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1000 tulosta hakusanalla Frances Ellen Watkins Harper

Frances Ellen Watkins Harper

Frances Ellen Watkins Harper

Michael Stancliff

Routledge
2010
sidottu
A prominent early feminist, abolitionist, and civil rights advocate, Frances Ellen Watkins Harper wrote and spoke across genres and reform platforms during the turbulent second half of the nineteenth century. Her invention of a new commonplace language of moral character drew on the persuasive and didactic motifs of the previous decades of African-American reform politics, but far exceeded her predecessors in crafting lessons of rhetoric for women. Focusing on the way in which Harper brought her readers a critical training for the rhetorical action of a life commitment to social reform, this book reconsiders her practice as explicitly and primarily a project of teaching. This study also places Harper's work firmly in black-nationalist lineages from which she is routinely excluded, establishes Harper as an architect of a collective African-American identity that constitutes a political and theoretical bridge between early abolitionism and 20th-century civil rights activism, and contributes to the contemporary portrayal of Harper as an important theorist of African-American feminism whose radical egalitarian ethic has lasting relevance for civil rights and human rights workers.
Frances Ellen Watkins Harper

Frances Ellen Watkins Harper

Michael Stancliff

Routledge
2015
nidottu
A prominent early feminist, abolitionist, and civil rights advocate, Frances Ellen Watkins Harper wrote and spoke across genres and reform platforms during the turbulent second half of the nineteenth century. Her invention of a new commonplace language of moral character drew on the persuasive and didactic motifs of the previous decades of African-American reform politics, but far exceeded her predecessors in crafting lessons of rhetoric for women. Focusing on the way in which Harper brought her readers a critical training for the rhetorical action of a life commitment to social reform, this book reconsiders her practice as explicitly and primarily a project of teaching. This study also places Harper's work firmly in black-nationalist lineages from which she is routinely excluded, establishes Harper as an architect of a collective African-American identity that constitutes a political and theoretical bridge between early abolitionism and 20th-century civil rights activism, and contributes to the contemporary portrayal of Harper as an important theorist of African-American feminism whose radical egalitarian ethic has lasting relevance for civil rights and human rights workers.
Frances Ellen Watkins Harper's Civil War and Reconstruction

Frances Ellen Watkins Harper's Civil War and Reconstruction

Eric Gardner

OXFORD UNIVERSITY PRESS INC
2025
sidottu
In a trans-bellum public career of over fifty years, Frances Ellen Watkins Harper fought for abolition, women's suffrage, Black suffrage, civil rights, and temperance. She fashioned a sense of literature across genre that engaged deeply with both her activism and questions of aesthetics, craft, and art. Still, while Harper was well-known during her lifetime, many twentieth-century critics dismissed or ignored her. Even amid interest spurred by a new generation of scholars, Harper has often been reduced to an abolitionist poet who later, decades after emancipation, published a notable novel. Her massive efforts amid the Civil War and Reconstruction have been especially understudied and misunderstood. Frances Ellen Watkins Harper's Civil War and Reconstruction explores how this major African American author-activist claimed the book's nation-shaking moments as her own. Author Eric Gardner places a longitudinal sense of Harper's novels, poems, essays, and sketches published during these years alongside the fullest investigation to date of her lecturing career, and explores how she crisscrossed the nation-lecturing in locations from Maine to Florida to Kansas-to advocate for human rights. The book thus brings exciting new insight to Harper's oratory and activism, serialized novels like Minnie's Sacrifice and Sowing and Reaping, and key poetry from Moses to Sketches of Southern Life, and it links the breadth and reach of her ideas directly to her tenacious itinerancy. Recognizing Harper as an important analyst of her social and political moment, a public intellectual, a mother, a poet, a storyteller, a teacher, a theologian, and, simultaneously, a Black woman working in often-unwelcoming public spaces, the book builds from deep archival research to combine biography, cultural history, and context-centered literary analysis. It argues that Harper forged an intersectional praxis of public life that modelled the citizenship she demanded and that danced with constructions of community, memory, and history amid national upheaval. It focuses on Harper's vision of what Reconstruction could be-not only what needed to be built back after the Civil War but what needed to be wiped away and what needed to be created anew to enact “a more perfect union.”
Frances Harper

Frances Harper

Frances Ellen Watkins Harper

West Margin Press
2022
sidottu
Frances Harper: Poems, Prose, and Sketches (2021) is a collection of writing by Frances Harper. Harper, the first African American woman to publish a novel, gained a reputation as a popular poet and impassioned abolitionist in the decades leading up to the American Civil War. Much of her work was rediscovered in the twentieth century and preserved for its significance to some of the leading social movements of the nineteenth century, including temperance, abolition, and women’s suffrage. As an artist for whom the personal was always political, Frances Harper served in a leadership role at the Women’s Christian Temperance Union and worked to establish the National Association of Colored Women, serving for a time as vice president of the organization. Included in this volume are extracts of her early poetry volumes, including Forest Leaves (1845) and Poems on Miscellaneous Subjects (1854). In “Bury Me in Free Land,” an influential poem published in an 1858 edition of abolitionist newspaper The Anti-Slavery Bugle, Harper expresses her commitment to the cause of freedom in life or death terms: “I ask no monument, proud and high, / To arrest the gaze of the passers-by; / All that my yearning spirit craves, / Is bury me not in a land of slaves.” She reflects on the theme of freedom throughout her body of work, often examining her own identity or experiences as a free Black woman alongside the lives of her enslaved countrymen. In “Free Work,” she looks to something as simple as her own clothing and examines its connection—or lack thereof—to the institution of slavery: “I wear an easy garment, / O’er it no toiling slave / Wept tears of hopeless anguish, / In his passage to the grave.” Reflecting on the horrors of slavery through the lens of the everyday, Harper refuses to take for granted the significance of freedom in all of its manifestations, a reality which is sometimes as simple as the clothes on her back. In these poems and speeches from across her lengthy career as an artist and activist, Harper not only dedicates herself to her suffering people, but imagines a time “When men of diverse sects and creeds / Are clasping hand in hand.” With a beautifully designed cover and professionally typeset manuscript, this edition of Frances Harper’s Frances Harper: Poems, Prose, and Sketches is a classic of African American literature reimagined for modern readers.
The Novels of Frances Harper

The Novels of Frances Harper

Frances Ellen Watkins Harper

West Margin Press
2022
sidottu
The Novels of Frances Harper (2021) collects four works of fiction by Frances Ellen Watkins Harper, a pioneering figure in African American literature. Minnie’s Sacrifice (1869), originally serialized in the Christian Recorder, addresses such themes as miscegenation, passing, and the institutionalized rape of enslaved women using the story of Moses as inspiration. Sowing and Reaping (1876) is a novel concerned with the cause of temperance in a time when Black families were frequently torn apart by alcoholism. Trial and Triumph (1888-1889) is a politically conscious novel concerned with an African American community doing its best to overcome hardship with love and solidarity. Iola Leroy, or Shadows Uplifted (1892) is a story of liberation set during the American Civil War that deals with such themes as abolition, miscegenation, and passing. Minnie’s Sacrifice begins on a plantation in the American South. A slave named Miriam mourns the untimely death of her only daughter, Agnes, who succumbed while giving birth to a baby boy, leaving her son in her mother’s care. Visiting Miriam’s cabin later that day, Camilla, the master’s daughter, discovers a blond-haired, blue-eyed boy. Bringing this to the attention of her father, Camilla proposes that the boy be sent away from the plantation to be brought up as white. Trial and Triumph is the story of a young orphan girl. With few opportunities for education, and despite her affinity for reading, Annette faces prejudice and indifference from her community, who remain either cautiously protective of their children or too involved with their own problems to pay heed to another struggling youth. Sowing and Reaping is a tale of friendship and tragedy exploring the concerns of the temperance movement. Paul—whose father died young from alcoholism—always places morality ahead of opportunity, while John, a pragmatist at heart, decides to open a saloon. Iola Leroy, or Shadows Uplifted is the story of Iola Leroy, a free-born woman who was forced into slavery due to her mixed racial heritage. Her father Eugene, a wealthy slaveowner, set Iola’s mother free in order to marry her and start a family. When he died from a sudden illness, Eugene left his family in grave danger, and Marie and her children were soon torn from freedom by Eugene’s spiteful relatives. These novels by Frances Ellen Watkins Harper, a groundbreaking nineteenth century writer, inspired such figures as Zora Neale Hurston and Ida B. Wells. With a beautifully designed cover and professionally typeset manuscript, this edition of The Novels of Frances Harper is a classic of African American literature reimagined for modern readers.
The Complete Frances Harper

The Complete Frances Harper

Frances Ellen Watkins Harper

West Margin Press
2022
sidottu
The Complete Frances Harper (2021) is a collection of writing by Frances Ellen Watkins Harper. Harper, the first African American woman to publish a novel, gained a reputation as a popular poet and impassioned abolitionist in the decades leading up to the American Civil War. Much of her work was rediscovered in the twentieth century and preserved for its significance to some of the leading social movements of the nineteenth century, including temperance, abolition, and women’s suffrage. As an artist for whom the personal was always political, Frances Harper served in a leadership role at the Women’s Christian Temperance Union and worked to establish the National Association of Colored Women, serving for a time as vice president of the organization. Included in this volume are her early poetry volumes, such as Forest Leaves (1845) and Poems on Miscellaneous Subjects (1854). In “Bury Me in Free Land,” an influential poem published in an 1858 edition of abolitionist newspaper The Anti-Slavery Bugle, Harper expresses her commitment to the cause of freedom in life or death terms: “I ask no monument, proud and high, / To arrest the gaze of the passers-by; / All that my yearning spirit craves, / Is bury me not in a land of slaves.” She reflects on the theme of freedom throughout her body of work, often examining her own identity or experiences as a free Black woman alongside the lives of her enslaved countrymen. The Complete Frances Harper also includes her four groundbreaking novels. Minnie’s Sacrifice (1869), originally serialized in the Christian Recorder, addresses such themes as miscegenation, passing, and the institutionalized rape of enslaved women using the story of Moses as inspiration. Sowing and Reaping (1876) is a novel concerned with the cause of temperance in a time when Black families were frequently torn apart by alcoholism. Trial and Triumph (1888-1889) is a politically conscious novel concerned with an African American community doing its best to overcome hardship with love and solidarity. Iola Leroy, or Shadows Uplifted (1892) is a story of liberation set during the American Civil War that deals with such themes as abolition, miscegenation, and passing. In these novels, poems, speeches from across her lengthy career as an artist and activist, Harper not only dedicates herself to her suffering people, but imagines a time “When men of diverse sects and creeds / Are clasping hand in hand.” With a beautifully designed cover and professionally typeset manuscript, this edition of The Complete Frances Harper is a classic of African American literature reimagined for modern readers.
The Complete Frances Harper

The Complete Frances Harper

Frances Ellen Watkins Harper

Graphic Arts Books
2021
pokkari
The Complete Frances Harper (2021) is a collection of writing by Frances Ellen Watkins Harper. Harper, the first African American woman to publish a novel, gained a reputation as a popular poet and impassioned abolitionist in the decades leading up to the American Civil War. Much of her work was rediscovered in the twentieth century and preserved for its significance to some of the leading social movements of the nineteenth century, including temperance, abolition, and women’s suffrage. As an artist for whom the personal was always political, Frances Harper served in a leadership role at the Women’s Christian Temperance Union and worked to establish the National Association of Colored Women, serving for a time as vice president of the organization. Included in this volume are her early poetry volumes, such as Forest Leaves (1845) and Poems on Miscellaneous Subjects (1854). In “Bury Me in Free Land,” an influential poem published in an 1858 edition of abolitionist newspaper The Anti-Slavery Bugle, Harper expresses her commitment to the cause of freedom in life or death terms: “I ask no monument, proud and high, / To arrest the gaze of the passers-by; / All that my yearning spirit craves, / Is bury me not in a land of slaves.” She reflects on the theme of freedom throughout her body of work, often examining her own identity or experiences as a free Black woman alongside the lives of her enslaved countrymen. The Complete Frances Harper also includes her four groundbreaking novels. Minnie’s Sacrifice (1869), originally serialized in the Christian Recorder, addresses such themes as miscegenation, passing, and the institutionalized rape of enslaved women using the story of Moses as inspiration. Sowing and Reaping (1876) is a novel concerned with the cause of temperance in a time when Black families were frequently torn apart by alcoholism. Trial and Triumph (1888-1889) is a politically conscious novel concerned with an African American community doing its best to overcome hardship with love and solidarity. Iola Leroy, or Shadows Uplifted (1892) is a story of liberation set during the American Civil War that deals with such themes as abolition, miscegenation, and passing. In these novels, poems, speeches from across her lengthy career as an artist and activist, Harper not only dedicates herself to her suffering people, but imagines a time “When men of diverse sects and creeds / Are clasping hand in hand.” With a beautifully designed cover and professionally typeset manuscript, this edition of The Complete Frances Harper is a classic of African American literature reimagined for modern readers.
The Novels of Frances Harper

The Novels of Frances Harper

Frances Ellen Watkins Harper

Graphic Arts Books
2021
pokkari
The Novels of Frances Harper (2021) collects four works of fiction by Frances Ellen Watkins Harper, a pioneering figure in African American literature. Minnie’s Sacrifice (1869), originally serialized in the Christian Recorder, addresses such themes as miscegenation, passing, and the institutionalized rape of enslaved women using the story of Moses as inspiration. Sowing and Reaping (1876) is a novel concerned with the cause of temperance in a time when Black families were frequently torn apart by alcoholism. Trial and Triumph (1888-1889) is a politically conscious novel concerned with an African American community doing its best to overcome hardship with love and solidarity. Iola Leroy, or Shadows Uplifted (1892) is a story of liberation set during the American Civil War that deals with such themes as abolition, miscegenation, and passing. Minnie’s Sacrifice begins on a plantation in the American South. A slave named Miriam mourns the untimely death of her only daughter, Agnes, who succumbed while giving birth to a baby boy, leaving her son in her mother’s care. Visiting Miriam’s cabin later that day, Camilla, the master’s daughter, discovers a blond-haired, blue-eyed boy. Bringing this to the attention of her father, Camilla proposes that the boy be sent away from the plantation to be brought up as white. Trial and Triumph is the story of a young orphan girl. With few opportunities for education, and despite her affinity for reading, Annette faces prejudice and indifference from her community, who remain either cautiously protective of their children or too involved with their own problems to pay heed to another struggling youth. Sowing and Reaping is a tale of friendship and tragedy exploring the concerns of the temperance movement. Paul—whose father died young from alcoholism—always places morality ahead of opportunity, while John, a pragmatist at heart, decides to open a saloon. Iola Leroy, or Shadows Uplifted is the story of Iola Leroy, a free-born woman who was forced into slavery due to her mixed racial heritage. Her father Eugene, a wealthy slaveowner, set Iola’s mother free in order to marry her and start a family. When he died from a sudden illness, Eugene left his family in grave danger, and Marie and her children were soon torn from freedom by Eugene’s spiteful relatives. These novels by Frances Ellen Watkins Harper, a groundbreaking nineteenth century writer, inspired such figures as Zora Neale Hurston and Ida B. Wells. With a beautifully designed cover and professionally typeset manuscript, this edition of The Novels of Frances Harper is a classic of African American literature reimagined for modern readers.
Frances Harper

Frances Harper

Frances Ellen Watkins Harper

Graphic Arts Books
2021
pokkari
Frances Harper: Poems, Prose, and Sketches (2021) is a collection of writing by Frances Harper. Harper, the first African American woman to publish a novel, gained a reputation as a popular poet and impassioned abolitionist in the decades leading up to the American Civil War. Much of her work was rediscovered in the twentieth century and preserved for its significance to some of the leading social movements of the nineteenth century, including temperance, abolition, and women’s suffrage. As an artist for whom the personal was always political, Frances Harper served in a leadership role at the Women’s Christian Temperance Union and worked to establish the National Association of Colored Women, serving for a time as vice president of the organization. Included in this volume are extracts of her early poetry volumes, including Forest Leaves (1845) and Poems on Miscellaneous Subjects (1854). In “Bury Me in Free Land,” an influential poem published in an 1858 edition of abolitionist newspaper The Anti-Slavery Bugle, Harper expresses her commitment to the cause of freedom in life or death terms: “I ask no monument, proud and high, / To arrest the gaze of the passers-by; / All that my yearning spirit craves, / Is bury me not in a land of slaves.” She reflects on the theme of freedom throughout her body of work, often examining her own identity or experiences as a free Black woman alongside the lives of her enslaved countrymen. In “Free Work,” she looks to something as simple as her own clothing and examines its connection—or lack thereof—to the institution of slavery: “I wear an easy garment, / O’er it no toiling slave / Wept tears of hopeless anguish, / In his passage to the grave.” Reflecting on the horrors of slavery through the lens of the everyday, Harper refuses to take for granted the significance of freedom in all of its manifestations, a reality which is sometimes as simple as the clothes on her back. In these poems and speeches from across her lengthy career as an artist and activist, Harper not only dedicates herself to her suffering people, but imagines a time “When men of diverse sects and creeds / Are clasping hand in hand.” With a beautifully designed cover and professionally typeset manuscript, this edition of Frances Harper’s Frances Harper: Poems, Prose, and Sketches is a classic of African American literature reimagined for modern readers.
Minnie's Sacrifice

Minnie's Sacrifice

Frances Ellen Watkins Harper

Lulu.com
2019
nidottu
Minnie's Sacrifice was written by Frances Ellen Watkins Harpe. Frances Ellen Watkins Harper (September 24, 1825 - February 22, 1911) was an African-American abolitionist, suffragist, poet, teacher, public speaker, and writer. The topics she wrote and spoke about include: "enslavement and abolitionism, human rights and dignity, women's rights and equality, racial and social justice, lynching and mob violence, voting rights, moral character, racial self-help and uplift, and multiracial cooperation for common good." She was active in social reform and was a member of the Woman's Christian Temperance Union, which advocated the federal government taking a role in progressive reform. She is considered "the mother of African-American journalism."