, paranoid, anti-Catholic, painfully tortuous and gleefully drawn out in its depictions of suffering, its title character tries to find victims miserable enough to take over his bargain with "the enemy of mankind." Maturin displayed his talents of "darkening the gloomy" by interweaving tales of Melmoth's intended victims: the Englishman Stanton, ensnared into an insane asylum; the Spaniard Moncada, trapped in monasteries and prisons of the Inquisition; Immalee, an innocent child of nature; Elinor, a Puritan maiden crossed in love, blighted by cruel deception. All are confronted with Melmoth's icy seductions. Maturin's uncanny aptitude for alternating vertiginous intensity with brooding melancholy and despair leads the reader to a dark side of the psyche where the heavy price paid for redemption often tests human fortitude and conviction beyond the limits of endurance.
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The Albigenses, Works of Charles Robert Maturin, Vol. 6

The Albigenses, Works of Charles Robert Maturin, Vol. 6

Charles Robert Maturin

Lulu.com
2017
sidottu
Charles Robert Maturin's last novel, The Albigenses (1824), a historical romance of the early 13th century, is a rich tale of the conflict between the Catholic church and the Albigenses, a heretical sect centered in Languedoc. Its historical background does little to inhibit Maturin's strong penchant for extravagant scenes of violence, horror, and vivid evocations of nature at its least benign. His many characters people a well-plotted story of impressive density-the heroine, Genevieve, kind hearted, bold, true to her creed; the ruthless bishop of Toulouse; churchmen and women, of varying degrees of piety; maniacal harridans, formidable outlaws, and knights in armor. The Albigenses received, in general, better reviews than most of his other works, mainly because of its relatively reduced emphasis on blasphemous doings, but the reputation of Melmoth the Wanderer soon overshadowed it. This new edition of The Albigenses aspires to renew interest in the Irish master's final elaborate and engrossing tale.
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Plays, Works of Charles Robert Maturin, Vol. 7

Plays, Works of Charles Robert Maturin, Vol. 7

Charles Robert Maturin

Lulu.com
2018
sidottu
The three plays of Charles Robert Maturin, produced in London between 1816 and 1819, document Maturin s attempts at theatrical success. His first three novels were not popular, but his luck improved with Bertram (1816), which ran for twenty-two nights. Even with this success in hand, Manuel (1817) and Fredolfo (1819) failed completely, partly through the sabotage of indifferent actors and a fickle public. A posthumous play, Osmyn, the Renegade, had slightly better luck, but only fragments remain. Few if any plays of this period, when public tastes valued excess and melodrama over literary quality, are performed or read today. The reader of Maturin s novels, however, will find in his plays ample evidence of the wild Romantic imagination that fueled his novels. The rhetorical vigor common to all his works revealed perhaps its most unfettered expression in the plays.
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Charles Robert Cockerell, Architect in Time

Charles Robert Cockerell, Architect in Time

Anne Bordeleau

Ashgate Publishing Limited
2014
sidottu
Speed, acceleration and rapid change characterize our world, and as we design and construct buildings that are to last at least a few decades and sometimes even centuries, how can architecture continue to act as an important cultural signifier? Focusing on how an important nineteenth-century architect addressed the already shifting relation between architecture, time and history, this book offers insights on issues still relevant today-the struggle between imitation and innovation, the definition (or rejection) of aesthetic experience, the grounds of architectural judgment (who decides and how), or fundamentally, how to act (i.e. build) when there is no longer a single grand narrative but a plurality of possible histories. Six drawings provide the foundation of an itinerary through Charles Robert Cockerell’s conception of architecture, and into the depths of drawings and buildings. Born in England in 1788, Cockerell sketched as a Grand Tourist, he charted architectural history as Royal Academy Professor, he drew to build, to exhibit, to understand the past and to learn from it, publishing his last work in 1860, three years before his death. Under our scrutiny, his drawings become thresholds into the nineteenth century, windows into the architect’s conception of architecture and time, complex documents of past and projected constructions, great examples that reveal a kinetic approach to ornamentation, and the depth of architectural representation.
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Charles Robert Cockerell in the Mediterranean

Charles Robert Cockerell in the Mediterranean

Susan Pearce; Theresa Ormrod

The Boydell Press
2017
sidottu
Charles R. Cockerell (1788-1863) was one of the most significant nineteenth-century British architects and a major player in the cultural shift from the Georgian eighteenth to the Victorian nineteenth century. Charles R. Cockerell (1788-1863) was one of the most significant nineteenth-century British architects and a major player in the cultural shift from the Georgian eighteenth to the Victorian nineteenth century. Cockerell's travelsin the eastern Mediterranean between 1810 and 1817 were the formative experience of his life. His forty letters from this period, held in the archives of the Royal Institute of British Architects and published here for the first time, give crucial day-to-day insights into his actions, thoughts and feelings in relation to the intricate histories of the re-discovery and sales of the Aegina and Bassae marbles and, equally importantly, illuminate his hugely significant work on temple architecture and sculpture in mainland Greece, the great cities of Asia Minor, and the significant temples of Sicily. Drawing on these letters, and on some 150 unpublished letters sent by his friends while they were all in Greece and now held in the British Museum, this book elucidates what Cockerell did and why by analyzing his methods of work and their significance. It discusses Cockerell's aesthetic and conceptual development during his time abroad, particularly his influential part in the changing vision of Greek sculpture and architecture, from Winkelmann's static ideal to one rooted in dramatic tension and contextual contingency. The book unravels the emergence of Cockerell's crucial historical perspective and shows how he arrived at a new view of the ancient Greek past as made up of real lived lives, rather than just existing as a back drop to the present. By offeringa complete edition of the RIBA letters, this book fills a significant gap in our understanding of the thought and work of one of the formative spirits of nineteenth century visual historical culture. SUSAN PEARCE is Professor Emeritus of Museum Studies, University of Leicester. THERESA ORMROD has extensive experience in archival research, manuscript transcription and editing.
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