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1000 tulosta hakusanalla Fabien Granjon; Eric George

Fabien the Alien

Fabien the Alien

Noel Gago

Lulu Publishing Services
2014
pokkari
Fabien is a brave and curious alien from the planet Cosmo who is excited to have an adventure. He visits a new planet that his friend Adrien found in her travels, with dinos and cavemen with long hair and beards. "Be careful, don't land and get out," she warns. "This is a planet we don't know about." As Fabien flies over the planet, he decides he wants to land and see even more. From wandering around in a sea dino's mouth to a game of hide-and-seek with an energetic T-rex, Fabien has a great time on this strange new planet-that is, until a pair of dino birds fly away with his spaceship in their claws Now Fabien's adventure has become a challenge to retrieve his stolen spaceship. And with the help of his new friend, Mongo, a brave cave boy who carries a bongo, he just might be able to find his spaceship and fly home.
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Fabien Giraud & Raphaël Siboni: The Unmanned

Fabien Giraud & Raphaël Siboni: The Unmanned

Fabien Giraud; Raphaël Siboni

Mousse Publishing
2023
sidottu
Chronicling the past decade of work on a large-scale, three-part film projectThis volume gathers all documentation related to The Unmanned, a large-scale film-based project presenting a history of human subjectivity in its imbrication with technology. Started in 2013, the series is made up of three parts: The Unmanned, The Everted Capital and The Form of Not.
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Fabien Merelle

Fabien Merelle

Kathy de Neve

Lannoo
2019
sidottu
"Drawing is a line of life that I cling to in order not to fail" - Fabien Merelle "A free spirit capable of creating and imposing both his highly-personal imaginary world and a similarity of meaning" - Artillery Magazine One hundred drawings and a selection of sculpture by emerging French artist Fabien Merelle, whose work has been exhibited worldwide to international acclaim. Winner of the 2010 Prix Canson, awarded annually for outstanding work on paper. Fabien Merelle is a French artist whose delicate and intricate drawings look realistic but on closer examination convey otherworldly and often disquieting subjects. Stuck to the pregnant belly of his wife, an elephant clinging on his back, or in close embrace with his father, Fabien Merelle portrays himself as the protagonist in his drawings in an absurd and surrealistic play. He is known for the anatomical precision of his figures, the sea of white that surrounds them, and the dreamlike quality of his work. This book combines the highlights from his oeuvre to date, with a hundred drawings and a selection of sculptures. Merelle has exhibited at The Armory Show in New York, at Art Paris, and was one of the most prominent artists in Jan Fabre's recently curated show, The Raft (Mu.Zee Oostende). In 2010, he was the first winner of the Prix Canson, awarded annually for outstanding work on paper. Text in English and French. Published to accompany a solo show in Edouard Malingue Gallery, Shanghai, October 2019, and a solo show in KETELEER GALLERY ANTWERP. May 2019.
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Die Frage nach Gott bei Fabien Eboussi Boulaga

Die Frage nach Gott bei Fabien Eboussi Boulaga

Zoro Patrick Césaire Tiénan

Verlag Unser Wissen
2021
pokkari
Dieser Aufsatz ist eine analytisch-kritische Lekt re der Reaktion des kamerunischen Philosophen Eboussi Boulaga auf den von der westlichen Ontotheologie formulierten Diskurs ber Gott. Diese Reaktion ist in seinem Buch mit dem Titel " Contretemps: l'enjeu de Dieu en Afrique" enthalten. Inwiefern stellt der westliche theologische Diskurs ein Problem f r Eboussi Boulagas Denken dar? Dieser Diskurs ist insofern problematisch, als er den dreifachen Anspruch des kolonialen Christentums verschleiert, die absolute Religion, die universelle Religion und der alleinige Inhaber der Wahrheit zu sein. Wenn er sich als Wissensmacht konstituiert, als ein geschlossenes System, das sich seiner eigenen Wahrheit sicher ist, tr gt der Diskurs ber Gott, ob wissenschaftlich oder religi s, den Keim der Gewalt und der Spaltung in sich. Eboussi zeigt, dass Gott aufgrund der Grenzen der menschlichen Vernunft und der Sprache unerkennbar ist. F r Eboussi gibt es keine absolute Religion, keinen absoluten religi sen oder wissenschaftlichen Diskurs ber Gott. F r den Menschen ist es nur m glich, Gott in einer Ann herung zu sagen, die vom Motiv seiner Subjektivit t gepr gt ist. Letztlich zeigt sich, dass das eigentliche Problem der Gottesfrage in der Frage nach dem Menschen zu sehen ist, die eng mit ihr verbunden ist.
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