The first comprehensive monograph surveying the expansive twenty-five-plus-year career of the highly influential artist, known for his rainbow-colored paintings, drawings, and emotive ceramic facepots.McCarthy is known for his gestural and intuitive artwork. His brightly colored paintings, with loose brushwork, depict figures in action: dancing, surfing, fishing, and skateboarding often against a rainbow-colored background. His ongoing series of ceramic facepots delight with their hand-built immediacy and invested emotionality. McCarthy who worked on fishing boats near Catalina Island and cites the Pacific Ocean as a lasting influence on his work.The beautifully curated book includes an 8-page gatefold and a French-fold jacket, which opens up to a collectible foldout poster.
Facepots focuses on the recent ceramic work of New York–based artist Dan McCarthy (born 1962)--highly animated and emotionally charged objects formed through an immediate, hands-on process. The volume situates McCarthy's ceramics historically and includes a visual essay by the artist himself, featuring images and icons that served as inspiration.
Many of North America's most beloved regions are artfully celebrated in these board books designed to soothe children before bedtime while instilling an early appreciation for the continent's natural and cultural wonders. Each book stars a multicultural group of people visiting the featured area's attractions and rhythmic language guides children through the passage of both a single day and the four seasons while saluting the iconic aspects of each place.
This guidebook is all you need to explore the highways and byways of Munster, Ireland on two wheels. Each route is prefaced with summary information and illustrated with a custom-drawn map and gradient graph. Routes are arranged by difficulty. From stunn
City Slickers Need Not ApplyDan McClintock swapped out his cushy corporate job in Dallas for a rundown spread in Rascal, Texas-banking everything on making his dream of running a dude ranch come true. Too bad he's in over his head until one cute, petite cowgirl shows up to apply for a position as a ranch hand. Tough-as-nails, farrier Raleigh Travers is tired of being turned down for jobs because she's young, female and decidedly height challenged. She's got a kid brother to feed and she needs work and she's not about to take "no" for answer. But what she doesn't count on is the sexy cowboy who agrees to give her a chance...and his heart.
As you get to know DAN the character of the early American woman will become evident. She grew up in a time after the Civil War that required women to carry responsibility and knowledge to manage survival for herself and those she loved. DAN is a story of commitment and raw determination to overcome whatever obstacle that had to be eliminated. Because of her deep love for those who had been buffeted about through each day of their lives, most every problem became a mere circumstance for her to solve, because she had the ability to do whatever was required.
Dan thinks he wants to be a rancher; his father wants him to enroll in a university. He has been granted a year's stay at his godparents' Wyoming ranch to learn what ranching involves. He came to stay with them in early summer. Now he must go thru a winter in the high country, a test even for those from New York state. Receiving a horse of his own -a young pinto that he names Toby- he finds additional complications: Toby may be blind, he needs training, and his ownership is in question. There are times when work must be done, Dan learns, at a ranch or anywhere, even if a person is tired. He appreciates the beauty of nature and also learns more of its difficulties. During a time of being snowed-in when he is alone, Dan must draw on his own resourcefulness. A thread running thru this story is Dan's belief in a God to sustain him. This subject is written so that those of various faiths can relate to it without feeling pressured or excluded..
Collins Big Cat Phonics for Letters and Sounds features exciting fiction and non-fiction decodable readers to enthuse and inspire children. They are fully aligned to Letters and Sounds Phases 1–6 and contain notes in the back. The Handbooks provide support in demonstration and modelling, monitoring comprehension and expanding vocabulary. Dan wants to play with his family but everyone is too busy having fun without him! Find out what he encounters behind the different doors in this funny story. Pink A/Band 1A offers emergent readers very simple, highly predictable texts and provides direct support through illustrations. The focus sounds in this book are: /s/ /a/ /t/ /p/ /i/ /n/ /d/ Pages 14 and 15 contain a fun “I Spy” Letters and Sounds activity, which uses visual support to help children embed phonic knowledge. Reading notes within the book provide practical support for reading Big Cat Phonics for Letters and Sounds with children, including a list of all the sounds and words that the book will cover.
Big Cat Phonics for Little Wandle Letters and Sounds Revised has been developed in collaboration with Wandle Learning Trust and Little Sutton Primary School. It comprises classroom resources to support the SSP programme and a range of phonic readers that together provide a consistent and highly effective approach to teaching phonics. Join Dan and his mini dragon Nim as they wake up and get ready for school! From brushing their teeth to making their beds, do you do the same things in the morning?
This heartfelt middle grade debut about grief, creativity, and the healing power of friendship shows that not all heroes wear capes and is perfect for fans of John David Anderson and Ali Benjamin. Whether they’re on the baseball field or in Nate’s basement devouring the newest issue of their favorite comic book, Dan and Nate are always talking. Until they’re not. After an accident at baseball practice, Nate’s fallen into a coma. And if Dan ever wants to talk to Nate again, he’s got to take a page out of his hero Captain Nexus’s book, and do whatever it takes to save the day. But heroes have powers—and without Nate, all Dan has is a closet stuffed with comics and a best-friend-shaped hole in his heart. There’s no way a regular kid can save the day all on his own. Right?
Ge, formerly translated as "mask" or "masquerade," appears among the Dan people of Côte d'Ivoire as a dancing and musical embodiment of their social ideals and religious beliefs. In Dan Ge Performance, Daniel B. Reed sets out to discover what resides at the core of Ge. He finds that Ge is defined as part of a religious system, a form of entertainment, an industry, a political tool, an instrument of justice, and a form of resistance—and it can take on multiple roles simultaneously. He sees genu (pl.) dancing the latest dance steps, co-opting popular music, and acting in concert with Ivorian authorities to combat sorcery. Not only are the bounds of traditional performance stretched, but Ge performance becomes a strategy for helping the Dan to establish individual and community identity in a world that is becoming more religiously and ethnically diverse. Readers interested in all aspects of expressive culture in West Africa will find fascinating material in this rich and penetrating book.
Internationally acclaimed for paintings, collages, and prints that draw inspiration from sources as diverse as twentieth-century modernism, the geometry of Cubism and Minimalism, nineteenth-century English botanical illustrations, and the floral and geometic forms of traditional Indian and Egyptian art, Dan Rizzie is an artist with a seemingly endless capacity to absorb visual information and transform it into a unique iconography of the natural world. Since the mid-1970s, he has had some ninety solo exhibitions and has been included in over one hundred group exhibitions. Rizzie’s work is in the permanent collections of leading art museums, including the Museum of Modern Art, the Parrish Art Museum, and the Dallas Museum of Art.Dan Rizzie is the first monograph on this major American artist. It presents a hundred works to showcase an artistic career trajectory that has been both broad-ranging and consistent over four decades. Jane Livingston sets Rizzie’s work in context with an introduction that traces his artistic influences and production from his formative years in Egypt, Jordan, Jamaica, India, and Texas to his mature work created in New York. An extensive interview between Rizzie and editor Terrie Sultan further explores his artistic journey and creative philosophy, while Mark Smith highlights Rizzie’s development and importance as a printmaker. Praising Rizzie’s achievements across painting, collage, and printmaking, as well as the innovative ways in which he often blends these media, Smith proclaims that Rizzie’s art “is ‘decorative’ in the very best way, in that it possesses a timeless beauty. And it is, above all, authentically his own.”
