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The Letters of Claudio Monteverdi

The Letters of Claudio Monteverdi

Claudio Monteverdi

Clarendon Press
1995
sidottu
This, the fullest edition of Monteverdi's letters yet to appear in any language, makes every known letter available in English translation. The 127 letters date from the last forty-two years of Monteverdi's career, giving an unrivalled picture of the life of a busy composer working Mantua, Venice, and Parma at one of the most exciting and crucial periods in the history of music.The span of the letters (1601-43) coincides with the early flowering of Italian opera and other dramatic entertainments, and Monteverdi has a great deal to say about his patrons, librettists, instrumentalist and singers. There are continual references to his music, the style of its performance, and to its ornamentation and orchestration.Besides correcting the numerous errors of transcription in previous editions, Professor Stevens has taken special care in his translations to be faithful to the rhythms and the arched symmetry of Moteverdi's prose. Additional biographical and historical material is incorporated into the extensive commentaries which introduce each letter.In this new, fully revised edition, certain changes and revisions affecting letters and commentaries have been made in the light of newly published information books, articles, and reviews, and through private communications. Additional letters and support material are included, and the bibliography has been updated. Professor Stevens also introduces new material covering in some detail the events of Monteverdi's early years in Cremona and Mantua, insofar as they were influenced by his family,his studies, travels, friends and patrons.
Claudio Monteverdi

Claudio Monteverdi

Susan Lewis; Maria Virginia Acuña

Routledge
2019
nidottu
Claudio Monteverdi: A Research and Information Guide is an annotated bibliography that navigates the vast scholarly resources on the composer with the most updated compilation since 1989. Claudio Monteverdi transformed and mastered the principal genres of his day and his works influenced generations of musicians and other artists. He initiated one of the most important aesthetic debates of the era by proposing a new relationship between poetry and harmony. In addition to scholarship by musicologists and music theorists, Monteverdi’s music has attracted attention from literary scholars, cultural historians, and critical theorists. Research into Monteverdi and Renaissance and early baroque studies has expanded greatly, with the field becoming more complex as scholars address such issues as gender theory, feminist criticism, cultural theory, new criticism, new historicism, and artistic and popular cultures. The guide serves both as a foundational starting point and as a gateway for future inquiry in such fields as court culture, opera, patronage, and Italian poetry.
Claudio Monteverdi

Claudio Monteverdi

Susan Lewis; Maria Virginia Acuña

Routledge
2018
sidottu
Claudio Monteverdi: A Research and Information Guide is an annotated bibliography that navigates the vast scholarly resources on the composer with the most updated compilation since 1989. Claudio Monteverdi transformed and mastered the principal genres of his day and his works influenced generations of musicians and other artists. He initiated one of the most important aesthetic debates of the era by proposing a new relationship between poetry and harmony. In addition to scholarship by musicologists and music theorists, Monteverdi’s music has attracted attention from literary scholars, cultural historians, and critical theorists. Research into Monteverdi and Renaissance and early baroque studies has expanded greatly, with the field becoming more complex as scholars address such issues as gender theory, feminist criticism, cultural theory, new criticism, new historicism, and artistic and popular cultures. The guide serves both as a foundational starting point and as a gateway for future inquiry in such fields as court culture, opera, patronage, and Italian poetry.
Claudio Monteverdi

Claudio Monteverdi

Carlo Rinaldi

tredition GmbH
2025
pokkari
Claudio Monteverdi steht an der Schwelle zweier Epochen: der Renaissance und des Barock. Mit seinem bahnbrechenden Werk pr gte er eine musikalische Revolution, die das westliche Musikverst ndnis f r immer ver nderte. Als Vision r und kreativer Wegbereiter entwickelte Monteverdi die "seconda pratica", die den Text in den Mittelpunkt stellte und der Musik eine bisher unbekannte Ausdruckskraft verlieh. Seine Oper L'Orfeo markiert den Beginn eines neuen Zeitalters - die Geburt der Oper als dramatische Kunstform. In Claudio Monteverdi: Der Klang der Zeitenwende zeichnet Carlo Rinaldi das faszinierende Portr t eines Komponisten, der sich ber die Konventionen seiner Zeit hinwegsetzte, um die Tiefen menschlicher Emotionen in Kl nge zu fassen. Dieses Buch beleuchtet Monteverdis Leben, seine gr ten Werke und den tiefgreifenden kulturellen Wandel, den er mitgestaltete. Ein inspirierender Einblick in die Welt eines Genies, dessen Einfluss weit ber seine Epoche hinausstrahlt und dessen Verm chtnis die Grundlagen der westlichen Musik formte. Ein Muss f r Musikliebhaber, Historiker und alle, die die Urspr nge der modernen Kunst verstehen m chten.
Claudio Monteverdi

Claudio Monteverdi

Carlo Rinaldi

tredition GmbH
2025
sidottu
Claudio Monteverdi steht an der Schwelle zweier Epochen: der Renaissance und des Barock. Mit seinem bahnbrechenden Werk pr gte er eine musikalische Revolution, die das westliche Musikverst ndnis f r immer ver nderte. Als Vision r und kreativer Wegbereiter entwickelte Monteverdi die "seconda pratica", die den Text in den Mittelpunkt stellte und der Musik eine bisher unbekannte Ausdruckskraft verlieh. Seine Oper L'Orfeo markiert den Beginn eines neuen Zeitalters - die Geburt der Oper als dramatische Kunstform. In Claudio Monteverdi: Der Klang der Zeitenwende zeichnet Carlo Rinaldi das faszinierende Portr t eines Komponisten, der sich ber die Konventionen seiner Zeit hinwegsetzte, um die Tiefen menschlicher Emotionen in Kl nge zu fassen. Dieses Buch beleuchtet Monteverdis Leben, seine gr ten Werke und den tiefgreifenden kulturellen Wandel, den er mitgestaltete. Ein inspirierender Einblick in die Welt eines Genies, dessen Einfluss weit ber seine Epoche hinausstrahlt und dessen Verm chtnis die Grundlagen der westlichen Musik formte. Ein Muss f r Musikliebhaber, Historiker und alle, die die Urspr nge der modernen Kunst verstehen m chten.
Claudio Monteverdi’s Venetian Operas
Claudio Monteverdi’s Venetian Operas features chapters by a group of scholars and performers of varied backgrounds and specialties, who confront the various questions raised by Monteverdi’s late operas from an interdisciplinary perspective. The premise of the volume is the idea that constructive dialogue between musicologists and musicians, stage directors and theater historians, as well as philologists and literary critics can shed new light on Monteverdi’s two Venetian operas (and their respective librettos, by Badoaro and Busenello), not only at the levels of textual criticism, historical exegesis, and dramaturgy, but also with regard to concrete choices of performance, staging, and mise-en-scène. Following an Introduction setting up the interdisciplinary agenda, the volume comprises two main parts: ‘Contexts and Sources’ deals with the historical, philosophical, and aesthetic contexts of the works - librettos and scores; 'Performance and Interpretation’ offers critical and historical insights regarding the casting, singing, reciting, staging, and conducting of the two operas. This volume will appeal to scholars and researchers in Opera Studies and Music History as well as be of interest to early music performers and all those involved with presenting opera on stage.
Claudio Monteverdi, Life and Works

Claudio Monteverdi, Life and Works

Kathleen Dale

Hassell Street Press
2021
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Claudio Monteverdi, Life and Works

Claudio Monteverdi, Life and Works

Kathleen Dale

Hassell Street Press
2021
nidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Claudio Monteverdi’s Venetian Operas
Claudio Monteverdi’s Venetian Operas features chapters by a group of scholars and performers of varied backgrounds and specialties, who confront the various questions raised by Monteverdi’s late operas from an interdisciplinary perspective. The premise of the volume is the idea that constructive dialogue between musicologists and musicians, stage directors and theater historians, as well as philologists and literary critics can shed new light on Monteverdi’s two Venetian operas (and their respective librettos, by Badoaro and Busenello), not only at the levels of textual criticism, historical exegesis, and dramaturgy, but also with regard to concrete choices of performance, staging, and mise-en-scène. Following an Introduction setting up the interdisciplinary agenda, the volume comprises two main parts: ‘Contexts and Sources’ deals with the historical, philosophical, and aesthetic contexts of the works - librettos and scores; 'Performance and Interpretation’ offers critical and historical insights regarding the casting, singing, reciting, staging, and conducting of the two operas. This volume will appeal to scholars and researchers in Opera Studies and Music History as well as be of interest to early music performers and all those involved with presenting opera on stage.
The Operas of Monteverdi

The Operas of Monteverdi

Claudio Monteverdi

Overture Publishing
2011
nidottu
Monteverdi’s 1607 version of the legend of Orpheus is arguably the first masterpiece of opera. Composed for the court of Mantua, where Monteverdi was employed, it is very different from his two other surviving operas, which he wrote more than thirty years later to entertain Venetian audiences in the first public opera houses. Orfeo was long considered untranslatable, because the text is so closely tied to the music, and the Venetian librettos owe some of their brilliance to Spanish Golden Age theatre. This opera guide is an opportunity to read all three of Monteverdi’s stage works together, in Anne Ridler’s graceful translations.Contents: Operas contained in this volume: Orfeo, Il ritorno di Ulisse in patria, L’incoronazione di Poppea; Monteverdi, Opera and History, lain Fenlon; On Translating Opera, Anne Ridler; PART ONE: Mantua; A masterpiece for a Court, John Whenham; Music Examples; ‘Orfeo’: Favola in musica by Alessandro Striggio the Younger; Orfeo: English singing version by Anne Ridler; PART TWO: Venice; Musical Theatre in Venice, Paolo Fabbri; The Spanish Contribution to the Birth of Opera, Jack Sage; Monteverdi Returns to his Homeland, Tim Carter; Musical Examples; ll ritorno d’Ulisse in patria: Dramma in musica by Giacomo Badoaro; The Return of Ulysses: English singing version by Anne Ridler; Public Vice, Private Virtue, lain Fenlon and Peter Miller; Musical Examples; L’incoronazione di Poppea: Opera musicale by Giovanni Francesco Busenello; The Coronation of Poppea: English singing version by Anne Ridler