A group of aliens sent to Earth from their home world Exoda are tasked with an assessment operation: determine if the Earth should be harvested by the fleet behind them, or let the planet pass.Such a harvesting operation was already conducted by aliens some sixty-five million year ago; but this time the human race is in charge - and thus the planet is the subject of even closer scrutiny. As S. O. E. or Searchers of Ex-O-d evolves, there are points of reference that are fun and odd: for example, the aliens sport human names (Cecil Patrick Randolph, for example) which seem incongruous for an invading fleet from beyond the stars.Another curious note: the fate of the Earth (as well as other worlds) actually depends on the destructive actions of these aliens. Much as fire needs to clear the way for new life, so have the aliens' past actions paved the way for what is to eventually become humanity. And that's just the beginning of the story.Now move into the human realm, where individuals are just discovering their extraterrestrial origins and truths, which sometimes become sticky with complexity: "This is complicated. I must tell you first that those two people who we were led to believe are our parents, are not our parents. Our father is the brother of our real father. Our mother, she is the sister of our real mother. " "My head is spinning Royal. It is royally spinning. Anyways, why is that?" Be prepared for a hilarious comedy of errors; for S. O. E. or Searchers of Ex-O-d is a comedy of errors and ironies, whether you're talking about plots to break away from alien prisons, muddled heritage and strange genes, or the odd habits of fearless leaders with a passion for speed and an inability to resist the possibilities offered by a spaceship's long corridor: "He again floors his cart to its maximum speed. This causes panic throughout the long crowded passageway. He does this from the time he starts his trip to the time he gets out of it at his stateroom. He decides he needs to take these kinds of trips on a regular basis. He realizes he loves to witness the horror in his crew mates faces as the try in panic to avoid being mowed down. There is a speed limit throughout the ship. As the official Commander of the ship, he knows, even though he can be held responsible for other types of crimes, he is immune from any type of vehicle prosecution. This holds true should he even kill someone with his cart."Perhaps this is the strongest piece of S. O. E. or Searchers of Ex-O-d its ability to imbibe even the most serious of plots with a zany sense of whimsy and humor that adds an element of unpredictability to the entire story line. Whether it's science fiction or fiction, real unpredictability and humor is surprisingly rare and a refreshing find.In the end the fates of human and alien worlds will become entwined in more ways than one. Without spilling beans, it should be noted that readers looking for a voice that's truly different will find it in only a few places: in Christopher Moore's successful tales and, now, in David D. Tracey's fast-paced story of Searchers who uncover more than they bargained for.
This is the third and last book in the Searcher of Ex-O-Da Trilogy. It is about not Earth survival from another unbeatable fleet from Ex-O-Da, but if humans can survive, There are plenty of twist in this story. I also think it lives up to a Satire, the most of the three books.
A boy enrolls in a new high school, many miles from his last. He discovers a way to help his mother with her certain fatal depression. What he needs to do is allow another boy to impersonate him on his school's soccer team. This he needs to do, even though his look alike, is not a student of his school, and not even an American. His, and this boy's deception, has many challenges he must solve, or his entire life could get destroyed.
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An in-depth examination of the Smalley family's ancestry and history, tracing their roots back to John Smalley of England. Filled with genealogical data, historical records, and personal anecdotes, this book offers a rich and detailed portrait of one family's journey through the centuries.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Parmi les artistes fran ais appartenant au XIXe si cle, il n'en est gu re qui aient autant que David d'Angers attir et retenu l'attention publique sur leurs ouvrages et sur leurs noms. Tant que David a v cu, il a vu le succ s lui venir de toutes parts et lui rester fid le, la critique enregistrer une une et c l brer, mesure qu'elles paraissaient, toutes les productions de son talent, la foule elle-m me s'associer sans h sitation aux progr s d'une renomm e qu'achevait de consacrer, il y a pr s de quarante ans, l'ouverture Angers d'un mus e d di tout entier la gloire du ma tre et l'histoire de ses travaux. Et pourtant celui qui a t jusqu'au bout l'objet de cette faveur unanime pratiquait un art auquel il est bien rare que la popularit s'attache dans notre pays. La sculpture, aux yeux du public fran ais, n'a pas, beaucoup pr s, les m mes privil ges que la peinture, et l'on se croit assez g n ralement quitte envers les hommes qui s'y d vouent quand on a en passant jet un regard distrait sur les statues ou les bas-reliefs dont ils ont peupl nos promenades ou d cor nos monuments. Tel d'entre nous qui pourrait facilement nommer l'auteur du moindre tableau de genre ou de paysage expos aux Salons serait fort embarrass peut- tre s'il lui fallait dire qui a sculpt les figures du Tombeau de Napol on aux Invalides, les statues du jardin des Tuileries, ou les frontons du nouveau Louvre. Il y a l une parfaite injustice sans doute, mais cette injustice n'en existe pas moins...
David (d'Angers): poeme couronne par l'Academie des jeux floraux, concours du 3 mai 1864 / par Julien Dailliere, ...; Academie des jeux florauxDate de l'edition originale: 1864Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr