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1000 tulosta hakusanalla Christine Potter
Spring, 2020: High school senior Gracie Ingraham hasn't time traveled in ages. It's crazy enough living through the scary first months of the Covid pandemic, going to school on Zoom, and being quarantined with your best friend Zoey-and your ex-boyfriend Dylan. But suppose you start slipping into the past again in the middle of all that? Gracie's mom and brother might be under the power of a demonic glass artist from the late 1980's. And Dylan's obviously still in love with Grace. Cue the mysterious fires, the haunted stained glass, a pair of dangerous blue jeans-and a tornado It'll take the whole gang from The Bean Books to figure out if time travel means breaking quarantine-and to sort out the devils from the saints
Joshua's Bride Volume 3 "Joint Heirs": Joshua's Bride Volume 3 "Joint Heirs"
Christine Potter
Createspace Independent Publishing Platform
2015
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Bass Flute Method: Includes exercises for tone development and improving breath control, performance aids and setting up the bass for max
Christine Potter
Createspace Independent Publishing Platform
2016
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For all combinations of C and G flutes - piccolos, flutes, altos, basses, contrabasses. For intermediate, advanced and professional players. Includes Vivaldi's Winter Violin Concerto, Waltz of the Flowers from the Nutcracker and Corelli's Christmas Eve Concerto.
Editor's Pick Just over a year ago, Bean and Zak headed for colleges two thousand miles apart, promising to write, but to see other people ... until Bean fell for the wrong guy and Zak fell off the planet. Now, Bean's got two weeks' worth of Zak's year-old letters that she still can't bear to open-and a broken heart. Her new best friend, a guy named Amp, wants her to read the letters and be done with it, but he may have his own reasons for that. When Sam shows up at Bean's school unexpectedly and Bean tumbles into the 19th century from the cellar of a ruined church, things start making a bizarre kind of sense. That is, if she can just fit all the pieces together again...
In this dark world, many people can't see the Light. Madison Morgan was one of those people. Her childhood memories that led to her adolescence were merely the jumble of a father who abandoned her and a mother who verbally abused her-usually while pacing through the house in a drunken stupor. This left Madison feeling unloved by anyone. Liberty DeYoung is a Christian teenager who loves God and people. Growing up in a loving Christian home-guided by the Scriptures-had inspired her to share the Gospel with everyone, even with her peers who persecuted her; namely, Madison Morgan. Madison hates Christians-especially Liberty DeYoung. One day, she decides to conduct an experiment to bring down Christianity-and Libby-once and for all. What she hadn't anticipated was that, through her experiment, everyone involved would learn a lesson they would never forget. The Christian Experiment is a timeless story that proves that the Light still shines, and the darkness will never conquer it.
In her achingly beautiful and wry Unforgetting, Christine Potter's speaker invites her readers into the spaces where her family deals with her mother's dementia, yet the purview of the book is vaster than that disease. "Unforgetting" is the undoing of a state of mind and is itself a kind of attention, both a vigil for the past and joy for a present before things happen: the moment "before the needle dropped / onto the LP. Before passing time limited / the size of the world." Though passing time is limiting, aging brings its gifts. The "trade off for not being noticed in the street" she writes in "Nice Lady," is to be "able to see and yet be unseen. I move freely among you now. And I take notes." Witty, smart, down to Earth, and pure in its honesty, you don't want to put down this deftly structured a book and when you do, it will pull you back to Unforgetting. Aliki Barnstone, Poet Laureate of Missouri Chris Potter is the master of braiding hawks, jets, and sinks full of Breck suds. Throw in a ghost or two, a memory of what never happened and you have poetry to sustain you with "the truth of such burdens, their unexpected heft." Potter is the poet with "black and white trains" connecting us from The Beatles to Seattle by way of the "stars buzzing above." "Listen to them," Potter implores, "Listen harder." When life taps too hard, Potter's poetry will always get us through to the other side of our own memories. Sherry O'Keefe, Cracking Geodes Open Christine Potter's Unforgetting is deeply generous and unfailingly honest. We are given vivid moments that contain the unexpected, cleaning out a car and finding "a paper fan that opens into a pleated circle of cherry blossoms." We find ghosts in houses and metaphorical ghosts of past selves that still inhabit past rooms and relationships. Writing of her mother in the title poem, Potter tells us "The stories flood away from her but still she scoops them to her lips and tells them." I take this as advice, something we all must do with what we struggle to retain. "Please, listen," this collection ultimately reminds us. "No place is really empty. Take this fruit in your hands and offer it. There is something more than just remembering." Jennifer Finstrom, Poetry Editor, Eclectica
Pennine Ink 38: Poetry and Prose
Laura Sheridan; Christine Potter; Alex Marsh
Createspace Independent Publishing Platform
2017
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Elmali-Karatas V: The Early Bronze Age Pottery of Karatas
Christine Eslick
Archaeopress
2009
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This volume presents the results of the Bryn Mawr College excavations of the Early Bronze Age site of Karatas in the plain of Elmali in northern Lycia. It is a final report of the pottery, except for miniature vessels. The occupation at Karatas has been divided into six main periods (I–VI) on the basis of stratigraphy of the Central Mound. Periods I–III date to EB I, Periods IV and V to EB II, and Period VI to EB III. The pottery showed continuous development during the entire span of settlement, mainly in the addition of new features to a basically conservative repertoire.
Mein Adventskalender-Mitmachbuch für Potterheads and Friends
Tanja Dusy; Christine Kuhlmann; Birgit Elisabeth Holzapfel
Edition Michael Fischer
2023
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Joshua's Bride: His Bride
Christine a. Potter
Createspace Independent Publishing Platform
2014
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Industrial Conditions In Springfield, Illinois
Louise Christine Odencrantz; Zenas L. Potter
KESSINGER PUBLISHING, LLC
2008
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Inklusion, leg og empati
Susan Hart; Marianne Bentzen; Colwyn Trevarthen; Jaak Panksepp; Bonnie Mark Goldstein; Pat Ogden; Serena Potter; Dr Dorothea Rahm; Christine Lakoseljac-Andreasen; Eldbjørg Wedaa; Ulla Holck; Helle Jensen; Marlo Winstead; Phyllis Rubin; Alexandre Duarte; Stine Lindahl Jacobsen; Knud Hellborn; Gitte Jørgensen
Gyldendal
2015
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Inklusion, leg og empati er skrevet til lærere, pædagoger, psykologer og andre, der arbejder med børn, og som gerne vil etablere følelsesmæssigt modnende gruppefællesskaber med 4-12-årige børn. Bogens forfattere er fagpersoner fra mange steder i verden, som alle har støttet børns udviklingsproces gennem kreative tilgange, så børnene har fået mulighed for at udvikle sig til personer med en høj mentaliseringskapacitet, som kan indgå i konstruktive fællesskaber. Alle bogens kapitler handler om, hvordan gruppeoplevelser bidrager til og understøtter børns voksende kapacitet til at indgå i konstruktive og livsbekræftende samspil med andre. I denne nye udgave af bogen er kapitlet om det udviklingsbaserede børnegruppeprogram NUSSA blevet omskrevet, da programmet er overtaget af Susan Hart og tilpasset neuroaffektiv udviklingspsykologi. ”Når børn kommer i skole, møder de udfordringen i at tilegne sig nye kognitive færdigheder, men en lige så vigtig udfordring ligger i at tilegne sig nye former for samspil med en bredere gruppe af andre børn og voksne […] Kapitlerne i denne bog inviterer os til at se på de mange kreative metoder, forfatterne har fundet til at udstrække de kvaliteter og fordele, der kendetegner tidlige, legende og afstemte dyadiske relationer, til arbejdet med større børn i grupper.” Phyllis Booth i bogens forord