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1000 tulosta hakusanalla Frank Edwin Ward
Substructure of the St. Louis Electric Bridge, St. Louis, Missouri
Frank Edwin Washburn
Kessinger Pub
2009
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One of the Washington Post's 50 Best Nonfiction Books of 2024 A New York Times Book Review Editors' Choice A Boston Globe Best Book of 2024 "Ambitious, intelligent, and happily unpretentious." --Louis Menand, The New Yorker "Convincing, idiosyncratic and often felicitous." --Alexandra Jacobs, The New York Times Book ReviewA legendary editor's reckoning with the twentieth-century novel and the urgent messages it sends. "How can we live differently?" a young woman urgently demands in Virginia Woolf's novel The Years. It is the 1930s, war and death are in the air, but her question was asked again and again in the course of a century where things changed fast and changed all the time. The century brought world wars, revolutions, automobiles, movies, and the internet, votes for women, death camps. The century brought questions. Novelists in the twentieth century had a question of their own: how can we write a novel as startling and unforeseen as the world we live in? Again and again they did, transforming the novel as the century remade the world. Imagine the history of the twentieth-century novel recounted with the urgency and intimacy of a novel. That's what Edwin Frank, the legendary editor who has run the New York Review Books publishing imprint since its inception, does in Stranger Than Fiction. With penetrating insight and originality, Frank introduces us to books, some famous, some little-known, from the whole course of the century and from around the world. Starting with Dostoevsky's Notes from Underground of 1864, Frank shows how its twitchy, self-undermining, and never-satisfied narrator established a voice that would echo through the coming century. He illuminates the political vision of H. G. Wells's science fiction, Colette and Andre Gide's subversions of traditional gender roles, and Gertrude Stein's untethering of the American sentence. He describes the monumental ambition of books such as Mrs. Dalloway, The Magic Mountain, and The Man Without Qualities to rebuild a world of human possibility upon the ruins of World War I and explores how Japan's Natsume Sōseki and Nigeria's Chinua Achebe broke open European models to reflect their own, distinct histories and experience. Here too are Vasily Grossman, Anna Banti, and Elsa Morante reckoning in specific ways with the traumas of World War II, while later chapters range from Marguerite Yourcenar and V. S. Naipaul to Gabriel Garc a M rquez and W. G. Sebald. The story as a whole is one of fearless, often reckless exploration, as well as unfathomable desolation. Throughout, we discover the power of the novel to reinvent itself, to find a way for itself, to live differently. Stranger Than Fiction offers a new vision of the history and art of the novel and of a dark and dazzling time in whose light and shadow we still stand.
AN ECONOMIST BOOK OF THE YEAR 2024'A masterclass in masterpieces' SUNDAY TELEGRAPH'Epic, personal, smart, wise, witty' JOSHUA COHEN'Sizzles with passion' TOM McCARTHYFor more than two decades, Edwin Frank has introduced readers to forgotten or overlooked texts as director of the acclaimed publisher New York Review Books. In Stranger than Fiction, he offers a legendary editor’s survey of the key works that defined the twentieth-century novel.Starting with Dostoevsky's Notes from Underground, Frank shows how its twitchy, self-undermining narrator established a voice that would echo through the coming century. He illuminates Gertrude Stein and Ernest Hemingway’s reinvention of the American sentence; Colette and André Gide’s subversions of traditional gender roles; and the monumental ambitions of works such as Mrs Dalloway, The Magic Mountain and The Man Without Qualities to encompass their times. Also included are Japan's Natsume Soseki and Nigeria’s Chinua Achebe, as well as Vasily Grossman, Hans Erich Nossack and Elsa Morante. Later chapters range from Ralph Ellison and Marguerite Yourcenar to Gabriel García Márquez and WG Sebald.Frank makes sense of the century by mixing biographical portraiture, cultural history and close encounters with great works of art. In so doing he renews our appreciation of the paradigmatic art form of our times.
Celebrating the 20th Anniversary of the NYRB Classics series, a collection of twenty favorite selections. In Greek mythology, Ariadne gave Theseus a ball of red thread to guide him through the labyrinth, and the Red Thread offers a path through and a way to explore the ins and outs and twists and turns of the celebrated NYRB Classics series, now twenty years old. The NYRB Classics series is known for translating great books from throughout the ages and all over the world; for rediscovering neglected geniuses such as Eve Babitz, Sylvia Townsend Warner, and John Williams; and for its wide-ranging eclecticism. The series ranges across time and space and through multiple literary genres, from the novel and the short story to memoirs, diaries, essays personal and impersonal, works of history, philosophy, and criticism, poems and polemics and how-to books. This selection of stories, chapters, essays, poems, reflections, remembrances and sundry other literary illuminations has been made by the founder and editor of the series, Edwin Frank, to suggest something of its unique range and encapsulate the idea that writing that is truly alive may turn up anywhere.
Kabbalist hymns, a Futurist dragon, Wagnerian vaudeville, Virgil in India, and Pinocchio, in love and at a loss, among the philosophers, are among the mirrors and reflections found in Snake Train, a gathering of the poetic sequences and longer poems (plus one piece of prose) that Edwin Frank has published over the years in various journals and chapbooks. Though haunted by ghosts, this book of waiting and wanting is very much set among the shiny constructions and destroyed or abandoned spaces of today's continuous present, in which the lyric echoes from some past - or future - remove.
AN ECONOMIST BOOK OF THE YEAR 2024'A masterclass in masterpieces' SUNDAY TELEGRAPH'Epic, personal, smart, wise, witty' JOSHUA COHEN'Sizzles with passion' TOM McCARTHYFor more than two decades, Edwin Frank has introduced readers to forgotten or overlooked texts as director of the acclaimed publisher New York Review Books. In Stranger than Fiction, he offers a legendary editor’s survey of the key works that defined the twentieth-century novel.Starting with Dostoevsky's Notes from Underground, Frank shows how its twitchy, self-undermining narrator established a voice that would echo through the coming century. He illuminates Gertrude Stein and Ernest Hemingway’s reinvention of the American sentence; Colette and André Gide’s subversions of traditional gender roles; and the monumental ambitions of works such as Mrs Dalloway, The Magic Mountain and The Man Without Qualities to encompass their times. Also included are Japan's Natsume Soseki and Nigeria’s Chinua Achebe, as well as Vasily Grossman, Hans Erich Nossack and Elsa Morante. Later chapters range from Ralph Ellison and Marguerite Yourcenar to Gabriel García Márquez and WG Sebald.Frank makes sense of the century by mixing biographical portraiture, cultural history and close encounters with great works of art. In so doing he renews our appreciation of the paradigmatic art form of our times.
Discover the life and artistry of Frank Reynolds, R.I., the celebrated British artist and illustrator, in this meticulously prepared biography by A.E. Johnson. This volume explores Reynolds' significant contributions to painting and caricature, offering readers a glimpse into the world of a master artist. "Frank Reynolds, R. I." delves into the history of his art, showcasing his techniques and unique style. This book is essential for anyone interested in the lives of artists, the history of drawing, or the broader landscape of early 20th-century art. Explore the artistic journey of Frank Reynolds and gain insights into his lasting legacy.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Brutally Frank is the autobiography of an elder statesman and frontline advocate of truth, fairness, justice, and equity in Nigeria, Chief (Dr.) Edwin Kiagbodo Clark, OF, CON. Written in a simple language, the book tells the story of Edwin Clark right from his forebears till his present. But beyond being the story of just a man and his life, Edwin Clark's story intersects with those of the Ijaws, the Urhobos and the entire Niger Delta on one hand, and the Nigerian nation on the other hand. Therefore, in this book, the history of Nigeria and the vital events that contributed to its current outlook are captured and told as they are in a brutally frank manner Furthermore, important facts and salient truths which must be stated, understood, and appreciated should Nigeria desire to move forward and reclaim its rightful place in the comity of nations are well articulated by Chief Clark in this book.This is a must read for every Nigerian.
Estate of Frank A. Vanderlip, Deceased, et al., Etc., Petitioners, V. Commissioner of Internal Revenue. U.S. Supreme Court Transcript of Record with Supporting Pleadings
Edwin W Cooney
Gale, U.S. Supreme Court Records
2011
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Du musst zum Westtor gehen: Gedichte, englisch - deutsch, von Edwin Arlington Robinson
Frank Freimuth
tredition GmbH
2019
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Aloft in the Shenandoah II: How Lew Heinsling Earned the Right to Fly in Uncle Sam's Newest Dirigible
Lewis Edwin Theiss; Frank T. Merrill
Literary Licensing, LLC
2012
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Alex Sweet on Texas Journalism: Oldtime Comments on Journalism, V1, No. 8
Alexander Edwin Sweet; Frank Luther Mott
Literary Licensing, LLC
2012
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An insightful analysis of the world's financial institutions and the regulatory challenges they face.