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977 tulosta hakusanalla Fabrizio Granà

Redesigning Organizational Sustainability Through Integrated Reporting
This book explores the role of accounting and reporting practices, such as corporate and integrated reports, as organizations attempt to represent sustainability.By relying upon the case of a large international oil and gas company and its recent development of integrated reporting, this book argues that the ambiguity of sustainability as a concept, and the impossibility to fully capture it through accounting and reporting practices, does not mean that any attempt to represent it inevitably leads to distortion or obfuscates ‘reality’. Rather, the way in which this concept is presented through accounting and reporting practices can have a constructive effect on the organization through the aspirations that these representations entail.The book demonstrates that accounting and reporting practices, such as integrated reporting, are not expected to offer complete representations of organizations’ sustainability. Rather, these practices offer a number of representations (e.g. graphs, diagrams, tables, grid) that affect the way in which organizations understand and report on sustainability, changing its meaning over time. Finally, this study demonstrates that undefined concepts, such as ‘sustainability’, and practices, such as ‘integrated reporting’, mutually construct each other. The attempt to represent sustainability within the organization and the debates that this process generates, make accounting and reporting practices unfold themselves, and evolve.The book will be of interest to scholars in the field of accounting, management and sustainability, as well as practitioners from a wide array of additional fields, such as planning and control, organizations’ strategy, business ethics, corporate social responsibility and corporate reporting.
Redesigning Organizational Sustainability Through Integrated Reporting
This book explores the role of accounting and reporting practices, such as corporate and integrated reports, as organizations attempt to represent sustainability.By relying upon the case of a large international oil and gas company and its recent development of integrated reporting, this book argues that the ambiguity of sustainability as a concept, and the impossibility to fully capture it through accounting and reporting practices, does not mean that any attempt to represent it inevitably leads to distortion or obfuscates ‘reality’. Rather, the way in which this concept is presented through accounting and reporting practices can have a constructive effect on the organization through the aspirations that these representations entail.The book demonstrates that accounting and reporting practices, such as integrated reporting, are not expected to offer complete representations of organizations’ sustainability. Rather, these practices offer a number of representations (e.g. graphs, diagrams, tables, grid) that affect the way in which organizations understand and report on sustainability, changing its meaning over time. Finally, this study demonstrates that undefined concepts, such as ‘sustainability’, and practices, such as ‘integrated reporting’, mutually construct each other. The attempt to represent sustainability within the organization and the debates that this process generates, make accounting and reporting practices unfold themselves, and evolve.The book will be of interest to scholars in the field of accounting, management and sustainability, as well as practitioners from a wide array of additional fields, such as planning and control, organizations’ strategy, business ethics, corporate social responsibility and corporate reporting.
Sustainable Development Goals and Integrated Reporting

Sustainable Development Goals and Integrated Reporting

Cristiano Busco; Fabrizio Granà; Maria Federica Izzo

Routledge
2020
nidottu
Our planet faces massive economic, social, and environmental challenges. To deal with these challenges, the United Nations has promoted 17 Sustainable Development Goals (SDGs) to define global priorities and aspirations for 2030, and Governments worldwide have already agreed on these goals. In order to approach them practically, private and public organizations have to contribute to make SDGs happen by identifying and executing sustainable strategies as key drivers of their visions and business models. Building on the emerging concept of Integrated Thinking (IT), this book explores how modern organizations can leverage a long-term integrated strategy to reconcile financial stability with social and environmental sustainability and create enduring value for all stakeholders.By focusing on the value-creating role of business organizations in delivering on the promise of sustainable and inclusive development, the book enriches the debate on Integrated Thinking and Integrated Reporting (IR), with particular emphasis on the value creation process.This book offers an opportunity to discuss the way in which business organisations can rethink their management processes, accounting tools and reporting solutions, as they strive for both competitiveness and growth while contributing to the achievement of the SDGs, and long-term value creation more broadly. Based on the analysis of different case studies, the book explores how organizations are approaching these challenges and how they are connecting SDGs, to business models and strategies. Analysing the impact of SDGs on materiality, connectivity, and stakeholder engagement, this book provides an insight into how Integrated Thinking, Management and Reporting is currently practiced and in which way these managerial innovations can contribute to SDGs.
Sustainable Development Goals and Integrated Reporting

Sustainable Development Goals and Integrated Reporting

Cristiano Busco; Fabrizio Granà; Maria Federica Izzo

Routledge
2018
sidottu
Our planet faces massive economic, social, and environmental challenges. To deal with these challenges, the United Nations has promoted 17 Sustainable Development Goals (SDGs) to define global priorities and aspirations for 2030, and Governments worldwide have already agreed on these goals. In order to approach them practically, private and public organizations have to contribute to make SDGs happen by identifying and executing sustainable strategies as key drivers of their visions and business models. Building on the emerging concept of Integrated Thinking (IT), this book explores how modern organizations can leverage a long-term integrated strategy to reconcile financial stability with social and environmental sustainability and create enduring value for all stakeholders.By focusing on the value-creating role of business organizations in delivering on the promise of sustainable and inclusive development, the book enriches the debate on Integrated Thinking and Integrated Reporting (IR), with particular emphasis on the value creation process.This book offers an opportunity to discuss the way in which business organisations can rethink their management processes, accounting tools and reporting solutions, as they strive for both competitiveness and growth while contributing to the achievement of the SDGs, and long-term value creation more broadly. Based on the analysis of different case studies, the book explores how organizations are approaching these challenges and how they are connecting SDGs, to business models and strategies. Analysing the impact of SDGs on materiality, connectivity, and stakeholder engagement, this book provides an insight into how Integrated Thinking, Management and Reporting is currently practiced and in which way these managerial innovations can contribute to SDGs.
Fabrizio Ruffo

Fabrizio Ruffo

Joseph Alexander Helfert

Hansebooks
2017
pokkari
Fabrizio Ruffo - Revolution und Gegen-Revolution von Neapel, November 1798 bis August 1799 ist ein unver nderter, hochwertiger Nachdruck der Originalausgabe aus dem Jahr 1882. Hansebooks ist Herausgeber von Literatur zu unterschiedlichen Themengebieten wie Forschung und Wissenschaft, Reisen und Expeditionen, Kochen und Ern hrung, Medizin und weiteren Genres. Der Schwerpunkt des Verlages liegt auf dem Erhalt historischer Literatur. Viele Werke historischer Schriftsteller und Wissenschaftler sind heute nur noch als Antiquit ten erh ltlich. Hansebooks verlegt diese B cher neu und tr gt damit zum Erhalt selten gewordener Literatur und historischem Wissen auch f r die Zukunft bei.
Fabrizio Giannini

Fabrizio Giannini

Gauthier Huber

Capelli
2003
nidottu
Fabrizio Giannini travels on the surface of his computer and television screens, immersing himself in a flow of homogamous and antagonistic, frivolous or serious, engaged in a furious battle. Making use now of first one, then a different image that attracts or interests him because of the importance of its power of synthesis of grouping. His work becomes an area of negotiation between private sensibility and the surrounding culture. Giannini reproduces for example, in partly modified form, the best known logos of the biggest brand names (Global, 2002-2003), placing the observer immediately in front of images that he recognises. In a series of more intimate works, which he has been working on for a number of years, he creates on paper images from sitcoms, from films and from television programmes, carrying them into a new context -- the walls of an art centre or of a gallery -- in the form of small, airy compositions. Their specific plot reveals their origin. These images, deprived of the movement the originally made them part of a message, now appear deprived of any sense of territoriality. Text in English, French and Italian.
Leo Fabrizio: Dreamworld
Through such memorable images as a wooden shanty dominated by massive real estate billboards overhead, Swiss photographer Leo Fabrizio (born 1976) articulates the dilemma of contemporary Thailand as "native old" meets "global new." Using suburban Bangkok as his case study, Fabrizio observes the social and spatial consequences of rapidly transforming cities post-globalization.
The Art in Monography: Italian Painters - Fabrizio Vatta
The encyclopaedic series "The Art in Monography" - Italian painters volume 1 is dedicated to Fabrizio Vatta.PREFACETogether with the Editor of Black Wolf Edition & Publishing Ltd. we have created the encyclopaedic series "The Art in Monography" dedicated initially only to painting. The editor, believing firmly in the validity of this unprecedented editorial project, has improved and expanded it to the other fine arts, dividing The Art in Monography in sections (Italian Painters, Sculptors, Drawers, Illustrators, Photographers, Mosaicists) and inserting historic-technical volumes for every field realizing a more prestigious monograph work. Both in Italy and in Europe, publishers usually follow the practice to favour only the artists of certain galleries who decide according to the market profits. Therefore, the aim is to promulgate and make known contemporary artists still not entirely consecrated in Italy and in Europe.This valuable series wants first of all to emphasize the creativity of 40 Italian artists who express themselves with various pictorial expressions with differ- ent styles and trends. What most has pushed us to propose with enthusiasm this idea to the publisher was the awareness of the urgent need to give a new face to the contemporary painting, looking for artists of undoubted quality more or less known in the national territory. Moreover, aware that the ostra- cism of the official critic often relegates new talents preferring choices closer to the demands of the market, we, with even greater conviction, wanted to give space and visibility to artists who have not yet entered the elitist enclo- sure of the national and international contemporary art market. We believe that this series is the flower to the eyelet to give value to the good painting that is still unknown, that has not found the applause of the large public of the art. Here we present the various styles and the multiple creative expressions with themes and propositions completely respectable, with the works of artists of certain and undoubted talent.The criteria of selection of the artists took place in complete freedom, limiting their number to present only a restrained group. Knowing that others would have deserved the same consideration, this series does not intend to make any census of the most significant artistic presences on the national territory. It is clear that the amount of them examined here is small, and cannot determine a decisive premise and much less...an axiom in a single direction. We wanted to focus on artists of undisputed technical capacity, reiterating the word of mouth and concentrating on the knowledge acquired in the years. It should be specified, in conclusion, that no gallery has been consulted, neither by us nor by the publisher, because we keep respectfully...the distance when we get into the choices of valuable artists.Alfonso and Nicola Vaccari
Ledi e le sue magicose avventure a Berlin: ... è un dono di Zia Grazia e Zio Fabrizio

Ledi e le sue magicose avventure a Berlin: ... è un dono di Zia Grazia e Zio Fabrizio

Fabbroscrivano; Fabrizio Manili

Createspace Independent Publishing Platform
2013
nidottu
...entrammo nella BOTTEGA DEL FABBROSCRIVANO (www.fabbroscrivano.it). Ci venne incontro un omone con un grembiule colorato tutto imbrattato di pezzi di apostrofi e accenti scheggiati. Ci chiese se eravamo l per ordinare dei racconti per qualcuno e gli rivelammo che erano per te, Leda (anche se quasi tutti ti chiamano Ledi). Che hai gli occhi blu, i capelli castani e che il tuo colore preferito il rosa. Vivi a Berlin e sei nata il giorno 16 febbraio 2011. Il tuo pupazzo preferito si chiama Lala. Hai un gatto che si chiama Carlotta. Il FABBROSCRIVANO sorrise, prese una manciata di lettere da un cassetto, degli accenti e alcuni punti interrogativi. Lavor per ore, martellando parole, limando frasi e saldando lettere minuscole e maiuscole. Quando fin ci consegn questo libro raccomandandosi di consegnartelo, poich era stato scritto appositamente per te e i tuoi magici sogni; protagonista insieme a Sarah, Alessandro e Lahja di quattro magnifiche avventure: Campanelli, Babbo Natale e la renna innamorata, Nina e L'arca degli animali...
Glimmers of Light Guizzi Di Luce: Tom Billsborough Fabrizio Frosini

Glimmers of Light Guizzi Di Luce: Tom Billsborough Fabrizio Frosini

Tom Billsborough; Fabrizio Frosini

Independently Published
2018
nidottu
I was delighted when Fabrizio Frosini suggested this joint project of translating each other's poems. Italian is less familiar to me than French but it is such a musical language that I, who tend to the lyrical, was immediately attracted by the prospects. I think it would be an excellent idea for other poets of different Nationalities and cultures to take part in similar exercises. I'm sure they would find it as rewarding as I have in this bilingual Poetry project with Fabrizio. T. Billsborough] I believe that what matters most, reading a book of poetry, is to let the verses open doors and windows on our inner world, allowing it to resonate, amplifying it -whatever the historical period in which those verses were composed. F. Frosini]
The Soprano of Sunlight Luce di Soprano: Tom Billsborough Fabrizio Frosini
Tom Billsborough is a gifted writer who has the natural and acquired ability to write and translate using multiple forms. His mastery of literature, poetry, language, and humor is evident in all of his writing. (Pamela Sinicrope)*Tom Billsborough's poems will touch your heart. His poems are deeply philosophical and touches on variety of subjects.A most kind and humble heart is what I shall describe Tom Billsborough. Some of his poems have captivated me for their beauty and eternal values. (Bharati Nayak)*I am at a loss to describe Tom Billsborough. He is an erudite writer and his poetry is layered with meanings and each stroke of his pen reveals some deep, poignant truths about life. His philosophical bent of mind, deep knowledge and vast reading have gone into the making of this poet, who is kind at heart and a gentleman in the true sense of the term. (Valsa George)*I was delighted when Fabrizio Frosini suggested this joint project, and I must confess that his Italian translations did more than justice to many of my originals (T.B.)