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1000 tulosta hakusanalla Edgar G Daylight
Formalism & Intuition in Software Development
Michael a Jackson; Edgar G Daylight
Lonely Scholar
2015
pokkari
Edgar G. Ulmer is perhaps best known today for Detour, considered by many to be the epitome of a certain noir style that transcends its B-list origins. But in his lifetime he never achieved the celebrity of his fellow Austrian and German emigre directors--Billy Wilder, Otto Preminger, Fred Zinnemann, and Robert Siodmak. Despite early work with Max Reinhardt and F. W. Murnau, his auspicious debut with Siodmak on their celebrated Weimar classic People on Sunday, and the success of films like Detour and Ruthless, Ulmer spent most of his career as an itinerant filmmaker earning modest paychecks for films that have either been overlooked or forgotten. In this fascinating and well-researched account of a career spent on the margins of Hollywood, Noah Isenberg provides the little-known details of Ulmer's personal life and a thorough analysis of his wide-ranging, eclectic films--features aimed at minority audiences, horror and sci-fi flicks, genre pictures made in the U.S. and abroad. Isenberg shows that Ulmer's unconventional path was in many ways more typical than that of his more famous colleagues. As he follows the twists and turns of Ulmer's fortunes, Isenberg also conveys a new understanding of low-budget filmmaking in the studio era and beyond.
Edgar G. Ulmer is perhaps best known today for Detour, often considered the epitome of a certain noir style that transcends its B-list origins. But in his lifetime he never achieved the celebrity of fellow Austrian and German émigré directors like Billy Wilder, Otto Preminger, Fred Zinnemann, and Robert Siodmak, and spent most of his career as an itinerant filmmaker earning modest paychecks for films frequently overlooked or forgotten. In this fascinating account of a career spent on the margins of Hollywood, Noah Isenberg sheds new light on little-known details of Ulmer’s personal life and his wide-ranging, eclectic films: features aimed at minority audiences, horror and sci-fi flicks, genre pictures made in the United States and abroad. As he follows the twists and turns of Ulmer’s fortunes, Isenberg shows that Ulmer’s unconventional path was in many ways more typical than that of his more illustrious colleagues, advancing a new understanding of low-budget filmmaking in the studio era and beyond.
Edgar G. Ulmer
Lexington Books
2008
sidottu
Edgar G. Ulmer: Detour on Poverty Row illuminates the work of this under-appreciated film auteur through 21 new essays penned by a range of scholars from around the globe. Ulmer, an immigrant to Hollywood who fell from grace in Tinseltown after only one studio film, became one of the reigning directors of Poverty Row B-movies. Structured in four sections, Part I examines various contexts important to Ulmer's career, such as his work at the Producers Releasing Corporation (PRC), and his work in exploitation films and ethnic cinema. Part II analyzes Ulmer's film noirs, featuring an emphasis on Detour (1945) and Murder Is My Beat (1955). Part III covers a variety of Ulmer's individual films, ranging from Bluebeard (1944) and Carnegie Hall (1947) to The Man from Planet X (1951) and Daughter of Dr. Jekyll (1957). Part IV concludes the volume with a case study of The Black Cat (1934), offering three different analyses of Ulmer's landmark horror film.
Edgar G. Ulmer
Lexington Books
2009
nidottu
Edgar G. Ulmer: Detour on Poverty Row illuminates the work of this under-appreciated film auteur through 21 new essays penned by a range of scholars from around the globe. Ulmer, an immigrant to Hollywood who fell from grace in Tinseltown after only one studio film, became one of the reigning directors of Poverty Row B-movies. Structured in four sections, Part I examines various contexts important to Ulmer's career, such as his work at the Producers Releasing Corporation (PRC), and his work in exploitation films and ethnic cinema. Part II analyzes Ulmer's film noirs, featuring an emphasis on Detour (1945) and Murder Is My Beat (1955). Part III covers a variety of Ulmer's individual films, ranging from Bluebeard (1944) and Carnegie Hall (1947) to The Man from Planet X (1951) and Daughter of Dr. Jekyll (1957). Part IV concludes the volume with a case study of The Black Cat (1934), offering three different analyses of Ulmer's landmark horror film.
Edgar G. Ulmer
McFarland Co Inc
2009
pokkari
This collection of 20 essays pays homage to a filmmaker who had a reputation for delivering the most movie for the least money. Edgar G. Ulmer, nicknamed "The King of the Bs" and "The King of Poverty Row," gave us classics like The Black Cat, starring Bela Lugosi. His stealing away the wife of a producer led to exile from Hollywood and, working outside the studio system and with low budgets, he turned out film noir, science fiction, and ethnic films that achieved cult status and critical acceptance.
Edgar G. Frog on the LAKE OF COLORS: Pray and Learn Colors
Linda D. Washington
Products Activities for Christian Education
2017
nidottu
Edgar G. Frog and the Yellow Paint
Linda D Washington
Products and Activities for Christian Ed.
2019
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Edgar G. Frog in the FOREST OF SHAPES
Linda D Washington
Products and Activities for Christian Education (Pace) Ltd.
2024
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Come go with Edgar G Frog on an adventure in the FOREST OF SHAPES READ THE STORY SING THE SONG PRAY AND PLAY THE GAMEHAVE FUN .Watch and Listen as Edgar G Frog meets new friends.Discover how Edgar G overcomes his fear, Children can learn scripture and understand that God hears their prayers. Children can play the game (located at the back of the book) to identify shapes and help Edgar G Frog through the Forest of Shapes.
Edgar G. Frog in the VALLEY OF NUMBERS
Linda D Washington
Products and Activities for Christian Education (Pace) Ltd.
2024
pokkari
The VALLEY OF NUMBERS STORY AND GAME can help strengthen skills and understanding in how to: Pray to heavenly FatherTrust JesusRecognize NumbersFollow Directions, and moreEdgar G Frog takes an adventure through the VALLEY OF NUMBERS, The book purposes to help children learn prayer, recognize numbers, count, and sing in a fun and exciting way. Children can hear, see and learn how Edgar G tells his new friend who God is, and how to pray.The interactive game, located at the back of the book, is created to help your child count and recognize numbers.
Edgar G. Frog on ALPHABET MOUNTAIN
Linda D Washington
Products and Activities for Christian Education (Pace) Ltd.
2024
pokkari
ALPHABET MOUNTAIN STORY AND GAME CAN HELP YOU TEACH: PRAYERFORGIVENESSLETTER RECOGNITIONPRAYER SONGThe story ALPHABET MOUNTAIN shows our delightful friend, Edgar G Frog, in a situation in which he wants to get revenge. But his trick backfires Now he has to decide if he will forgive. Children can hear what Edgar G prays to get the help he needs to forgive and learn the letters in the alphabet.
The Films of Edgar G. Ulmer
Scarecrow Press
2009
nidottu
Considered the "King of Poverty Row," Edgar G. Ulmer (1904-1972) was an auteur of B productions. A filmmaker with an individual voice, Ulmer made independent movies before that category even existed. From his early productions like The Black Cat (1934) and Yiddish cinema of the late 1930s to his final films of the late 1950s and early 1960s, Ulmer created enduring works within the confines of economic constraints. Almost forgotten, Ulmer was rediscovered first in the 1950s by the French critics of the Cahiers du Cinema and then in the early 1970s by young American directors, notably Peter Bogdanovich. But who was Edgar G. Ulmer? The essays in this anthology attempt to shed some light on the director and the films he created—films that are great possibly because of, rather than despite, the many restrictions Ulmer endured to make them. In The Films of Edgar G. Ulmer, Bernd Herzogenrath has assembled a collection of essays that pay tribute to Ulmer's work and focus not only on his well-known films, including Detour, but also on rare gems such as From Nine to Nine and Strange Illusion. In addition to in-depth analyses of Ulmer's work, this volume also features an interview with Ulmer's wife and an interview Ulmer gave in 1965, in which he comments on actors Bela Lugosi and Boris Karloff, as well as fellow directors Tod Browning and James Whale.
Lameco Eskrima: The Legacy of Edgar G. Sulite
Tambuli Media
2014
nidottu
In the art of Eskrima, few names stand out like the late Edgar Sulite's. He dedicated his life to mastering the art of Eskrima and put his reputation on the line, taking challenges for money and honor. He earned the confidence of a collection of legendary grandmasters of the day, and earned the mutual respect of his era's newest masters. When Sulite came to the United States he took the country-and then the world-by storm. In this unique book, Guro David E. Gould recounts the life, the art and the legacy of Punong Guro Edgar G. Sulite and his Lameco Eskrima system. Broken down into 10 distinct chapters, Lameco Eskrima: The Legacy of Edgar Sulite, presents the evolution of a fighter and his art, from his early days in Tacloban City and Ozamis City, through his middle period in Manila, and finally his later years in the United States. Additionally, the book delves deep into the Lameco Eskrima system and the reader will learn a great deal about the 5 major influences credited with the creation of Lameco Eskrima. Primarily, Sulite Rapelon (GM Helacrio Sulite Sr.), De Campo 1-2-3 Orehenal (GM Jose D. Caballero / Mang Eric Olavides), Pekiti-Tirsia Kali (Tuhon Leo T. Gaje Jr.), Modernos Largos (GM Jesus Abella / GM Pablicito Cabahug) and Kalis Ilustrisimo (GM Antonio "Tatang" Ilustrisimo). These systems and there Grand Masters are heavily delved into to reveal much about their methodologies and training ideology, identifying some of the more important lessons which Punong Guro Edgar G. Sulite took away from them during his astute training over a period of numerous years.
Robert Siodmak, Edgar G. Ulmer: MENSCHEN AM SONNTAG
Heike Klapdor
Edition Text + Kritik
2025
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