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Clint

Clint

Shawn Levy

HARPERCOLLINS PUBLISHERS INC
2025
sidottu
A Los Angeles Times "Must Read Book for Summer""This is the biography of Clint Eastwood we've been waiting for." — Sir Christopher Frayling, author of Sergio LeoneFrom the acclaimed film critic and New York Times bestselling biographer of Paul Newman, a revelatory portrait of Hollywood legend Clint Eastwood, the most prolific and versatile actor-director in movie history and an imposing icon of American culture for six decades.C-L-I-N-T. That single short, sharp syllable has stood as an emblem of American manhood and morality and sheer bloody-minded will, on-screen and off-screen, for more than sixty years. Whether he’s facing down bad guys on a Western street (Old West or new, no matter), staring through the lens of a camera, or accepting one of his movies' thirteen Oscars (including two for Best Picture), he is as blunt, curt, and solid as his name, a star of the old-school stripe and one of the most accomplished directors of his time, a man of rock and iron and brute force: Clint.To read the story of Clint Eastwood is to understand nearly a century of American culture. No Hollywood figure has so completely and complexly stood inside the changing climates of post–World War II America. At age ninety-five, he has lived a tumultuous century and embodied much of his time and many of its contradictions.We picture Clint squinting through cigarillo smoke in A Fistful of Dol­lars or The Good, the Bad and the Ugly; imposing rough justice at the point of a .44 Magnum in Dirty Harry; sowing vengeance in The Outlaw Josey Wales or Pale Rider or Unforgiven; grudgingly training a woman boxer in Million Dollar Baby; and standing up for his neighbors despite his racism in Gran Torino. Or we feel him present, powerfully, behind the camera, creating complex tales of violence, morality, and humanity, such as Mystic River, Letters from Iwo Jima, and American Sniper. But his roles and his films, however well cast and convincing, are two-dimensional in comparison to his whole life.As Shawn Levy reveals in this masterful biography—the most com­plete portrait yet of Eastwood—the reality is richer, knottier, and more absorbing. Clint: The Man and the Movies is a saga of cunning, determi­nation, and conquest, a story about a man ascending to the Hollywood pantheon while keeping one foot firmly planted outside its door.
Clint Eastwood

Clint Eastwood

John H. Foote

Praeger Publishers Inc
2008
sidottu
Now a two-time Academy Award winner for best director, twice winner of the Directors Guild of America Award for best director, and recipient of countless other critics prizes and nominations in multiple capacities, Clint Eastwood stands alongside Martin Scorsese and Steven Spielberg as one of the finest directors working in modern cinema. Here, John Foote examines the long, impressive, and unlikely film career of a man who fought against expectations to forge his own way and become one of this generation's finest filmmakers. Each chapter examines a different film, beginning with Play Misty for Me (1971) and High Plains Drifter (1973) and extending to his 21st-century films Space Cowboys (2000), Blood Work (2002), Mystic River (2003), Million Dollar Baby (2004), Flags of Our Fathers (2006), Letters from Iwo Jima (2006), and Changeling (2008). This book is, in the author's own words, a study of how Eastwood managed to quietly get to this level—and a celebration of his gifts as an artist. Eastwood has evolved not only as a director, but also as an actor, a screenwriter, a producer, and a score composer, to become one of the most revered figures in Hollywood. Perhaps it is because he started out in Hollywood with such little influence on the final product that he now demonstrates such a strong desire to collaborate with others and provide help wherever he can. In addition to casting off his reputation as a hack and accumulating two Oscar nominations for Best Actor over the past 15 years, he has guided other actors to no less than three Academy Award wins. The executives love him because he has made them money over the years—occasionally even making one for them in exchange for financial backing on other projects. Critics love him because of the care he takes in creating his films. Audiences love him because he has never lost his sense of entertainment, even as his artistry has matured.
Clint Eastwood

Clint Eastwood

Richard Schickel

Random House Inc
1997
pokkari
"Authoritative . . . highly nuanced . . . gives the reader a palpable sense of Mr. Eastwood's career."--The New York Times From the moment The Man With No Name first fixed the screen with his murderous squint, from the first time audiences heard Dirty Harry Callahan growl "Make my day," Clint Eastwood has been an icon of American manhood in all its coolness and ferocity. But that icon is also an actor of surprising subtlety, a filmmaker of vast intelligence and originality--and an intensely private man who eludes the stereotypes with which his fans and critics try to label him. In this in-depth biography, the distinguished film critic Richard Schickel talks with Eastwood's family, friends, and colleagues--and, above all, with his notoriously reticent subject--to produce a portrait more astute and revealing than any we have ever had. Following Eastwood from his unstable childhood through his turbulent love affairs, assessing films from A Fistful of Dollars to the Oscar-winning The Unforgiven, and locating the subversive streak of rage and solitude that runs through all his work, Clint Eastwood is candid and endlessly fascinating, an unerring closeup of one of our brightest stars. "Exhilarating . . . substantial, insightful, and right."--Newsday
Clint Eastwood

Clint Eastwood

Ian Nathan

Quarto Publishing Plc
2023
sidottu
Clint Eastwood is Hollywood’s elder statesman and its conscience. He is the standard by which other films and filmmakers are judged. He represents both classical Hollywood and an entirely modern, uncompromising and unfussy directorial presence. There are those who adore him as a cowboy, a superstar, the rugged, unyielding yet introspective face of American machismo. There are those who read him as a great American auteur fashioning uncompromising, fascinating, intellectual films about his country, about life, about whatever the hell takes his fancy. No single figure in all of Hollywood, operates so freely outside of the strictures of commercial pressure. And yet, or perhaps that is because, he makes hit after hit. Separation of actor and director is almost impossible. They are intimately related, cross pollinating, but in the latter half of his career he has come to be viewed as one of the great American artists. While drawing connections from his wider work as an actor, and those who have influenced him, it is his identity as a director that this book will celebrate. This is not a career — it is a landscape.
Clint Eastwood's America

Clint Eastwood's America

Sam B. Girgus

Polity Press
2013
sidottu
The steady rise of Clint Eastwood’s career parallels a pressing desire in American society over the past five decades for a figure and story of purpose, meaning, and redemption. Eastwood has not only told and filmed that story, he has come to embody it for many in his public image and film persona. Eastwood responds to a national yearning for a vision of individual action and initiative, personal responsibility, and potential for renewal. An iconic director and star for his westerns, urban thrillers, and adventure stories, Eastwood has taken film art to new horizons of meaning in a series of masterpieces that engage the ethical and moral consciousness of our times, including Unforgiven, Million Dollar Baby, and Mystic River. He revolutionized the war film with the unprecedented achievement of filming the opposing sides of the same historic battle in Flags of Our Fathers and Letters from Iwo Jima, using this saga to present a sharply critical representation of the new America that emerged out of the war, a society of images and spectacles. This timely examination of Clint Eastwood’s oeuvre against the backdrop of contemporary America will be fascinating reading for students of film and popular culture, as well as readers with interests in Eastwood’s work, American film and culture.
Clint Eastwood's America

Clint Eastwood's America

Sam B. Girgus

Polity Press
2013
nidottu
The steady rise of Clint Eastwood’s career parallels a pressing desire in American society over the past five decades for a figure and story of purpose, meaning, and redemption. Eastwood has not only told and filmed that story, he has come to embody it for many in his public image and film persona. Eastwood responds to a national yearning for a vision of individual action and initiative, personal responsibility, and potential for renewal. An iconic director and star for his westerns, urban thrillers, and adventure stories, Eastwood has taken film art to new horizons of meaning in a series of masterpieces that engage the ethical and moral consciousness of our times, including Unforgiven, Million Dollar Baby, and Mystic River. He revolutionized the war film with the unprecedented achievement of filming the opposing sides of the same historic battle in Flags of Our Fathers and Letters from Iwo Jima, using this saga to present a sharply critical representation of the new America that emerged out of the war, a society of images and spectacles. This timely examination of Clint Eastwood’s oeuvre against the backdrop of contemporary America will be fascinating reading for students of film and popular culture, as well as readers with interests in Eastwood’s work, American film and culture.
Clint Eastwood and Issues of American Masculinity

Clint Eastwood and Issues of American Masculinity

Drucilla Cornell

Fordham University Press
2009
sidottu
In this risk-taking book, a major feminist philosopher engages the work of the actor and director who has progressed from being the stereotypical "man's man" to pushing the boundaries of the very genres—the Western, the police thriller, the war or boxing movie—most associated with American masculinity. Cornell's highly appreciative encounter with the films directed by Clint Eastwood revolve around the questions "What is it to be a good man?" and "What is it to be, not just an ethical person, but specifically an ethical man?" Focusing on Eastwood as a director rather than as an actor or cultural icon, she studies Eastwood in relation to major philosophical and ethical themes that have been articulated in her own life's work. In her fresh and revealing readings of the films, Cornell takes up pressing issues of masculinity as it is caught up in the very definition of ideas of revenge, violence, moral repair, and justice. Eastwood grapples with this involvement of masculinity in and through many of the great symbols of American life, including cowboys, boxing, police dramas, and ultimately war—perhaps the single greatest symbol of what it means (or is supposed to mean) to be a man. Cornell discusses films from across Eastwood's career, from his directorial debut with Play Misty for Me to Million Dollar Baby. Cornell's book is not a traditional book of film criticism or a cinematographic biography. Rather, it is a work of social commentary and ethical philosophy. In a world in which we seem to be losing our grip on shared symbols, along with community itself, Eastwood's films work with the fragmented symbols that remain to us in order to engage masculinity with the most profound moral and ethical issues facing us today.
Clint Eastwood and Issues of American Masculinity

Clint Eastwood and Issues of American Masculinity

Drucilla Cornell

Fordham University Press
2009
pokkari
In this risk-taking book, a major feminist philosopher engages the work of the actor and director who has progressed from being the stereotypical "man's man" to pushing the boundaries of the very genres—the Western, the police thriller, the war or boxing movie—most associated with American masculinity. Cornell's highly appreciative encounter with the films directed by Clint Eastwood revolve around the questions "What is it to be a good man?" and "What is it to be, not just an ethical person, but specifically an ethical man?" Focusing on Eastwood as a director rather than as an actor or cultural icon, she studies Eastwood in relation to major philosophical and ethical themes that have been articulated in her own life's work. In her fresh and revealing readings of the films, Cornell takes up pressing issues of masculinity as it is caught up in the very definition of ideas of revenge, violence, moral repair, and justice. Eastwood grapples with this involvement of masculinity in and through many of the great symbols of American life, including cowboys, boxing, police dramas, and ultimately war—perhaps the single greatest symbol of what it means (or is supposed to mean) to be a man. Cornell discusses films from across Eastwood's career, from his directorial debut with Play Misty for Me to Million Dollar Baby. Cornell's book is not a traditional book of film criticism or a cinematographic biography. Rather, it is a work of social commentary and ethical philosophy. In a world in which we seem to be losing our grip on shared symbols, along with community itself, Eastwood's films work with the fragmented symbols that remain to us in order to engage masculinity with the most profound moral and ethical issues facing us today.
Clint Eastwood, Actor and Director

Clint Eastwood, Actor and Director

Michael Anderson

University of Utah Press,U.S.
2007
nidottu
In his recent films " Unforgiven, Mystic River," and "Million Dollar Baby " Clint Eastwood has revealed himself as a greater figure than moviegoers had imagined him to be. While he has been an exceptionally successful actor, creating iconic characters in two genres, Western and detective films, as a director, his recent films have reached a surprising power, depth, and maturity.The contributors to this volume revisit and examine his career as an actor and director, and are part of a growing critical evaluation of Eastwood's films. A common thread, however, is their respect for his cinematic storytelling. They examine how he put his individual stamp on particular genres, while extending and enriching our understanding of his achievements."
Clint Eastwood

Clint Eastwood

Sara Anson Vaux Ph.D.

Greenwood Publishing Group Inc
2014
sidottu
Clint Eastwood—actor, director, composer, musician, and politician—is undeniably one of the most prolific and accomplished celebrities of the modern age. This book provides insights into Eastwood's life and entire career, from early television appearances to recent award-winning films.He established himself early in his acting career as "the strong silent type" and became known as the "actor's director." In a career that spans seven decades, Eastwood's work has been influential for multiple generations of film audiences as well as actors, directors, and producers. This biography investigates the man who made his characters' lines such as "Go ahead—make my day" and "Get off my lawn" unforgettable, and shows why his movie roles and the films he directed are honored, studied, quoted, and remembered.The book describes everything from Eastwood's formative years and early days as a struggling actor to his family and personal life to his lifelong love of jazz music and his political leanings. The chapters describe not only his tremendous accomplishments and countless successes but also his notable failures—coverage that will intrigue readers interested in the film industry, in the acting craft, and in enduring popular cultural icons.