Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Edna Newbury
Melissa Boston's Edna is an inventive exploration of the pastoral mode that pulls from different sources of art and literature to construct a narrative about connection and wanting, love and failure, as well as acceptance. With three distinct speakers, the collection begins with an invoking of the title's only named speaker, and the reader is taken on an odyssey of a failed relationship that spans from the Hawaiian Islands to the Midwest. But with a lyrical tenderness, beauty is found in the ruins of these intimate moments, and the conversations that art and literature have with our lives is continued in a new paradigm of our interpreting and understanding of moments and places we inhabit.
This book can be of help to children who suffer from a variety of difficulties - grief, loss, anxiety, bullying, shyness, recent immigration, or other trauma. It can also be beneficial for adults who are coping with adversity. In short, this is a book about hope, healing and resilience.
A centenary edition of the work of an acclaimed American lyric poet is accompanied by an updated author biography, a history of the original book's publication, and an assessment of the poet's work. Reprint. 15,000 first printing.
Edna Ferber's Hollywood reveals one of the most influential artistic relationships of the twentieth century-the four-decade partnership between historical novelist Edna Ferber and the Hollywood studios. Ferber was one of America's most controversial popular historians, a writer whose uniquely feminist, multiracial view of the national past deliberately clashed with traditional narratives of white masculine power. Hollywood paid premium sums to adapt her novels, creating some of the most memorable films of the studio era-among them Show Boat, Cimarron, and Giant. Her historical fiction resonated with Hollywood's interest in prestigious historical filmmaking aimed principally, but not exclusively, at female audiences. In Edna Ferber's Hollywood, J. E. Smyth explores the research, writing, marketing, reception, and production histories of Hollywood's Ferber franchise. Smyth tracks Ferber's working relationships with Samuel Goldwyn, Leland Hayward, George Stevens, and James Dean; her landmark contract negotiations with Warner Bros.; and the controversies surrounding Giant's critique of Jim-Crow Texas. But Edna Ferber's Hollywood is also the study of the historical vision of an American outsider-a woman, a Jew, a novelist with few literary pretensions, an unashamed middlebrow who challenged the prescribed boundaries among gender, race, history, and fiction. In a masterful film and literary history, Smyth explores how Ferber's work helped shape Hollywood's attitude toward the American past.
Selected Poems of Edna St. Vincent Millay
Edna St. Vincent Millay
YALE UNIVERSITY PRESS
2022
pokkari
This beautifully produced first annotated edition of Edna St. Vincent Millay’s oeuvre re-presents the work of the Jazz Age’s most famous poet More than sixty years after her death, the Pulitzer Prize–winning poet Edna St. Vincent Millay continues to captivate new generations of readers. The twentieth-century American author was catapulted to fame after the publication of Renascence, her first major work and a poem written while she was still a teenager. Millay’s frank attitude toward sexuality—along with immortal lines such as “My candle burns at both ends”—solidified her reputation as the quintessential liberated woman of the Jazz Age. In this authoritative volume, Timothy F. Jackson has compiled and annotated a new selection that represents the full range of her published work alongside previously unpublished manuscript excerpts, poems, prose, and correspondence. The poems, appearing as they were printed in their first editions, are complemented by Jackson’s extensive, illuminating notes that draw on archival sources and help situate her work in its historical and literary context. Two introductory essays—one by Jackson and the other by Millay’s literary executor, Holly Peppe—also help critically frame the poet’s work. This deluxe edition will be cherished by readers who continue to study and enjoy the work of this iconic figure.
The Selected Poetry of Edna St. Vincent Millay
Edna St. Vincent Millay
Modern Library Inc
2002
pokkari
Edna Webster Collection Of Undiscovered Writing, The
Richard Brautigan
Houghton Mifflin (Trade)
1999
nidottu
On the eve of his departure from Eugene, Oregon, to San Francisco and worldly success, a twenty-one-year-old unpublished write named Richard Brautigan gave these funny, buoyant stories and poems as a gift to Edna Webster, the beloved mother of both his best fried and his first "real" girlfriend. "When I am rich and famous, Edna," he told her, "this will be your social security.' The stories and poems show Brautigan as hopelessly lovestruck, cheerily goofy, and at his most disarmingly innocent. We see not only a young man and young artist about to bloom, but also the whole literary sensibility of the 1960s counterculture about to spread its wings and fly.
Edna Harrington Or The Daughter's Influence In The Home Circle
American Tract Society (EDT)
Kessinger Pub
2007
pokkari
Since the publication of her debut novel The Country Girls in 1960, Edna O’Brien has experimented with an impressive range of forms and genres. Her most recent trilogy, completed in 1999 with the publication of Wild Decembers, focuses on issues surrounding contemporary Ireland such as terrorism, decolonisation and abortion law. Concentrating mainly on the novels from 1960 to the present day Amanda Greenwood contests critical perceptions of O’Brien as a narrow chronicler of women’s inner lives, arguing that O’Brien’s writings are not only radical but deeply revealing of the position of women under patriarchy in Ireland and beyond; the later texts suggest the need for revisions of the social and symbolic orders. Drawing on ‘French’ feminism, gender issues, Irish studies and ecocriticism, Greenwood explores O’Brien’s representations and deconstruction of ‘femininity’, ‘masculinity’ and ‘Irishness'.
Since the publication of her debut novel The Country Girls in 1960, Edna O’Brien has experimented with an impressive range of forms and genres. Her most recent trilogy, completed in 1999 with the publication of Wild Decembers, focuses on issues surrounding contemporary Ireland such as terrorism, decolonisation and abortion law. Concentrating mainly on the novels from 1960 to the present day Amanda Greenwood contests critical perceptions of O’Brien as a narrow chronicler of women’s inner lives, arguing that O’Brien’s writings are not only radical but deeply revealing of the position of women under patriarchy in Ireland and beyond; the later texts suggest the need for revisions of the social and symbolic orders. Drawing on ‘French’ feminism, gender issues, Irish studies and ecocriticism, Greenwood explores O’Brien’s representations and deconstruction of ‘femininity’, ‘masculinity’ and ‘Irishness'.
These funny stories about an entertaining elephant are just right for new readers.Contains:Edna DancesEdna's FlowersEdna's New CoatEdna Bakes Cookies
From the 1910s to the 1950s, Edna Ferber (1885--1968) published a series of bestselling novels that made her one of Doubleday's highest-paid authors, earned her a Pulitzer Prize for Fiction in 1925, and transformed her into a literary celebrity. She hosted dinner parties covered by the New York Times, lunched at the Algonquin Round Table with Dorothy Parker and Alexander Woollcott, and collaborated with George S. Kaufman on hit plays such as Dinner at Eight and Stage Door. In Edna Ferber's America, Eliza McGraw provides the first in-depth critical study of the author's novels, exploring their innovative portrayals of characters from a diverse range of ethnicities and social classes.Best remembered today for the movies and musicals adapted from her works -- including classics like Giant and Show Boat -- Ferber attracted a devoted readership during her lifetime with engaging storylines focused on strong-willed individuals reshaping their lives, set amid a panorama of regional landscapes. McGraw reveals that Ferber's novels convey a broad, nuanced vision of the United States as a multiethnic country.Framing her study with the theme of ethnic unease and insecurity, McGraw performs close readings of twelve Ferber novels: Dawn O'Hara (1911), Fanny Herself (1917), The Girls (1921), So Big (1924), Show Boat (1926), Cimarron (1929), American Beauty (1931), Come and Get It (1935), Saratoga Trunk (1941), Great Son (1945), Giant (1952), and Ice Palace (1958). McGraw explores the entwined topics of racial mixing and class as she argues that in Ferber's America, ethnic and social mobility challenge the reigning order, creating places that foster vitality and promise hope for the future.
It has become the fashion among novelists to introduce their hero in knee pants, their heroine in pinafore and pigtails. Time was when we were rushed up to a stalwart young man of twenty-four, who was presented as the pivot about whom the plot would revolve. Now we are led, protesting, up to a grubby urchin of five and are invited to watch him through twenty years of intimate minutiae. In extreme cases we have been obliged to witness his evolution from swaddling clothes to dresses, from dresses to shorts (he is so often English), from shorts to Etons. With which modest preamble you are asked to be patient with Miss Fanny Brandeis, aged thirteen. Not only must you suffer Fanny, but Fanny's mother as well, without whom there could be no understanding Fanny. For that matter, we shouldn't wonder if Mrs. Brandeis were to turn out the heroine in the end. She is that kind of person.
The Woman Who Tried to Be Good and Other Stories by Edna Ferber, Fiction, Literary
Edna Ferber
WILDSIDE PRESS
2004
pokkari
Before she tried to be a good woman she had been a very bad woman' so bad that she could trail her wonderful apparel up and down Main Street, from the Elm Tree Bakery to the railroad tracks, without once having a man doff his hat to her or a woman bow. You passed her on the street with a surreptitious glance, though she was well worth looking at' in her furs and laces and plumes. She had the only full-length mink coat in our town, and Ganz's shoe store sent to Chicago for her shoes. Hers were the miraculously small feet you frequently see in stout women. Also includes "The Gay Old Dog," "That's Marriage," "Farmer in the Dell," "Un Morso doo Pang," "Long Distance," "The Maternal Feminine."
Edna Andrade
University of Pennsylvania Press
2015
sidottu
One of the foremost artists to emerge in Philadelphia in the 1960s, Edna Andrade (1917-2008) is now recognized as an early leader in the Op Art movement. Characterized by pulsating patterns, vivid colors, and a visual immediacy that surpasses narrative meaning, her work explores symmetry and rhythm through geometric design and structures inspired by nature. Andrade sought to create "democratic art" that dispensed with the need for elite aesthetic education or intricate explanations. As a result, her accessible and appealing compositions were often repurposed for commercial art and political campaigns. Edna Andrade takes a comprehensive look at the full range of Andrade's work, from her early surreal and figurative landscapes, through several decades of Bauhaus-inspired design and the distinctive geometric patterns of Op Art, to her late-life quasi-abstract studies of the Atlantic coastline. Accompanied by 170 illustrations, including full-color reproductions as well as photographs, drawings, sketches, and notes, the essays situate Andrade's work in the context of movements that surfaced in the United States in the 1960s, such as Minimalism and Pop Art. The first book-length study of her career as an artist and teacher, Edna Andrade examines the aesthetic influences, creative development, and enduring legacy of this dynamic twentieth-century artist. Contributors: Debra Bricker Balken, Joe Houston
Edna St. Vincent Millay
UNIVERSITY OF MINNESOTA PRESS
1967
nidottu
Edna St. Vincent Millay was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Oregon's Abigail Scott Duniway was the Northwest's most influential advocate for women's rights, whose two newspapers, the New Northwest and the Pacific Empire, rallied suffragists in the late nineteenth century.Duniway originally published Edna and John serially in the New Northwest in 1876 and 1877. It is presented here in book form for the first time. The story of a married couple, Edna and John Smith, who move to southern Idaho in the 1860s during the gold mining frenzy, this atypical western underscores women's struggles in an era when social and legal codes empowered only men. Abigail Scott Duniway was a luminary in the fight for women's rights, and her serialized novels played a significant role in the enfranchisement of women in the West. Even today Edna and John serves to encourage readers to challenge injustice and sexual inequality, and to appreciate the courage and determination of the pioneer suffragists.Edna and John is an enticing western tale that reads well for its adventure, its convincing re-creation of the way life really was in much of the West, and its humanistic appeal.Editor Debra Shein reveals the "story behind the story" in her insightful addenda to the book, and provides an expanded panorama of the life and times of Abigail Scott Duniway.