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866 tulosta hakusanalla Crispin Lee

Haptic Experience in the Writings of Georges Bataille, Maurice Blanchot and Michel Serres

Haptic Experience in the Writings of Georges Bataille, Maurice Blanchot and Michel Serres

Crispin Lee

Peter Lang AG, Internationaler Verlag der Wissenschaften
2014
nidottu
Our sensory relationships with the social and biological world have altered appreciably as a result of recent developments in internet and other mobile communication technologies. We now look at a screen, we touch either the screen or a keyboard in response to what we see and, somehow, an element of our sensory presence is transmitted elsewhere. It is often claimed that this change in the way we perceive the world and each other is without precedent, and is solely the result of twenty-first-century life and technologies. This book argues otherwise. The author analyses the evolving portrayals of ‘haptic’ sensations – that is, sensations that are at once tactile and visual – in the theories and prose of the writer-philosophers Georges Bataille (1897–1962), Maurice Blanchot (1907-2003) and Michel Serres (1930–). In exploring haptic perception in the works of Bataille, Blanchot and Serres, the author examines haptic theories postulated by Aloïs Riegl, Laura U. Marks, Mark Paterson and Jean-Luc Nancy.
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Crispin

Crispin

Avi

HarperCollins
2011
nidottu
As long as I could keep myself out of bondage, I'd be true to Bear's teaching. And so it was that beyond all else, I was determined to keep my freedom.After the death of their beloved mentor, Bear, Crispin and Troth are more desperate than ever, wandering the desolate French countryside, where they don't speak the language and know no one. The only hope they cling to is that somehow they can reach Iceland, where Bear had said there were no kings or lords, and where they can live in freedom. Crispin is determined to fulfill this dream, both for himself and to honor Bear's memory. But the road to liberty is filled with danger, betrayal, and loss. Crispin must decide for himself what freedom really means--and how high a price he is willing to pay for it.
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Crispín

Crispín

Ruben Caceres; Ernesto Lobo

Justfiction Edition
2021
pokkari
De hombres buscando libertad. Un descarnado relato del andar de un cimarr n por las tropicales tierras al sur del mundo. Desencuentro y encuentros, la cotidiana crueldad, los escondites (palenques), el destino abriendo caminos imposibles haciendo de la vida un interminable e inacabado juego. Tan violento es el rigor del encadenado como las veleidades del amor o la m cula del poder. Todo ello y, algo m s, surge en Crisp n.
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Crispin, or the Apprentice Boy, a Poem.

Crispin, or the Apprentice Boy, a Poem.

David Service

British Library, Historical Print Editions
2011
pokkari
Title: Crispin, or the Apprentice Boy, a poem.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Service, David; 1804. 8 . 11643.bbb.9.(3.)
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Crispin Ier

Crispin Ier

University of Toronto Press
1972
pokkari
Raymond Poisson, a contemporary of Molière, was the leading comic actor with the troupe of the Hôtel de Bourgogne and later at the Comédie Française during the first five years of its existence. He popularized one of the French stage's best-loved stock characters, the impudent servant Crispin, while finding time to supply his troupe with short comedies in which he himself starred. This study is thoroughly documented and reflects the author's detailed knowledge of, and interest in, the period. It establishes Poisson's place in theatrical history, and illuminates a whole tradition in French theatre in the seventeenth century.
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