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1000 tulosta hakusanalla Fernand Duquenne
Fernand / Jules SandeauDate de l'edition originale: 1844Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
A comprehensive look at an important member of the artistic vanguard of late 19th- and early 20th-century Europe In this beautifully illustrated book, Michel Draguet, an internationally recognized authority on fin-de-siècle art, offers an enlightening examination of the life and art of Belgian Symbolist painter Fernand Khnopff (1858–1921). Khnopff achieved widespread acclaim during his lifetime for his moody, dreamlike paintings, as well as his numerous commissioned portraits, designs for costumes and sets for the theater and opera, photography, sculpture, book illustrations, and writings. Khnopff was a reclusive personality, and in 1900 he focused his attention on the design and construction of a lavish, secluded home and studio in Brussels, a structure that became deeply entwined with the artist’s work and sense of self. Although the house was demolished in 1936, Draguet uses new archival research to reconstruct its spaces and explore the home as emblematic of the artist, guiding the reader through Khnopff’s very personal world and analyzing his art in the context of its generative surroundings.Distributed for Mercatorfonds
Fernand Dumont (1927-1997) was a sociologist, philosopher, theologian, and poet. A prominent intellectual in Quebec, he is recognized for his research on the sociology of knowledge and the foundations of modern culture. Dumont's work conceives of culture in terms of both memory and distance, arguing that without culture, man would be immersed in the monotony of his present actions, never achieving the distance necessary to create a past or a future. In Fernand Dumont: A Sociologist Turns to Theology, Gregory Baum interprets Dumont's L'institution de la theologie, which studies the assumptions and commitments implicit in the rational reflection of Catholic thinkers on the meaning of their faith. Baum shows that while Dumont's book is preoccupied with the theoretical, its methodology is informed by the cognitive presuppositions of the social sciences, and its contents - dealing with the spiritual, personal, and social struggles that constitute daily life - are concrete. For Dumont religious truth is insufficient, and may have no impact on everyday life. What counts is relevance, insights that reply to urgent questions and unresolved conflicts. He offers an innovative interpretation of Catholicism that is faithful to the Gospel and relevant to the problems of modern life and the serious questions Quebecers are asking themselves. In Fernand Dumont: A Sociologist Turns to Theology, Baum elucidates Dumont's main ideas and connects the concerns of the Christian gospel with those of contemporary society.
Fernand Léger is one of two new volumes being published this autumn in the MoMA Artists series, which explores important artists represented in depth in the collection of The Museum of Modern Art, and guides readers through a dozen of each artist’s most memorable achievements. A short and lively essay by Carolyn Lanchner, a former curator of painting and sculpture at the Museum, accompanies each work, illuminating its significance and placing it in its historical moment in the development of modern art and the artist’s own life.
The Belgian artist, illustrator, sculptor, and photographer Fernand Khnopff (1858-1921) became a popular society portraitist in the 1880s, using elements that had served him well as an avant-garde symbolist painter: visual realism and a mood of silence, isolation, and reverie. As in the provocative yet hauntingly beautiful Portrait of Jeanne Kefer, which is the focus of this book, he frequently posed his models leaning against a closed door, flattening the space and resulting in a meditative, hermetically sealed image. Jeanne Kefer was the daughter of a composer friend of the artist, and Khnopff deftly captured the child's vulnerability to the outside world in the small gesture of her tiny thumb catching the edge of her bow. The book places this painting in the historical context of Khnopff's times and social milieu, such as the advent of symbolism as a literary and artistic movement and the influence of James McNeill Whistler. The analysis of the portrait is supported by a stunning array of related paintings, details, and technical photographs. Finally, the author uses Khnopff's portraits as a springboard for a broader discussion of symbolist art.
Fernand Léger
Affron Matthew
University of Virginia Art Museum, T. H. Bayly Memorial Building
2007
pokkari
Between 1912 and 1914, Fernand Leger executed a large cycle of works known as the "Contrasts of Forms". The series embraces the genres of landscape, still life, and figure, but at its core are numerous arresting compositions that sweep aside observation to focus on formal principles. The common denominator is a complex vocabulary of mingled cones, cylinders, cubes, and planes, vigorously outlined and scrubbed with color (in the paintings) or with black ink and white gouache (in the works on paper). "The Contrasts of Forms" are essential to two great chapters in the history of modern art in the years before the First World War: first, the development of cubism, and second, the emergence of abstract art. Curated by Leger scholar Matthew Affron and organized by the University of Virginia Art Museum, this tightly focused exhibition unites two landmark paintings with eleven works on paper from major museums and private collections. "Fernand Leger: Contrasts of Forms" was presented at the University of Virginia Art Museum from January 19 to March 18, 2007, and will be at the Fogg Art Museum, Harvard University Art Museums, from April 14 to June 10, 2007.The full-color catalogue features two essays. Affron examines the logic of the "Contrasts of Forms" and the importance of this cycle in shaping the character of Leger's art. Maria Gough (Stanford University) focuses on the drawings and on Leger's notion of abstraction.
Fernand Suivi De Vaillance Et De Richard (1881)
Jules Sandeau
KESSINGER PUBLISHING, LLC
2009
pokkari
Lettres De Fernand Cortes A Charles-Quint
Fernand Cortes; Leon Vallee
KESSINGER PUBLISHING, LLC
2010
pokkari
Sidney Janis Presents His Sixth Exhibition of Paintings by Fernand Leger: Selected from the Years 1918-1954
Fernand Leger
Literary Licensing, LLC
2013
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Fernand Leger: Five Themes and Variations
Fernand Leger; Louise a. Svendsen
Literary Licensing, LLC
2013
sidottu
Fernand Leger: Five Themes And Variations is a comprehensive book that explores the life and work of French artist Fernand Leger. The book is written by Leger himself and provides readers with an in-depth look at his artistic philosophy and the five themes that he explored throughout his career. These themes include the human figure, still life, the machine, the city, and nature.The book is divided into five sections, each dedicated to one of these themes. Within each section, Leger provides a detailed analysis of his work and the various techniques he employed to create his unique style. He also discusses the historical and cultural context in which his art was created, providing readers with a deeper understanding of the social and political issues that influenced his work.In addition to Leger's writing, the book also features a wealth of illustrations, including reproductions of his most famous works. These images are accompanied by detailed captions that provide additional context and insight into Leger's artistic process.Overall, Fernand Leger: Five Themes And Variations is an essential read for anyone interested in the life and work of this influential artist. It offers a unique perspective on Leger's art and provides readers with a deeper understanding of the cultural and historical context in which it was created.Exhibition, February 28 To April 29, 1962.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
Fernand Cortes, poeme par Roux de RochelleDate de l'edition originale: 1838Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
Fernand Cortez, ou La premiere conquete du Mexique / traduit de l'espagnol par Florencio de Lecaros y VicunaDate de l'edition originale: 1869Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF.Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique.En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles.Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr