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1000 tulosta hakusanalla Elizabeth Robins; C. Allan (INT) Gilbert
The Magnetic North
Elizabeth Robins (C E. Raimond)
Createspace Independent Publishing Platform
2017
nidottu
The Open Question A Tale of Two Temperatures
Elizabeth Robins (C E. Raimond)
Createspace Independent Publishing Platform
2017
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Becoming America
John Demos; Jonathan Fielding; Karin Fielding; Robin Jaffee Frank; Stacy C Hollander; Christina Nielsen; Sumpter Priddy; Elizabeth V. Warren; David Wheatcroft
Yale University Press
2020
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Celebrating two collectors’ passion for Americana and the window it provides into the everyday beauty of the pastBecoming America offers a multifaceted view of one of the foremost collections of 18th- and 19th-century American folk and decorative art from the rural Northeast. Essays by leading specialists discuss the culture of furniture workshops, exuberant painted decoration, techniques of sewing and quilting, and poignant stories about the families depicted in the portraits. The collection itself includes Shaker boxes, a beaded Iroquois hat, embroidered samplers, metalwork, scrimshaw, handwoven rugs, ceramics, and a weather vane. The majority of these works have never before been published. With lively essays and profuse illustrations, this handsome volume brings to life the aesthetic of early Americans living in the countryside and is an essential exploration of the period’s taste and style.Distributed for The Huntington Library, Art Collections, and Botanical GardensExhibition Schedule:The Huntington Library, Art Collections, and Botanical Gardens, San Marino, CA (October 22, 2016–ongoing)
Beautiful and talented, versatile and charismatic, Elizabeth Robins was one of the foremost actresses of her day. Yet, this enduring character was also an active and lifelong feminist. This biography examines Elizabeth's historical identity and provides a study of the social culture surrounding a woman who lived a life in the spotlight.
Robins's writing on behalf of women's rights issues in the first quarter of the twentieth century represents an important contribution to feminist politics. While buoyed by her early success as an actor, Elizabeth Robins began writing fiction that treated the feminist issues of her time: organized prostitution, women's positions in war-torn England, and the dangers of rearmament. In her acting, writing, and political activism, she consistently challenged existing roles for women. Robins published several novels under the pseudonym C. E. Raimond, culminating in the sensational male-female bildungsroman, The Open Question: A Tale of Two Temperaments, set in her native Zanesville, Ohio, the publication of which finally disclosed her identity. Robins' work is marked by a number of true-life components and Elizabeth Robins, 1862–1952 is the first biography to use the vast collection of her private papers to demonstrate how Robins transformed her own life into literary and dramatic capital.
Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism
Kimberly Morse Jones
Routledge
2018
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Mining various archives and newspaper repositories, Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism provides the first full-length study of a remarkable woman and heretofore neglected art critic. Pennell, a prolific 'New Art Critic', helped formulate and develop formalist methodology in Britain at the end of the nineteenth century, which she applied to her mostly anonymous or pseudonymous reviews published in numerous American and British newspapers and periodicals between 1883 and 1923. A bibliography of her art criticism is included as an appendix. In addition to advocating an advanced way in which to view art, Pennell used her platform to promote the work of ’new’ artists, including Édouard Manet and Edgar Degas, which had only recently been introduced to British audiences. In particular, Pennell championed the work of James McNeill Whistler for whom she, along with her husband, the artist Joseph Pennell, wrote a biography. Examination of her contributions to the late Victorian art world also highlights the pivotal role of criticism in the production and consumption of art in general, a point which is often ignored.
Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism
Kimberly Morse Jones
Routledge
2015
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Mining various archives and newspaper repositories, Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism provides the first full-length study of a remarkable woman and heretofore neglected art critic. Pennell, a prolific 'New Art Critic', helped formulate and develop formalist methodology in Britain at the end of the nineteenth century, which she applied to her mostly anonymous or pseudonymous reviews published in numerous American and British newspapers and periodicals between 1883 and 1923. A bibliography of her art criticism is included as an appendix. In addition to advocating an advanced way in which to view art, Pennell used her platform to promote the work of ’new’ artists, including Édouard Manet and Edgar Degas, which had only recently been introduced to British audiences. In particular, Pennell championed the work of James McNeill Whistler for whom she, along with her husband, the artist Joseph Pennell, wrote a biography. Examination of her contributions to the late Victorian art world also highlights the pivotal role of criticism in the production and consumption of art in general, a point which is often ignored.
Elizabeth Robins Pennell
Edinburgh University Press
2021
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An edited collection of interdisciplinary essays on the work of Elizabeth Robins Pennell, the American-born, London-based journalist, author, and aesthete who published (or co-published) over twenty books and a thousand periodical articles between the early 1880s and 1930. Pennell was a pioneer in the emerging field of cycle-touring literature, an important voice in late Victorian art criticism, an authority on James McNeill Whistler, a highly original food writer, and an accomplished biographer. This collection of essays, the first of its kind on Pennell, feature contributions from critics of English literature, art history, food writing, and American Studies. The volume furthers the rediscovery of a forgotten but significant voice in late Victorian letters and makes possible a new wave of Pennell scholarship.
Elizabeth Robins Pennell
EDINBURGH UNIVERSITY PRESS
2023
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A rediscovery of the writings and life of Elizabeth Robins Pennell Twelve essays covering the broad range of Pennell's diverse writing career and interests Interdisciplinary contributions, from critics in English literature, art history, food writing, and American studies A transatlantic perspective on a transatlantic figure, featuring contributions from both North American and UK contributors Critical discussion of several Pennell texts that have never been written about (outside of contemporary reviews), including her Life of Mary Wollstonecraft, Our Sentimental Journey, To Gipsyland, and The Lovers An edited collection of interdisciplinary essays on the work of Elizabeth Robins Pennell, the American-born, London-based journalist, author, and aesthete who published (or co-published) over twenty books and a thousand periodical articles between the early 1880s and 1930. Pennell was a pioneer in the emerging field of cycle-touring literature, an important voice in late Victorian art criticism, an authority on James McNeill Whistler, a highly original food writer, and an accomplished biographer. This collection of essays, the first of its kind on Pennell, feature contributions from critics of English literature, art history, food writing, and American Studies. The volume furthers the rediscovery of a forgotten but significant voice in late Victorian letters and makes possible a new wave of Pennell scholarship.
A vindication of the rights of woman. By: Mary Wollstonecraft and Elizabeth Robins Pennell
Elizabeth Robins Pennell; Mary Wollstonecraft
Createspace Independent Publishing Platform
2017
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Our Philadelphia (1914). By: Elizabeth Robins Pennell: Illustrated By: Joseph Pennell (July 4, 1857 - April 23, 1926) was an American artist and autho
Joseph Pennell; Elizabeth Robins Pennell
Createspace Independent Publishing Platform
2018
nidottu
Elizabeth Robins Pennell (February 21, 1855 - February 7, 1936) was an American writer who, for most of her adult life, made her home in London. A recent researcher summed her up as "an adventurous, accomplished, self-assured, well-known columnist, biographer, cookbook collector, and art critic"; in addition, she wrote travelogues, mainly of European cycling voyages, and memoirs, centred on her London salon. Her biographies included the first in almost a century of the proto-feminist Mary Wollstonecraft, one of her uncle the folklorist Charles Godfrey Leland, and one of her friend the painter Whistler. In recent years, her art criticism has come under scrutiny, and her food criticism has been reprinted. Early life She grew up in Philadelphia. Her mother died when she was very young, and she was sent away to a convent school from the ages of 8 to 17. When she returned to her father's home, he had remarried, and she was bored with the demands and restrictions of being a proper Catholic young lady. She wanted to work, and, with the encouragement of her uncle, the writer and folklorist Charles Godfrey Leland, she took up writing as a career. She started with articles in periodicals such as Atlantic Monthly, and through this work she met a young Quaker artist named Joseph Pennell, who had also had to face down parental disapproval to pursue his creative calling. This began a fruitful collaboration between writer and illustrator................... Joseph Pennell (July 4, 1857 - April 23, 1926) was an American artist and author.Born in Philadelphia, and first studied there, but like his compatriot and friend, James McNeill Whistler, he afterwards went to Europe and made his home in London. Joseph Pennell had many etchings that depicted historic landmarks in the city of Philadelphia. His etching of Wakefield- Fisher's Lane was created in 1882. This was the mansion of William Logan Fisher which was standing until 1985. It would have been located on the corner of Ogontz and Lindley Avenues near La Salle University's St. Basil Court. 1] He wrote and illustrated an anti-Semitic travel book, The Jew at Home: Impressions of a Summer and Autumn Spent with Him (D. Appleton: New York, 1892), based on his travels in Europe. In his preface he writes, "I am neither a Jew hater nor a Jew lover," but he describes "the Austro-Hungarian or Russian Jew as] the most contemptible specimen of humanity in Europe...dreaded by the peasant...loathed by people of every religion," he describes the typical Polish Jewish town as "a hideous nightmare of dirt, disease, and poverty; and...all this disease and ugliness is in a large measure the outcome of their own habits and way of life," and later he says of Russian Jews, "They like dirt; they like to herd together in human pigsties;...they like to make money out of the immorality of the Christian. They are simply a race of middlemen and money-changers." 2] He produced numerous other books (many of them in collaboration with his wife, Elizabeth Robins Pennell), but his chief distinction is as an original etcher and lithographer, and notably as an illustrator. Their close acquaintance with Whistler led the Pennells to undertake a biography of that artist in 1906, and, after some litigation with his executrix on the right to use his letters, the book was published in 1908...................
