Kirjahaku
Etsi kirjoja tekijän nimen, kirjan nimen tai ISBN:n perusteella.
1000 tulosta hakusanalla Erwin Beckert; Gerhard Breuer
Wissenschaftliche Veröffentlichungen aus dem Siemens-Konzern
Hans Becker; Hans Beyersdorf; Heinrich Von Boul; Robert Fellinger; Adolf Franke; M. Friese; Hans Gerdien; Erwin Gerlach; Georg Grabe; Ragnar Holm; Heinrich Kaden; Heinrich Kafka
Springer-Verlag Berlin and Heidelberg GmbH Co. K
1923
nidottu
Dieser Buchtitel ist Teil des Digitalisierungsprojekts Springer Book Archives mit Publikationen, die seit den Anfängen des Verlags von 1842 erschienen sind. Der Verlag stellt mit diesem Archiv Quellen für die historische wie auch die disziplingeschichtliche Forschung zur Verfügung, die jeweils im historischen Kontext betrachtet werden müssen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.
Penrose Poems Volume I
Hadassah Lairmore; Savannah Archer; Erin Becker; Celeste Erwin; Bailey John; Jaclyn Lewis; Heather Tull
Lulu.com
2015
sidottu
The PenRose Poems: Volume I is the first volume in a series of poetry books. These books are a collection of poems by various authors
From debut author Erin Becker comes an action-packed but tender novel about first romance, queer identity, and learning how to be brave when it matters the most.On the soccer field, Magic Mel is in her element. She’s ready to lead her team to victory at the city championship in her new role as captain. Off the field, however, is a totally different story. Mel can’t get a handle on her class presentation, her friend group has completely dissolved, and her ex-friend-current-teammate, Tory, is being the worst. The only place she feels like herself is in her text conversations where she shares her secret poetry with BTtoYouPlease.Tory McNally, on the other hand, is keeping everything together, thank you very much. So what if her mom is more preoccupied with her craft projects and new husband than her, or that she’s down to one IRL friend because of annoying, overly peppy “Magic” Mel? She’s perfectly fine, and even when she maybe isn’t, she’s got NotEmilyD to text with.As the championships loom closer, everything around Mel and Tory starts to get more and more complicated: the dynamics on the field, the rift between their friend group, and, as they connect anonymously online, maybe even their feelings for each other . . .
On the soccer field, Magic Mel is in her element. She’s ready to lead her team to victory at the city championship in her new role as captain. Off the field, however, is a totally different story. Mel can’t get a handle on her class presentation, her friend group has completely dissolved, and her ex-friend-current-teammate, Tory, is being the worst. The only place she feels like herself is in her text conversations where she shares her secret poetry with BTtoYouPlease. Tory McNally, on the other hand, is keeping everything together, thank you very much. So what if her mum is more preoccupied with her craft projects and new husband than her, or that she’s down to one IRL friend because of annoying, overly peppy “Magic” Mel? She’s perfectly fine, and even when she maybe isn’t, she’s got NotEmilyD to text with. As the championships loom closer, everything around Mel and Tory starts to get more and more complicated: the dynamics on the field, the rift between their friend group, and, as they connect anonymously online, maybe even their feelings for each other...
Vegetables For Exhibition And Home Consumption ... In The United Kingdom
Edwin Beckett
Hutson Street Press
2025
pokkari
Vardagens Hjältar : naturalismen i bildkonsten, fotografiet och filmen 1875-1918
Edwin Becker; Maarte de Haan; David Jackson; Jean-Francois Rauzier; Willa Silverman; Gabriel P Wiesberg
Arvinius Förlag
2010
sidottu
Ända sedan perspektivläran började utvecklas under renässansen har realistiska bilder fångade på målarduk utgjort stommen i den västerländska konsten. I slutet av 1800-talet vinnlade sig konstnärerna emellertid inte bara om att måla realistiskt utan också om att skapa bilder som återspeglade en värld mitt inne i en snabb industrialiseringsprocess. Kärnan i denna naturalistiska konst utgörs av vanliga människors liv i en tid av så stora sociala, ekonomiska och kulturella förändringar. Fattigdom och orättvisa är ofta förekommande motiv. Många konstnärer var bekymrade över att den traditionella bondekulturen höll på att försvinna och över den eländiga situationen bland städernas fabriksarbetare. Detta gav upphov till stor social och politisk oro i de flesta länder i Europa. Vardagens hjältar. Naturalismen i bildkonsten, fotografiet och filmen 1875-1918 utforskar förhållandet mellan olika konstformer som använde sig av en naturalistisk estetik: måleriet, filmen, teatern, fotografiet och litteraturen. Boken erbjuder en fräsch tolkning av hur de naturalistiska konstnärerna försökte förstå och förklara snabba och genomgripande förändringar i samtiden med hjälp av en estetik som var tänkt att fungera djupt inspirerande för konstnärer inom alla medier. Bokens huvudredaktör och medförfattare Gabriel P.Weisberg är professor i konsthistoria vid University of Minnesota i Minneapolis. han har skrivit ett flertal verk om 1800-tals- och tidig 1900-talskonst.
Condition Monitoring und Instandhaltungsmanagement
Josef Kolerus; Edwin Becker
expert verlag
2022
sidottu
What if you could take your grandchildren on a trip back in time to 1956? This novel combines nostalgia with a grandparent's special relationship with his grandchildren in a tale of time travel. As he clearly sees their reality, he resents the blatant deterioration of our current society. Evident is the results of inflation, moral degradation, and the destruction of family values. It is his intent that though their view of the future is dim, and having been a victim of child of abuse himself, to show them that their ten year old lives will soon change, and what they observe and experience will never control their destiny.Imagine a grandfather taking his granddaughters on journey back in time, when he was their age and the year was 1956. Together, he shares what his life was like as he walks with them as equals in this innocent age of nickel pop and penny candy. His relationship with his granddaughters is a close one, and he mourns the loss of so many freedoms that he enjoyed when he was their age. They would nver know a parent sending them out to play and saying, "be home before dark," or, "just stay in the neighborhood." At ten years old, in 2011, they unfortunately are aware of what the word "predator" means, and having their television censored for foul language or sexual content. So when telling them of the Mickey Mouse Club, or Winky Dink, they laugh as if it was all fantasy and a fabrication of their Grandpa's mind. He shares a special bond with them, because two are in a broken home shattered by divorce, and two are adopted and have formerly suffered the abuse of the foster 'care' system. Being a product of a broken home and abuse himself, he understands their fears and recognizes that this new generation is having their childhood and innocence destroyed by our culture. So at the critical age of ten, he lets them visit an era when children could walk freely to the park. A time before electronics dominated and interaction with friends and family was all important. A time before musical lyrics were censored, yet those 'Oldies but Goodies' were considered so threatening, as Rock and Roll was born.
What if you could take your grandchildren on a trip back in time to 1956? This novel combines nostalgia with a grandparent's special relationship with his grandchildren in a tale of time travel. As he clearly sees their reality, he resents the blatant deterioration of our current society. Evident is the results of inflation, moral degradation, and the destruction of family values. It is his intent that though their view of the future is dim, and having been a victim of child of abuse himself, to show them that their ten year old lives will soon change, and what they observe and experience will never control their destiny.Imagine a grandfather taking his granddaughters on journey back in time, when he was their age and the year was 1956. Together, he shares what his life was like as he walks with them as equals in this innocent age of nickel pop and penny candy. His relationship with his granddaughters is a close one, and he mourns the loss of so many freedoms that he enjoyed when he was their age. They would nver know a parent sending them out to play and saying, "be home before dark," or, "just stay in the neighborhood." At ten years old, in 2011, they unfortunately are aware of what the word "predator" means, and having their television censored for foul language or sexual content. So when telling them of the Mickey Mouse Club, or Winky Dink, they laugh as if it was all fantasy and a fabrication of their Grandpa's mind. He shares a special bond with them, because two are in a broken home shattered by divorce, and two are adopted and have formerly suffered the abuse of the foster 'care' system. Being a product of a broken home and abuse himself, he understands their fears and recognizes that this new generation is having their childhood and innocence destroyed by our culture. So at the critical age of ten, he lets them visit an era when children could walk freely to the park. A time before electronics dominated and interaction with friends and family was all important. A time before musical lyrics were censored, yet those 'Oldies but Goodies' were considered so threatening, as Rock and Roll was born.
