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1000 tulosta hakusanalla Freda Wynn
In der letzten H lfte des 20. und zu Beginn des 21. Jahrhunderts haben alternative Reality-Filme einen gewaltigen Zuwachs erfahren. Diese Filme spiegeln die wachsende kollektive Angst wider, dass es unm glich ist, die wahre Realit t zu erkennen. Diese Filme, wie die aus den f nfziger Jahren, die die Angst vor den Kommunisten und der Atombombe widerspiegelten, werden benutzt, um unsere Angst zu lindern, w hrend die Welt weniger kontrovers und viel technikbewusster ist. Indem wir diese Filme und ihre theoretischen Grundlagen untersuchen, werden wir ber das Wie und Warum dieser Einfl sse auf unser Denken und Verhalten informiert. In der wachsenden Welt der Film- und Medienwissenschaften wird dieses Buch von Interesse f r die Untersuchung der historisch-sozialen Auswirkungen des Films sein.
Au cours de la derni re partie du XXe si cle et au d but du XXIe, les films de r alit alternative ont connu une croissance prodigieuse. Ces films refl tent la crainte collective croissante qu'il soit impossible de discerner la vraie r alit . Ces films, comme ceux des ann es 50 qui refl taient la peur des communistes et de la bombe nucl aire, sont utilis s pour apaiser notre anxi t alors que le monde est moins contre-attaque et beaucoup plus conscient de la technologie informatique. En examinant ces films et leurs fondements th oriques, nous sommes inform s du comment et du pourquoi de ces influences sur notre pens e et notre comportement. Dans le monde croissant des tudes sur les films et les m dias, ce livre sera int ressant pour l' tude de l'impact historico-social du cin ma.
Realidades alternativas: Un enigma metafísico
Freda Wynn
Ediciones Nuestro Conocimiento
2021
nidottu
Na ltima parte do s culo XX e no in cio do s culo XXI, os filmes de realidade alternativa aumentaram prodigiosamente. Estes filmes reflectem o crescente medo colectivo de que o discernimento da verdadeira realidade imposs vel. Estes filmes como os dos anos cinquenta que reflectiram o medo dos comunistas e da bomba nuclear s o utilizados para aliviar a nossa ansiedade, medida que o mundo se torna menos contente e muito mais consciente do ponto de vista t cnico e inform tico. Ao examinarmos estes filmes e os seus fundamentos te ricos, tornamo-nos informados sobre como e porqu destas influ ncias no nosso pensamento e comportamento. No mundo crescente dos estudos filma e media este livro ser de interesse no estudo do impacto hist rico-social do cinema.
Nell'ultima parte del XX secolo e all'inizio del XXI secolo, i film di realt alternativa sono aumentati in modo prodigioso. Questi film riflettono il crescente timore collettivo che sia impossibile discernere la vera realt . Questi film, come quelli degli anni Cinquanta che riflettevano la paura dei comunisti e della bomba nucleare, sono usati per alleviare la nostra ansia, perch il mondo meno contorto e molto pi tecno-consapevole dei computer. Esaminando questi film e le loro fondamenta teoriche, veniamo informati del come e del perch di queste influenze sul nostro pensiero e sul nostro comportamento. Nel crescente mondo del cinema e dei media questo libro sar interessante per lo studio dell'impatto storico-sociale del cinema.
W ostatniej części XX wieku i na początku XXI wieku liczba alternatywnych film w reality rosla w ogromnym stopniu. Filmy te odzwierciedlają rosnący spoleczny strach, że rozeznanie prawdziwej rzeczywistości jest niemożliwe. Filmy te, jak te z lat pięcdziesiątych, kt re odzwierciedlaly strach przed komunistami i bombą atomową, są wykorzystywane do lagodzenia naszego niepokoju, jako że świat jest mniej konkretny i znacznie bardziej technologiczno-komputerowy. Analizując te filmy i ich teoretyczne podstawy, dowiadujemy się, jak i dlaczego wplywają one na nasze myślenie i zachowanie. W rozwijającym się świecie studi w filmowych i medialnych książka ta zainteresuje nas badaniem historyczno-spolecznego wplywu filmu.
This classic tale follows the unexpected adventures of a mild-mannered English vicar who finds himself embroiled in international intrigue. When the vicar's roguish brother Edmund returns home with a mysterious cargo and dubious associates, the quiet clergyman is drawn into a web of smuggling and deceit. Forced to navigate unfamiliar waters both literal and figurative, the vicar must confront moral dilemmas as he tries to help his brother while upholding his principles. From the English countryside to Mediterranean ports, the story blends elements of mystery, adventure, and moral conflict. As secrets come to light and dangers mount, the vicar discovers hidden strengths as he fights to save his brother and clear his own conscience.
Set in the time of the 2017 Churchill film, 'Darkest Hour', we follow Gordon, a young British Officer in the Kings African Rifles in 1939. He is sent off alone to try and gain intelligence for British Army on the possible Italian invasion of Kenya. He links up with Emma, Lord Wakefields daughter who is half Italian. They experience some horrendous escapades with a camel called Freda, and fall in love. They get involved in the hostilities in the Western Desert. The chances of their survival appear to be remote. Can their love and courage save Cairo from the Axis Powers?
A vulnerable elderly woman and a conniving younger man. When the police get involved can they protect her from his influence, or will his charm be able to win her over one last time?
Freda Kirchwey—writer, editor, publisher, opinionmaker, feminist, wife, and mother—was a salient figure in twentieth-century America, a beacon for liberals and activists of her era. A journalist with The Nation from 1918 to 1955—owner, editor, and publisher after 1937—she was an advocate of advanced ideas about sexual freedom and birth control and a tireless foe of fascism. The quintessential new woman, she combined a private and highly visible public life.In this first full-scale biography of Kirchwey, Sara Alpern weaves the strands of gender-related issues with larger social explorations. An early feminist, from a privileged and progressive background, Kirchwey was determined to enjoy both career and marriage, but the early deaths of two of her three sons and strained relations with her husband led to self-doubt about her identity. Yet despite any hidden misgivings, her humanitarianism and outstanding journalistic and critical gifts projected her onto the larger stage of public life. Alpern richly describes Kirchwey’s extraordinary work editing The Nation, one of the longest surviving American liberal journals, and shaping public opinion on domestic and international affairs. Kirchwey focused on large political and international issues—the Spanish Civil War, democracy versus fascism and Nazism, pacifism and collective security, the plight of refugees and Zionism, McCarthyism and censorship, and, finally, the peaceful employment of atomic power.Freda Kirchwey’s life story introduces a remarkable woman to a new generation struggling with personal and career goals as it recalls the efflorescence of liberalism for an older generation of readers.