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1000 tulosta hakusanalla Enrique Walker

Enrique Walker: El diccionario de ideas recibidas / The Dictionary of Received Ideas
Este ARQDOCS re ne dos entrevistas a Enrique Walker sobre los talleres que ha impartido en Columbia GSAPP durante los ltimos 15 a os. La primera trata sobre una serie de talleres realizados bajo constricciones autoimpuestas con el fin de expandir el campo de trabajo del arquitecto. Bajo Constricci n (2003-2006) fue una serie consecutiva de diez talleres de proyecto que examin el uso de restricciones autoimpuestas en el dise o arquitect nico. La arquitectura, por definici n sometida a un r gimen de fuerzas externas, en gran medida ha ignorado estas restricciones como herramienta cr tica, a diferencia de la literatura o el cine. Y la segunda El Diccionario de Ideas Recibidas (2006-2015), trata sobre el proyecto de una d cada, cuyo objetivo era examinar las ideas recibidas en la cultura arquitect nica contempor nea; es decir, aquellas estrategias de dise o que agotaron su intensidad original debido a su recurrencia y aquellas que sobrevivieron a los problemas de dise o que originalmente abordaron bel registro de los clich s en el mbito de la arquitectura contempor nea, para posteriormente utilizarlos como herramientas de proyecto. This ARQDOCS gathers two interviews with Enrique Walker about the studios he has taught at Columbia GSAPP during the last 15 years. The first, 'Under Constraint' (2003-2006), was a series of ten consecutive design studios that examined the use of self-imposed constraints in architectural design. Subjected by definition to a regime of external forces, architecture has by and large disregarded self-imposed constraints as a critical tool, unlike literature or film. Given the abundance of restrictions in architectural practice, and the assumption that design problems are granted, constraints have with few exceptions been either dismissed as obstacles to the imagination, or accepted as requirements to be met. Architectural practice often embraces voluntary constraints when involuntary constraints are weak, though still masking them as external forces, and, in so doing, hindering their potential as a tool. And the second 'The Dictionary of Received Ideas' (2006-2015) was a decade-long project, whose aim was to examine received ideas in contemporary architecture culture; that is, those design strategies that exhausted their original intensity due to recurrence, and those that outlived the design problems they originally addressed. This series of architecture studios and theory seminars proposed to detect and record received ideas prevalent in the field of architecture over the previous decade, both in the professional and academic realms, as a means to ultimately open up otherwise precluded possibilities for architectural design and architectural theory.
The Ordinary – Recordings

The Ordinary – Recordings

Rem Koolhaas; Denise Scott Brown; Yoshiharu Tsukamoto; Enrique Walker

Columbia Books on Architecture and the City
2018
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Since the beginning of the century, the field of architecture has fervently turned its attention to documenting the contemporary urban condition. Every city been has been examined as a repository of architectural concepts, scrutinized as an urban manifesto, and recorded as a series of found objects. The Ordinary articulates a potential genealogy for this practice and for the genre of books derived from it. Organized around conversations with the authors of three seminal texts that document the city-Denise Scott Brown's Learning from Las Vegas (1972), Rem Koolhaas's Delirious New York (1978), and Yoshiharu Tsukamoto's Made in Tokyo (2001)-this volume traces the history of these "books on cities" by examining the material they recorded, the findings they established, the arguments they advanced, and the projects they promoted. These conversations also question the assumptions underlying this practice and whether in its ubiquity it still remains a space of opportunity.
Antagonistic Tolerance

Antagonistic Tolerance

Robert M. Hayden; Aykan Erdemir; Tugba Tanyeri-Erdemir; Timothy D. Walker; Devika Rangachari; Manuel Aguilar-Moreno; Enrique López-Hurtado; Milica Bakic-Hayden

Routledge
2019
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Antagonistic Tolerance examines patterns of coexistence and conflict amongst members of different religious communities, using multidisciplinary research to analyze groups who have peacefully intermingled for generations, and who may have developed aspects of syncretism in their religious practices, and yet have turned violently on each other. Such communities define themselves as separate peoples, with different and often competing interests, yet their interaction is usually peaceable provided the dominance of one group is clear. The key indicator of dominance is control over central religious sites, which may be tacitly shared for long periods, but later contested and even converted as dominance changes. By focusing on these shared and contested sites, this volume allows for a wider understanding of relations between these communities. Using a range of ethnographic, historical and archaeological data from the Balkans, India, Mexico, Peru, Portugal and Turkey, Antagonistic Tolerance develops a comparative model of the competitive sharing and transformation of religious sites. These studies are not considered as isolated cases, but are instead woven into a unified analytical framework which explains how long-term peaceful interactions between religious communities can turn conflictual and even result in ethnic cleansing.
Antagonistic Tolerance

Antagonistic Tolerance

Robert M. Hayden; Aykan Erdemir; Tugba Tanyeri-Erdemir; Timothy D. Walker; Devika Rangachari; Manuel Aguilar-Moreno; Enrique López-Hurtado; Milica Bakic-Hayden

Routledge
2016
sidottu
Antagonistic Tolerance examines patterns of coexistence and conflict amongst members of different religious communities, using multidisciplinary research to analyze groups who have peacefully intermingled for generations, and who may have developed aspects of syncretism in their religious practices, and yet have turned violently on each other. Such communities define themselves as separate peoples, with different and often competing interests, yet their interaction is usually peaceable provided the dominance of one group is clear. The key indicator of dominance is control over central religious sites, which may be tacitly shared for long periods, but later contested and even converted as dominance changes. By focusing on these shared and contested sites, this volume allows for a wider understanding of relations between these communities. Using a range of ethnographic, historical and archaeological data from the Balkans, India, Mexico, Peru, Portugal and Turkey, Antagonistic Tolerance develops a comparative model of the competitive sharing and transformation of religious sites. These studies are not considered as isolated cases, but are instead woven into a unified analytical framework which explains how long-term peaceful interactions between religious communities can turn conflictual and even result in ethnic cleansing.
Enrique Granados

Enrique Granados

Clark Walter Aaron

Oxford University Press Inc
2005
sidottu
Enrique Granados (1867-1916) is best known for his music inspired by the art of Francisco Goya, especially the monumental Goyescas suite for solo piano. This biography examines Granados's life and music in the context of Spanish art, literature, and history, leading to a fuller understanding of his enduring significance.
Enrique Granados

Enrique Granados

Clark Walter Aaron

Oxford University Press Inc
2011
nidottu
Enrique Granados (1867-1916) is one of the most compelling figures of the late-Romantic period in music. During his return voyage to Spain after the premiere of his opera Goyescas in New York, a German submarine torpedoed the ship on which he and his wife were sailing and they perished in the waters of the English Channel. His death was mourned on both sides of the Atlantic as a stunning loss to the music world, for he had died at the pinnacle of his career and his late works held the promise of greater things to come. While Granados's tragic demise casts a pall over his life story, author Walter Clark reveals an artist of remarkable versatility and individuality and sheds new light on his enduring significance.
Enrique Granados

Enrique Granados

Carol A. Hess

Greenwood Press
1991
sidottu
Enrique Granados (1867-1916) was one of the first modern Spanish composers to achieve international recognition. During a 1916 visit to the United States his opera Goyescas was premiered by the Metropolitan Opera and his symphonic poem, Dante, by the Chicago Symphony. Granados was also especially admired in Paris, where he knew Saint-Saens, d'Indy, and Faure. He had composed a remarkable body of work and was also at the height of his career as a concert pianist at his untimely death while a passenger on a torpedoed British ship.The biographical study, the first in English, draws on primary sources in English, Spanish, French, Catalan, and other languages. This material is carefully documented in the extensive annotated bibliography along with contemporaneous and recent analytical studies and other sources. Granados's oeuvre presents cataloging problems due to his habit of reworking pieces, long-delayed publication, and arbitrary opus numbers. In the Works and Performances section, however, every effort has been made to offer publication dates, manuscript locations, and information on premieres. Representative arrangements of his works by other composers are also given. An appendix classifies the works by scoring. A selective discography is also provided, and all parts of the volume are fully cross-referenced and indexed. Granados is placed in the context of the international artistic scene at the turn of the century, and a chronology notes related events.
Enrique's Journey: The True Story of a Boy Determined to Reunite with His Mother
Adapted for young people, this edition of Enrique's Journey is written by Sonia Nazario and based on the adult book of the same name. It is the true story of Enrique, a teenager from Honduras, who sets out on a journey, braving hardship and peril, to find his mother, who had no choice but to leave him when he was a child and go to the United States in search of work. Enrique's story will bring to light the daily struggles of migrants, legal and otherwise, and the complicated choices they face simply trying to survive and provide for the basic needs of their families. The issues seamlessly interwoven into this gripping nonfiction work for young people are perfect for common core discussion. Includes an 8-page photo insert, as well as an epilogue that describes what has happened to Enrique and his family since the adult edition was published. "A heartwrenching account. Provides a human face, both beautiful and scarred, for the undocumented. A must read."--Kirkus Reviews, Starred "Nazario's straightforward . . . journalistic writing style largely serves the complex, sprawling story effectively. A valuable addition to young adult collections."--School Library Journal "This powerfully written survival story personalizes the complicated, pervasive, and heart-wrenching debates about immigration and immigrants' rights and will certainly spark discussion in the classroom and at home."--Booklist An NCSS-CBC Notable Social Studies Trade Book for Young People A Kirkus Reviews Best Teen Book of the Year A Junior Library Guild Selection
Enrique Alvarez Cordova

Enrique Alvarez Cordova

John W. Lamperti

McFarland Co Inc
2006
pokkari
Enrique Alvarez Cordova was the son of one of El Salvador's ruling families. Intelligent, charismatic and above all wealthy, he had nothing to gain--and a great deal to lose--by courting revolution. Yet this young man with all the advantages did just that. Impressed by the poverty and miserable existence of the rural population, Alvarez set about making a change. He spent most of his adult life working for reform within the constraints of the existing system, serving as minister of agriculture under three governments. He turned his own ranch, El Jobo, into a successful workers' cooperative to convince the ruling class that agrarian reform was possible and even profitable. In the end, however, he found that fundamental change was simply beyond the reach of such efforts. Embracing armed struggle as a last resort, he ultimately became one of the revolution's first casualties. Centering on El Salvador's political landscape, this biography details the life of one of the nation's little known revolutionaries. The body examines the motivations behind Alvarez's choice to become a traitor to his class and embrace political reform, first through his work within the government itself and later as president of the Democratic Revolutionary Front (FDR), the country's primary radical movement. Through this lens, the work also describes El Salvador's political evolution, illuminating the country's internal situation during the 1970s and early 1980s. The government-condoned assassination of Alvarez and five of his FDR colleagues in November 1980 ended the last hope of avoiding an armed conflict. Within two months of the assassinations, El Salvador was plunged into a civil war that would last for the next 11 years. Other than a few official legal documents, the work is compiled from interviews and testimony of those who knew Enrique Alvarez Cordova, thus providing a contemporary, firsthand perspective. The work is also indexed.
Enrique Martínez Celaya

Enrique Martínez Celaya

Enrique Martínez Celaya

University of Nebraska Press
2010
pokkari
This collection, spanning two decades of artistic activity, features selections of writings tracing the intellectual influences and development of one of the more formidable and productive minds in the contemporary art world. The writings of Enrique Martínez Celaya comprise public lectures; essays; interviews; correspondence with artists, critics, and scholars; artist statements; blog posts; and journal entries. This selection of writings includes the six public lectures Martínez Celaya delivered during his three-year appointment as the second Visiting Presidential Professor at the University of Nebraska. Marked by an encyclopedic curiosity and considerable knowledge about the world, these lectures explore the nature of photography and painting, the role of the artist as prophet, the relationship of art to the university and the museum, as well as reflections on his own work. Enrique Martínez Celaya: Collected Writings and Interviews, 1990–2010 features seventy-nine photographs from Martínez Celaya's collection; an introduction by Klaus Ottmann, who teaches art history at the School of Visual Arts in New York and is the Robert Lehman Curator for The Parrish Art Museum in Southampton, New York; and a foreword by James B. Milliken, president of the University of Nebraska.
Enrique's Journey

Enrique's Journey

Sonia Nazario

RANDOM HOUSE USA INC
2007
pokkari
Describes one Honduran boy's difficult and dangerous journey to find his mother, who had made the trek northward to the United States in search of a better life when Enrique had been five years old, but who had never made enough money to return home for her children, in a poignant account that addresses the issues of family and the implications of illegal immigration. Reprint. 30,000 first printing.
Cabinet d'amateur, an oblique novel: Enrique Vila-Matas

Cabinet d'amateur, an oblique novel: Enrique Vila-Matas

Enrique Vila-Matas

Whitechapel Gallery
2019
nidottu
The first of four special publications to accompany a year-long display of works from Barcelona’s `la Caixa’ Collection at Whitechapel Gallery, selected by and featuring newlycommissioned fictional works by some of the most original English and Spanish-language writers working today. Established in Barcelona in 1985 by Fundación `la Caixa’, the `la Caixa’ Collection of Contemporary Art features over 1,000 works of international contemporary art from the last 30 years, including artists such as Antoni Tàpies, Joseph Beuys, Cornelia Parker and Doris Salcedo. For a major four-part display running from 2019–20, Whitechapel Gallery has partnered with `la Caixa’ Collection to showcase key pieces from the Collection, with each of the four `chapters’ curated by a contemporary writer, who will also contribute a brand new work of fiction in response to their selection. Each display will be accompanied by a fullyillustrated catalogue featuring the works displayed and the new text, accompanied by a foreword and introduction from both institutions.The first chapter, on display in Spring 2019, will be selected by the award-winning Spanish novelist Enrique Vila-Matas (b. Barcelona, 1948; lives and works in Barcelona), who has been described by The New Yorker as `arguably Spain’s most significant contemporary literary figure’. His work is often described as metafiction, a form of writing frequently used to examine the relationship between art and life. Vila-Matas’ books include Because She Never Asked (2015, originally written for Sophie Calle), The Illogic of Kassel (2014), Dublinesque (2010) and Bartleby & Co (2000), and his new book, titled Mac y su contratiempo (Mac’s Problem) will be released in English in April 2019, coinciding with the display at Whitechapel Gallery. Vila-Matas has selected works by Dominique Gonzalez-Foerster, Miquel Barceló, Dora García, Carlos Pazos and Gerhard Richter.
Enrique Norten

Enrique Norten

Harvard Graduate School of Design
2006
nidottu
"From an interview with Enrique Norten by Brigitte Shim: "Shim: Throughout modern architecture, the house has been a laboratory for invention. It has been a testing ground for architects to explore new ideas using the ordinary program of kitchen, bedroom, bathroom, living space. How is this house used to push your architecture?Norten: What I was looking for with this house was probably a return to the main principles of modernism. I was trying to look for the very basics of architecture: a simple structure, simple construction methods, and straightforward spatial conditions that would satisfy the needs of our family. The house was a laboratory where I was looking back to where the tradition of modernity started, and I tried to recapture that.