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1000 tulosta hakusanalla David Dabydeen

Caryl Phillips, David Dabydeen and Fred D'Aguiar

Caryl Phillips, David Dabydeen and Fred D'Aguiar

Abigail Ward

Manchester University Press
2011
sidottu
Slavery is a recurring subject in works by the contemporary black writers in Britain Caryl Phillips, David Dabydeen and Fred D’Aguiar, yet their return to this past arises from an urgent need to understand the racial anxieties of twentieth- and twenty-first-century Britain. This book examines the ways in which their literary explorations of slavery may shed light on current issues in Britain today, or what might be thought of as the continuing legacies of the UK’s largely forgotten slave past.In this highly original study of contemporary postcolonial literature, Abigail Ward explores a range of novels, poetry and non-fictional works by these authors in order to investigate their creative responses to the slave past. This is the first study to focus exclusively on British literary representations of slavery, and thoughtfully engages with such notions as the ethics of exploring slavery, the memory and trauma of this past, and the problems of taking a purely historical approach to Britain’s involvement in slavery or Indian indenture. Although all three authors are concerned with the problem of how to commence representing slavery, their approaches to this problem vary immensely, and this book investigates these differences.
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Caryl Phillips, David Dabydeen and Fred D'Aguiar

Caryl Phillips, David Dabydeen and Fred D'Aguiar

Abigail Ward

Manchester University Press
2015
nidottu
Slavery is a recurring subject in works by the contemporary black writers in Britain Caryl Phillips, David Dabydeen and Fred D’Aguiar, yet their return to this past arises from an urgent need to understand the racial anxieties of twentieth- and twenty-first-century Britain. Now available in paperback, this book examines the ways in which their literary explorations of slavery may shed light on current issues in Britain today, or what might be thought of as the continuing legacies of the UK’s largely forgotten slave past.In this highly original study of contemporary postcolonial literature, Ward explores a range of novels, poetry and non-fictional works in order to investigate their creative responses to the slave past. This is the first study to focus exclusively on British literary representations of slavery, and thoughtfully engages with such notions as the ethics of exploring slavery, the memory and trauma of this past, and the problems of taking a purely historical approach to Britain’s involvement in slavery or Indian indenture. Although all three authors are concerned with the problem of how to commence representing slavery, their approaches to this problem vary immensely, and this book investigates these differences.
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The Making of Afro-Caribbean Consciousness and Identity in the Poetry of Linton Kwesi Johnson; David Dabydeen; and Fred D'Aguiar.

The Making of Afro-Caribbean Consciousness and Identity in the Poetry of Linton Kwesi Johnson; David Dabydeen; and Fred D'Aguiar.

Dilek Bulut Sar?kaya

ACADEMICA PRESS
2023
sidottu
In the context of a diversified and pluralistic arena of contemporary literature embodying previously marginalized voices of region, ethnicity, gender, and class, black poets living in Britain developed a distinct branch of contemporary poetry. Having emerged from a struggle to give voice to marginalized groups in Britain, the poetry of Linton Kwesi Johnson, David Dabydeen, and Fred D'Aguiar helped define national identity and explored racial oppression. Motivated by a sense of responsibility towards their communities, these poets undertook the task of transmitting black history to young blacks who risked losing ties to their roots. They also emphasized the necessity of fighting racism by constructing an awareness of Afro-Caribbean national identity while establishing black cultural heritage in contemporary British poetry. In this book, Turkish literary scholar Dilek Bulut Sar?kaya examines their works. Linton Kwesi Johnson's Voices of the Living and the Dead (1974), Inglan is a Bitch (1980), and Tings an Times (1991) open the study, followed by David Dabydeen's Slave Song (1984), Coolie Odyssey (1988), and Turner (1994) and, finally, Fred D'Aguiar's Mama Dot (1985), Airy Hall (1989) and British Subjects (1993).
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A Harlot's Progress

A Harlot's Progress

David Dabydeen

Vintage
2000
pokkari
A HARLOT'S PROGRESS reinvents William Hogarth's famous painting of 1732 which tells the story of a whore, a Jewish merchant, a magistrate and a quack doctor bound together by sexual and financial greed. Dabydeen's novel endows Hogarth's characters with alternative potential lives, redeeming them for their cliched status as predators or victims. The protagonist - in Hogarth, a black slave boy, in Dabydeen, London's oldest black inhabitant - is forced to tell his story to the Abolitionists in return for their charity. He refuses however to supply parade of grievances, and to give a simplistic account of beatings, sexual abuses, etc. He will not embark upon yet another fictional journey into the dark nature of slavery for the voyeuristic delight of the English reader. Instead, the old man ties the reader up in knots as deftly as a harlot her client: he spins a tale of myths, half-truths and fantasies; recreating Africa and eighteenth-century London in startlingly poetic ways. What matters to him is the odyssey into poetry, the rich texture of his narrative, not its truthfulness. In this, his fourth novel, David Dabydeen opens up history to myriad imaginary interpretations, repopulating a vanished world with a strange, defiantly vivid and compassionate humanity.
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Slave Song

Slave Song

David Dabydeen

Peepal Tree Press Ltd
2005
nidottu
"Slave Song" is unquestionably one of the most important collections of Caribbean/Black British poetry to have been published in the last twenty years. On its first publication in 1984 it won the Commonwealth Poetry Prize and established Dabydeen as a provocative and paradigm-shifting writer. At the heart of "Slave Song" are the voices of African slaves and Indian labourers expressing, in a Guyanese Creole that is as far removed from Standard English as it is possible to get, their songs of defiance, of a thwarted erotic energy. But surrounding this harsh and lyrical core of Creole expression is an elaborate critical apparatus of translations (which deliberately reveal the actual untranslatability of the Creole) and a parody of the kind of critical commentary that does no more than paraphrase or at best contextualise the original poem. It took some time for the displaced critics to recognise that this prosaic apparatus was as much part of the meaning of the whole as the poems themselves, that Dabydeen was engaged in a play of masks, an expression of his own duality and a critique of the relationship which is at the core of Caribbean writing: that between the articulate writer and the supposedly voiceless workers and peasants. This new edition has an afterword by David Dabydeen that briefly explores his response to these poems after more than twenty years.
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The Intended

The Intended

David Dabydeen

Peepal Tree Press Ltd
2005
nidottu
The young narrator of "The Intended" is twelve when he leaves his village in rural Guyana to come to England. There, he is abandoned into social care, but with great determination and self-discipline seizes every opportunity to follow his aunt's farewell advice, 'but you must take education...pass plenty exam' and wins a scholarship to Oxford. With an upper-class white fiancee, he has unquestionably arrived, but at the cost of ignoring the other part of his aunt's farewell: '...you is we, remember you is we.' Through remembering his Guyanese childhood and youth in working class Balham, the narrator's older self explores the contradictions, the difficulties implicit in his aunt's advice and the cost to his personality of losing that past. At one level a moving semi-autobiographical novel, "The Intended" is also a sophisticated postcolonial text with its echoes of 'Heart of Darkness', its play between language registers and its exploration of the instability of identity. As an Indo-Guyanese, the narrator finds himself seen as 'Paki' by the English, and as some mongrel hybrid by 'real' Asians from India and Pakistan; as sharing a common British 'Blackness', yet acutely conscious of the real cultural divisions between Guyanese of African and Indian origins.
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Disappearance

Disappearance

David Dabydeen

Peepal Tree Press Ltd
2005
nidottu
A young Afro-Guyanese engineer comes to a coastal Kentish village as part of a project to shore up its sea-defences. He boards with an old English woman, Mrs Rutherford, and through his relationship with her discovers the latent violence and raw emotions present in this apparently placid village. He discovers, too, that underlying the village's essential Englishness, echoes of the imperial past resound. In the process, he is forced to reconsider his perceptions of himself and his native Guyana, and in particular to question his engineer's certainties in the primacy of the empirical and the rational. This is a richly intertextual novel which uses reference to the novels of Conrad, Wilson Harris and V.S. Naipaul's 'The Enigma of Arrival' to set up a multi-layered dialogue concerning the nature of Englishness, the legacy of Empire and different perspectives on the nature of history and reality.
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The Counting House

The Counting House

David Dabydeen

Peepal Tree Press Ltd
2005
nidottu
Set in the early nineteenth century The Counting House follows the lives of Rohini and Vidia, a young married couple struggling for survival in a small, caste-ridden Indian village who are seduced by the recruiter's talk of easy work and plentiful land if they sign up as indentured labourers to go to British Guiana. There, however, they discover a harsh fate as 'bound coolies' in a country barely emerging from the savage brutalities of slavery. Having abandoned their families and a country that seems increasingly like a paradise, they must come to terms with their problematic encounters with an Afro-Guyanese population hostile to immigrant labour, with rebels such as Kampta who has made an early abandonment of Indian village culture, and confront the truths of their uprooted condition."Excellent... Presented with poetic precision, this novel succeeds as both a compelling story and a beautifully sustained piece of writing." Sean Coughlan, The Times."Beautifully written... Dabydeen's grace, as a poet turned novelist, is to give his characters' imaginations and inner lives voices in prose... This is a marvelous novel" Michele Roberts, Independent on Sunday.David Dabydeen was born in Guyana. He has published six acclaimed novels and three collections of poetry. He is a Fellow of the Royal Society of Literature and Professor of Literary Studies at the University of Warwick.
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Sweet Li Jie

Sweet Li Jie

David Dabydeen

PEEPAL TREE PRESS LTD
2024
pokkari
In Sweet Li Jie, two distant worlds converge: Wuhan Province in China and British Guiana.Jia Yun, a traveling textile merchant, leaves Wuhan to join the exodus of migrants escaping poverty. Most of them to become indentured labourers in the canefields of Demerara.Through heartfelt letters intended for his sweetheart, Li Jie, Jia Yun paints a vivid picture of life for Indians, Africans, and other ethnic groups under British rule during the twilight years of indentureship. Meanwhile, the novel’s sections set in China reveal the struggles of rural Wuhan under a crumbling feudal regime.“Sweet Li Jie” delves into complex interpersonal relations, from the landlord-servant dynamics in Wuhan to the bond between Jia Yun and his Afro-Guyanese guide, Harris. Amid vulnerability and uncertainty, and the complexities of living in servitude, these characters grapple for personhood and interdependence.
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Turner

Turner

David Dabydeen

Peepal Tree Press Ltd
2002
nidottu
David Dabydeen's Turner is a long narrative poem written in response to JMW Turner's celebrated painting 'Slavers Throwing Overboard the Dead & Dying'. Dabydeen's poem focuses on what is hidden in Turner's painting, the submerged head of the drowning African. In inventing a biography and the drowned man's unspoken desires, including the resisted temptation to fabricate an idyllic past, the poem brings into confrontation the wish for renewal and the inescapable stains of history, including the meaning of Turner's painting. Turner was described Caryl Phillips as "a major poem, full of lyricism and compassion, which gracefully shoulders the burden of history and introduces us to voices from the past whose voices we have all inherited", and by Hanif Kureishi as "Magnificent, vivid and original." In addition to the title poems, Turner contains selections from David Dabydeen's two earlier books, Slave Song (1984) and Coolie Odyssey. David Dabydeen was born in Guyana. He has published six acclaimed novels and three collections of poetry. He is a Fellow of the Royal Society of Literature and Professor of Literary Studies at the University of Warwick.
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Martin Carter Selected Poems / Poesías Escogidas

Martin Carter Selected Poems / Poesías Escogidas

David Dabydeen; Kwame Dawes

Peepal Tree Press Ltd
1999
nidottu
This dual language selection of Martin Carter's poems, edited by David Dabydeen, translated into Spanish by Salvador Ortiz-Carbonares and with an introduction by Gemma Robinson, will establish very clearly that Carter is a major South American poet, in the company of Valejo, Neruda and Paz. "What we have is enough to prove, if proof has been needed... that Martin Carter is, without reservation, one of the finest poets to have emerged in the Caribbean region. And the varied subtlety and strength of his poetry carries him without any doubt into the first rank of world poets. Long after the politics which prompted a number of his poems have been forgotten, and long after the society which he often so scathingly indicted has been changed utterly the poetry will continue to strike a chord among new generations." Ian McDonald The late Martin Carter was without doubt one of the Caribbean's major poets, only less well known than Walcott and Brathwaite because he rarely left his native Guyana. He came to notice first for his Poems of Resistance (1954) written out of his experiences of the anti-colonial struggle which included his imprisonment by the British for his political activities. His work has been a major influence on the current generation of Caribbean poets as John Agard, David Dabydeen, Fred D'Aguiar, Kwame Dawes, Linton Kwesi Johnson and Grace Nichols among others have elsewhere testified. Martin Carter was born in Guyana in 1927. He first came to attention with Poems of Resistance in 1954. He is unquestionably one of the three great West Indian poets of his generation. He died in 1997.
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Macmillan Caribbean Writers: Molly and the Muslim Stick

Macmillan Caribbean Writers: Molly and the Muslim Stick

Dabydeen David

Macmillan Caribbean
2008
nidottu
Molly is raised in the harsh surroundings of Accrington, Lancashire, during the years leading up to World War Two. Systematically abused by her father and his band of pals, becoming consummate in sex and hatred at an early age, she matures into a wounded and broken creature, half soothsayer, half madwoman: a creation to rival the fabulous beings of Guyanese myth.As her life story unfolds, we enter an absurdist narrative peopled with talking animals, demented prophets, shape-shifting ghosts, Amerindian asylum seekers and a Muslim walking stick. Raleigh's discovery of Guiana, the Suez Crisis, anti-Semitism and Islamophobia, the 'clash of civilisations' - much here resonates with the impulses of the Third World canon, yet David Dabydeen's gentle insistence that only pity can cleanse away the crimes of history, and the magical transformations enacted by his jewelled and sumptuous prose, ensure the reader's bewitchment throughout this rich and strangely wrought, marvellous tale of human suffering and redemption.
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David

David

Spck

SPCK Publishing
2008
nidottu
The story of King David, his childhood, his battle with the Philistines, his women, and the tragedy of his son Absalom, is full of excitement, but yet is only a part of his life. His relationship with the Lord God was the key thing, and he danced before the Lord. He was also the first King of Israel, and our story starts at the time when Jerusalem was conquered by Babylon, and its people taken away into captivity. They started to look back at the foundation myths of their history, and the story of David and Solomon, when the kingdom was at the height of its glory, seemed to be just the story to tell. So that is how the collection of stories of David came to be compiled into the books we can read today.
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David

David

Maggie Barfield

SPCK Publishing
2018
pahvisivuinen
A delightful retelling of how David is chosen as king, especially for under 5s. Featuring full-colour photographic spreads of the much- loved characters from The Big Bible Storybook, this board book is perfectly sized for small hands, with short text for a parent or carer to read to the child.
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David

David

David Wolpe

Yale University Press
2017
pokkari
A reexamination of the biblical David, legendary warrior, poet, and king, by one of America’s most respected rabbis Of all the figures in the Bible, David arguably stands out as the most perplexing and enigmatic. He was many things: a warrior who subdued Goliath and the Philistines; a king who united a nation; a poet who created beautiful, sensitive verse; a loyal servant of God who proposed the great Temple and founded the Messianic line; a schemer, deceiver, and adulterer who freely indulged his very human appetites. David Wolpe, whom Newsweek called “the most influential rabbi in America,” takes a fresh look at biblical David in an attempt to find coherence in his seemingly contradictory actions and impulses. The author questions why David holds such an exalted place in history and legend, and then proceeds to unravel his complex character based on information found in the book of Samuel and later literature. What emerges is a fascinating portrait of an exceptional human being who, despite his many flaws, was truly beloved by God.
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David

David

Ray Robertson

Thomas Allen Son Ltd
2009
sidottu
"God and whiskey have got me where I am. Too little of the one, too much of the other." - David King, Chatham, Canada, 1895. Born a slave in 1847, but raised as a free man on the world-renowned, African-American Elgin Settlement near present-day Chatham, Ontario, David King is a man whose life has been defined by his violent rebellion against the very person who freed him - the Reverend William King. Far from the pulpit he was intended to fill as the Reverend King's anointed successor, David has lost his faith in God and humanity. He has also turned his back on both his past and his own people by abandoning the Elgin Settlement for nearby Chatham after a final, shattering confrontation with the Reverend King. Undoubtedly, the most unconventional man in town, David is also - thanks to his illegal after-hours tavern, Sophia's, and his highly lucrative grave robbing business - one of Chatham's richest citizens, white or black, and certainly its best read. Triggered by the news of the elderly Reverend King's death, the middle-aged David is compelled to revisit a past he thought he left behind, but which - as evidenced by his inability to embrace the happiness he so dearly earned - he clearly has not. Ranging over the early years of the pioneering Elgin Settlement, David's wild, whiskey-fueled early years in Chatham as a factory worker and apprentice grave-robber, and his day-to-day life with his ex-prostitute German lover in present-day, 1895 Chatham, David is a portal to a fascinating, if mostly unknown piece of Canadian history, as well as, the story of one man's search for wisdom, peace, and forgiveness.
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