M. Kanne bryter med familien i København og flytter til Stavanger sommeren 1889. Her forelsker han seg i Sina og drømmer om å starte et liv som fotograf med eget studio. Dette er den første boka om familien Kanne.
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1000 tulosta hakusanalla Einar O. Risa
Etter farens død har Anna Kanne overtatt fotografstudioet M. Kanne & Søn i Kongsgaten. Igjen er alle søsknene samlet i Stavanger. 1920 er passert og man beveger seg inn i en oppgangstid preget av tekniske nyvinninger, deriblant radioapparatet. Yngstemann Søren Kanne følger med i utviklingen. Fremsynte forretningsmenn investerer i aksjer. Så stuper New York-børsen i oktober 1929, og finanskrisen forplanter seg raskt til Norge. Andre verdenskrig bryter ut. Jøder fra Stavanger skal sendes i konsentrasjonsleir. I Stavanger-avisene annonserer man i 1943 for auksjoner av jødiske eiendeler. Dette er den andre boka om familien Kanne.
M. Kanne & Søn 1980-2006 er den fjerde og siste boken i Einar O. Risas romankvartett om familien Kanne. En sommerdag i 1889 ankommer M. Kanne Stavanger med sitt Goecker-kamera i kofferten. Første januar 2000 fyller hans sønn, Søren, 100 år. Han har nettopp kjøpt seg sitt første digitalkamera. Men låst i et glasskap står også alle de andre, et gammelt Kodak, et par Leica-er, et Graflex og et svart Hasselblad, og overalt i huset i Kongsgata henger det fotografier, et helt århundre i fotografier. Hvilken historie forteller egentlig disse? M. Kanne & Søn 1980-2006 avslutter Einar O. Risas romankvartett om familien Kanne.
Noko O Ippotis: Poios Eínai O Thisavrós Tis Fylís Sas; Poios Eínai O Thisavrós Tis Fylís Sas;
Eleni Theodorou
Telling Tales Publications LLC
2018
nidottu
O N ko kai oi f loi tou tr choun viastik xo ap tin t xi tou Fysiko Nychterino Schole ou, ste na apol fsoun ta n stima mesimerian g vmata, pou tous prom thefsan oi gone s tous. Kath s ano goun kai xetyl goun ta g vmata aft kai vl pontas to g vma tou Mampo ntou (entomof go thilastik ), g netai saf s stous f lous tou d sous, ti chi m no apolamv noun pol diaforetik s g fseis, all fa nontai kai entel s diaforetik s, afo oi oikog nei s tous k noun pr gmata me entel s diaforetik tr po. Aft tous prokale kai odige ton N ko sti dier vnisi tou ti k nei k the m a ap ti fyl tous, t so monadik kai idia teri.
This comical science fiction fantasy, written in the 1930s, offers a historical critique of politics, economics, social pretension, and globalization. The novel is the third in the Cuanduine trilogy, a series of science fiction works that challenge the "Procrustean remedy"--the adaptation of society to the paid employment system--and cite modern capitalism as the root of society's problems. In this volume Cuanduine, the mythical hero of this trilogy who is brought to earth to right the wrongs perpetrated by capitalists, turns his fury against the media, mainstream economists, and ordinary people who seek narrow, short-term, self-interested ends.
Originally published in 1926, King Goshawk and the Birds is the first installment of O’Duffy’s Cuanduine trilogy, which also included The Spacious Adventures of the Man in the Street (1928) and Asses in Clover (1933), all set to be published by Dalkey Archive in the near future. Set in a future world devastated by the development of capitalism, King Goshawk concerns the eponymous tyrant’s attempt to buy all of the wildflowers and songbirds in Ireland, and the attempt by a Dublin philosopher as well as a number of mythical heroes of Irish tradition to stop him.
Strategische Führung Aus Einer 4.O-Vision in Öffentlichen Unternehmen
Seudy Basanta
Verlag Unser Wissen
2025
pokkari
Krümmel, O: Versuch einer vergleichenden Morphologie der Mee
Antigonos Verlag
2024
nidottu
Krümmel, O: Versuch einer vergleichenden Morphologie der Mee
Antigonos Verlag
2024
sidottu
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
