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837 tulosta hakusanalla Corelli Marie Corelli

Reinventing Marie Corelli for the Twenty-First Century
With the purpose of introducing Marie Corelli to a new generation of readers and of reconsidering her works for generations familiar with them, Reinventing Marie Corelli for the Twenty-First Century demonstrates how provocative the author was as a public figure and how controversial and paradoxical were the views about womanhood and the supernatural pitched in her novels. This collection of original essays focuses on three major battles that engaged Corelli: her personal and public contentions, her mercurial constructions of gender and resistance to the New Woman modality and her untenable reconciliation of science with the supernatural. Corelli was often fighting several fronts at the same time; she rarely was not at war with someone including herself.
Marie Corelli: Modernism, Morality, and Metaphysics
This collection reappraises and retheorizes Marie Corelli’s diverse fictional writings and locates them in their contemporary literary and social context.Marie Corelli (1855-1924) was a fabulously popular novelist in the late-nineteenth and early-twentieth centuries. Yet, in her day, critics railed against her taste for sentimentality, melodrama, supernatural worlds, and overt didacticism. Many critics are still ambivalent about her writing. However, in their reappraisal, the contributors to this volume largely circumvent the earlier critics and engage afresh with Corelli’s writing strategies; genre choices; representations of social issues; and ideas about science, metaphysics, and morality. Moving beyond the now outdated project of "recovery", the volume also discusses Corelli’s literary market place, analysing both her publishing successes and her decline in popularity. An important theme throughout is Corelli’s troubled relationship with an emerging literary Modernism and an ever-widening gulf between high and popular culture. The contributors interrogate the critical templates, assumptions, and biases of a literary establishment (past and present) centred on Modernist tropes and structures. As a result, the Corelli they unearth is not a defective Modernist but an innovative and original writer who eschewed the dictates of a movement with which she had no empathy.This book was originally published as a special issue of Women’s Writing.
Marie Corelli: Modernism, Morality, and Metaphysics
This collection reappraises and retheorizes Marie Corelli’s diverse fictional writings and locates them in their contemporary literary and social context.Marie Corelli (1855-1924) was a fabulously popular novelist in the late-nineteenth and early-twentieth centuries. Yet, in her day, critics railed against her taste for sentimentality, melodrama, supernatural worlds, and overt didacticism. Many critics are still ambivalent about her writing. However, in their reappraisal, the contributors to this volume largely circumvent the earlier critics and engage afresh with Corelli’s writing strategies; genre choices; representations of social issues; and ideas about science, metaphysics, and morality. Moving beyond the now outdated project of "recovery", the volume also discusses Corelli’s literary market place, analysing both her publishing successes and her decline in popularity. An important theme throughout is Corelli’s troubled relationship with an emerging literary Modernism and an ever-widening gulf between high and popular culture. The contributors interrogate the critical templates, assumptions, and biases of a literary establishment (past and present) centred on Modernist tropes and structures. As a result, the Corelli they unearth is not a defective Modernist but an innovative and original writer who eschewed the dictates of a movement with which she had no empathy.This book was originally published as a special issue of Women’s Writing.
Marie Corelli, a Romance of Two Worlds

Marie Corelli, a Romance of Two Worlds

Marie Corelli

Edinburgh University Press
2019
sidottu
A new scholarly edition of a major late-Victorian scientific romance novelMarie Corelli's A Romance of Two Worlds is regarded as one of the most culturally important Victorian bestsellers. This critical edition offers instructive access to this multifaceted but still largely underappreciated novel that is a key text for scholars and students of late-Victorian women's writing. It also raises urgent questions about a wide array of textual and cultural concerns, especially the form and function of the Victorian 'bestseller'.Key FeaturesContains a thorough critical and analytical introduction, annotations and appendicesProvides context and underlines the aesthetic significance of Corelli's supernatural romanceEngages with the full range of secondary scholarship on this neglected late-Victorian author
Marie Corelli, a Romance of Two Worlds

Marie Corelli, a Romance of Two Worlds

Marie Corelli

Edinburgh University Press
2021
nidottu
A new scholarly edition of a major late-Victorian scientific romance novelMarie Corelli's A Romance of Two Worlds is regarded as one of the most culturally important Victorian bestsellers. This critical edition offers instructive access to this multifaceted but still largely underappreciated novel that is a key text for scholars and students of late-Victorian women's writing. It also raises urgent questions about a wide array of textual and cultural concerns, especially the form and function of the Victorian 'bestseller'.Key FeaturesContains a thorough critical and analytical introduction, annotations and appendicesProvides context and underlines the aesthetic significance of Corelli's supernatural romanceEngages with the full range of secondary scholarship on this neglected late-Victorian author
Marie Corelli's The Sorrows of Satan
Set in late nineteenth-century London, this Faustian novel is a masterful example of gothic horror fiction, analysing the depths of human desire and exploring the eternal battle between good and evil. A disillusioned and penniless author, Geoffrey Tempest, receives three letters. The first is from a friend who has come into fortune and may be able to offer financial help. The second is from a solicitor informing him he's inherited a fortune from a relative. The third is from Lucio, a foreign aristocrat who guides Tempest in using his new wealth. Despite many warnings, Tempest is unable to see Lucio is an earthly incarnation of the Devil, and he's seduced into a world of opulent decadence. But as the allure of his newfound life intensifies, he soon discovers the true cost of his Faustian bargain. Caught in a moral quandary, he must confront his inner demons and decide whether pursuing worldly desires is worth the sacrifice of his soul. This volume is part of the Mothers of the Macabre series, celebrating the gothic horror masterpieces of pioneering women writers who played a pivotal role in shaping and advancing the genre. First published in 1895, The Sorrows of Satan is a thought-provoking exploration of the human condition. Marie Corelli's social commentary, portrayal of the supernatural, and examination of human nature's complexities make this gothic horror novel a timeless and engrossing read.