Kirjojen hintavertailu. Mukana 11 244 527 kirjaa ja 12 kauppaa.

Kirjahaku

Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.

1000 tulosta hakusanalla Denise Marcelle Moore

The Scepter and Diadem

The Scepter and Diadem

Marcella Denise Spencer

Createspace Independent Publishing Platform
2011
nidottu
A scepter from ancient Egypt falls into modern day hands - will it lead to the restoration of long forgotten traditions?Ankh-Tawy, 1763 BC.It is a simple thing really. A wooden stick with ox hairs glued on its end, but the scepter symbolizes royal authority in ancient Egypt. Sobekkara Sobekneferu, Egypt's second female ruler wielded her scepter as an amulet, protection from the noblemen in her court. After all, they slew one monarch, they may slay another.San Francisco, 2007.When Cher Madison, an aspiring archaeologist, purchases a scepter from a novelty shop, she stumbles upon a genuine piece from antiquity. Her acquisition coupled with her new passion for genealogy leads her on a journey; one which uncovers secrets from her family's distant past.However, there are those who fear Cher's good fortune. The scepter in her family's possession might spark a restoration of ancient traditions, namely the monarchy.
Lady Eliza

Lady Eliza

Marcella Denise Spencer

Independently Published
2019
nidottu
The Missing EaglesCairo, Egypt 1813The Bakhoum and Nacif families were arranging a marriage. The dowry was negotiated in letters, some in pictorial writings to disguise the possession of priceless family heirlooms. When a few notes fall in the hands of a British naval officer, family members go missing. Lady MathildaAgainst her better judgment, Mathilda Sears takes a job as a lady's companion in London. Complications arise when polite society goes abuzz over a missing shipment, and then a certain lord, aware of the conspiracy, takes a marked interest in Mathilda. As the daughter of a baron, the match is deemed tolerable, but hardly a brilliant one for his lordship. However, the courtship becomes neither here nor there when Mathilda learns that the shipment is a family..Lady ElizaAlabama 1824Eliza Jamieson, a slave living in nineteenth-century Alabama, learns that her family was captured and enslaved for a specific reason. While the family plans to escape and return home, Eliza enacts a plan to lessen the threat against them, and in the process, goes from being Eliza to Lady Eliza.
Denise

Denise

Ralph Brandt

Independently Published
2018
pokkari
Denise is an actress who falls into the Hollywood party circuit and finds herself no longer in demand. When she is broke and cannot find work a producer makes her an offer that she cannot refuse if she wants to ever work again in the film business. It forces her to make a choice that has life changing impacts. Denise is part of a set of stories that includes Jan, Sandra and Karen.Third edition - 7/13/2018
Denise Levertov

Denise Levertov

Dana Greene

University of Illinois Press
2012
sidottu
Kenneth Rexroth called Denise Levertov (1923–1997) "the most subtly skillful poet of her generation, the most profound, . . . and the most moving." Author of twenty-four volumes of poetry, four books of essays, and several translations, Levertov became a lauded and honored poet. Born in England, she published her first book of poems at age twenty-three, but it was not until she married and came to the United States in 1948 that she found her poetic voice, helped by the likes of William Carlos Williams, Robert Duncan, and Robert Creeley. Shortly before her death in 1997, the woman who claimed no country as home was nominated to be America's poet laureate. Levertov was the quintessential romantic. She wanted to live vividly, intensely, passionately, and on a grand scale. She wanted the persistence of Cézanne and the depth and generosity of Rilke. Once she acclimated herself to America, the dreamy lyric poetry of her early years gave way to the joy and wonder of ordinary life. By the late 1960s and early 1970s, however, her poems began to engage the issues of her times. Vehement and strident, her poetry of protest was both acclaimed and criticized. The end of both the Vietnam War and her marriage left her mentally fatigued and emotionally fragile, but gradually, over the span of a decade, she emerged with new energy. The crystalline and luminous poetry of her last years stands as final witness to a lifetime of searching for the mystery embedded in life itself. Through all the vagaries of life and art, her response was that of a "primary wonder." In this illuminating biography, Dana Greene examines Levertov's interviews, essays, and self-revelatory poetry to discern the conflict and torment she both endured and created in her attempts to deal with her own psyche, her relationships with family, friends, lovers, colleagues, and the times in which she lived. Denise Levertov: A Poet's Life is the first complete biography of Levertov, a woman who claimed she did not want a biography, insisting that it was her work that she hoped would endure. And yet she confessed that her poetry in its various forms--lyric, political, natural, and religious--derived from her life experience. Although a substantial body of criticism has established Levertov as a major poet of the later twentieth century, this volume represents the first attempt to set her poetry within the framework of her often tumultuous life.
Denise Levertov

Denise Levertov

Dana Greene

University of Illinois Press
2014
nidottu
Kenneth Rexroth called Denise Levertov (1923–1997) "the most subtly skillful poet of her generation, the most profound, . . . and the most moving." Author of twenty-four volumes of poetry, four books of essays, and several translations, Levertov became a lauded and honored poet. Born in England, she published her first book of poems at age twenty-three, but it was not until she married and came to the United States in 1948 that she found her poetic voice, helped by the likes of William Carlos Williams, Robert Duncan, and Robert Creeley. Shortly before her death in 1997, the woman who claimed no country as home was nominated to be America's poet laureate. Levertov was the quintessential romantic. She wanted to live vividly, intensely, passionately, and on a grand scale. She wanted the persistence of Cézanne and the depth and generosity of Rilke. Once she acclimated herself to America, the dreamy lyric poetry of her early years gave way to the joy and wonder of ordinary life. By the late 1960s and early 1970s, however, her poems began to engage the issues of her times. Vehement and strident, her poetry of protest was both acclaimed and criticized. The end of both the Vietnam War and her marriage left her mentally fatigued and emotionally fragile, but gradually, over the span of a decade, she emerged with new energy. The crystalline and luminous poetry of her last years stands as final witness to a lifetime of searching for the mystery embedded in life itself. Through all the vagaries of life and art, her response was that of a "primary wonder." In this illuminating biography, Dana Greene examines Levertov's interviews, essays, and self-revelatory poetry to discern the conflict and torment she both endured and created in her attempts to deal with her own psyche, her relationships with family, friends, lovers, colleagues, and the times in which she lived. Denise Levertov: A Poet's Life is the first complete biography of Levertov, a woman who claimed she did not want a biography, insisting that it was her work that she hoped would endure. And yet she confessed that her poetry in its various forms--lyric, political, natural, and religious--derived from her life experience. Although a substantial body of criticism has established Levertov as a major poet of the later twentieth century, this volume represents the first attempt to set her poetry within the framework of her often tumultuous life.
Poems of Denise Levertov, 1960-1967

Poems of Denise Levertov, 1960-1967

Denise Levertov

New Directions Publishing Corporation
1984
nidottu
Denise Levertov’s Poems 1960-1967 brings together all of the poetry first published in The Jacob’s Ladder (1961), O Taste and See (1964), and The Sorrow Dance (1967). This new compilation, beginning where her Collected Earlier Poems 1940-1960 (New Directions, 1979) left off, shows both a refining of the poet’s craft and a widening of her concerns.” We are living our whole lives in a state of emergency,” she wrote in 1967. Levertov’s staunch antiwar stand is reflected here in such poems as “Life at War” and “What Were They Like?” with what Kenneth Rexroth called “the special luster of a sensibility that never sacrifices humaneness to intensity.” Side by side with her poetry of protest is that of celebration—“Song for Ishtar,” “Come into Animal Presence,” “ Luxury”—and tolerance for “The Mutes” uttering “those groans men use/passing a woman on the street…to tell her she is female” as well as for “The Ache of Marriage.” Here also are a meditation “During the Eichmann Trial,” “Olga Poems” (a sequence in memoriam), and “Say the Word,” the poet’s first published story.
The Letters of Denise Levertov & William Carlos Williams

The Letters of Denise Levertov & William Carlos Williams

Denise Levertov; Christopher Macgowan; William Carlos Williams

NEW DIRECTIONS PUBLISHING CORPORATION
1998
sidottu
The Letters of Denise Levertov and William Carlos Williams is the most engaging and lively of literary correspondences - at once a portrait of two geniuses the testimony of their remarkable friendship, and a seedbed of ideas about American poetry. With a 1951 fan letter, the young British poet introduced herself to Williams, and by 1959, Williams is congratulating Levertov on her growth: "this book challenge s] me so that I am glad I am not younger.... You have not always written so excellently.... I am going to read these first half-dozen poems - maybe more - until as an old man I have penetrated to where your secret is hid." The letters also chronicle their search (individually and together) for a set of formal poetic principles, a search which culminated for Levertov in 1965, when she coined the term "organic form." The warmth, the directness, the flavorsome individuality of the letters - 34 from Levertov and 42 from Williams - increased with their growing intimacy and mutual regard. Always intriguing, their independent-minded letters, which end with the elder poet's death in 1962, have great piquancy and charm. Denise Levertov herself initiated this project, and was then, in the year before her death, "fascinated to read the exchange." This edition also includes the correspondence between Levertov and Williams's widow Florence. Professor Christopher MacGowan, the noted Williams scholar, contributes a superb introduction and informative annotations throughout.
Denise Levertov Selected Poems

Denise Levertov Selected Poems

Denise Levertov

NEW DIRECTIONS PUBLISHING CORPORATION
2003
nidottu
Culled from two dozen poetry books, and drawing from six decades of her writing life, The Selected Poems of Denise Levertov offers a chronological overview of her great body of work. It is splendid and impressive to have at last a clear, unobstructed view of her ground-breaking poetry--the work of a poet who, as Kenneth Rexroth put it, "more than anyone, led the redirection of American poetry...to the mainstream of world literature." Described by Publishers Weekly as "at once as intimate as Creeley and as visionary as Duncan," Levertov was lauded as "one of the indispensable poets of our language, one of those few writers to whom it is necessary to pay attention" by The Malahat Review. No poet is more overdue for a single accessible volume; no career could be better to have within easy reach.
The Collected Poems of Denise Levertov

The Collected Poems of Denise Levertov

Denise Levertov; Paul A. (EDT) Lacey; Anne (EDT) Dewey

New Directions Publishing Corporation
2013
sidottu
How splendid and impressive to have a complete, clear, and unobstructed view of Denise Levertov at last. Covering more than six decades and including, chronologically, every poem she ever published, Levertov's Collected Poems presents her marvelous, ground breaking work in full.Born in England, Denise Levertov emigrated in 1948 to the United States, where she was acclaimed by Kenneth Rexroth in the New York Times as "the most subtly skillful poet of her generation, the most profound, the most modest, the most moving." A staunch antiwar activist and environmentalist, and the winner of the Robert Frost Medal, the Shelley Memorial Award, and the Lannan Prize, Denise Levertov inspired generations of writers.