This groundbreaking book is distinctive for the explicit attention it gives to the communal, intersubjective, cultural, and linguistic embodiment of the workings of God in the world. It emphasizes not simply acting justly but living with, in, and from the justice of the triune God by which we are justified. Finally, it offers an important sacramental and liturgical grounding to the Christian understanding of both justice and the triune God. David N. Power and Michael Downey make clear to contemporary believers why a spiritual and sacramental life that is ordered by its trinitarian orientation must include the desire for justice. In short, it is an ethic of social justice that springs from contemplation of the Divine Trinity in the world.
When on sabbatical in Tahiti, a renowned religious thinker took a break from the scholarly works, libraries, and footnotes to write about the core of the Catholic faith-that God poured himself out into the beautiful creation.
""This study has two aims. The first is to relate studies on symbolism and its modes to an understanding of the liturgy. The second is to relate these studies to the renewal of the liturgy in a time of crisis. Since the first aim is affected by the second, it may be well to say something about the nature of the crisis at this point . . . ""The crisis as it touches on liturgy is twofold. First there is a crisis of vision and second a crisis of hope. The churches are forced to ask how well the vision of reality, or the world view, projected in liturgical celebration expresses a sense of being in time and a sense of the holy that are pertinent to contemporary fact and contemporary models of reality. This is the crisis of vision. At the same time, the churches are part of a humanity which lives in a time of disintegration and destruction, a humanity continually compelled to consider whether there are any hopes by which it is possible to face the future. The despair of the age is represented in the twofold holocaust of the century. There is the holocaust of the Jewish people under the Nazi regime, and there is the imminent nuclear holocaust which threatens the entire world. Can those who profess faith in Jesus Christ profess it in such an age?"" --from the Introduction David N. Power, OMI, who has taught in the USA since 1977, is now professor emeritus at the School of Theology and Religious Studies at the Catholic University of America, Washington, DC. Since becoming emeritus, he has taught at schools of theology in French Polynesia, South Africa, Canada, and at the Oblate School of Theology, San Antonio, Texas. He has authored eleven books, including the recently published Mission Ministry Order (New York & London: Continuum Publishing Group, 2008).
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Today's American, hand-crafted furniture is bristling with originality. Blending art and functionality, David Ebner creates unique benches, tables, and chairs. This designer-craftsman's work subtly surpasses the limits of the furniture world and often crosses over into the realm of sculpture. Fine woods with interesting patterns are featured in his practical designs, which reflect natural elements of the places where he has worked in New York state. He fuses traditional and modern techniques and is well known for his scallion coat rack, Renwick benches, and Bellport chairs. See more than 340 color photos and sketches of Ebner's designs for diverse forms created with "twisted sticks," tubular metal, iron sections, and bamboo laminates. In his lifetime, he's made more than 1,400 pieces. Especially interesting are projects he continues to design today in his ever-evolving style.
Rock 'n' Roll and War and Peace chronicles and examines the relationship between popular music in the Rock era and the politics and ideology of war and peace throughout the past half-century, with emphasis on the Vietnam War and Iraq War, among others. This is a topic that, while it's been touched on in a variety of ways, has never been deeply explored in a single coherent work, especially one that links the various eras and movements, from the 1960s through the 2000s.The book offers portraits of dozens of artists and insights into the meaning and impact of hundreds of songs across more than five decades.The focus of the first section, "Ending War," is the Vietnam War and the 1960s Woodstock Generation: the first time in history that popular music turned against an active American war effort. The author reviews all of the highlights of this period of vintage protest music, from Folk pioneers Pete Seeger and Bob Dylan, through Jimi Hendrix and Marvin Gaye, to John Lennon and Crosby, Stills, Nash, and Young. The dominance of these revolutionary artists, and of similar anti-war messages from a wide variety of musicians, represented a cultural and political shift of seismic proportions that would carry across generations.The second section, "Living in Peace," then chronicles the musical and social transformation that followed the end of Vietnam hostilities starting in the mid-1970s: the rise of Folk Rock and mellow singer-songwriters, and a new introspective, detached and melancholy ethos within the growing Rock/Pop culture. The likes of Neil Young, Joni Mitchell, and James Taylor carried forward the idealism of the '60s pacifist movements, but focused away from global geopolitics and inward on the dreams and insecurities of adulthood. A strain of peaceful Soft Rock came to dominate the post-War airwaves, which the chapter relives with insights into dozens of performers and songs of the period.Part 3 is then called "Returning to Battle," and highlights the renewed focus on anti-militarism of the next generations of Rock musicians and fans. If the Woodstock movement could help end an ill-conceived war, how would those '60s veterans' children respond when the next waves of war drums began to sound? The answers are found in a wealth of musical reactions to global events from the 1980s to the recent past: nuclear saber-rattling under Reagan and Thatcher; the unraveling of the Cold War and the Soviet empire; the first Gulf War; the 9/11 attacks; and the massive protests against the Iraq War.This latest period in particular has received relatively little attention compared with Vietnam era protest music, yet it yielded its own large body of diverse contributions: from major established stars (Springsteen, U2), highly popular newcomers (Green Day, Black-Eyed Peas), and senior veterans of the original movement (Neil Young). The story of these musical and ideological linkages, from the earliest roots of 1960s anti-war protests through the peaks of their revival in the 2000s, is one that will be of interest to a large audience of music fans, history buffs, and social activists alike.
A 200-page journal for tracking and new and clean fresh sounds that you find on streaming radio. Sounds and beats that provoke thought and a call to action. A great way to track new sounds from new artists.As new sounds are discovered, you can feel free to jot down those sounds and write about the beat and rhythm.
