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1000 tulosta hakusanalla Erin Carlson

No Crying in Baseball

No Crying in Baseball

Erin Carlson

Hachette Books
2023
sidottu
No Crying in Baseball is a rollicking, revelatory deep dive into a one-of-a-kind film. Before A League of Their Own, few American girls could imagine themselves playing professional ball (and doing it better than the boys). But Penny Marshall's genre outlier became an instant classic and significant aha moment for countless young women who saw that throwing like a girl was far from an insult.Part fly-on-the-wall narrative, part immersive pop nostalgia, No Crying in Baseball is for readers who love stories about subverting gender roles as well as fans of the film who remain passionate thirty years after its release. With key anecdotes from the cast, crew, and diehard fanatics, Carlson presents the definitive, first-ever history of the making of the treasured film that inspired generations of Dottie Hinsons to dream bigger and aim for the sky.
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I'll Have What She's Having

I'll Have What She's Having

Erin Carlson

Hachette Books
2018
pokkari
A backstage look at the making of Nora Ephron's revered trilogy--When Harry Met Sally, You've Got Mail, and Sleepless in Seattle--which brought romantic comedies back to the fore, and an intimate portrait of the beloved writer/director who inspired a generation of Hollywood women, from Mindy Kaling to Lena Dunham.In I'll Have What She's Having entertainment journalist Erin Carlson tells the story of the real Nora Ephron and how she reinvented the romcom through her trio of instant classics. With a cast of famous faces including Rob Reiner, Tom Hanks, Meg Ryan, and Billy Crystal, Carlson takes readers on a rollicking, revelatory trip to Ephron's New York City, where reality took a backseat to romance and Ephron--who always knew what she wanted and how she wanted it--ruled the set with an attention to detail that made her actors feel safe but sometimes exasperated crew members. Along the way, Carlson examines how Ephron explored in the cinema answers to the questions that plagued her own romantic life and how she regained faith in love after one broken engagement and two failed marriages. Carlson also explores countless other questions Ephron's fans have wondered about: What sparked Reiner to snap out of his bachelor blues during the making of When Harry Met Sally? Why was Ryan, a gifted comedian trapped in the body of a fairytale princess, not the first choice for the role? After she and Hanks each separatel balked at playing Mail's Kathleen Kelly and Sleepless' Sam Baldwin, what changed their minds? And perhaps most importantly: What was Dave Chappelle doing ... in a turtleneck? An intimate portrait of a one of America's most iconic filmmakers and a look behind the scenes of her crowning achievements, I'll Have What She's Having is a vivid account of the days and nights when Ephron, along with assorted cynical collaborators, learned to show her heart on the screen.
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Queen Meryl

Queen Meryl

Erin Carlson

Hachette Books
2019
sidottu
Meryl Streep is the most celebrated actress of our time. She's a chameleon who disappears fully into each character she plays. She never tackles the same role twice. Instead, she leverages her rarified platform to channel a range of tough, complicated women--Margaret Thatcher, Karen Silkwood, the Anna Wintour avatar Miranda Priestly--rather than limit herself to marginal roles for which other actresses must settle: Supportive Wife. Supportive Mother. Supportive Yet Utterly Disposable Love Interest to the Leading Man. Streep will have none of that.The once-awkward, frizzy-haired suburban teen blossomed into a rising ingénue who quickly made a name on stage at Vassar College and the Yale School of Drama, where she pursued prestigious theater degrees. She came of age during the women's movement of the Sixties and Seventies, and has worn her activism on her sleeve even when it was unfashionable. When she reached 40, the age when many leading ladies in Hollywood fully transition to those "supportive" roles, Streep plunged forward, taking her pick of parts that interested her and winning a pile of awards along the way. She's broken records with 21 Oscar nominations, winning Best Actress twice for Sophie's Choice and The Iron Lady and Best Supporting Actress for Kramer vs. Kramer. Meanwhile, she remained an unlikely box-office draw, her clout even managing to grow with age: The Devil Wears Prada, starring Streep as a brilliant and sadistic magazine editrix, scored $125 million worldwide. Her next film, Mary Poppins Returns, with Emily Blunt and Lin Manuel Miranda, is poised for bigger success.Queen Meryl will pay tribute to the fearless icon, documenting all of her accents, Oscars, highs, lows, friendships, and feuds. It will also explore her "off-brand" forays into action-adventure (The River Wild) and musicals (Mamma Mia!), and how she managed to do a lot with a little, and sneak her feminism into each character. In the spirit of Notorious RBG and The Tao of Bill Murray, two bestsellers as nontraditional as Ruth Bader Ginsburg and Bill Murray, Queen Merylwill transmit joy in homage to its allegedly serious subject.
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Meryl Streep

Meryl Streep

Erin Carlson

Minerva
2021
pokkari
Lokakuussa 2019 Yhdysvalloissa ilmestynyt kattava elämäkerta aikamme arvostetuimmasta näyttelijättärestä.Meryl Streep on valovoimainen tähti, jolla on taito pujottautua täydellisesti jokaisen esittämänsä henkilöhahmon nahkoihin. Erin Carlsonin teos paljastaa, millainen on nainen kymmenien ikonisten naisroolien takana.Kirja kertoo Meryl Streepin elämäntarinan rumasta ankanpoikasesta valkokankaan valovoimaiseksi kuningattareksi. Se myös kuvaa, millaisin perustein Streep valitsee roolinsa ja millä keinoin hänen elokuvissa esittämänsä naishahmot ovat syntyneet.Lahjakkaan näyttelijän elokuvaura lähti nopeasti nousukiitoon, kun Robert de Niro ehdotti häntä elokuvaan Kauriinmetsästäjä. Rooli poiki Streepille hänen ensimmäisen Oscar-ehdokkuutensa. Sen jälkeen Meryl Streep on tehnyt unohtumattomia rooleja mm. elokuvissa Ranskalaisen luutnantin nainen, Kramer vastaan Kramer, Sofien valinta, Minun Afrikkani, Hiljaiset sillat, Mamma Mia, Rautarouva ja Florence.Paitsi vahvoista rooleistaan, Streep tunnetaan myös vahvoista mielipiteistään. Hän oli naisasia-aktivisti jo silloin, kun se ei ollut muodikasta. Streep on myös ottanut aktiivisesti kantaa yhteiskunnallisiin kysymyksiin.Streep avautuu kirjassa myös elämänsä salatummista puolista, kuten vanhemmuudesta, avioliitosta ja vanhenemisesta.
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Trager's The Law of Journalism and Mass Communication

Trager's The Law of Journalism and Mass Communication

Victoria Smith Ekstrand; Caitlin Ring Carlson; Erin Coyle; Susan D. Ross; Amy Reynolds

SAGE PUBLICATIONS INC
2023
nidottu
Trager's The Law of Journalism and Mass Communication provides a clear and engaging introduction to media law with comprehensive coverage and analysis for future journalists and media professionals. Grounded in the traditions and rules of law, along with fresh facts and examples, the authors demonstrate how the law functions in everyday life. The Eighth Edition of this bestselling text offers students a new breadth and diversity of material and brings the law to life with cutting-edge research, the latest court and legislative rulings, and a wealth of new content. Included with this title: LMS Cartridge: Import this title's instructor resources into your school's learning management system (LMS) and save time. Don't use an LMS? You can still access all of the same online resources for this title via the password-protected Instructor Resource Site.
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Double Agents

Double Agents

Erin G Carlston

Columbia University Press
2013
sidottu
Why were white bourgeois gay male writers so interested in spies, espionage, and treason in the twentieth century? Erin G. Carlston believes such figures and themes were critical to exploring citizenship and its limits, requirements, and possibilities in the modern Western state. Through close readings of Marcel Proust's novels, W. H. Auden's poetry, and Tony Kushner's play Angels in America, which all reference real-life espionaage cases involving Jews, homosexuals, or Communists, Carlston connects gay men's fascination with spying to larger debates about the making and contestation of social identity. Carlston argues that in the modern West, a distinctive position has been assigned to those perceived to be marginal to the nation because of non-visible religious, political, or sexual differences. Because these "invisible Others" existed somewhere between the wholly alien and the fully normative, they evoked acute anxieties about the security and cohesion of the nation-state. Incorporating readings of nonliterary cultural artifacts, such as trial transcripts, into her analysis, Carlston pinpoints moments in which national self-conceptions in France, England, and the United States grew unstable. Concentrating specifically on the Dreyfus affair in France, the defections of Communist spies in the U.K., and the Rosenberg case in the United States, Carlston directly links twentieth-century tensions around citizenship to the social and political concerns of three generations of influential writers.
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Double Agents

Double Agents

Erin G Carlston

Columbia University Press
2013
pokkari
Why were white bourgeois gay male writers so interested in spies, espionage, and treason in the twentieth century? Erin G. Carlston believes such figures and themes were critical to exploring citizenship and its limits, requirements, and possibilities in the modern Western state. Through close readings of Marcel Proust's novels, W. H. Auden's poetry, and Tony Kushner's play Angels in America, which all reference real-life espionaage cases involving Jews, homosexuals, or Communists, Carlston connects gay men's fascination with spying to larger debates about the making and contestation of social identity. Carlston argues that in the modern West, a distinctive position has been assigned to those perceived to be marginal to the nation because of non-visible religious, political, or sexual differences. Because these "invisible Others" existed somewhere between the wholly alien and the fully normative, they evoked acute anxieties about the security and cohesion of the nation-state. Incorporating readings of nonliterary cultural artifacts, such as trial transcripts, into her analysis, Carlston pinpoints moments in which national self-conceptions in France, England, and the United States grew unstable. Concentrating specifically on the Dreyfus affair in France, the defections of Communist spies in the U.K., and the Rosenberg case in the United States, Carlston directly links twentieth-century tensions around citizenship to the social and political concerns of three generations of influential writers.
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Thinking Fascism

Thinking Fascism

Carlston Erin G.

Stanford University Press
1998
sidottu
Thinking Fascism analyzes three works by women writers—Djuna Barnes's Nightwood (1936), Marguerite Yourcenar's Denier du rêve (1934), and Virginia Woolf's Three Guineas (1938)—that engage, directly or indirectly, with fascist politics and ideology. Through these analyses, the author explores the conjunction between fascism and other forms of modernity, and refines the discussion about the relationship between women intellectuals and the various aesthetic and ideological practices collected under the names of modernism and facism. Until recently, much theoretical work on fascism has represented fascist thought as radically different from and inimical to non-fascist thought, and feminist criticism has further assumed that women intellectuals—especially the sexually marginal women sometimes grouped as the "Sapphic Modernists"—were necessarily antagonistic to fascist ideologies. In contrast, the author argues that Western intellectuals of both genders and all political persuasions were preoccupied in the 1930's with the commodification of culture and sexuality, the erasure of liberal bourgeois concepts of the individual and the work of art in mass society, and the failure of social institutions to provide transcendence and immediacy in the face of these transformations. By demonstrating that women writers like the Sapphic Modernists and conservative or fascist male modernists often articulated very similar conceptions of these problems, this book suggests that fascism cannot be posed as the absolute other of non- or even anti-fascist politico-cultural discourses in the interwar period.
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Thinking Fascism

Thinking Fascism

Carlston Erin G.

Stanford University Press
2000
pokkari
Thinking Fascism analyzes three works by women writers—Djuna Barnes's Nightwood (1936), Marguerite Yourcenar's Denier du rêve (1934), and Virginia Woolf's Three Guineas (1938)—that engage, directly or indirectly, with fascist politics and ideology. Through these analyses, the author explores the conjunction between fascism and other forms of modernity, and refines the discussion about the relationship between women intellectuals and the various aesthetic and ideological practices collected under the names of modernism and facism.Until recently, much theoretical work on fascism has represented fascist thought as radically different from and inimical to non-fascist thought, and feminist criticism has further assumed that women intellectuals—especially the sexually marginal women sometimes grouped as the "Sapphic Modernists"—were necessarily antagonistic to fascist ideologies. In contrast, the author argues that Western intellectuals of both genders and all political persuasions were preoccupied in the 1930's with the commodification of culture and sexuality, the erasure of liberal bourgeois concepts of the individual and the work of art in mass society, and the failure of social institutions to provide transcendence and immediacy in the face of these transformations. By demonstrating that women writers like the Sapphic Modernists and conservative or fascist male modernists often articulated very similar conceptions of these problems, this book suggests that fascism cannot be posed as the absolute other of non- or even anti-fascist politico-cultural discourses in the interwar period.
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The Martin Luther King, Jr., Encyclopedia

The Martin Luther King, Jr., Encyclopedia

Clayborne Carson; Tenisha H. Armstrong; Susan A. Carson; Erin K. Cook; Susan Englander

Greenwood Press
2008
sidottu
As editor of The Papers of Martin Luther King, Jr., Dr. Clayborne Carson, with the assistance of his staff at Stanford's Martin Luther King, Jr., Research and Education Institute, had access to a variety of documents relating to all aspects of Dr. King's life and career. The encyclopedia provides readers with over 280 entries that offer fresh and engaging insights into Dr. King and the civil rights movement. From their unique familiarity with these materials, they have compiled an encyclopedia offering a fresh and exciting look at the work of Dr. King and the course of the civil rights movement.
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Erin

Erin

Lindsay Anderson

Createspace Independent Publishing Platform
2014
nidottu
Dear Erin, As this year comes to an end, I find myself ready to come clean. I am tired of hiding and being scared to reveal my identity to you. With this said, I want you to know that I am ready to reveal who I am to you. I think it is important that you find out the truth about who has been sending you these anony-mous love notes over the past two years. If you are interested in finding out who I am, meet me at the Grand Hyatt's flower garden tomorrow night at 8:45 pm.Sincerely, Your Secret Admire
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Erin

Erin

Lemet-Jon Jovnna

CálliidLágádus
2020
sidottu
Erin lea cearpmat. Dán girjjis son muitala jagi dáhpáhusain, ealliid, lottiid ja divrriid birra maid lea deaivan, dalle go lei miessi. Erin gulahallá buot ealliiguin maid deaivá. Muitala gal maiddái manne su olbmot dadjet son lea Erin. Boka er skrevet på samisk.
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Erin

Erin

Lemet-Jon Jovnna

CálliidLágádus
2021
sidottu
Erin er en årsgammel reinkalv. I denne boken forteller han om hendelser siste året, som dyr, fugler og innsekter han har truffet mens han var en miessi, en kalv. Erin kan nemlig snakke med alle han møter. Han avslører også hvorfor menneskene har gitt han navnet Erin.
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