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1000 tulosta hakusanalla D.W. Gillespie

The Toy Thief

The Toy Thief

D.W. Gillespie

Flame Tree Publishing
2018
nidottu
Jack didn't know what to call the nameless, skeletal creature that slunk into her house in the dead of night, stealing the very things she loved the most. So she named him The Toy Thief...There's something in Jack's past that she doesn't want to face, an evil presence that forever changed the trajectory of her family. It all began when The Toy Thief appeared, a being drawn by goodness and innocence, eager to feed on everything Jack holds dear. What began as a mystery spirals out of control when her brother, Andy, is taken away in the night, and Jack must venture into the dark place where the toys go to get him back. But even if she finds him, will he ever be the same?FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launching in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.
The Toy Thief

The Toy Thief

D.W. Gillespie

Flame Tree Publishing
2018
pokkari
"The author has incredible talent for creating a tense, atmospheric world for his characters, and I was on the edge of my seat for every page of this book." - Magnolia Reads Jack didn’t know what to call the nameless, skeletal creature that slunk into her house in the dead of night, stealing the very things she loved the most. So she named him The Toy Thief… There’s something in Jack’s past that she doesn’t want to face, an evil presence that forever changed the trajectory of her family. It all began when The Toy Thief appeared, a being drawn by goodness and innocence, eager to feed on everything Jack holds dear. What began as a mystery spirals out of control when her brother, Andy, is taken away in the night, and Jack must venture into the dark place where the toys go to get him back. But even if she finds him, will he ever be the same? FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launching in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.
The Toy Thief

The Toy Thief

D.W. Gillespie

Flame Tree Publishing
2018
sidottu
"The author has incredible talent for creating a tense, atmospheric world for his characters, and I was on the edge of my seat for every page of this book." - Magnolia Reads Jack didn’t know what to call the nameless, skeletal creature that slunk into her house in the dead of night, stealing the very things she loved the most. So she named him The Toy Thief… There’s something in Jack’s past that she doesn’t want to face, an evil presence that forever changed the trajectory of her family. It all began when The Toy Thief appeared, a being drawn by goodness and innocence, eager to feed on everything Jack holds dear. What began as a mystery spirals out of control when her brother, Andy, is taken away in the night, and Jack must venture into the dark place where the toys go to get him back. But even if she finds him, will he ever be the same? FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launching in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.
One by One

One by One

D.W. Gillespie

Flame Tree Publishing
2019
pokkari
The Easton family has just moved into their new fixer-upper, a beautiful old house that they bought at a steal, and Alice, the youngest of the family, is excited to explore the strange, new place. Her excitement turns to growing dread as she discovers a picture hidden under the old wallpaper, a child’s drawing of a family just like hers. Soon after, members of the family begin to disappear, each victim marked on the child’s drawing with a dark black X. It’s up to her to unlock the grim mystery of the house before she becomes the next victim. FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launched in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.
One by One

One by One

D.W. Gillespie

Flame Tree Publishing
2019
sidottu
The Easton family has just moved into their new fixer-upper, a beautiful old house that they bought at a steal, and Alice, the youngest of the family, is excited to explore the strange, new place. Her excitement turns to growing dread as she discovers a picture hidden under the old wallpaper, a child’s drawing of a family just like hers. Soon after, members of the family begin to disappear, each victim marked on the child’s drawing with a dark black X. It’s up to her to unlock the grim mystery of the house before she becomes the next victim. FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launched in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.
Handmade Monsters

Handmade Monsters

D W Gillespie

Lulu.com
2018
sidottu
Monsters are everywhere, if you know where to look... A lonely housewife finds one hiding in a hole in her closet. A family finds one inside the burned out husk of an old tree. A young girl finds yet another in the form of a baby unlike any she's ever seen. But the worst of all are the monsters hiding inside us, always there, waiting to be set free. Collected from over five years of writing, D.W. Gillespie's collection of 13 dark tales features a mix of previously published and never before seen stories. From the gruesome to the surreal, HANDMADE MONSTERS is for anyone who might have their own monster hiding away inside. From Pro Se Productions.
Give Me Something Good to Eat

Give Me Something Good to Eat

D. W. Gillespie

RANDOM HOUSE USA INC
2024
sidottu
Perfect for fans of Hocus Pocus and Stranger Things, this middle grade debut tells the story of a boy who travels into an alternate version of his Halloween-obsessed town to save his sister from an evil witch and free the town from the witch's curse. Fear comes home. Welcome to Pearl, a town obsessed with Halloween: the spooky decorations, the costumes, the candy. No one seems to notice that every October 31st, a kid goes missing. Mason Miller does, though. Somehow he's the only one who has any memory the person existed at all. When Mason's sister, Meg, vanishes while they're trick-or-treating, Mason and his friends are pulled into an underworld where monsters roam the streets. They need to fight the evil taking over Pearl, but none of them know the true danger they're facing. Meg has been stolen by a witch who has no plans to let her go. Shadows of death curl around trees and behind doorways as Mason must use every ounce of bravery he has . . . or be haunted forever with the memory of a sister that only he remembers.
Give Me Something Good to Eat

Give Me Something Good to Eat

D. W. Gillespie

RANDOM HOUSE USA INC
2025
nidottu
Perfect for fans of Hocus Pocus and Stranger Things, this middle grade debut tells the story of a boy who travels into an alternate version of his Halloween-obsessed town to save his sister from an evil witch and free the town from the witch's curse. Fear comes home. Welcome to Pearl, a town obsessed with Halloween: the spooky decorations, the costumes, the candy. No one seems to notice that every October 31st, a kid goes missing. Mason Miller does, though. Somehow he's the only one who has any memory the person existed at all. When Mason's sister, Meg, vanishes while they're trick-or-treating, Mason and his friends are pulled into an underworld where monsters roam the streets. They need to fight the evil taking over Pearl, but none of them know the true danger they're facing. Meg has been stolen by a witch who has no plans to let her go. Shadows of death curl around trees and behind doorways as Mason must use every ounce of bravery he has . . . or be haunted forever with the memory of a sister that only he remembers.
Handmade Monsters

Handmade Monsters

D. W. Gillespie

Createspace Independent Publishing Platform
2018
nidottu
Monsters are everywhere, if you know where to look... A lonely housewife finds one hiding in a hole in her closet. A family finds one inside the burned out husk of an old tree. A young girl finds yet another in the form of a baby unlike any she's ever seen. But the worst of all are the monsters hiding inside us, always there, waiting to be set free.Collected from over five years of writing, D.W. Gillespie's collection of 13 dark tales features a mix of previously published and never before seen stories. From the gruesome to the surreal, HANDMADE MONSTERS is for anyone who might have their own monster hiding away inside. From Pro Se Productions.
One by One

One by One

D. W. Gillespie

Flame Tree Press
2019
nidottu
The Easton family has just moved into their new fixer-upper, a beautiful old house that they bought at a steal, and Alice, the youngest of the family, is excited to explore the strange, new place. Her excitement turns to growing dread as she discovers a picture hidden under the old wallpaper, a child's drawing of a family just like hers. Soon after, members of the family begin to disappear, each victim marked on the child's drawing with a dark black X. It's up to her to unlock the grim mystery of the house before she becomes the next victim. FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launched in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.
D.W. Griffith's The Birth of a Nation

D.W. Griffith's The Birth of a Nation

Melvyn Stokes

Oxford University Press Inc
2008
sidottu
In this deeply researched and vividly written volume, Melvyn Stokes illuminates the origins, production, reception and continuing history of this ground-breaking, aesthetically brilliant, and yet highly controversial movie landmark. By going back to the original archives, particularly the NAACP and D. W. Griffith Papers, Stokes explodes many of the myths surrounding The Birth of a Nation (1915). Yet the story that remains is fascinating: the longest American film of its time, Griffith's film incorporated many new features, including the first full musical score compiled for an American film. It was distributed and advertised by pioneering methods that would quickly become standard. Through the high prices charged for admission and the fact that it was shown, at first, only in "live" theaters with orchestral accompaniment, Birth played a major role in reconfiguring the American movie audience by attracting more middle-class patrons. But if the film was a milestone in the history of cinema, it was also undeniably racist. Stokes shows that the darker side of this classic movie has its origins in the racist ideas of Thomas Dixon, Jr. and Griffith's own Kentuckian background and earlier film career. The book reveals how, as the years went by, the campaign against the film became increasingly successful. In the 1920s, for example, the NAACP exploited the fact that the new Ku Klux Klan, which used Griffith's film as a recruiting and retention tool, was not just anti-black, but also anti-Catholic and anti-Jewish, as a way to mobilize new allies in opposition to the film. This crisply written book sheds light on both the film's racism and the aesthetic brilliance of Griffith's filmmaking. It is a must-read for anyone interested in the cinema.
D.W. Griffith's The Birth of a Nation

D.W. Griffith's The Birth of a Nation

Melvyn Stokes

Oxford University Press Inc
2008
nidottu
In this deeply researched and vividly written volume, Melvyn Stokes illuminates the origins, production, reception and continuing history of this ground-breaking, aesthetically brilliant, and yet highly controversial movie. By going back to the original archives, particularly the NAACP and D. W. Griffith Papers, Stokes explodes many of the myths surrounding The Birth of a Nation (1915). Yet the story that remains is fascinating: the longest American film of its time, Griffith's film incorporated many new features, including the first full musical score compiled for an American film. It was distributed and advertised by pioneering methods that would quickly become standard. Through the high prices charged for admission and the fact that it was shown, at first, only in "live" theaters with orchestral accompaniment, Birth played a major role in reconfiguring the American movie audience by attracting more middle-class patrons. But if the film was a milestone in the history of cinema, it was also undeniably racist. Stokes shows that the darker side of this classic movie has its origins in the racist ideas of Thomas Dixon, Jr. and Griffith's own Kentuckian background and earlier film career. The book reveals how, as the years went by, the campaign against the film became increasingly successful. In the 1920s, for example, the NAACP exploited the fact that the new Ku Klux Klan, which used Griffith's film as a recruiting and retention tool, was not just anti-black, but also anti-Catholic and anti-Jewish, as a way to mobilize new allies in opposition to the film. This crisply written book sheds light on both the film's racism and the aesthetic brilliance of Griffith's filmmaking. It is a must-read for anyone interested in the cinema.
D.W. Griffith and the Origins of American Narrative Film

D.W. Griffith and the Origins of American Narrative Film

Tom Gunning

University of Illinois Press
1993
nidottu
The legendary filmmaker D. W. Griffith directed nearly 200 films during 1908 and 1909, his first years with the Biograph Company. While those one-reel films are a testament to Griffith's inspired genius as a director, they also reflect a fundamental shift in film style from "cheap amusements" to movie storytelling complete with characters and narrative impetus. In this comprehensive historical investigation, drawing on films preserved by the Library of Congress and the Museum of Modern Art, Tom Gunning reveals that the remarkable cinematic changes between 1900 and 1915 were a response to the radical reorganization within the film industry and the evolving role of film in American society. The Motion Picture Patents Company, the newly formed Film Trust, had major economic aspirations. The newly emerging industry's quest for a middle-class audience triggered Griffith's early experiments in film editing and imagery. His unique solutions permanently shaped American narrative film.
D.W. The Picky Eater

D.W. The Picky Eater

Brown Marc

Little, Brown Young Readers
2008
nidottu
There's a whole slew of edibles that D.W. finds disgusting, but spinach is at the top of her list. Dining out with her family, she causes a scene when her parents suggest that she give her salad greens a try - no more restaurants for the picky little aardvark after that. Staying home with a sitter is boring, though, so when she hears about her grandmother's birthday dinner at a fancy restaurant, she wants to come, too. She orders the Little Bo Peep Pot Pie, devours it with relish, amazing everybody, including herself, and learns a lesson. The text is spare and funny, and while all the coloured-pencil illustrations reflect Brown's sense of humour and familiarity with the little details of childhood, some are downright hilarious. Charming endpapers feature some of the foods D.W. loves to hate. Although she wears an expression of pure horror when she discovers the main ingredient of her pie, readers will suspect that she'll keep that delicious spinach down and her mind and mouth open to new eating possibilities in the future.
D.W. Winnicott

D.W. Winnicott

Brett Kahr

Routledge
2019
sidottu
A distillation of painstaking research into the life of Donald Winnicott, tracing his life from his childhood in Plymouth, through his career in paediatrics, to his election as President of the British Psycho-Analytic Society. The author makes many interesting links between Winnicott's life and the development of his theories.
D.W. Griffith's Intolerance

D.W. Griffith's Intolerance

William M. Drew

McFarland Co Inc
2001
pokkari
A critical study of the background of D.W. Griffith's film masterpiece, the 1916 epic Intolerance. The most expensive ($2,000,000) film made prior to 1920, Intolerance was critically acclaimed and is now considered a classic. The book traces the artistic and political influences that shaped the director's vision, discusses the influences of the Progressive movement, and connects the film to the social and political climate of the early 20th century.
D W Winnicott

D W Winnicott

Michael Jacobs

SAGE Publications Ltd
1995
nidottu
`The importance of Michael Jacobs' book lies in his attempt to convey... Winnicott's profound influence.... Jacobs rightly delights in the creativity and imagination of his subject and illustrates these with numerous quotations and descriptions from Winnicott's writings.... What is conveyed throughout the book is the essence of Winnicott.... [whose] gift was to make psychoanalytic language, methods and concepts more widely available, accepted and appreciated to a nonpsychoanalytic world' - British Psychological Society Counselling Psychology Review One of the best-known British psychoanalysts, D W Winnicott attracts the interest of counsellors and psychotherapists far beyond the strict psychoanalytic tradition in which he was trained. He coined many phrases that have entered the discourse of therapy, such as `good enough mother', `transitional object' and `facilitating environment'. Winnicott has had a profound impact on research into the mother-baby relationship, and his unorthodox manner and sparkling writing style have attracted enthusiastic acclaim. In this book, Michael Jacobs summarizes Winnicott's life and explains his major theoretical concepts. He also rigorously evaluates his practice as a clinician - for example, the holding and management of deeply regressed patients. While highlighting Winnicott's brilliance and creativity, Jacobs is not afraid to scrutinize his contributions more critically. He also discusses criticisms others have made of Winnicott, notably within the psychoanalytic movement. The final chapter assesses the influence of Winnicott's thinking in other countries as well as in Britain.
D.W. Griffith

D.W. Griffith

Richard Schickel

Limelight Editions
2004
pokkari
"This magnificent and important biography...is the best ever written on the man." -The New Republic "Mr. Schickel's excellent and important biography makes it clear that when the movers of our century are tallied, D.W. Griffith, flawed genius that he was, can never lose his eminent position." -Peter Bogdanovich, The New York Times Book Review